102
Editors' Choice New Basic Library Large Print Edition A Cappella Available via ePrint Downloadable All Prices in U.S. Dollars & Subject To Publisher Revision
Folk Songs
John the Slacker—arr. Blake Richter. A
19th-century halyard sea shanty, this piece
is a great example of a song sailors would
sing, adopting words and phrases heard
from various lands they visited. Tastefully
arranged for a soloist or a series of soloists
in a call-and-response texture, it features
repetitive phrases with simple three-part
harmonies and small ranges that will
make even less experienced singers feel
successful!
11537026 TTB . . . . . . . . . . . . .ME 3.00
The Journey—arr. Joseph M. Martin.
Combining Simple Gifts and the Going
Home theme from Dvořák's "New World"
symphony in partner-song format, this
is easy to perform with a minimum of
rehearsal. A lyrical violin part adds to the
bittersweet qualities of this simple, yet
profound.
10595002 SATB . . . . . . . . . . . .ME 2.50
3080314 Two-Part Mixed . . . .ME 2.50
8069443 Two-Part . . . . . . . . .ME 2.50
11539737 TB. . . . . . . . . . . . . . .ME 2.50
Katy Cruel—arr. Jamie Bunce. A rip-
roaring delight for advanced treble high
school or collegiate ensembles! This thrilling
arrangement of a traditional Morris tune is
bursting with rhythmic energy, and it invites
stomping, clapping, and even optional
costumes or movement for an engaging
concert experience. Detailed performance
notes and background information are
included to enhance your performance.
11677402 SSAA . . . . . . . . . . . . . M 2.90
Loch Lomond—arr. Jonathan Quick. This
a cappella setting of the traditional Scottish
folksong has become a popular choice with
festival choirs since its publication in 2000.
3287281 SATB . . . . . . . . . . . . . M 3.35
11197907 SSAA . . . . . . . . . . . . . M 3.50
9503706 TTBB . . . . . . . . . . . . . M 3.35
Mairi's Wedding—arr. Benjamin David
Knoedler. Fitting for high school and
community choirs, this arrangement of
the traditional Gaelic folk tune is brilliant
and exhilarating. Shouted effects, body
percussion, and optional hand drum echo
throughout the ensemble, adding to the
festive momentum of this Scottish tune that
will make you want to move along!
11681583 SATB . . . . . . . . . . . .ME 2.75
Michael Finnegan—arr. Mark Burrows.
Full of clever vocal writing and playful
rhythmic interplay between the parts,
this setting of the beloved American
folk song keeps listeners engaged from
start to finish. A bright and bouncy piano
accompaniment adds to the charm, making
this an irresistible choice for choirs looking
to showcase spirit, humor, and musicality.
11640110 Two-Part . . . . . . . . .ME 2.45
More Waters Rising—Saro Lynch-
Thomason/arr. Adam & Matt Podd. A
reflection of the ecological and social
changes sweeping our world, this
song by folk singer-songwriter Saro
Lynch-Thomason draws on styles and
arrangements from traditional African
American church and work songs. This
stirring arrangement, with piano and
optional percussion, reminds us that we
have the communal strength to make it
through these challenging times.
11616231 SATB . . . . . . . . . . . . . M 2.50
11616233 TTBB . . . . . . . . . . . . . M 2.50
11625708E Instrumental Parts
ePrint . . . . . . . . . . . . . . . 1.00
My Dear Companion—Jean Ritchie/arr.
Susan Brumfield. A gorgeous setting of a
Jean Ritchie ballad from Appalachia, this
treble feature is pure beauty from start to
finish. Accessible to high school choirs but
satisfying for community and collegiate
ensembles, its shimmering harmonies are
complemented by a soloist and an obbligato
for a C or B-flat instrument.
11682245 SSA . . . . . . . . . . . . . . M 3.20
11682246 Instrumental Parts . . . 12.00
My Heart's in the Highlands—Hollie
Christina Grubb/arr. Sean Paul. With a
flowing piano accompaniment and Celtic-
style flute obligato, this tender setting of the
Robert Burns poem is a thoughtful selection
for school choir. Based on a Scottish
melody, the work is beautifully voiced for
mixed and treble voices with rich harmonic
writing and moments for solo opportunities.
11648901 SAB . . . . . . . . . . . . .ME 2.50
11648860 SSA . . . . . . . . . . . . .ME 2.50
Nine Hundred Miles—arr. Blake
Richter. In a very different interpretation
of this traditional railway folk song,
this arrangement focuses on forward
momentum, the rhythm of the track, and
the urgency of wanting to get back home.
Set with optional fiddle and percussion, it's
written in two parts with a descant, but it can
work for a wide variety of levels from more
advanced elementary or children's choirs
through middle and high school.
11682767 SA . . . . . . . . . . . . . .ME 3.20
Nine Hundred Miles—arr. Philip Silvey.
A perennial festival favorite, particularly for
younger choirs, the arranger catches the
mood of the train theme of the piece in a
most artistic and delightful fashion.
3300727 SATB . . . . . . . . . . . .ME 3.00
3302243 SAB . . . . . . . . . . . . .ME 3.00
3296659 SA . . . . . . . . . . . . . .ME 2.35
3297566 TBB . . . . . . . . . . . . .ME 3.00
No Mo', My Lawd (Prison Work Song)—
arr. Stacey V. Gibbs. Drawing on authentic
field recordings, this arrangement of a work
song reflects themes of resilience, faith, and
determination. A powerful setting for more
advanced a cappella tenor-bass choirs, it
offers the opportunity to study the history,
context, and style. A woodblock part is
included.
11640852 TTBB . . . . . . . . . . . . . M 3.20
No Time—arr. Susan Brumfield. This
outstanding setting of a traditional camp
meeting song is growing in popularity as a
top choice for festival choirs!
10291521 SATB . . . . . . . . . . . . . M 3.00
3225539 SSAA . . . . . . . . . . . . . M 2.15
10436447 TTBB . . . . . . . . . . . . . M 2.15
O Come Freedom—arr. Kevin Siegfried.
A free adaptation of three Shaker songs
transcribed from a manuscript in the
Library of Congress – O Come Freedom;
I Love Freedom and Freedom, Freedom,
Pretty Pretty Way – this praise of freedom
is a welcome addition to any school or
community concert. Powerful a cappella
harmonies are easy to learn, while the free
feel, dynamic contrasts, and shifts in vocal
textures provide opportunities to work on
artistic expression.
11682251 SATB . . . . . . . . . . . .ME 2.75
Old Joe Clark—arr. Dwight Bigler. This
Appalachian folk song is tremendously
fun. Fantastic and fun vocal lines are
supported by a lively yet accessible piano
accompaniment. Add spoons and clapping
or stomping for a great time!
11121877 SATB . . . . . . . . . . . . . M 3.20
11167747 SSAA . . . . . . . . . . . . . M 3.20
11195649 TTBB . . . . . . . . . . . . . M 3.20
Old Joe Clark (2025 Edition)—arr.
Earlene Rentz. Mixed and asymmetrical
meters, countermelodies, and open
chords contribute to this energetic and
rhythmic arrangement of the popular folk
song. Clever and imaginative, this new
edition features an added violin part and
adjustments throughout. Please note that
this edition and the original, while similar,
are not compatible.
11616650 Two-Part or SA . . . . . M 2.50
11616653E Instrumental Parts
ePrint . . . . . . . . . . . . . . . 5.95
The Parting Glass—arr. MaryAnne
Muglia. A heartfelt closer or a special song
for a send-off celebration, this timeless a
cappella setting of the beloved Scottish folk
song could become a tradition for your choir
year after year. The expressive melody is
passed seamlessly from section to section,
and gentle rubato phrases invite choirs to
savor every moment.
11641818 SATB . . . . . . . . . . . .ME 2.20
Pay Me My Money Down—arr. Emily
Crocker. Ideal for elementary choirs, this
folk song from the Georgia Sea Islands has
an easy reggae feel. The song's accessible
melodies and rhythms are easy to learn
and perform, and the optional percussion
ostinati add another layer of fun to this
charming piece.
11648370 Unison/Two-Part . . .ME 2.50
jwpepper.com/ec
Music you can
connect with.
Recommendations
you can trust.
