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Original Concert Works | Medium
Cadence Everlasting—Rossano Galante.
A solo horn accompanied by sustained
strings sets the tone for this lyrical piece.
This work aims to capture humanity's love
affair with music. The beauty of music is
its ability to evoke an emotional response
without words, just sonic waves. Music truly
is the sound of emotions.
11511802 Full Orchestra . . . . .M 80.00
Cape Cod Shanty—arr. Dan Adams.
Centuries-old sea shanties made the drudgery
and monotony of a sailor's work more
tolerable. Sung on the decks of merchant,
fishing, and whaling ships, these often colorful
songs have become an important part of our
folk music history. This is a full orchestra
arrangement of Cape Cod Girls, a call-and-
response song with some interesting lyrics.
If you were seaman, you surely would have
sung many creative verses
.
11522117 Full Orchestra . . . . .M 70.00
Champions' Fanfare—Joshua Reznicow.
A celebration of perseverance, unity, and
the triumph of the human spirit! From
the very first beat, the music commands
attention, opening with a bold, declarative
statement from the entire ensemble.
Harnessing the full sound potential of your
musicians, the powerful themes will make
a dramatic impact on your audience, while
the soaring countermelodies will exude
nothing but confidence from your ensemble.
Uplifting music with an enormous sound!
11625554 Full Orchestra . . . M 130.00
Choose Kindness—Tyler Arcari. Inspired
by the heartfelt quote, "When given the
choice between being right and being
kind, choose kind," this stunningly emotive
piece for full orchestra features grand
musical buildups and intricate motivic
development, seamlessly transitioning
from a slow, introspective introduction into
an emotionally powerful climax. A truly
beautiful work!
11611786 Full Orchestra . . . . .M 75.00
The Final Ascent—Aaron Soltis. An
exciting concert opener or closer for full
orchestra, this gives young musicians an
opportunity to experience a smaller-scale
cinematic work that feels both challenging
and rewarding. Filled with vivid musical
qualities typical of film music and a
triumphant conclusion, it makes for an
engaging and memorable addition to any
high school concert program.
11689390 Full Orchestra . . . M 115.00
Genesis—Rossano Galante. Written
for more advanced full orchestras, this
stunning original cinematic overture will
transport your orchestra to the movie
soundstage. It's a musical journey that
depicts the rebuilding of humankind into
a utopian society. The scene is set with
a dramatic, rhythmic ostinato joined by
the melody and builds to an intense peak
before slowly fading away. This piece
provides plenty of technical displays for
your string and woodwind sections as well
as the perfect opportunity to showcase the
power and range of the brass. (3:45)
11354952 Full Orchestra . . . . .M 80.00
Gravitas—Soon Hee Newbold. A grand
opening or closing full orchestra piece
for your next concert, this powerful work
celebrates strength, beauty, and the
journey that shapes us. Highly cinematic
and inspirational music includes soaring
lines that will take your group to the next
level as the adrenaline rushes in! (4:15)
11568699 Full Orchestra . . . M 105.00
Hope—Dan Adams. A slow, expressive arc
unfolds in this full orchestra work, gradually
building toward sweeping, dramatic peaks
through rich orchestration and exposed
textures. The tempo ebbs and flows
throughout emphasizing ensemble unity,
while careful dissonances and sustained
legato writing spotlight balance and a
full dynamic range. A strong high school
selection for highlighting expressive control
and mature ensemble blend in concert or
festival settings.
11680886 Full Orchestra . . . . .M 85.00
Hope Triumphant—Adrian Gordon. Take
your audience on an emotional journey of
resilience and hope! This powerful piece
revolves around the theme "Stop the
Violence, Show Kindness," resonating
deeply with its poignant portrayal of the
impact of gun violence on communities.
Structured into three distinct sections, it
begins with chaotic fury and destruction,
transitions into solemn reflection on grief,
and concludes with a triumphant call for
unity and peace. Ideal for orchestras aiming
to inspire reflection and action toward a
safer, kinder world.
11626761 Full Orchestra Score &
Parts . . . . . . . . . . . .M 80.00
The Iron Horse—Robert Debbaut. Inspired
by the steam engine's role in the western
American frontier, this character piece
for orchestra draws on both history and
folklore. A four-note motive permeates
the score, shaping melodic and harmonic
development throughout. Pentatonic
writing evokes the soundscape of Native
American folk traditions set against driving
war-drum rhythms and the relentless
pulse of thundering trains. The result is
a vivid musical portrait built on contrast,
momentum, and tightly unified material.
11684434 Full Orchestra . . . . .M 85.00
Kyiv, 2022 (A Sequel to Moscow, 1941)—
Brian Balmages. Written as a powerful
sequel to Moscow, 1941, this work changes
the narrative: the theme from Moscow now
represents the aggressor, and the heroic
people of Ukraine are represented by the
Ukrainian national anthem and the powerful
song Prayer for Ukraine. Certain to spark
discussions about humanity, history, and
culture, this piece can easily be performed
alongside Moscow, 1941 or in place of it.
All net proceeds of the initial release are
going to relief organizations on the ground
in Ukraine.
11396559 Full Orchestra . . . . .M 75.00
Land o' the Leal—arr. Dan Adams. A
collector of folk tunes, Lady Nairne (Carolina
Oliphant) undoubtedly chose the traditional
Scottish air "Hey, Tuttie, Tattie" as the
setting for her melancholy text because of
its beauty and simplicity. Also known as the
melody to Robert Burns' nationalistic "Scots
Wha Hae", the folk tune has been part of
Scottish life for centuries. Lady Nairne wrote
her words upon the passing of the only
child of her friend, Mrs. Archibald Campbell
Colquhoun. In her setting, Land O' The
Leal is a reference to heaven, where they
will someday be reunited. This orchestral
arrangement of the old Scottish tune hopes
to capture the serenity and hopefulness of
her poem.
11522115 Full Orchestra . . . . .M 70.00
Leviathan Rising—Joshua Reznicow.
Inspired by the mythical sea monster
Leviathan, an ancient creature said to rise
from the ocean's depths to bring chaos
and destruction. Complete with intense
driving motives, sweeping lyrical lines, and
a cinematic style reminiscent of Hollywood
film scores, this piece is scored to be
technically accessible to all sections of the
intermediate orchestra. Sure to capture the
imagination of performers and audiences
alike while showing off the power of the
orchestra.
11625555 Full Orchestra . . . M 130.00
Majestic Fields—Joshua Reznicow.
Coming out of the 2020 pandemic when
schools, ensembles, and music classes
either rehearsed sporadically or not at
all, the organizers of the Big 9 Festival in
Austin, Minnesota wanted to commission a
piece that would help celebrate the return to
in-person learning and music making.
11520744 Full Orchestra . . . M 145.00
A Matador's Tale—Mark Lortz. With
traditional Spanish flair, this programmatic
work depicts a bullfight, beginning with
the matador's fanfare entrance. After the
various stages of the fight, the music comes
to a rousing end. The many doublings in this
intermediate work allow orchestras to play it
with missing instrumentation.
10696520 Full Orchestra . . . . .M 65.00
Ned of the Hill (Eamon an Chnuic)—arr.
Dan Adams. In this traditional Irish ballad
dating back to the end of the 16th century,
young Ned of the Hill is an outlaw singing
to a maiden in a tower. Though he is poor,
he asks for her hand in marriage, and they
escape together.
11522118 Full Orchestra . . . . .M 70.00
Opening Night (for Full Orchestra or
Symphonic Band)—Brian Balmages. This
original Broadway-style overture is full of
energy and will transport audiences to the
world of musical theater. The curtain rises,
the spotlight is on, and the magic begins
as the show finally reaches its opening
night. There are numerous instrumentation
options: perform the piece with traditional
full orchestra, with symphonic band, or
combine your band and string programs to
bring the house down! (3:15)
11511837 Full Orchestra . . . M 120.00
Origins—Brian Balmages. This cinematic-
inspired work will bring down the house in
grand fashion! In addition to the powerful
melodic lines, colorful orchestration, and
pulsating rhythms, there are optional parts
for didgeridoo and wordless choir (available
separately for SATB, SSAA, or TTBB). Not
just a piece, but an experience! (5:45)
11568683 Full Orchestra . . . M 120.00
A Pirate's Legend—Soon Hee Newbold/
arr. Carl Rydlund. Experience the high
seas with this programmatic work for
full orchestra complete with mystery,
adventure, sword battles and buried
treasure. A multitude of effects add to
the drama and intensity, including the
unique sound of glissando cello harmonics
simulating the sound of seagulls on a
desert island. Includes optional parts for
your concert band members as well (not
playable by concert band alone).
10454287 Full Orchestra . . . M 110.00
The Race Horse—Robert Debbaut. A
nonstop gallop from opening to close, this
full orchestra work thrives on relentless
rhythmic drive and cinematic flair. Constant
motion propels the music forward, creating
a sense of speed and urgency that
immediately grips the listener. The tightly
focused energy never lets up, keeping
performers and audience locked into the
ride from the first measure to the last.
11684435 Full Orchestra . . . . .M 80.00
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