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Secular Concert
Sing to Me—Neil Ginsberg. A heartfelt
coming-of-age song, this original work
takes listeners on an emotional journey
through life. Highly accessible to developing
treble choirs, the lyrical melody and simple
harmonies are easily learned, and the piano
accompaniment enhances and supports.
11639342 Two-Part . . . . . . . . .ME 2.90
Sing to Me—Andrea Ramsey. "Sing to
me! Something of sunlight and bloom..."
An uplifting text by Ella Wheeler Wilcox
is set to charming music in this wonderful
piece with melodic interest in all parts and
conservative ranges. Ramsey's sensitive,
skillful writing makes for tender moments
that truly evoke the meaning of the text.
Now available for mixed voices, this has
long been a favorite with festival choirs in
the two-part version.
10457609 SATB . . . . . . . . . . . . . M 3.00
10291193 Two-Part . . . . . . . . . . M 2.75
Sing Together—Ryan Main. Perfect as
a closer or a combined choir feature, this
lively, upbeat number is a celebration of
unity and joy. With infectious energy and
singable lines, this piece brings singers
together in a spirit of harmony and shared
purpose. A feel-good favorite that's sure to
leave audiences smiling!
11641934 SATB . . . . . . . . . . . .ME 2.95
Sing unto the Sky—Karen Marrolli.
Inspired by the wild and fragile beauty of
the high desert of New Mexico, this original
concert work encourages us to give thanks
for nature while challenging us to steward
it well. Beginning in unison and growing
to full harmony, it adds layers of interest
with the notated parts for hand drum, body
percussion, and features two soloists or
small groups.
11533344 SATB . . . . . . . . . . . . . M 2.80
11639320 SSA . . . . . . . . . . . . . . M 2.80
Sing!—Dave & Jean Perry. Sing through
every season – whether bursting with joy or
carrying a tender heart – with a piece that
truly celebrates the power of your voice.
Thoughtfully crafted with accessible ranges
for elementary choir, it invites every singer
to shine with confidence. A bright, spirited
piano accompaniment helps to keep the
energy fresh, fun, and irresistible from start
to finish.
11683410 Two-Part . . . . . . . . .ME 2.45
Small Is the Seed—Katerina Gimon.
Setting a text by Emily Patterson, this
piece celebrates growth and marvels at
the power of small things. Lilting choral
parts make stylistic use of vocal slides
over an energetic piano accompaniment.
A contrasting second half makes use
of vocables in the choir, building from a
meditative start to a jubilant end with a
rich texture of three-part treble harmony,
descant, piano, and percussion.
11668800 SSA . . . . . . . . . . . . . . M 4.95
Smallest Act of Kindness—Cal Scott.
Heartwarming and inspirational, this
work recounts the many blessings of
simple kindnesses. Its uplifting message
is relatable to choirs of all ages, and its
pop-like melody and accessible harmonies
make it an easy sing.
11609909 SATB . . . . . . . . . . . .ME 2.30
So Let Us Create—Ben Thornewill/arr.
Adam Podd & Matt Podd. With gorgeous
poetry and melody, this original song by
Jukebox the Ghost reflects on humanity,
connection, and how we show up in the
world both for others and for ourselves.
The conversational rhythms in the vocal
parts are a perfect blend of pop and
classical influences, adapted for choir in
this concert pop setting. A wonderful choice
for graduation or final concerts!
11641784 SATB . . . . . . . . . . . . . M 2.50
Someone Came Knocking—Bruce W.
Tippette. Eerie, enigmatic, and engaging,
this moody minor-key song boasts
conservative vocal ranges, echoing
motifs, and clear text painting when the
singers imitate the sound of tapping
beetles and the owl's call. An imaginative
and accessible choice for middle school
choirs for Halloween, fall concerts, or any
time of year.
11677119 Three-Part Mixed . .ME 2.50
Something Like a Breeze—David
Schwoebel. A stunning feature for treble
choir, this selection ponders the precious
moments that make life fresh, from a
gentle breeze to a friend's hello. Perfect
for concerts, contests, and festivals
alike, the work features harmonies that
are achievable yet sophisticated, subtle
nuances of changing tempos and dynamics,
and a graceful piano accompaniment that
gently complements the voices.
11641833 Two-Part . . . . . . . . .ME 2.30
The Song My Paddle Sings—Gerda
Blok-Wilson. Vividly capturing the spirit
of river currents and rapids, this original
work traces the journey of a canoe in an
adventurous outing. With a lilting minor
strophic setting, E. Pauline Johnson's
poetry shines with energy and harmonic
interest that grows in texture as it builds. A
variety of voicings make this accessible to
choirs of all ages.
11619283 SATB . . . . . . . . . . . . . M 2.50
11619284 SSAB . . . . . . . . . . . . . M 3.25
11619286 Unison . . . . . . . . . . . . M 2.50
11619285 SA or Two-Part . . . . . M 2.50
Song of Miriam—Elaine Hagenberg.
Inspired by the empowering poem by
Rabbi Ruth Sohn, this piece describes
the journey of a young woman who finds
bravery amid uncertainty and fear. Middle
Eastern harmonies paint an expansive
desert landscape, while the voices search
for faith and risk taking the first step,
ultimately conquering fear to find the "song
in my heart."
10922001 SSA . . . . . . . . . . . . . . M 3.25
Song of the Oak—Molly Ijames. With
the effortless appeal of arching folk-like
melodies, this original lyrical work for treble
choir portrays the limbs of a stately oak. A
flowing piano accompaniment and optional
solo violin round out a musical journey
highlighting the timelessness of trees and
the brevity of our own lives.
11643045 SSAA . . . . . . . . . . . .ME 2.75
Song of the Revolution—Rollo Dilworth.
A celebrated text from Langston Hughes,
this message is timely and relevant – and
pairing it with music from Rollo Dilworth
makes the words come alive. Empowering
and exciting, your singers will love this one,
perfect for concerts, contests, and festivals
at any time of year.
11686614 SATB . . . . . . . . . . . .ME 2.75
Song to the Moon—Alan Bullard. This
attractive piece for unison voices with
optional descant celebrates the wonder
of the bright new moon. The composer's
own text, based on traditional Hebridean
poems, is set to a simple, flowing melody.
The piano accompaniment supports the
vocal lines while providing additional colors
and textures.
10993268 Unison/Two-Part Key of
E-Flat . . . . . . . . . . . . . E 4.25
11668823E Unison/Two-Part Key of D
ePrint . . . . . . . . . . . . . E 3.95
Songs for the People—Jacob Narverud.
Here's another exciting and rhythmic
concert selection from the composer of
Sisi ni Moja and Ad Astra. It features an
empowering text from activist and poet
Frances E.W. Harper that speaks of the
power of music to bring people together
to overcome many of the challenges in
our world. The singable melodies are
written in a popular-song style that is
sure to appeal!
11606111 SATB . . . . . . . . . . . .ME 2.75
11576487 Three-Part Mixed . .ME 2.75
11606114 SSA . . . . . . . . . . . . .ME 2.75
11631618 TB or TTB . . . . . . . .ME 2.75
Spring Journey—Florence Price/ed.
John Michael Cooper & A. Douglas Biggs.
Originally scored for treble chorus with
piano and string orchestra, this relatively
unknown work from American composer
Florence Price uses colorful textures to
support the bright choral writing. Edited
for this edition, it can be performed with
piano alone or with the string orchestra
accompaniment. It's a wonderful choice
for high school or collegiate ensembles
seeking an engaging and descriptive
concert work.
11682281 SSA . . . . . . . . . . . . . . M 3.60
11682282 Full Score. . . . . . . . . . 29.00
11682283 Orchestration. . . . . . . 45.00
Spring Song—Brian Kehlenbach. "Life
is brimming everywhere" in this cheerful
setting of a text by Paul Lawrence Dunbar,
one of the first influential Black American
poets. Ideal for high school mixed
choirs, the madrigal-like vocal lines are
accompanied by a supportive piano part,
creating harmonies as warm as spring itself.
The light and breezy refrain is contrasted
with an espressivo section, which may be
sung a cappella.
11677121 SATB . . . . . . . . . . . .ME 2.60
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