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Original Concert
Works
Medium-Easy
Accidental Intelligence—Vince Gassi.
Middle and high school ensembles will latch
onto the syncopated rhythmic drive at the
core of this piece, supported by heavy use
of accidentals that feels both approachable
and musically purposeful. Chromatic
lines, unexpected harmonic colors,
and percussive effects such as tapping
the instruments and col legno create a
soundscape that stays fresh from start to
finish. The writing keeps players engaged
while strengthening fluency with sharps,
flats, and enharmonic spellings, making it a
standout choice for string orchestras ready
to explore bolder textures.
11673571 String Orchestra . . ME 60.00
Across the Wind—Doug Spata. Thrilling
melodies swoop and soar over bristling
ostinatos in this exciting concert overture
in F Major. With a triumphant style and
dramatic range of emotions, players
will enjoy performing this piece. Many
musical and technical skills are reinforced
including 16th note patterns with slurs,
part independence, and accidentals. The
graceful middle section of the piece is an
excellent place for players to experiment
with vibrato. Truly an exhilarating, enriching
journey that students will be excited to take
again and again!
10370508 String Orchestra . . ME 56.00
Adventure on the Water—Austin Isaac.
Have an exciting day on the water with
this fast-paced and energetic piece that
all students will enjoy performing. Every
section of the orchestra gets a chance
to play the melody, making this a strong
choice for directors looking for a joyful
addition to their program.
11637914 String Orchestra . . ME 60.00
Afterburn—Brian Balmages. Take a deep
breath and feel the rush of this intense
original! The manageable note range for
young players is kicked into higher gear with
pulsating rhythms and cool meter tricks.
Hold on tight - it's sure to be a group favorite!
10307163 String Orchestra . . ME 65.00
Agent Arco: You Only Shift Twice—Vince
Gassi. A bold cinematic feel gives this string
orchestra piece its appeal, with syncopated
rhythms, varied articulations, accidentals,
and contrasts between pizzicato and arco
keeping middle school players actively
engaged. As the title suggests, it's also a
fantastic introduction to shifting positions,
offering young musicians clear, manageable
moments to move beyond first position. And
as the title also suggests, the spy-music
energy makes it a fun piece for students to
latch on to while the technique underneath
gives them meaningful skills to grow.
11673401 String Orchestra . . ME 60.00
Albuquerque Skies—Bryan Sanguinito.
The bright, colorful imagery of New
Mexico inspires this lively string orchestra
work set in a flowing 3/4 meter. Rhythmic
energy, dynamic swells, and sweeping
melodies evoke the beauty and motion
of hot air balloons drifting over the
Southwestern landscape. The music
combines warmth and motion to create
an enchanting, expressive atmosphere. Its
vibrant character offers an engaging and
imaginative experience for performers and
listeners alike.
11690442E String Orchestra
ePrint . . . . . . . . . . . ME 65.00
American Landscape—Soon Hee
Newbold. Soon Hee Newbold has created
wonderful music based on Gypsy music,
Spanish music, Asian music, and now
turns to a more open and rugged American
sound, and succeeds! Drawing from the
diverse and unique scenes of the United
States, this soaring work pays tribute
to majestic mountains, vast plains, lush
forests, and more. Give your players a
chance to capture this evocative American
sound. Breathtaking!
10008710 String Orchestra . . ME 50.00
Ancient City—Kathryn Griesinger. Walk
the stone streets and corridors of a once-
mighty city, a towering fortress where
echoes can still be heard of both battle
and celebration. Set in A minor and brisk
2/4 meter, a steady ostinato in low strings
marches like the bold armies that once
guarded its gates. A serene viola and cello
melody drift like mist in a forgotten garden,
where passing time leaves only faded
shadows. As the wind rises, the music
gathers strength, rising into a triumphant
tribute that ascends to the stars, steadfast
and eternal above the ruins below.
11668598 String Orchestra . . ME 60.00
Anticipation—Cooper Ford. Packed with
emotion and energy, this piece builds
anticipation for what's ahead - whether
a concert, an adventure, or a cinematic
moment. Intermediate string players will
grow through varied rhythms, techniques,
and uplifting musical material. A strong
concert opener.
11515951 String Orchestra . . ME 60.00
Apex Predator—Michael Oare. Offering
an ideal perfect blend of musical stealth
and pursuit, this arrangement for string
orchestra covers a wide variety of musical
concepts including syncopation, low first
fingers, meter changes, dynamics, and four-
note slurs. Easy shifting in first violin. An
array of pitched and nonpitched percussion
adds to the excitement!
11640140 String Orchestra . . ME 50.00
Arcane Empress—Dión Morales. Darkly
regal and brimming with energy, this
dramatic work surges forward in 3/4 meter
with driving rhythms and bold textures. First
violins get to explore third position, and all
sections get melodic lines with instances
of divisi, accidentals, dramatic dynamics,
and modal twists and turns. Soaring lines
and dramatic harmonies evoke power,
elegance, and ancient mystery.
11668600 String Orchestra . . ME 60.00
Atlantis of the Sands—Chris Pilsner.
Transport your audience to the sands of
Arabia! Based on the legendary lost city of
Ubar, exotic harmonies alongside exciting
6/8 rhythms make this work a unique and
adventurous addition to the string orchestra
repertoire.
11625552 String Orchestra . . ME 65.00
Battle of the Bows—Chris Thomas.
Experience a contest of strength,
bravery, and determination. With constant
momentum and energy, the music explores
a range of articulations and dynamics as
each section competes for supremacy.
Bravado, dynamic contrast, independence,
excitement - it's all here and ready to
showcase your orchestra!
11399632 String Orchestra . . ME 60.00
Between Shadows and Light—Davide
Pedrazzini. Shifting between darkness and
brightness, this Grade 2 string orchestra
work explores contrast through driving
melodies and lyrical reflection. Lines move
between sections as melody and simple
accompaniment trade roles, sharpening
balance and active ensemble listening.
Modal color and lyrical warmth eventually
intertwine, giving shape to the musical
journey. A thoughtful concert selection for
teaching contrast, ensemble awareness,
and expressive control while keeping
technical demands accessible to middle
school ensembles.
11680751 String Orchestra . . ME 60.00
Blue Taters—Jeffrey S. Bishop. A sequel
to the composer's popular Orange Jam,
this original orchestra work is a fun, straight-
ahead rock piece. It includes some unique
playing techniques like chops and knocks
that provide a percussive drum set effect.
With a major rhythmic focus on sixteenth-
dotted-eighth patterns, it is energizing and
unique - a new favorite among your high
school players and audiences!
11685734 String Orchestra . . ME 65.00
Bluestone Scenes—Gary Fagan.
Inspired by a type of limestone found
in the Shenandoah Valley of Virginia
called bluestone, this Grade 3 orchestra
piece will appeal to middle and high
school directors looking for an exciting
and useful teaching tool. Written in a
traditional ABA overture style, the music
features infectious syncopated rhythms
and interesting harmonies. A great
opener for concert, competition, or festival
performance.
11686777 String Orchestra . . ME 80.00
Bonjour Basses—Ingrid Koller. A delightful
Grade 2.5 piece in G major invites
listeners to stroll through a sunny Parisian
scene, with jazzy harmonies evoking café
life along the Seine. The bass section
takes a featured role, introducing young
players to French café jazz music,
including the distinctive flat VI chord.
Trills, grace notes, and optional third-
position work ensure every section stays
involved while exploring color, style, and
technique within a relaxed, charming
atmosphere.
11684441 String Orchestra . . ME 55.00
BEST
SELLERS
String Orchestra
Original Concert
Works
Medium-Easy
Buy with confidence! These works, listed
in order of popularity, are chosen most
often by directors.
Force of Nature—Brian Balmages.
11619632 . . . . . . . . . . . . . . . . . . . 60.00
La Llorona—arr. Jorge Vargas.
11617582 . . . . . . . . . . . . . . . . . . . 60.00
La Bruja—Jorge Vargas.
11521156 . . . . . . . . . . . . . . . . . . . 55.00
Atlantis of the Sands—Chris Pilsner.
11625552 . . . . . . . . . . . . . . . . . . . 65.00
Into the Shadows—Brian Balmages.
11568697 . . . . . . . . . . . . . . . . . . . 65.00
Golden Grove (for Single or Multi-Level
String Orchestra)—Brian Balmages.
11511815 . . . . . . . . . . . . . . . . . . . 80.00
Mariachi Suite—Jorge Vargas.
11617577 . . . . . . . . . . . . . . . . . . . 65.00
Legends of Glory—
Kathryn Griesinger.
10568189 . . . . . . . . . . . . . . . . . . . 60.00
Frostbite—Erica Donahoe.
11619598 . . . . . . . . . . . . . . . . . . . 60.00
Spartacus—Brian Balmages.
10047935 . . . . . . . . . . . . . . . . . . . 70.00
Original Concert Works | Medium-Easy
