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Finale from Symphony No. 5—Ludwig
van Beethoven/arr. Carrie Lane Gruselle.
What better way to end a concert than
with a joyous and triumphant Beethoven
finale! Set in the key of D, this dynamic
arrangement enables less-accomplished
musicians to experience this classical
masterpiece while sounding full and mature.
Low second fingerings are reinforced along
with a variety of bowings and dynamics.
Minimal second violin independence.
Outstanding!
11349018 String Orchestra . . . .E 50.00
Finlandia—Jean Sibelius/arr. Roy
Phillippe. Every student should get a
chance to play this! Sibelius' Finlandia has
stood the test of time to become a top-tier
classical masterwork. This version makes
it accessible to your young string players.
The rich, legato hymn tune will have your
players using full, strong bowstrokes and
producing their best sound yet.
2478022 String Orchestra . . . .E 50.00
Gloria in Excelsis Deo—Antonio Vivaldi/
arr. Don Brubaker. It's Vivaldi's Gloria -
without the singers! This string orchestra
arrangement of Vivaldi's choral masterwork
is the perfect introduction for young string
players. It retains the composer's key of
D Major and features solo/soli parts for
your advanced players. Teach or reinforce
hooked bowing in each section of the
orchestra. Everyone will enjoy the rhythmic
vitality and harmonic beauty of this enduring
masterwork.
10050383 String Orchestra . . . .E 49.00
GPS—W.A. Mozart/arr. Richard Meyer.
Imagine a live, off-stage voice interjecting
driving directions during a performance
of Mozart's Eine kleine Nachtmusik. Your
audience will love this fun and educational
ride as the orchestra follows directions to
"turn right onto Viola Avenue" or "merge
together and play in unison." As the trip
progresses, the directions get more and
more outlandish with hilarious results.
Guaranteed to give everyone the ride of
their life!
10872112 String Orchestra w/
Narrator . . . . . . . . . . .E 49.00
Habanera (from "Carmen Suite No. 2")—
Georges Bizet/arr. Robert Frost. Everyone
knows and loves the music of "Carmen,"
and this Habanera just may be the most
memorable selection of all! That descending
chromatic line becomes play, not work,
when it's part of something this enjoyable,
and each section of the orchestra gets a
great part. Give your students the chance
to play this one this year! (Single Red Rose
and Castanets not included!)
5897285 String Orchestra . . . .E 55.00
Hidden Passages—Kathryn Griesinger.
Twist and turn through a labyrinth of
shadows to reveal pieces and passages
from classical music's most mysterious
themes, including In the Hall of the
Mountain King; Night on Bald Mountain
and Ritual Fire Dance! All woven together
with a few strains reminiscent of Bach
and Beethoven, this creative work helps
students play confidently in several minor
keys and offers a glimpse into some of the
greatest masterworks of all time.
10908741 String Orchestra . . . .E 70.00
Hornpipe (from "Water Music")—G.F.
Handel/arr. Richard Meyer. This Baroque
masterpiece is one of the most popular
and recognizable pieces of its time! Richard
Meyer's skillful arrangement retains the
flavor of Handel's original in a very easy-
to-play format, and is great for teaching
early syncopation. Your orchestra will really
sound regal when they play this selection!
2375590 String Orchestra . . . .E 48.00
In the Bleak Midwinter—Gustav Holst/arr.
Patrick Roszell. In a delightful and incredibly
accessible setting, this arrangement
of In the Bleak Midwinter allows young
ensembles to play a holiday alternative by
Holst.
10739939 String Orchestra . . . .E 50.00
Jupiter from The Planets—Gustav Holst/
arr. Deborah Baker Monday. This is not
to be missed! Rarely do young string
orchestras get the chance to play a work
of this importance. This arrangement, in
G major throughout, features the beautiful
melody of the central hymn. Perfect for
young players, it also includes a Learning
Bank containing basic information about
Gustav Holst and "The Planets."
10012478 String Orchestra . . . .E 60.00
A Little Academic Festival—Johannes
Brahms/arr. Michael Hopkins. Mature
symphonic character shines through in
this easy string orchestra arrangement
of Brahms' Academic Festival Overture.
Simplified textures preserve the weight
of the original while keeping ranges and
rhythms accessible to developing players.
The writing emphasizes ensemble blend,
bow control, and classical style. A strong
choice for introducing elementary or middle
school students to substantial orchestral
literature with confidence and purpose.
11678213 String Orchestra . . . .E 60.00
Little Russian March—P.I. Tchaikovsky/
arr. Robert Longfield. The grand style of
a Tchaikovsky symphonic march is ideal
for developing string groups with this
impressive ensemble piece from Robert
Longfield. Lots of dynamic and style
changes in a comfortable march tempo
make it terrific teaching and performance
music from one of the grand masters of the
symphonic orchestral style.
10317569 String Orchestra . . . .E 50.00
March from Second Suite (Op. 28, No.
2)—Gustav Holst/arr. Deborah Baker
Monday. This vibrant arrangement is
a great fit for concerts any time of year.
This strong performance piece also
serves to develop ensemble precision,
articulation techniques, and phrasing of
long melodic phrases in the approachable
key of G major.
11204480 String Orchestra opt.
Perc.. . . . . . . . . . . . . .E 60.00
March of the Meistersingers (from "Die
Meistersinger")—Richard Wagner/arr.
Sandra Dackow. An arrangement of Richard
Wagner's immortal March of the Meistersingers
in an easy setting that is playable by all strings
in the first position. An excellent choice for
rehearsal and performance!
2189595 String Orchestra . . . .E 40.00
Minuet and Bourree (from "Good Luck at
Last")—Henry Purcell/arr. Deborah Baker
Monday. Two of nine dances written for
the stage from Purcell's 1679 stage work
"Good Luck at Last" have been delightfully
arranged for your string orchestra. Both
movements are tuneful and offer each
student exciting and engaging parts. A
terrific selection for reinforcing 3/4 time and
cut time. Minuet is in D major, and Bourree is
in E minor. Combined, they make a resonant
and exciting selection for concert or festival.
11568660 String Orchestra . . . .E 55.00
Morning Mood (from "Peer Gynt")—
Edvard Grieg/arr. Mekel Rogers. One
of Edvard Grieg's most classic tunes
is now well adapted for the beginning
ensemble! This arrangement provides
prime opportunities for developing critical
listening skills between various sections
of the ensemble as well as demonstrating
the importance of melody versus
accompaniment.
11572924 String Orchestra . . . .E 55.00
Mother Ginger (from "The Nutcracker")—
P.I. Tchaikovsky/arr. Deborah Baker
Monday. Light, playful charm takes the lead
in this easy string orchestra arrangement
of a movement from The Nutcracker, with
optional tambourine and triangle adding
a festive sparkle. Simple rhythms in G
major support a joyful melody over clear
accompaniment figures, keeping the texture
light and buoyant. A cheerful selection that
fits neatly into an elementary or middle school
winter concert while exposing students to a
classic piece of orchestra literature.
11680875 String Orchestra . . . .E 60.00
Mozart Symphony No. 40 (First
Movement)—arr. John Caponegro. Mozart's
next-to-last symphony is presented here in a
challenging yet accessible arrangement at
the easy level. Set in E minor, this version
contains both primary and secondary
themes from the first movement. Each set
includes optional violin 3/viola T.C. and piano
parts. A very nice arrangement!
10299308 String Orchestra . . . .E 60.00
O Isis and Osiris (from "The Magic Flute"
K. 620)—W.A. Mozart/arr. Philip M. Hash.
Experience the timeless beauty of Mozart
like never before in this elegant arrangement
for string orchestra from "The Magic Flute."
This Grade 2 setting transposes the original
aria from F major to G major, making it
more accessible to developing ensembles
while preserving the integrity and grandeur
of the composition. Featuring the cello
section on much of the iconic melody, this
version offers rich, sonorous textures and
a rewarding performance opportunity for
young musicians.
11686786 String Orchestra . . . .E 60.00
Orpheus in the Underworld (Finale)—
Jacques Offenbach/arr. Sandra Dackow. A
nice arrangement of well-known and loved
Offenbach themes, including Can-Can,
playable all in first position. This is a truly
exciting work that students and audiences will
all enjoy immensely! In addition to the normal
string parts, this arrangement also includes
optional parts for beginning violin, viola, cello,
bass, piano, timpani, and percussion.
2205276 String Orchestra opt.
Perc.. . . . . . . . . . . . . .E 60.00
Pachelbel Canon—Johann Pachelbel/
arr. Andrew Balent. The long-awaited
easy version is here! Andrew Balent has
managed to arrange this beloved gem for
the very easy to easy level by avoiding
tricky string crossings, large leaps, or
position changes. The core of the music
is intact and the audience will love hearing
your strings play this one again and again.
2474721 String Orchestra . . . .E 53.00
Pastoral Symphony—Ludwig van
Beethoven/arr. Christina Hans. The first
movement of the Pastoral Symphony depicts
the composer's "awakening of cheerful
feelings upon arrival in the countryside."
This arrangement, intended for second-
year students, keeps Beethoven's timeless
melodies while remaining in first position.
10500808 String Orchestra . . . .E 60.00
Playlist (A Medley of Classical
Tunes)—arr. Bob Phillips & Pam Phillips.
A wide variety of classical excerpts keep
young players engaged in this easy string
orchestra medley, drawing on themes by
Mozart, Beethoven, Rossini, Dvořák, and
more. Each tune lasts only a few measures,
reinforcing stylistic awareness without
overloading technique. Themes can easily
be skipped if they are too challenging,
allowing directors to tailor the length and
difficulty to their ensemble. A practical
educational piece that exposes students to
a wide range of core repertoire in a short,
adaptable format. Includes The Prince
of Demark's March; Sword Dance; Eine
kleine Nachtmusik; Canon in D; Dvořák's
Symphony No. 9; Pomp and Circumstance;
William Tell Overture; Can-Can and
Beethoven's Symphony No. 9 and No. 5.
11680871 String Orchestra . . . .E 60.00
Queen of the Night (Aria from "The
Magic Flute")—W.A. Mozart/arr. Caryn
Wiegand Neidhold. One of the most famous
arias of all time, Mozart's music is faithfully
arranged here in a way that's accessible to
developing string orchestras but still retains
the authenticity of the original. Students get
to work on balance, spiccato bow strokes,
intonation, and harmonies in the classical
style. Interesting parts in all sections ensure
that all students stay engaged.
11668586 String Orchestra . . . .E 60.00
Classical Selections | Easy
