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Sacred Concert, Spirituals & Gospel
Jubilate Deo—Taylor Scott Davis.
Recorded by VOCES8 for the VOCES8
Foundation, this exciting setting of Psalm
100 features vibrant rhythms and lush
harmonies. The opening and closing
sections are rhythmic and bold, while the
contrasting middle section offers moments
of lyricism. Ideal in concert or worship
settings, it can be performed with piano
alone or with the full orchestration available
on rental from the publisher.
11682227 SATB divisi . . . . . . . . M 3.50
11682228 Full Score. . . . . . . . . . 40.50
Jubilate Deo—Motshwane Pege. Set with
a rhythmically vibrant and harmonically rich
musical language, this exciting a cappella
work features shifting meters, syncopated
rhythmic figures, and bright choral textures.
A vibrant and exuberant affirmation of praise,
this piece offers an engaging and rewarding
challenge for more advanced choirs.
11682764 SSAATTBB . . . . . . .MA 3.50
Jubilate Deo—Michael John Trotta.
Designed to be flexible for either SAB or
SATB choirs with optional tenor notes,
this exquisite setting of a Latin translation
of Psalm 100 utilizes close harmonies
and cluster cadences to effectively portray
the text. Carefully chosen harmonies
and modulations will help your choir sing
expressively and beautifully.
11593209 SATB or SAB, A
Cappella. . . . . . . . . .ME 3.40
11638156 SATB or SAB, w/
Piano . . . . . . . . . . . .ME 3.40
Jubilate Deo—Joseph Twist. Engaging
and exciting, this work sets a celebratory
sacred text with syncopated rhythms
and pentatonic modal writing. Utilizing
overlapping musical ideas and featuring a
strong rhythmic drive, your audience is sure
to be captivated by this concert showstopper!
The SATB version is a cappella, while the
SSAA has a piano accompaniment. It's a
rewarding challenge for more advanced high
school or collegiate choirs.
11640195 SATB A Cappella . .MA 3.50
11682747 SSAA w/ Piano . . . .MA 3.50
Jubilate!—Victor C. Johnson. Ideal as an
opening concert or festival selection for
elementary or middle school choirs, this
joyful, syncopated celebration maintains
its driving tempo from start to finish.
Set primarily in minor with some Latin
and English lyrics, it explores unison,
counterlines, and stacked harmony textures
before a majestic modulation and a final
descant-topped refrain.
11677068 Three-Part Mixed . .ME 2.50
11677069 Two-Part . . . . . . . . .ME 2.50
Justitiae Domini—Michael John Trotta.
Beautiful a cappella harmonies on a Latin
text from Psalm 19 are a wonderful way to
develop part independence and musical
sensitivity. Opening simply, the harmonies
build in accessible counterpoint before a
contrasting homophonic middle section.
Lyrical and expressive, this piece is suitable
for concerts, festivals, and services.
11593212 SATB . . . . . . . . . . . . . M 3.40
11415267 SSA . . . . . . . . . . . . . . M 3.30
Keep Your Lamps—arr. Jamey Ray. For
more advanced tenor-bass choirs, this
dynamic arrangement of the traditional
spiritual brings fresh rhythmic energy and
inventive melodic turns while highlighting a
featured soloist. With its driving momentum
and dramatic build, it's sure to leave
a lasting impact on both singers and
audiences.
11674818 TTBB . . . . . . . . . . . . . M 2.25
Keep Your Lamps!—arr. André Thomas.
This exciting spiritual, with accompaniment
for high, medium, and low conga drums, is
an unusually appealing number suitable for
a wide variety of uses, from smaller choirs
to massed choir performances.
1428499 SATB . . . . . . . . . . . .ME 3.25
3303462 SSA with piano . . . .ME 3.05
10748272 TTBB . . . . . . . . . . . .ME 3.00
Keep Your Lamps Trimmed and
Burning—arr. Greg Gilpin. If you're looking
for something a little different to perform
in the spiritual style, take a close look at
this nicely rhythmic setting by Greg Gilpin.
Interlocking vocals sing over a pulsating
piano accompaniment that interprets a text
of joyous anticipation, awaiting the Lord's
coming. For school or church choirs, this is
a refreshing and satisfying work that will be
enjoyed by all who hear.
10452328 SATB . . . . . . . . . . . . . M 2.05
10089322 SAB . . . . . . . . . . . . . . M 2.10
3301917 Two-Part . . . . . . . . . . M 2.90
Keep Your Lamps!—arr. Victor C.
Johnson. Opening with "Keep your lamps
trimmed and burning!" as a dramatic
rubato statement, this incredibly creative
arrangement of the traditional spiritual then
kicks into a driving, rhythmically intense feel
that never lets up! A welcome addition for
school, church, and community choirs of all
ages!
10519886 SATB . . . . . . . . . . . .ME 2.50
11681580 SSAB . . . . . . . . . . . .ME 2.50
10028791 Three-Part Mixed . .ME 2.50
10810609 Two-Part . . . . . . . . .ME 2.50
10028792 SSA . . . . . . . . . . . . .ME 2.50
10028793 TTB . . . . . . . . . . . . .ME 2.50
10028794 P/A CD. . . . . . . . . . . . 26.95
Kum Ba Yah—arr. Robert T. Gibson.
A sensitive contemporary reimagining
of this classic spiritual, this accessible
arrangement is perfect for elementary or
middle school singers. You'll recognize
the familiar melody – but listen closely to
unexpected interludes that introduce and
layer unique vocal riffs, creating powerful
transitions between verses and leaving a
lasting impression.
11677071 Three-Part Mixed . .ME 2.50
11677072 Two-Part . . . . . . . . .ME 2.50
Kyrie—Jack Zaino. Flowing and
melismatic, this setting of the familiar Latin
text offers every voice part something
satisfying to sing. After a brief opening
solo and presentation of the main theme, a
minor-key section creates striking contrast
before the A section is restated. The
sensitive piano accompaniment beautifully
supports the voices without doubling their
parts.
11641811 SATB . . . . . . . . . . . .ME 2.20
Kyrie Eleison—Michael Ware. Interwoven
Latin and English statements of "Kyrie
eleison" and "Lord God, have mercy" form
a beautiful choral texture, while an optional
soprano solo adds shimmer and warmth.
This anthem is easy to learn and sings
well as a meditation or reflective moment,
appropriate for worship services and sacred
concerts alike.
11643037 SATB . . . . . . . . . . . .ME 2.50
Lamentations of Jeremiah—Z. Randall
Stroope. A stunning addition to any choral
library, this expressive and dramatic work
interprets the cries of the prophet with
mournful chant and impassioned rhythmic
fervor. It is a sublime musical statement.
3249323 SSATB. . . . . . . . . . .MA 3.20
The Last Words of David—Randall
Thompson. What library would be complete
without this exquisite piece by Randall
Thompson? A dramatic work on the text of
II Samuel 23:3,4 that runs the spectrum of
dynamics and demands vocal control.
341016 SATB . . . . . . . . . . . . . M 3.00
341107 TTBB . . . . . . . . . . . . . M 3.00
Laudate—Christopher Enloe. Combining
Latin and English texts based on Psalm
148 with fast rhythms, exciting mixed and
asymmetrical meters, and a driving piano
accompaniment, this advanced concert
work is a tour de force for divisi high school
or collegiate choirs. The carefully edited
piano and choral parts reduce unnecessary
complexity, and the inclusion of some simple
body percussion enhances the appeal.
11683824 SATB divisi . . . . . . .MA 2.95
Let Everything That Hath Breath—Jeffery
L. Ames. It is impossible not to be inspired
by this soul-stirring gospel original. The
accompaniment is rock solid, and the choral
parts are incredibly gutsy, with dramatic
dynamic swells and accents that will shake
the rafters! "Magnify the Lord with me and
exalt His name together...Let everything
that hath breath praise the Lord!"
10017215 SATB . . . . . . . . . . . . . M 2.90
Lift Every Voice and Sing—J. Rosamond
Johnson/arr. Roland Carter. Roland
Carter's arrangement is the absolute
standard for this classic anthem of the civil
rights movement, which has also become
known as the unofficial Black American
national anthem. James Weldon Johnson's
text rings loud and clear in this choral setting
for mixed divisi choir and piano, expressing
all the emotion and determination of the
lyrics along with the artistry of the setting.
11316577 SATB divisi . . . . . . . . M 3.20
Lift Every Voice and Sing—J. Rosamond
Johnson/arr. Rollo Dilworth. This beloved
anthem of the civil rights movement
retains its gospel flavor in this accessible
arrangement. With simple harmonies, it
is appropriate for use by most choirs. A
supportive piano accompaniment completes
the authentic feel of this rousing selection.
11398067 SATB . . . . . . . . . . . .ME 2.50
11398068 SAB . . . . . . . . . . . . .ME 2.50
11001656 Two-Part . . . . . . . . .ME 2.35
Like a River in My Soul—arr. Tim Osiek.
The river flows steady and calm in this
beautiful arrangement of the traditional
spiritual edited by Dan Forrest. It is
impossible to ignore the underlying intensity
which rises and falls as peace, love and joy
move from river to ocean to fountain and
back again. It is accompanied by piano and
is certain to become a favorite.
10907660 SATB . . . . . . . . . . . . . M 2.50
11166181 SSAA . . . . . . . . . . . . . M 2.50
11166182 TTBB . . . . . . . . . . . . . M 2.50
Look at the World—John Rutter. Original
text and music combine for an inspiring
choral selection that speaks reverently
of the many small miracles of nature that
surround each of us. "Look at the world,
everything all around us; Look at the
world, and marvel every day..." Another
masterpiece from the vibrant pen of John
Rutter. Now available is a four-piece
chamber ensemble accompaniment that
includes full score and set of parts (flute,
oboe, harp, and organ.)
3048220 SATB/Unison. . . . . .ME 4.25
11315691 Full Score. . . . . . . . . . 47.25
YEARS
OF MUSIC
S I N C E 1 8 7 6
