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Secular Concert
I Have a Voice—Jamey Ray. Delivering
a powerful and timely message about
courage, identity, and the importance of
being heard, this empowering original work
is ideal for high school and community
choirs. With stirring melodies, heartfelt
lyrics, and a driving piano accompaniment,
this is a moving addition to any concert
program.
11674816 SATB divisi . . . . . . . . M 2.50
I Hear Music—Ruth Dwyer & Martin L.
Ellis. Celebrate the power of music in this
creative work for young treble singers
in school and community choirs. Mixed
meters and countermelodies provide a
welcome challenge, and a dynamic piano
accompaniment and optional flute support
the thoughtful writing.
11660009 Two-Part . . . . . . . . .ME 2.75
I Heard a Horseman—Cristi Cary Miller.
Inspired by a poem from Walter de la
Mare's Peacock Pie: A Book of Rhymes,
this expressive setting captures the poet's
sense of mystery and magic in everyday
things. Designed for developing tenor-bass
choirs in middle or high school, this original
work features lyrical vocal lines, clear
phrasing, and opportunities to build tone
and musical sensitivity.
11671075 TTB . . . . . . . . . . . . . . E 2.75
I Shall Be Released—Bob Dylan/arr. Adam
Podd & Matt Podd. Bob Dylan's iconic
song of universal connection and desire
for freedom is reimagined for a modern
concert setting by the Podd brothers.
Warm choral harmonies and a beautiful
piano accompaniment bring the words to
life: "I see my light come shining from the
west unto the east. Any day now, I shall be
released."
11641980 SATB . . . . . . . . . . . . . M 2.75
I Sing a Song of the Mockingbird—
Thomas Hemminger. A memorably
lingering melody, accessible harmonies,
and a simple structure make this original
work with a folk song appeal an ideal spring
concert choice for elementary choir. You
can sing it completely in unison or with the
optional two-part harmony. The optional
flute part adds a playful, bird-like charm that
captures the spirited, singing nature of the
mockingbird itself.
11683457 Two-Part . . . . . . . . .ME 2.25
I Sit Before Flowers—Emile Deedes-
Vincke. Shane Koyczan's text looks to
nature to learn about opening up and letting
go. Expressive text painting, moments
of mixed meter, and gentle divisi textures
create a unique soundscape that feels
beautiful and deeply moving.
11640793 SSAATTBB . . . . . . . . M 3.60
I Took My Power in My Hand (The Duel)—
Meredith Tompkins. Emily Dickinson's
words explore courage, self-doubt, and the
struggle to stand strong against the world –
framed by repeated declarations of power
and resolve. In this striking work for treble
choir, the bold text is brought to life with
intense rhythmic energy, a driving piano
part, and compelling percussion.
11673958 SSA . . . . . . . . . . . . .ME 2.80
I Will Answer—Khyle B. Wooten. Calling
singers to purpose and renewal, this
uplifting ballad is centered on the idea
of "awakening with the sun" and taking
small, meaningful steps toward personal
and communal growth. With its reminder
that "action is calling us home," the piece
offers a thoughtful and inspiring message
for tenor-bass choirs.
11673959 TBB . . . . . . . . . . . . . . M 2.30
I Will Sing—Michael Engelhardt. "What will
I do with the portion given to me? I will sing."
This fantastic work, written in a gospel style
with an ecumenical text that challenges
each of us to make the most of the lives
we've been given, is a perfect piece for any
setting, and makes a great closer!
11195665 SATB . . . . . . . . . . . . . M 3.20
11537023 SSA . . . . . . . . . . . . . . M 3.20
11316566 TTBB . . . . . . . . . . . . . M 3.10
I Wish I Could Remember—Christopher
Aspaas. Shimmering lines for voices and
oboe capture both the anticipation of new
beginnings and the tenderness of Rossetti's
words, unfolding with lyrical warmth and
expressive depth.
11640794 SATB divisi . . . . . . .MA 3.20
TWO-PART MIXED
SELECTIONS
Small choir or unbalanced sections? No problem! These flexible
two-part mixed settings can be sung by almost any choir. Simply
divide your choir into two sections – higher voices and lower
voices – and then any mix of voice types can combine easily
into organized harmony. These selections are new for this year,
and there are many others available.
Autumn Comes (Under the Harvest Moon)—
arr. Laura Farnell.
11673933 Two-Part Mixed opt. Cello . . . . . . . . . . . . . . . E 2.30
Down by the Riverside—arr. Ryan Murphy.
11682757 Two-Part Mixed. . . . . . . . . . . . . . . . . . . . . . . . M 3.20
Free (from "KPop Demon Hunters")—Jenna Andrews,
Stephen Kirk & Mark Sonnenblick/arr. Mark Brymer.
11641972 Two-Part Mixed. . . . . . . . . . . . . . . . . . . . . . . ME 2.50
Grim Grinning Ghosts
(from Disney's Haunted Mansion)—
Buddy Baker/arr. Roger Emerson.
11686573 Two-Part Mixed. . . . . . . . . . . . . . . . . . . . . . . ME 2.50
In Flanders Fields—Dan Davison.
11673960 Two-Part Mixed opt. Tenor . . . . . . . . . . . . . ME 2.50
A Jolly Merry Christmas—arr. John Leavitt.
11686593 Two-Part Mixed. . . . . . . . . . . . . . . . . . . . . . . ME 2.95
Love Never Leaves—Jacob Narverud.
11647008 Two-Part Mixed. . . . . . . . . . . . . . . . . . . . . . . ME 2.75
Rhythm of Life (from "Sweet Charity")—
Cy Coleman/arr. John Leavitt.
11680003 Two-Part Mixed. . . . . . . . . . . . . . . . . . . . . . . ME 2.50
Veritas et Virtus—Jacob Narverud.
11647007 Two-Part Mixed. . . . . . . . . . . . . . . . . . . . . . . ME 2.75
When You're in Love (from "Maybe Happy Ending")—
Will Aronson/arr. Mac Huff.
11686629 Two-Part Mixed. . . . . . . . . . . . . . . . . . . . . . . . M 2.50
Wild Mountain Thyme—arr. Jacob Narverud.
11647006 Two-Part Mixed. . . . . . . . . . . . . . . . . . . . . . . ME 2.75
TOP 100
UNISON/TWO-
PART SELECTIONS
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