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Sacred Concert, Spirituals & Gospel
The Lord Bless You and Keep You—
John Rutter. A tender prayer, sensitively set
to music by the incomparable John Rutter.
The gentle accompaniment and simple,
lyrical voice parts combine to create one
of the sweetest pieces your choir will ever
sing! A chamber ensemble includes full
score and a set of parts for piccolo, oboe,
harp and organ.
1422054 SATB . . . . . . . . . . . . . M 4.25
10087537 SAB . . . . . . . . . . . . . . M 4.25
1790880 Two-Part . . . . . . . . .ME 4.25
4807194 Instrumental Parts . . . 57.25
11315689 Full Score. . . . . . . . . . 47.25
Luminous Night—Z. Randall Stroope.
Richard Crashaw's sacred text is beautifully
set for more advanced mixed choirs.
Sections with rhythmic ostinati contrast with
glorious a cappella harmonies that excitedly
depict the beauty of the luminous night.
Though the text describes the Nativity, it is
subtle, making the selection suitable for any
time of year.
11633974 SSATBB . . . . . . . . .MA 2.80
Lux aeterna—Josu Elberdin. A tender
setting of the traditional Latin text, this
two-part treble work is a beautiful choice
for treble choirs of all ages. A light, lyrical
melody is supported by a close harmony
part and a supportive, flowing piano
accompaniment. It's ideal for concert,
festival, or service use.
11643860 SA . . . . . . . . . . . . . .ME 2.50
Lux Aeterna—Tim Winebrenner. Meaning
"light eternal," this pensive setting of
the Latin text affords choirs musical
development of dynamic colors, range,
and musicianship. With conservative
ranges and options to sing a cappella or
with the notated piano accompaniment,
this is a fantastic choice to explore modern
harmonies and musicality in an accessible
setting.
11609585 SAB . . . . . . . . . . . . . . E 2.15
10990305 TTB . . . . . . . . . . . . . . E 2.30
Music Down in My Soul—arr. Moses
Hogan. Premiered at the World Choral
Symposium in Minneapolis, this gospel
praise song was inspired by the spiritual
Over My Head. The dynamic piano
accompaniment adds to the excitement,
making this a fantastic choral feature or
concert closer. Exuberant!
3297947 SATB . . . . . . . . . . . . . M 2.50
8061470 SSA . . . . . . . . . . . . . . M 2.50
The Music of Living—Dan Forrest. A
dynamic opening selection for mixed,
treble, or tenor-bass choirs, this powerful
and inspirational piece with an original
text has an active and rhythmic piano
accompaniment that supports the strong
choral lines. Optional instrumental parts
for violin, horn, timpani, and percussion are
available to enhance the texture.
10304256 SATB . . . . . . . . . . . . . M 3.55
11597428 SSAA . . . . . . . . . . . . . M 3.30
10356635 TTBB . . . . . . . . . . . . . M 3.30
10427513 Instrumental Parts . . . 55.00
My Lord, What a Mornin'—arr. Adam
Podd & Matt Podd. Balancing deep tradition
with fresh energy, this vibrant arrangement
reimagines the classic spiritual with the
drive and spirit of modern gospel music.
Careful attention to ranges and accessibility
makes this possible for choirs of all ages,
and the creative harmonic writing makes
this a joy to sing!
11641783 SATB . . . . . . . . . . . .ME 2.50
11647011E Instrumental Parts
ePrint . . . . . . . . . . . . . 15.00
My Lord, What a Morning—arr. Baptiste
Trotignon & Susan LaBarr. Inspired by
Reginald Mobley's performance on the
Grammy-nominated album Because, this
setting of the traditional spiritual features
jazz piano by Baptiste Trotignon and warm
vocal harmonies. A fresh take on a beloved
classic, this compelling arrangement brings
this important song to life in a new way.
11640200 TTBB . . . . . . . . . . . . . M 3.40
My Song in the Night—Elaine Hagenberg.
This captivating arrangement highlights
the elegant sensitivity of the traditional
American folk hymn. As the melody gently
drifts through each vocal part, a newly
composed refrain gracefully soars over
a lush piano accompaniment. Finally,
a shimmering tapestry of descending
lines brings the piece to a restful and
contemplative conclusion.
11416228 SATB . . . . . . . . . . . .ME 3.25
11616327 SSAA . . . . . . . . . . . .ME 3.25
My Soul's Been Anchored in the Lord—
arr. Moses Hogan. This traditional spiritual
will really come to life for your choir in this
dynamic setting! From the powerful opening
chords to the exhilarating call-and-response
sections, this is a work that has long been
a festival favorite. The SSAA version was
adapted by Rollo Dilworth and the TTBB
version by Peter Eklund.
3193505 SATB . . . . . . . . . . . . . M 2.50
10048981 SSAA . . . . . . . . . . . . . M 2.65
10292485 TTBB . . . . . . . . . . . . . M 2.65
A New Jerusalem Arise—Kyle Pederson/
ed. Dan Forrest. This striking adaptation
foretells a future free from tears, hatred, and
injustice and provides a vision of a renewed
and redeemed earth: "A New Jerusalem
arise, a new creation come alive, into the
dawning after dark, arise!" A combination
of varied musical influences is skillfully
woven together for choir, piano, and
optional instruments including cello, organ,
handbells, and drum as well as optional
congregational involvement.
11395414 SATB . . . . . . . . . . . . . M 2.75
11594020 SSAA . . . . . . . . . . . . . M 2.75
11395415 Handbell Part. . . . . . . . . 3.95
11395416 Instrumental Parts . . . 45.00
New World Kyrie—arr. Jordan Ricks.
Weaving the timeless themes of Dvořák's
"New World" Symphony with the traditional
Latin Kyrie text, this lyrical work is ideal for
tenor-bass choirs from middle school and
up. It remains in two parts throughout,
with just a few cued notes for tenor 2. The
cello obbligato really enhances the soaring
legato phrases and musical expression.
11673973 TB or T(T)B . . . . . . . . E 2.50
Non nobis, Domine—Reuben A.
Burrows. Accessible to the developing
choir but enjoyable for school, church,
and community choirs of all levels, this
setting of the traditional Latin text is lyrical,
expressive, and easy to learn. A supportive
yet contrasting piano accompaniment adds
just the right touch to the musical texture.
10590495 SATB . . . . . . . . . . . . . E 2.30
11681589 SAB . . . . . . . . . . . . . . E 2.30
11681590 SA or SAA . . . . . . . . . E 2.30
Non Nobis, Domine—Rosephanye
Powell. This work is pure magic! Short
rhythmic phrases repeating and building on
top of one another, contrasting sections,
a dynamic and rewarding conclusion. The
traditional Latin text makes it appropriate for
sacred or secular performance.
3297026 SATB . . . . . . . . . . . .ME 3.25
11200408 SAB . . . . . . . . . . . . .ME 2.25
3701688 SSAA . . . . . . . . . . . .ME 2.95
8071663 TTBB . . . . . . . . . . . .ME 3.25
Nox (from "Illuminare")—Elaine
Hagenberg. The dramatic third movement
from "Illuminare" opens with the traditional
Kyrie text in a somber, forebodingly
ominous manner before exploding into a
blast of fury as the Latin text turns to night
and darkness. Accented rhythms and mixed
meter contribute to the feeling of chaos, and
the dramatic dynamic range and rhythmic
intensity increase to a glorious conclusion.
11397313 SATB . . . . . . . . . . . .MA 3.25
11411615 Chamber Orchestra . 45.00
O Lovely and Luminous House—Brent
Wells. Soaring melodies, ringing a cappella
harmonies, and a rubato feel characterize
this stunning setting of St. Augustine's text,
ideal for advanced high school, community,
and collegiate ensembles alike.
11678631 SSATBB . . . . . . . . . . M 3.60
Ol' Time Religion—arr. Stacey V.
Gibbs. Stacey V. Gibbs may be the most
popular arranger of African-American
Spirituals, which is why Elena Sharkova
commissioned him to compose this
wonderful arrangement. It was premiered
at the ACDA National Honor Choir
presentation in Salt Lake City, 2015.
10487365 SSA . . . . . . . . . . . . . . M 2.95
Omnis Terra—Ruth Morris Gray. An
impressive festival opener or closer, this
Latin work offers a mixed-meter setting
with an exciting harmonic structure. The
middle section features lyrical contrast
with an English text, and a few well-placed
percussive handclaps reinforce the text and
add extra rhythmic impulse.
11613294 SATB . . . . . . . . . . . . . M 2.30
11613295 Three-Part Mixed . . . M 2.30
11613296 SSA . . . . . . . . . . . . . . M 2.30
Over My Head—arr. Adam Podd & Matt
Podd. This traditional spiritual is great for
any occasion as a celebration of music
and joy. The arrangement begins with a
slow soulful opening, then breaks into a
rockin' gospel groove that will lift up your
choir and your audience with its infectious
energy. Accessible ranges and harmonies
make this one easy to sing for choirs of
all ages. There are two separate piano
accompaniments available, the easier one
in the score and an optional advanced one
available separately.
11374439 SATB . . . . . . . . . . . . . E 2.50
11374440 SAB . . . . . . . . . . . . . . E 2.50
11374442 Two-Part or SA . . . . . E 2.50
11374443 Unison . . . . . . . . . . . . E 2.50
11374441 SSA . . . . . . . . . . . . . . E 2.50
Peace Like a River—arr. Victor C. Johnson.
Opening with a powerful optional solo, this
soulful adaptation of the familiar spiritual
gives every voice part a chance to shine.
The full gospel harmonies, rousing key
change, and lively piano accompaniment
make this arrangement brim with joy!
11613302 SATB . . . . . . . . . . . .ME 2.30
11613303 Three-Part Mixed . .ME 2.30
11613305 Two-Part . . . . . . . . .ME 2.30
11613304 SSA . . . . . . . . . . . . .ME 2.30
11613306 P/A CD. . . . . . . . . . . . 29.99
Pie Jesu—Ruth Elaine Schram. Simple
and elegant, this heartful setting of the
traditional Latin text breathes new life into
these timeless words, weaving soaring
melodies and rich harmonies into a
deeply moving and contemplative work
for middle or high school choirs. Ideal for
showcasing lyricism and vowel alignment,
it is a perfect change-of-pace work for
concert or festival use.
11683446 Three-Part Mixed . . . E 2.25
11683447 Two-Part or SA . . . . . E 2.25
Poor Wayfaring Stranger—arr. Christi
Jones. This artful arrangement of the
traditional spiritual is a solid choice for
developing choirs in middle or high school.
The flexible voicings may be performed a
cappella or with the piano accompaniment
for extra support. The arrangement features
elegant voice leading and an appealing
harmonic texture throughout and is a great
way to explore singing unaccompanied.
11673924 SATB . . . . . . . . . . .ME 2.15
11370906 SAB . . . . . . . . . . . . .ME 2.30
10735247 SSA.. . . . . . . . . . . . .ME 2.30
10846400 TTB . . . . . . . . . . . . .ME 2.30
