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Christmas Sacred, Spirituals & Gospel
This Little Babe—Benjamin Britten. This
exciting Christmas carol, originally for treble
voices, comes from Britten's "A Ceremony
of Carols." The accompaniment, written for
harp, may also be played by keyboard.
162636 SATB . . . . . . . . . . . . . M 2.50
162545 SSA . . . . . . . . . . . . . . M 2.25
Three Latin Pieces—Vicki Tucker
Courtney. Perfect for developing tenor-bass
ensembles, this versatile and accessible
collection introduces singers to three classic
Latin texts: Exultate Justi; Jubilate Deo and
Magnificat. With singable vocal lines and
engaging harmonies, each piece offers
opportunities to build confidence and refine
tone. An excellent choice for concerts or
festivals.
11609609 TB . . . . . . . . . . . . . . .ME 2.95
Tidings of Comfort and Joy—arr.
Audrey Snyder. Here is a new twist on this
traditional English carol. The vocal writing
is light and rhythmic and will surprise your
listeners. A piano part is offered as an
accompaniment but this arrangement works
just as well when performed a cappella.
Optional hand claps and body percussion
parts make this a special piece within your
winter concert.
11420029 SATB. . . . . . . . . . . . .ME 2.50
10843657 Three-Part Mixed . . .ME 2.50
10843658 SSA. . . . . . . . . . . . . .ME 2.50
10910241 P/A CD . . . . . . . . . . . . 29.99
'Tis the Season (A Medley of Traditional
Holiday Songs)—arr. David C. Dickau. A
festive medley weaves together familiar
holiday tunes including Deck the Hall;
He Is Born; Angels We Have Heard on
High; I Saw Three Ships; Hanukkah, Oh
Hanukkah; Ding Dong! Merrily on High;
and We Wish You a Merry Christmas,
blending sacred and secular traditions in
one extended seven-minute work. With
a piano hour hands accompaniment and
optional strings and percussion, this medley
is a perfect holiday closer for high school or
community choirs.
11671378 SATB divisi . . . . . . . . M 8.99
11675685E Instrumental Parts:
Strings & Percussion
ePrint . . . . . . . . . . . . 112.50
Tomorrow Shall Be My Dancing Day—
John Gardner. Since its publication in 1966,
this arrangement of a timeless carol has
continued to be a popular choice with mixed
choral groups at Christmas time.
624783 SATB . . . . . . . . . . . . . M 4.25
'Twas in the Moon of Wintertime—arr.
David Schmidt & Brady Schmidt. Modal
harmonies and a mysterious feel shape this
setting of a 16th-century French folk tune,
with the melody passed between voice parts
and a gradual shift from minor to a brighter
conclusion. With piano accompaniment, this
tender arrangement offers a suitable option
for high school, community, and church
choirs seeking a traditional yet accessible
selection.
11671377 SATB . . . . . . . . . . . . . M 3.30
Veni, Veni Emmanuel (I Will Come)—
Michael John Trotta. A rhythmic ostinato
on "Veni, veni" and optional percussion
(triangle, tambourine and drum) infuse
the traditional Advent carol with such
unrelenting energy, the effect on the listener
is mesmerizing! Detailed performance
notes give fascinating historical perspective
to the work. Includes an English translation
of the text, which is Latin throughout. This
is a unique take on the ancient carol that
will be an exhilarating a cappella highlight
of your holiday concert!
10509932 SATB . . . . . . . . . . . . . M 3.50
10871946 Three-Part Mixed . . . . M 3.10
11198194 SA. . . . . . . . . . . . . . . . M 3.10
10584797 SSAA . . . . . . . . . . . . . M 3.10
10944942 TTBB . . . . . . . . . . . . . M 3.50
Veni, Emmanuel!—Zachary Steele. This
twist on the medieval French melody is a
great way to introduce singers to compound
meter, syncopation, and dissonance while
working with a familiar melody. Alternating
between the Latin and English texts, it is a
cappella but for a simple djembe or drum
accompaniment and the two-part version is
flexible enough to be sung by any kind of
two-part choir, either mixed, treble, or tenor-
bass, with a little bit of divisi.
11513846 SATB . . . . . . . . . . . . . M 2.35
11401354 Two-Part divisi or
SA or TB. . . . . . . . . . . M 2.50
Vox Clara—arr. Hyun Kook. Ideal for high
school, church, community, and collegiate
choirs, this radiant a cappella work offers a
serene and reverent setting of the ancient
Advent hymn Vox clara ecce intonat.
Flowing melodic lines and beautifully
dissonant harmonies unfold within a simple
ABAB design, creating music of quiet depth
and beauty.
11678866 SSATB . . . . . . . . . . . . M 3.05
We Three Kings—John Henry Hopkins Jr./
arr. Noah Reese. Lyrical and mature, this
arrangement of the popular Christmas carol
features a sweeping piano accompaniment,
tender harmonies, and accessible vocal
ranges. Perfect for tenor-bass choirs
looking for a beautiful, fresh take on the
beloved classic.
11609613 TTB. . . . . . . . . . . . . .ME 2.30
We Three Kings—arr. John Maclane
Schirard. A dynamite Christmas showpiece
for collegiate contemporary a cappella
groups or advanced tenor-bass choirs, this
arrangement of the beloved carol is rich with
dramatic harmonies and powerful textures.
You can feature a few different soloists,
but your whole ensemble is sure to enjoy
singing this one!
11674854 TTBB . . . . . . . . . . . .MA 2.50
We Three Kings of Orient Are—arr.
Michael Higgins. In this fun, rhythmic
arrangement of the classic Christmas carol,
the traditional melodic line in the vocal parts
is retained, while syncopation and harmonic
twists in the piano accompaniment create
an unsteady, off-kilter feel reminiscent of
a camel's gait. With optional percussion
adding a contrasting steady pulse, this
is a captivating reimagining of the much-
loved carol, fitting for school, church, and
community choirs.
11679517 SATB . . . . . . . . . . . .ME 4.95
Wexford Carol—arr. Elaine Hagenberg.
This captivating arrangement of the familiar
Wexford Carol with piano accompaniment
becomes increasingly rich and textured
with the addition of the optional oboe,
percussion, and string quartet/quintet. The
Christmas story unfolds stanza by stanza
with increasing intensity and quiet wonder,
building to a truly wondrous finish.
11101048 SATB . . . . . . . . . . . .ME 2.35
11621069 TTBB . . . . . . . . . . . .ME 2.50
11101049 Instrumental Parts.. . . 30.00
What Little, Tiny Child?—arr. Ruth Elaine
Schram. Exquisite musical moments
abound in this creative pairing of What
Child Is This? (Greensleeves) and Coventry
Carol. This evocative work creates a mood
of wonder, mystery, and anticipation of the
birth of the tiny child on that first Christmas
night. A fluid, supportive accompaniment
graces this memorable piece equally
suitable to concert or worship settings.
11620330 SATB . . . . . . . . . . . .ME 2.25
11620331 SSA . . . . . . . . . . . . .ME 2.25
What Strangers Are These?—arr. Dan
Forrest. Adapted from an old Scottish
carol, this sensitive setting is accompanied
with piano, flute and classical guitar. The
gently lilting melody and lyrics tell the
Nativity story. With it's voicing options, it is
a beautiful addition to Christmas concerts
or services for high school, community or
church choirs.
10366983 SATB . . . . . . . . . . . . . M 2.35
10373846 SSA . . . . . . . . . . . . . . M 2.35
11683816 TTBB . . . . . . . . . . . . . M 2.35
10366984 Instrumental Parts:
SATB . . . . . . . . . . . . . 17.50
10373847 Instrumental Parts:
SSA . . . . . . . . . . . . . . 17.50
What Sweeter Music—John Rutter. "What
sweeter music can we bring than a carol
for to sing the birth of Christ, our heavenly
King." This tender setting of the traditional
carol text has become one of John Rutter's
most cherished Christmas anthems.
1693936 SATB . . . . . . . . . . . . . M 4.25
10523432 SSA . . . . . . . . . . . . . . M 4.25
3008208 Full Score SATB . . . . 31.95
10661564 Full Score SSA. . . . . . 28.75
Winter Lullaby (Little Dear-My-Soul)—
Luke Flynn. Sweeping, emotive choral
lines envelop Eugene Field's well-known
poem Christmas Eve in this beautiful
lullaby setting from a Hollywood film score
composer. Lush harmonies allow choirs
to express their musical sensitivity, while
the parts themselves remain accessible to
a variety of choirs. A stunning choice for
winter concerts!
11535645 SATB . . . . . . . . . . . . . M 2.80
11615645 SSA . . . . . . . . . . . . . . M 2.80
The Work of Christmas—Dan Forrest.
"When the song of the angels is stilled,
when the star in the sky is gone... the work
of Christmas begins." This setting of a poem
by Howard Thurman, presented as an
ethereal benediction, is truly a captivating
moment in song. Beautifully conceived, it is
impossible to overstate its impact on those
within its hearing.
10458784 SATB A Cappella. . . . M 2.35
11202840 SSAA with Piano . . . . M 2.35
11202841 TTBB with Piano . . . . M 2.35
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