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Pop, Stage & Screen
Blackbird—John Lennon & Paul
McCartney/arr. Audrey Snyder. "Blackbird
singing in the dead of night, take
these broken wings and learn to fly...."
Generations of Beatles fans are always
touched when they hear this pop classic.
This accessible arrangement features
a guitar-like piano accompaniment, or
you can use the track for a more stylized
instrumentation. A perfect choice for
younger choirs!
10063823 Three-Part Mixed . ME 2.50
10063830 Two-Part . . . . . . . . ME 2.50
11323119 TB . . . . . . . . . . . . . ME 2.50
10063831 Teaching P/A CD . . . 29.99
Blue Moon—Richard Rodgers/arr. Kirby
Shaw. Just in time for the movie of the
same name, this Great American Songbook
standard remains timeless as ever in this
swingin' arrangement. Tasteful vocal jazz
harmonies and singable swing rhythms
freshen up this beloved Rodgers and Hart
classic. It's an accessible arrangement with
scaled-down optional instrumentation for
just guitar, bass, and drums.
11641792 SATB . . . . . . . . . . . ME 2.35
11641793 SAB . . . . . . . . . . . . ME 2.35
11641794 Accompaniment CD . 29.99
11641796 Instrumental Parts: . . 15.00
Bohemian Rhapsody—Freddie Mercury/
arr. Mark Brymer. One of the most iconic
pop hits ever, Queen's 1970s chart topper
is available in voicings for every choir
and with an option for live instrumental
accompaniment! It's the perfect pop/jazz
feature or tongue-in-cheek encore piece for
concert choirs or show choirs.
1834035 SATB . . . . . . . . . . . ME 2.75
1834043 SAB . . . . . . . . . . . . ME 2.25
1834050 Two-Part . . . . . . . . ME 2.75
10605464 SSA . . . . . . . . . . . . ME 2.25
10605465 TTBB . . . . . . . . . . . ME 2.25
1834068 P/A CD . . . . . . . . . . . 26.99
10605466E Instrumental Parts
ePrint . . . . . . . . . . . . . 34.50
Boogie Woogie Bugle Boy—Don Raye
& Hughie Prince/arr. Ed Lojeski. Ed has
created a dynamic version of this Andrews
Sisters hit just for the women of your choir.
This is sure to be your #1 crowd pleaser!
1621515 SSA . . . . . . . . . . . . ME 2.75
Both Sides Now—Joni Mitchell/arr. Roger
Emerson. Joni Mitchell's lyrical ballad is
given new light in these arrangements for
choirs of all voicings. Opening with a solo,
building with tender harmonies, and hitting
a climax with rhythm band, this song
takes listeners and singers on a reflective
journey and provides clarity as they look
back on life.
11524586 SATB divisi . . . . . . ME 2.50
11524587 SAB divisi . . . . . . . ME 2.50
11530523 Two-Part . . . . . . . . ME 2.50
11524588 SSA . . . . . . . . . . . . ME 2.50
11534623E Instrumental Parts
ePrint . . . . . . . . . . . . . 32.20
Both Sides Now—Joni Mitchell/arr. Audrey
Snyder. Joni Mitchell's reflective ballad is
set for developing voices in this carefully
crafted arrangement. The ranges of each
part are very accessible, and everyone
gets to sing both the melody and the easily
learned harmony.
11583142 Three-Part Mixed . ME 2.75
A Brand New Day (Everybody Rejoice)—
Luther Vandross/arr. Connor Warren
Smith. With a theme that resonates just
as strongly now as it did back then, this
funky, feel-good song from "The Wiz" is a
joyful celebration of fresh starts and endless
possibilities. Feature soloists throughout
and a small group over the final chorus.
It's a fantastic opener or closer for four-part
show and concert choirs, complete with a
hot accompaniment track or instrumental
parts for your band.
11594259 SATB . . . . . . . . . . . . .M 2.45
11594260 SSAA. . . . . . . . . . . . .M 2.45
11594261 TTBB . . . . . . . . . . . . .M 2.45
11594262 P/A CD . . . . . . . . . . . 29.99
11594264 Instrumental Parts. . . 20.00
Break the Rules—arr. Anita Cracauer.
An original ballad for high school show or
concert choirs, this explores what it's like to
take a break from the busyness of life and
to meet your authentic self in the stillness.
Beginning softly with a treble soloist, it
winds its way through an optional a cappella
section into a powerful final declaration of
intent backed by the full combo.
11688152E SATB divisi ePrint . ME 3.00
11688153E SSAB ePrint . . . . . ME 3.00
11688154E SSAA ePrint . . . . . ME 3.00
Breakaway—arr. Andy Beck. This
"breakaway" hit for American Idol winner
Kelly Clarkson translates so well to choral
singing, with accessible parts and pop
harmonies. Especially appropriate in this
two-part treble voicing, it's an inspiring
tribute to self-empowerment and a positive
outlook for the future. "I'll spread my wings
and I'll learn how to fly. I'll do what it takes
till I touch the sky. I'll make a wish, take a
chance, make a change and break away!"
10669431 Two-Part . . . . . . . . ME 2.10
10669432 P/A CD . . . . . . . . . . . 27.99
Bridge Over Troubled Water—Paul
Simon/arr. Kirby Shaw. This is dynamite!
Kirby Shaw's phenomenal arrangement
of this Simon and Garfunkel hit ballad is
contemporary choral writing at its finest.
The light, harmonic a cappella opening is
contrasted with this soaring, fresh, gospel-
style setting. Optional solos showcase
special voices. A must for show and concert
choirs!
1743939 SATB . . . . . . . . . . . ME 2.65
1743947 SAB . . . . . . . . . . . . ME 2.50
3294418 SSA . . . . . . . . . . . . ME 2.65
3701797 TTBB . . . . . . . . . . . ME 2.75
1743962 Instrumental Parts. . . 56.00
Brighter Days—Sam Ellis & Blessing
Offor/arr. Anita Cracauer. Nashville singer-
songwriter Blessing Offor had his first hit
with this uplifting, soul-soothing track that
combines elements of pop, gospel, and
contemporary Christian music. A song
about perseverance and hope, it features a
prominent tenor solo and can function as a
ballad or as a change of pace after a darker
moment in the show.
11639736E SATB ePrint . . . . . . .M 3.00
11639737E SAB ePrint. . . . . . . . .M 3.00
11639738E SSA ePrint. . . . . . . . .M 3.00
Brighter Days—Blessing Offor & Sam
Ellis/arr. Jack Zaino. Nigerian-born singer-
songwriter Blessing Offor offers this
soulful pop selection about maintaining
optimism through challenging times. With
its ear-catching hook and clear message
of hope, this uplifting anthem is equal
parts inspirational and musically satisfying.
Perform the arrangement with piano alone,
or add your own light percussion inspired by
the accompaniment track.
11641797 SATB . . . . . . . . . . . ME 2.45
11641798 SAB . . . . . . . . . . . . ME 2.45
11641799 Two-Part . . . . . . . . ME 2.45
11641800 Accompaniment CD . 29.99
California Dreamin'—John & Michelle
Phillips/arr. Roger Emerson. Ranked as one
of the greatest songs of all time by Rolling
Stone magazine, this Mamas and the
Papas classic from 1966 will showcase your
young choir in fine style. This arrangement
includes performance notes to help your
choir achieve the legendary group's
authentic sound!
10022975 Three-Part Mixed . ME 2.50
10022977 Two-Part . . . . . . . . ME 2.50
10022978 Teaching P/A CD . . . 29.99
The Call (from "The Chronicles of
Narnia: Prince Caspian")—Regina
Spektor/arr. Dianne Gryba. A cappella
voices are featured with gentle harmonies
and a simple, quiet texture that just lets the
voices sing without pushing. This heartfelt
text challenges choristers to explore a
wide range of expressive possibilities and
features the altos on the melody.
11397413 SATB . . . . . . . . . . . ME 2.50
Can't Catch Me Now (from "The Hunger
Games: The Ballad of Songbirds &
Snakes")—Olivia Rodrigo & Daniel Nigro/
arr. Audrey Snyder. The cinematic return
to the world of Panem contained all of the
drama and spectacle one would expect
from the dystopian world of the Hunger
Games series. Olivia Rodrigo's hit song
from the movie has a folky feel with a
haunting minor setting that translates well
into treble choral harmonies.
11568930 SSA . . . . . . . . . . . . . .M 2.50
11578829E Instrumental Parts
ePrint . . . . . . . . . . . . . 24.20
The AndroVox
Method
A Practical Guide to
Mapping Resonance in
Contemporary Voice
G. Thomas Allen. Developed
by award-winning artist and
voice practitioner G. Thomas
Allen, this resource is an
innovative, science-informed
guide to contemporary
commercial music vocal
pedagogy. Whether you're
belting, riffing, or floating in
falsetto, this method empowers
you to achieve vocal freedom
and flexibility across popular
styles and your range – all while
maintaining vocal health. Built
on the foundational concepts
of anatomy, acoustics, agility,
and authenticity, this method
shifts the focus from traditional
register labels – soprano, alto,
tenor, bass – to mapping sound
through resonance density and
sensation, allowing singers
to discover their unique vocal
identity with precision and
power. Balancing pedagogy
with practice, this guide also
includes skill-development
etudes, video demonstrations,
a journal to track your progress,
and a curated playlist of popular
songs and artists to test your
knowledge.
11680391 Paperback Book . .29.95
YEARS
OF MUSIC
S I N C E 1 8 7 6