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Sacred Concert, Spirituals & Gospel
Exsultate Justi—Michael John Trotta.
Driving rhythms, dance-like motives, and a
soaring descant make this setting of Psalm
33 an exhilarating and majestic celebration.
Thoughtful voicing leading and optional
notes bring this work within reach of high
school choirs while remaining a satisfying
choice for more advanced.
11678753 SATB divisi . . . . . . . . M 3.25
Exsultate Justi in Domino—Noah Reese.
Grandiose and exciting, this concert or
festival opener has rhythmic energy in
the vocal lines coupled with an active yet
supportive piano accompaniment. With a
variety of accessible voicings, this piece
with a traditional Latin text is fitting for
developing choirs of all ages and ability
levels.
11673919 SAB . . . . . . . . . . . . .ME 2.30
11559626 SA . . . . . . . . . . . . . .ME 2.30
11559624 TT. . . . . . . . . . . . . . .ME 2.30
11559625 TBB or TTB . . . . . . .ME 2.50
Festival Sanctus—John Leavitt. A
long-time favorite on the festival circuit,
this dynamic, exciting, joyous selection
surpasses the ordinary! Syncopated
rhythms and changing meters, combined
with a sizzling piano part, make this a
uniquely rewarding work.
1699032 SATB . . . . . . . . . . . .ME 2.05
10047611 SAB . . . . . . . . . . . . .ME 2.05
1959857 Two-Part . . . . . . . . .ME 2.05
10047612 SSA . . . . . . . . . . . . .ME 2.05
10047613 TTB . . . . . . . . . . . . .ME 2.25
10047615 P/A CD. . . . . . . . . . . . 27.99
10047616 Orchestration. . . . . . . 40.00
Fly Away—Jonathan Reid. Offering a
stunning new take on the Southern Gospel
text, this setting opens up layers of meaning
and a depth of comfort and hope that you
might not have realized were present all
along. Soaring lines and colorful piano
writing combine to create a heartfelt work
that you simply must hear.
11621074 SATB . . . . . . . . . . . .ME 2.75
Follow the Drinking Gourd—arr. Greg
Gilpin. Recognized for its connection to
the Underground Railroad by signaling
the direction north, this traditional spiritual
offers many teaching moments. This
exciting arrangement is rhythmic and well
supported by the piano accompaniment,
and each choral line has the opportunity
to sing the melody as well as independent
harmony lines and stacked ostinatos.
11566091 SATB . . . . . . . . . . . .ME 2.30
11566092 Three-Part Mixed . .ME 2.30
11566093 Two-Part . . . . . . . . .ME 2.30
For the Beauty of the Earth—John Rutter.
John Rutter's engaging melody over a
flowing accompaniment is equally beautiful
in either the SATB or SA treatment. Full
instrumentation includes strings, winds,
harp (playable on keyboard), and drums.
Reduced orchestration includes flute, oboe,
harp, and organ. Instrumental lines soar as
beautifully as the vocal melody.
1418599 SATB . . . . . . . . . . . .ME 4.25
1363399 SA . . . . . . . . . . . . . .ME 4.25
10432346 TTBB . . . . . . . . . . . .ME 4.25
10664870 Full Score. . . . . . . . . . 36.25
4534657 Instrumental Parts . . . 83.25
For This Joy—arr. Susan LaBarr. Charles
Anthony Silvestri's text breathes new life
into an age-old hymn tune,
LOBE DEN
HERREN.
Extolling the beauty of nature
and all of life, this modern setting employs
a tenderness and subtlety with a gently
spinning piano accompaniment and clarinet
obbligato throughout that brings awareness
to the text.
11371557 SATB . . . . . . . . . . . .ME 3.30
11618451 SSAA . . . . . . . . . . . .ME 3.50
Frydeligt med jubelkor—Jonas
Rasmussen. Born from the City Hall bells in
Aarhus, Denmark and 500 years of Danish
tradition, this unique a cappella work begins
with striking modal clarity, drifts into an
improvised forest soundscape, and returns
to a full-voiced celebration welcoming in
the joys of spring. Intriguing, beautiful, and
an unforgettable choice for more advanced
choirs.
11683937 SATB divisi . . . . . . .MA 2.95
Gaudete!—arr. Michael Engelhardt. From
Piae Cantiones, this setting of Gaudete!
is in a progressive style, yet well suited to
the medieval melody. Its energy is derived
from the accented rhythms and dance-
like percussive elements, all adding to the
joyous nature of the piece. Percussion parts
for four players are available separately.
10467505 SATB . . . . . . . . . . . . . M 3.10
10276399 SSA . . . . . . . . . . . . . . M 2.95
10304776 TTBB . . . . . . . . . . . . . M 2.95
10968325 SATB Full Score &
Parts. . . . . . . . . . . . . M 25.00
10276400 SSA Full Score &
Parts. . . . . . . . . . . . . M 20.00
10968326 TTBB Full Score &
Parts. . . . . . . . . . . . . M 20.00
Gloria (from Missa Solemnis)—Ludwig
van Beethoven/ed. Allan Robert Petker.
Beethoven gave us some stirring choral
music, including the Missa Solemnis. In this
edition, all the notes are truly Beethoven's
except the final ones, which modulated
in its original form. Beethoven's original
orchestration is available for rental, or a
chamber version is available for purchase.
This is an excellent piece to add to the
choral library for high school, community, or
collegiate choirs.
11670089 SATB . . . . . . . . . . . . . M 3.55
11675683E Chamber Orchestra
ePrint . . . . . . . . . . . . 112.50
11675686E Full Orchestra ePrint 132.30
Gloria—Daniel Brinsmead. Fitting for
school and community choirs, this setting
of the traditional Latin text uses a sparkling,
joyful treatment to bring the text to life. With
a lively piano accompaniment and 7/8 time
signature, this exuberant piece offers a
welcome challenge to young singers and
works perfectly as a concert opener or closer.
11681138 SSA . . . . . . . . . . . . . . M 3.40
Gloria Fanfare—Mary Lynn Lightfoot/arr.
Ronald Sayer. Changing meters propel
the phrases in this energetic setting. The
lyrical, flowing middle section provides
an interesting and unique contrast
before returning to the recapitulation and
exhilarating conclusion.
11640789 SAB . . . . . . . . . . . . . . M 3.00
11640788 SSA . . . . . . . . . . . . . . M 3.00
11682205 SAB Full Score . . . . . 20.00
11682202 SSA Full Score . . . . . 20.00
11682206 SAB Instrumental Parts 35.00
11682203 SSA Instrumental Parts 35.00
Glory, Gloria—Douglas E. Wagner. With
a simple Latin text, this upbeat and festive
concert selection is perfect for introducing
Latin or reinforcing choral fundamentals.
The memorable melody is shared across
all voice parts and is accompanied by easy-
to-learn harmony written in comfortable
ranges.
11641415 Three-Part Mixed . .ME 2.30
Grace Before Sleep—Susan LaBarr.
Sara Teasdale's poem of thanks inspired
this beautiful, melodic setting for a
cappella choir. A quiet opening builds into
a gorgeous, resounding climax before
coming to a more reflective, thankful close.
The piece could provide a tender, thoughtful
ending to a concert, or be part of a theme of
thanksgiving.
10291013 SATB . . . . . . . . . . . . . M 3.00
10482018 SSAA . . . . . . . . . . . . . M 3.00
The Ground (Pleni sunt caeli)—Ola
Gjeilo. This luscious setting of the traditional
Latin text from the "Mass" is one that will
give your high school choir a big, rich
sound without being too difficult. Thorough
performance notes give interesting insights
into the composer's process and his desired
interpretation of the work.
10276430 SATB . . . . . . . . . . . . . M 3.40
10297378 Instrumental Parts:
Strings . . . . . . . . . . . . 40.00
Guide My Feet—arr. Adam & Matt Podd.
A driving, impassioned call for guidance,
this reimagined spiritual opens with a tone
of longing and mournful prayer before
gathering momentum into an urgent plea
for wisdom and truth. Suitable for school,
church, and community choirs, it works
well with piano alone or with the optional
percussion.
11682535 SATB . . . . . . . . . . . .ME 2.50
11682538E Instrumental Parts
ePrint . . . . . . . . . . . . . . . 5.00
Hallelujah Chorus (from "Messiah")—
G.F. Handel. This is the G. Schirmer edition
that has become part of every musician's
experience with Handel's masterwork. A
must for every library.
401042 SATB . . . . . . . . . . . . . M 2.10
Hark, I Hear the Harps Eternal—arr.
Alice Parker. Now all choirs can enjoy
this famous hymn tune arranged by Alice
Parker, originally written for the Robert
Shaw Chorale. The strong walking pulse
and juxtaposed motives have made it
exceptionally popular for over 50 years.
4004693 SATB . . . . . . . . . . . . . M 2.05
3147212 SSAA . . . . . . . . . . . . . M 2.05
10047605 TTBB . . . . . . . . . . . . . M 2.05
He's Got the Whole World in His
Hands—arr. Rollo Dilworth. Ideal for choirs
of all ages, this sensitive arrangement of
the well-known spiritual is set in a gospel
style with a slow groove. Whether you
choose to sing the unison voicing or the
three-part treble, everyone has a chance
to sing the melody. The supportive piano
accompaniment adds authenticity to the
soulful choral writing.
11641949 Unison . . . . . . . . . . .ME 2.65
10980975 SSA . . . . . . . . . . . . .ME 2.65
Hear My Prayer—Moses Hogan.
Dedicated to the memory of Jester Hairston,
this original spiritual by Moses Hogan is a
reverent prayer of hope. For a cappella
mixed voices, its quiet but dramatic rubato
style is powerfully moving.
3289634 SATB . . . . . . . . . . . . . M 2.35
Hold On—arr. Emily Crocker. A
powerful statement of perseverance and
determination, this traditional spiritual,
also known as Gospel Plow or Keep Your
Hand on the Plow, has been a popular
choice throughout American history, and
particularly during the civil rights movement.
With three voicing options, it can work for
middle or high school choirs.
11670115 SAB . . . . . . . . . . . . .ME 2.50
11670116 SSA . . . . . . . . . . . . .ME 2.50
11670117 TB. . . . . . . . . . . . . . .ME 2.50
How Can I Keep from Singing?—
Gwyneth Walker. This Robert Lowry hymn
dates back to the 1800s in the United
States. References to persecution, once
thought to refer to early Quakers, may be
heard in the modernized lyrics – yet faith
and courage prevail. This arrangement
emphasizes the celebratory and life-
affirming aspects of the song.
3062221 SATB . . . . . . . . . . . .ME 3.20
3270741 SSAA . . . . . . . . . . . .ME 4.00
10036808 TTBB . . . . . . . . . . . .ME 3.20
I Believe—Mark A. Miller. Written in a lyrical
style, this beautiful choral can be used for
any occasion. The sentiment of the text
"I believe in the sun, even when it's not
shining" springs forth with inspiration and
sends thoughts toward hope.
10335690 SATB . . . . . . . . . . . .ME 3.35
10757190 SSA . . . . . . . . . . . . .ME 3.35
10907411 String Quintet & Piano 49.95
10907412 Full Orch. . . . . . . . . . 149.95
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