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Secular Concert
If You Want to Sing Out, Sing Out—Cat
Stevens/arr. Matt Podd & Adam Podd.
This enduring song by Cat Stevens is an
encouragement to say what you want to
say, do what you want to do, and be who
you want to be. Now in an inspirational
choral setting, this heartfelt arrangement
is perfect for graduation or any time of
year that you want your singers to find
confidence in who they are!
11641984 SATB . . . . . . . . . . . .ME 2.95
Ima (This Moment)—Kentaro Sato.
Contemporary rhythms and satisfying
harmonies are complemented by a lyrical
piano accompaniment in this beautiful
work that reflects on a precious moment
spent with a dear one. Transliteration and
translation are included for the Japanese
text, as is a pronunciation guide.
11628940 SATB or SAB or SA . M 2.50
In All Things Love—Dan Forrest. Well-
known text from 1 Corinthians 13 is adapted
and paired with expressive vocal writing and
elegant accompaniment in this universal
call to love one another. Add the optional
string quartet to enhance the beauty of this
flexible work, fitting for concerts, weddings,
and church services.
11594028 SATB . . . . . . . . . . . .ME 2.50
In Flanders Fields—Dan Davison. John
McCrae's iconic World War I poem is
set with a beautifully haunting piano
accompaniment that supports long,
sustained vocal lines, encouraging tone
development and expressive singing. Ideal
for emerging middle or high school mixed
or tenor-bass choirs, it is an eloquent
statement of reflection and honor.
11673960 SAB or SA(T)B . . . .ME 2.50
11673961 TB. . . . . . . . . . . . . . .ME 2.30
In Starlight—Joseph Piontek. "I'll fly like
wind through infinite clouds to the place
where stars are born." This soaring concert
work for high school mixed choir is inspiring
as well as accessible. A rhythmic, driving
accompaniment supports the lyrical vocal
lines, giving each voice part a chance to
shine. It's a wonderful concert opener that
will also work well for graduation and year-
end events.
11677401 SATB . . . . . . . . . . . .ME 3.30
In the Silence of the Night—Andrew
Steffen. A setting of Christina Rosetti's
poem Echo, this work is both contemplative
and passionate. With lyricism at its heart,
the piece moves between unison, canon,
and homophonic harmony, guiding the
listener through the emotional ebbs and
flows of longing, nostalgia, and lost love.
11639572 SAB . . . . . . . . . . . . . . M 4.25
11639571 SSA . . . . . . . . . . . . . . M 4.25
11639573 TBB . . . . . . . . . . . . . . M 4.25
In This Heart—Sinead O'Connor/arr. Matt
Podd & Adam Podd. Appearing in Netflix's
"Peaky Blinders," Sinead O'Connor's ballad
is a simple and relatable expression of
grief. Sensitive and serene, this concert
setting features tender layered harmonies,
an optional soprano solo, and a rubato feel.
For high school or community mixed or
treble choirs, this is breathtakingly beautiful!
11595104 SATB . . . . . . . . . . . .ME 2.50
11595105 SAB . . . . . . . . . . . . .ME 2.50
11686592 SSA . . . . . . . . . . . . .ME 2.65
In Time of Silver Rain—Greg Gilpin.
Langston Hughes' joyful poem uses spring
rain as a metaphor for hope and celebrates
renewal. This engaging musical setting
uses gentle syncopations, a sculpted
melodic contour, and a variety of choral
textures that flow effortlessly over the
rhythmic piano accompaniment. Crafted
for developing middle or high school choirs,
it sounds impressive with or without the
optional flute obbligato.
11677064 SATB . . . . . . . . . . . .ME 2.50
11677065 Three-Part Mixed . .ME 2.50
11677066 SSA . . . . . . . . . . . . .ME 2.50
In Your Memory—Sherry Blevins.
Written as a memorial for a beloved music
teacher, this original work for high school
or community choirs offers flexibility in its
duration and in its accompaniment options:
you can perform with piano or with the flex-
band parts. The inclusion of Amazing Grace
adds depth and beauty to the piece.
11686717 SAB . . . . . . . . . . . . .ME 2.80
11686718 TBB . . . . . . . . . . . . .ME 2.80
In Your Own Hands—Ehan Hartung.
Featuring a bold, empowering text about
resilience and seizing the day, this original
work is driven by energetic piano writing
and strong rhythmic choral lines. For
high school mixed choirs, it is a powerful
programming choice for graduations or any
concert with a message of hope.
11683960 SATB . . . . . . . . . . . . . M 2.95
Incredible to Me—Garrett Breeze. This
catchy partner song uses imagery of
shapes and how they fit together as a
metaphor about belonging. A great way to
introduce two-part singing to your choir.
11681463 Two-Part . . . . . . . . .ME 2.50
It Couldn't Be Done—Greg Gilpin.
A lively and lilting setting of Edgar A.
Guest's renowned poem sparkles with a
spirit of determination and resilience that
is empowering and uplifting. Accessible,
limited-range vocal parts make this an
ideal choice for elementary or middle
school choirs. A rhythmically supportive
accompaniment drives the music forward
with irresistible energy and momentum.
11683413 Three-Part Mixed . .ME 2.65
11683414 Two-Part . . . . . . . . .ME 2.45
It'll Be Alright—Erich Eastman. Written in
response to the anxieties we all experience in
life, this selection by singer-songwriter Erich
Eastman is a joyous celebration of looking
deep within oneself to carry on. Written
for guitar, soloist, and choir, it can also be
performed with piano in place of guitar. Guitar
chords and tablature are included.
11682763 SATB divisi . . . . . . . . M 3.70
It's a Republic (If You Can Keep It)—Kyle
Pederson. Written to mark America's 250th
birthday, this vibrant work sets the words
of Franklin, Roosevelt, and Lincoln in an
engaging show-style setting. A narrated
opening over a driving piano groove leads to a
steady build of energy, making it a flexible and
memorable choice to culminate a program.
11635360 SATB . . . . . . . . . . . . . M 3.60
11682224 SAB . . . . . . . . . . . . . . M 3.60
It's You I Like—Fred Rogers/arr. Zachary
J. Moore. Gentle, heartfelt, and timeless,
this concert setting of Fred Rogers' beloved
song brings the message of kindness and
self-acceptance in a warm, accessible
arrangement for elementary or middle
school choirs. This piece reminds us that
who we are matters more than what we do
– it's a meaningful way to build empathy,
community, and connection.
11673756 Three-Part Mixed . .ME 2.50
11673749 Two-Part . . . . . . . . .ME 2.50
Journey the Night—Lisa Longe.
Carefully crafted for developing groups
with moderate-range voice parts and a
supportive accompaniment, this gentle
original work in 6/8 is a lovely choice. Poetic
lyrics about the mystique and wonder
of nighttime evoke sounds of singing
shadows. Composed mostly in minor, the
final bars soften and slow with an uplifting
shift to the relative major.
11594286 Three-Part Mixed . .ME 2.30
11594287 Two-Part . . . . . . . . .ME 2.30
Joy!—Teresa Jennings. Though the
vocal lines and lyrics may look simple,
this selection about finding joy in peace,
hope, and love is a powerful selection
for Christmas performances or any time
of year. A flexible piece for middle or
elementary school singers, you can perform
it with all three parts, in two parts, or in
unison, with piano or with the track featuring
strings, bells, and drums.
11685148 Three-Part Mixed opt. Two
Part or Unison . . . . . . E 2.30
11685150 Accompaniment CD . 21.95
Joy! Joy!—Jacob Narverud. An ideal
concert opener or closer for treble choir,
this bright and cheerful setting of Pamelia
Yule's exuberant text features catchy
melodic lines, bold cluster chords, and
lighthearted "la la la" refrains. The rhythmic
piano accompaniment supports the voices
throughout, making this a superb choice for
concerts, contests, and festivals. Lovely!
11631499 Two-Part or SA . . . . . M 2.75
11631498 SSAA . . . . . . . . . . . . . M 2.75
Just One Step—Daniel Brinsmead. A
great groove and positive lyrics make this
empowering concert work a solid choice for
middle or high school choirs. Composed
in a modern upbeat style, the djembe and
piano drive the rhythmic feel that supports
the speech-driven lyrics. It's an inspiring
choice for graduations or year-end concerts!
11677389 SATB . . . . . . . . . . . . . M 3.10
11592528 SAB . . . . . . . . . . . . . . M 3.10
11564423 SSA . . . . . . . . . . . . . . M 2.90
YEARS
OF MUSIC
S I N C E 1 8 7 6
