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Mariachi Band
Mariachi Band
La Barca de Oro (The Golden Boat)—arr.
Noe Sanchez. A Mexican folk song from
the late 1800s is arranged here in ranchera
lenta style. The vocals are optional, so the
piece can be played as an instrumental
feature. If there is a singer, violin 1 should
play the violin 2 part until there are no vocals
and then switch back to part 1. The trumpet
1 part can be transposed an octave lower at
the beginning if the notes are too high. As
a general rule, whenever there are singers,
trumpets should always play softly, piano.
11641689 Mariachi Band . . . . ME 32.00
Besame Mucho—Juan Ortiz. The Bolero is
a popular Latin rhythm originating in Cuba,
and is the basis for this moderately paced
version of this well-known Latin standard.
2470782 Mariachi Band . . . . ME 40.00
La Brisa del Viento (The Breeze of the
Wind)—Noe Sanchez. A beginner mariachi
piece in 3/4 waltz style. Written to be
accessible to all instruments, the guitarron
only uses five notes, the trumpets use four
notes, and the violins are basically playing
a G major scale. The armonia section has
basic beginner chords, and the tempo
can be played slower or faster. This piece
supports mariachi trumpets learning to play
low C-sharp and F-sharp in order to play in
concert G with the other instruments.
11641687 Mariachi Band . . . . . . E 29.00
Camino de Guanajuato—Jose Jimenez/arr.
Ortiz. The Road to the City of Guanajuato is
a moderate waltz with a nice mixture of vocal
and instrumental feature spots.
5975017 Mariachi Band . . . . ME 35.00
Canta Canta Canta—Jose Jimenez/arr.
Ortiz. Here is a very popular, up-tempo
ranchera polkeada (rancher's song with
a polka beat) by one of Mexico's most
famed and well-loved mariachi composers.
Arranged for beginning-level mariachi with
solo voice in a range suitable for an adult
female singer, or a young voice.
5975019 Mariachi Band . . . . ME 35.00
El Cefiro—arr. Noe Sanchez. A Mexican
folk song in habanera style. The danza
habanera was brought to Mexico from Cuba
in the 1800s. George Bizet wrote this style
in his opera "Carmen" in the famous song
Habanera. The original song only had two
verses, so verses may be added or omitted
depending on the performance situation.
11641688 Mariachi Band . . . . ME 32.00
Cielito Lindo (Lovely Little Sky)—Quirino
Mendoza y Cortés/arr. Jorge L. Vargas.
While the literal translation of the title
means "lovely little sky," the word cielito
is used as a term of endearment to mean
"sweetheart." Written in 1882, this has been
played and sung by many different singers
and groups all over the world and has
become a staple of the mariachi repertoire.
This arrangement can be performed with or
without the vocal parts, as the vocals are
doubled in the violins and trumpets.
11636101 Mariachi Band . . . . . . E 29.00
Como Quien Pierde Una Estralla—
Estrada/arr. Sanchez. This song
popularized by Alejandro Fernández is
written with a fast danzón rhythm in the
armonia section. A male vocalist is featured
while the violins and trumpets provide
countermelodies.
10023632 Mariachi Band . . . . . . . 35.00
Cuatro Canciones Navidenas—David
Silva. This festive collection brings together
four familiar holiday melodies for student
mariachi ensemble. Shared melodic lines
energize full participation, while stylistic
touches draw from ranchera and bolero
traditions. Open positions, doubled
melodies, and repeated phrases keep
ranges and rhythms accessible. A flexible
holiday option, they work well as individual
features or as a unified concert set with
authentic mariachi color.
11687190 Mariachi Band . . . . . . E 29.00
La Culebra (The Snake)—arr. Daisy
Cardona. A traditional mariachi son except
unlike most sones, which are characterized
by syncopated rhythms and an alternation
between 3/4 and 6/8 time, this is set to
lively sixteenth notes in a rhythmic 3/4 feel.
This C-major piece comprises three distinct
sections in ABACA form. Changes to the
dominant and relative minor add drive and
intensity to the piece as the story of the
snake encounter unfolds. Gritos (whistles
and calls) are encouraged throughout the
piece!
11641692 Mariachi Band . . . . . . A 35.00
La Cumparsita—Gerardo Matos
Rodriguez/arr. David Silva. Known as
the anthem of tango music, this is sure to
provide enjoyment for your audience and
students. Written by a young 17-year-old
Gerardo Matos Rodriguez in 1917, it is
one of the most recorded tango songs of all
time. Its minor-key melodies build tension
and resolutions that convey a passionate
mood. It epitomizes the tango style of
syncopation, timing, melodic repetition, and
rhythmic variation.
11641691 Mariachi Band . . . . ME 32.00
De Colores (Of Colors)—arr. Jorge L.
Vargas. Celebrating the diverse beauty of
all the colors found in nature, this traditional
Spanish song dating from the 15th century
has been widely recorded, and the lyrics
have been translated into numerous
languages. Many verses have been added
throughout the years, but this arrangement
includes two of the most commonly used
verses, especially when played with a
mariachi ensemble. This arrangement can
be performed with or without vocals, as the
vocal parts are doubled in the trumpets and
the violins.
11636095 Mariachi Band . . . . . . E 29.00
De Colores—arr. Juan Ortiz. This popular
Mariachi song is beautifully arranged as a
Ranchero Valseada (Mariachi Waltz) in a
moderate tempo.
5965256 Mariachi Band . . . . . . . 35.00
Despacito—Jimenez/arr. Sanchez. This
bolero in 4/4 is written for a male voice and
provides challenging chords for the armonia
section.
10023630 Mariachi Band . . . . . . . 35.00
El Hijo Del Pueblo—Jimenez/arr. Sanchez.
This ranchera lenta in 4/4 time exemplifies
the typical ranchera style. Written for a
baritone or tenor voice, this arrangement
is scored for two violins rather than the
more typical three parts. (Includes Full
Performance CD)
10023633 Mariachi Band . . . . . . . 35.00
El Jinete—Jimenez/arr. Sanchez. A
huapango popularized by Miguel Aceves
Mejia (El Rey del Falsete), this song is
written with syncopated rhythms in the
armonia section and provides harmonies
characteristic of this style of music. Includes
Full Performance CD.
10023634 Mariachi Band . . . . . . . 35.00
El Rey—Jose Jimenez/arr. Ortiz. Arranged
in the style of a Ranchera Valseada (Waltz),
El Rey (The King) alternates between two
styles and features lovely melodies. Very
playable.
5975016 Mariachi Band . . . . ME 35.00
Guadalajara—Pepe Guizar/arr. Ortiz.
Written in a Jarabe Mariachi style, this
exciting arrangement mixes rhythms of 6/8
and 3/4 at times creating a 3 against 2 feel
so characteristic of Mariachi music. This
well-known song is a must for groups with a
little more experience.
5965249 Mariachi Band Score &
Parts . . . . . . . . . . . . . . . 35.00
Himno Nacional Mexicano—Jaime Nuno/
arr. David Silva. This arrangement of the
Mexican national anthem for advanced
mariachi bands is inspired by military
march tradition, with a steady tempo and
commanding pulse that reflect themes of
independence, unity, and love of country.
Clear structure and dignified character
make it a meaningful performance option
when honoring Mexican heritage and
cultural identity in educational or ceremonial
settings.
11687192 Mariachi Band . . . . . . A 35.00
La Enorme Distancia—Jose Jimenez/arr.
Ortiz. This lively waltz from mariachi master
Jose Alfredo Jimenez is arranged here
with moderate ranges and skillful interplay
between the vocalist, strings and trumpets.
5975018 Mariachi Band . . . . ME 35.00
Las Mananitas—Jeff Nevin. The traditional
Mexican serenade (and happy birthday!)
song that every mariachi must know.
Arranged here in a traditional setting,
this is perfectly suited for beginning-level
mariachis.
5975015 Mariachi Band . . . . ME 35.00
El Llano Grande—arr. Noe Sanchez. A
traditional son jalisciense with its distinctive
sesquialtera (alternating of 3/4 and 6/8)
rhythms in the armonia section. It is
customary not to change meters in the
score, but feel the rhythmic alteration from
the way the music is notated. Violins should
play broadly, with the bow flat on the string,
while the trumpets play very staccato. This
contrast creates the characteristic feel of the
son.
11641690 Mariachi Band . . . . . . A 35.00
Las Mañanitas (The Little Mornings)—
arr. Jorge L. Vargas. Used for birthday
celebrations or a Mother's Day serenade,
the tradition is to sing this festive song in
the early morning, but it can be heard at
birthday celebrations at any time of the day.
Throughout the years, many verses have
been written and performed. Two verses
are included here, but additional verses can
be added as needed. This arrangement can
be performed with or without the vocal parts
since the melody is doubled in the trumpets
and the violins.
11636097 Mariachi Band . . . . . . E 29.00
Mariachi Violin Transcriptions—Laura
Sobrino. This book is ideal for the non-
mariachi musician who wishes to begin
learning the style. This contains 10
transcriptions for one or two violins, guitar
and bass. It is a great printed resource for
those trying to learn the repertory and style
of traditional Mariachi music. It also includes
rhythmic notation and chord symbols for
guitar, written out bass notation and a
separate pull-out violin part.
5974012 Mariachi Band Book ME 19.99
Lo Mejor de Tu Vida (The Best Thing in
Your Life)—Daisy Cardona. Combining
the ranchera valseada and ranchera lenta
styles - ideal for younger groups, this piece
is an excellent introduction to two significant
styles of mariachi music. The piece features
a powerful voice part that should be sung
with passion, pride, and at times, anger.
The lyrics tell the story of a person whose
heart has been broken but has found the
strength to tell their former love to leave.
The title loosely translates to "the best thing
in your life," indicating pride and resilience
on the singer's part.
11641694 Mariachi Band . . . . ME 32.00
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