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Sacred Concert, Spirituals & Gospel
Spiritual Quodlibets I-V—Ysaye M.
Barnwell. A quodlibet is a form of music
with melodies in counterpoint. This set of
five quodlibets combines several spiritual
melodies woven together in profound
harmony. Though these were originally
taught by Dr. Barnwell in the oral-aural
tradition, they are now in a newly engraved
edition, updated by a scholarly committee
dedicated to Dr. Barnwell's works.
11644024 SATB . . . . . . . . . . . . . M 4.70
Spiritus Domini—Marek Raczynski. With
a strong connection to its sacred Latin
text, this stunning a cappella work features
soaring melodic lines and a joyful alleluia
section. Beautifully dissonant harmonies
and dynamic interplay between vocal parts
create a breathtaking selection for more
advanced mixed choirs.
11640202 SSATBB . . . . . . . . .MA 3.40
Steal Away—arr. Derric Johnson. Arranged
with clear, accessible vocal lines, this
gorgeous setting exudes musical sensitivity
and ensemble blend. Shaped phrasing,
balance, and tone color bring the traditional
spiritual to life in a way that's both intimate
and expressive. It's a wonderful choice for
high school, community, or collegiate choirs
that are ready to focus on artistry rather
than sheer note-learning.
11674843 SATB divisi . . . . . . . . M 2.75
Still I Rise—Rosephanye Powell. "Though
I have been wounded; aching heart, full
of pain, still I rise, yes, still I rise..." With
its spiritual-like style, this original choral
arrangement with solo speaks poignantly of
the struggles of African-American women.
10873681 SATB . . . . . . . . . . . . . M 4.35
3304157 SSAA . . . . . . . . . . . . . M 3.75
The Storm Is Passing Over—Charles
Albert Tindley/arr. Barbara W. Baker. This
is a lot of fun! Even choirs with limited
experience singing gospel music will be
able to perform the syncopated and heavily
accented vocal parts with ease. The final
repeated chorus features stunning dynamic
contrasts, hand claps and a dramatic ritard
before the final ending. A very strong
choice!
3093036 SATB . . . . . . . . . . . .ME 2.50
5467071 SSA . . . . . . . . . . . . .ME 2.50
The Storm Is Passing Over—Charles
Albert Tindley/arr. Adam Podd & Matt Podd.
Feel the rhythm, embrace the joy, and let
your spirits soar with this vibrant rendition of
a gospel standard. Perfect for both sacred
and secular occasions, this upbeat concert
gospel arrangement will infuse your choir
performance with infectious and uplifting
energy. From its punchy rhythms to its soul-
stirring harmonies, every note resonates
with a message of hope and resilience.
11569865 SATB . . . . . . . . . . . .ME 2.50
11596214 TTB or TTB(B). . . . .ME 2.50
11596217E Instrumental Parts: SATB,
ePrint . . . . . . . . . . . . . 15.00
11596218E Instrumental Parts: TTB(B),
ePrint . . . . . . . . . . . . . 15.00
Sweet Rivers—Shawn Kirchner. Here is
a newly-created traditional song that pairs
an old hymn text with an original melody.
The banjo-like piano accompaniment gives
the music motion and excitement and the
result is a truly rousing arrangement that will
bring the house down. Perfect as a spirited
closing number.
10910965 SSATBB divisi . . . . .MA 2.95
Taaveti laul No. 121 (Psalm 121)—Cyrillus
Kreek. A luminous setting of the well-known
Psalm 121 text "I will lift up mine eyes
unto the hills," this work is a stunning yet
understated selection for mixed choirs.
Rooted in Estonian folk harmonies and
modal color, it blends simplicity with quiet
intensity through a chant-like melody and a
warm choral texture.
11640204 SATB divisi . . . . . . . . M 2.95
Taaveti laul No. 141 (Psalm 141)—Cyrillus
Kreek. Drawing on the composer's deep
connection to the Estonian folk tradition, this
setting of Psalm 141 paints the plea "Lord,
I cry unto thee" with a blend of chant-like
melody and rich harmonies. A compelling
work for more advanced mixed choirs, this
intimate work amplifies the cry of the heart.
11640205 SATB divisi . . . . . . . . M 2.95
Take Me to the Water—arr. Rollo Dilworth.
The traditional spirituals Down by the
Riverside and Wade in the Water are joined
with the original Take Me to the Water to
create a gospel-style choral that packs a
triple punch! This is exceptionally well done!
10010513 SATB . . . . . . . . . . . . . M 2.65
10070027 SSAA . . . . . . . . . . . . . M 2.65
There Is a Balm in Gilead—arr. Benjamin
Harlan. A choral classic, now available in a
newly engraved updated edition with some
new interpretative markings, this expressive
setting of the traditional spiritual has been
widely performed since its original release.
Beautiful flowing lines and harmonies
capture the essence of the hopeful and
redemptive text.
11643875 SATB . . . . . . . . . . . .ME 2.75
Think on These Things—Mark Burrows.
Simple and singable by a cappella voices,
this setting of the well-known lesson from
Philippians 4:8 is a solid choice for school
and church choirs. Conservative ranges
and optional divisi make it accessible to a
variety of ensembles.
11681615 SA or S(S)A. . . . . . . . E 2.30
11681616 TB or T(B)B . . . . . . . . E 2.30
This Little Light of Mine—arr. Robert T.
Gibson. This fantastic stylized arrangement
will appeal to choirs at many levels.
Singable and skillfully arranged, this setting
is fun, exciting, and captures the gentle joy
of this spiritual. The piano accompaniment
is simple and supportive, with room for
improvisation.
11537034 SATB divisi . . . . . . . . M 3.50
11316558 Two-Part or SA . . . . . M 3.20
10873385 SSA . . . . . . . . . . . . . . M 3.20
This Little Light of Mine—arr. Sonny
Willis. A dynamite closer for treble choirs,
this gospel-style arrangement of a
traditional spiritual is easily learned and can
work effectively for concerts, festivals, or
services. The driving piano accompaniment
and call-and-response sections will make
this piece a favorite among your singers.
Kick it up a notch by adding handclaps,
movement, bass guitar, and drum set.
11614311 SA or Two-Part . . . . . E 3.25
This Train—arr. Brandon A. Boyd. Drawing
from the rich traditions of spirituals and
gospel music, this vibrant selection weaves
together familiar refrains including Come
Along My Friends; This Train and Got My
Ticket, Can I Ride to create a compelling
and uplifting choral experience rooted in
themes of resilience, faith, and liberation.
Set in a lively 12/8 gospel shuffle, the
rhythmic call-and-response writing,
layered textures, and an engaging piano
accompaniment drive the piece forward,
making it an effective closer for high school,
collegiate, or community ensembles.
11678636 SATB . . . . . . . . . . . .ME 3.55
Three A Cappella Spirituals for
Beginning Tenor-Bass Choir—arr. Mary
Jane Phillips. Designed specifically with
emerging tenor-bass middle or high school
choirs in mind, this set of easily learned, no-
frills arrangements offers the opportunity to
develop a cappella singing techniques in
short selections that can be programmed
individually or as a set.
11673996 TB. . . . . . . . . . . . . . . . E 2.15
Through Love to Light—Elaine
Hagenberg. With a lively folk music-
influenced piano accompaniment, soaring
vocal lines, and an uplifting hope-filled
message, this piece overflows with
exuberance and joy from start to finish. The
text from Richard Watson Gilder's After-
Song from The New Day is perfectly set to
reflect the optimism that comes with each
morning: "Oh, wonderful the way that leads
from darkness to the perfect day!"
10997815 SATB . . . . . . . . . . . . . M 3.25
Total Praise—Richard Smallwood/arr.
Patrick Barrett & Doreen Rao. "You are the
source of my strength, You are the strength
of my life..." This was a big contemporary
hit a decade or more ago, and it is still
as meaningful today in this powerful
arrangement. "...I lift my hands in total
praise to you."
10280032 SATB . . . . . . . . . . . .ME 2.50
10439105 SSA . . . . . . . . . . . . .ME 2.50
Two-Part A Cappella Canons for Treble
Choir—arr. Mary Jane Phillips. Variety,
versatility, and accessibility abound in this
set of six canons from German, Australian,
British, and American folk songs and
composers. Perfect for teaching part
independence and vocal skills, these
rounds include Latin and Italian texts, tips
for teaching, and the option to transpose as
needed.
11609610 Two-Part . . . . . . . . . . E 3.50
True Light—Keith Hampton. Opening
phrases of the traditional spiritual This Little
Light of Mine launch this exciting work into
Keith Hampton's original words and music,
which feature a sixteen-measure soprano
solo sung to lines from tenth-century
poet Grigor Narekatzi's Book of Mournful
Chants: "Don't let the light that You've given
me die, And don't desert my mind. But let
the one who serves You Praise You again
and again." The repeated responses "He
lives in us as True Light" and "God gave the
world True Light" give solid impact to every
phrase. School and church choirs will revel
in the spiritual depth and driving rhythmic
feel of this extraordinarily soulful choral!
3700850 SATB . . . . . . . . . . . . . M 2.45
Ubi Caritas—Emily Crocker. Carefully
constructed vocal lines and ranges
surround this traditional Latin text on the
nature of love. Ideal for tenor-bass choirs
of all ages, the optional descant allows your
choir to sing in two parts or three while the
piano supports in an artistic manner that
allows your singers to focus on expression
and musical sensitivity.
11639368 TB or TTB . . . . . . . .ME 2.50
Ubi Caritas—Ola Gjeilo. Originally
published for mixed voices, this stunning
work has reached a large audience in a
very short time and has been published
in SSAA and TTBB voicings to meet the
growing demand. The reviews are in – it is
an exceptionally strong choice for every a
cappella choir!
10025943 SATB . . . . . . . . . . . . . M 3.15
10046201 SSAA . . . . . . . . . . . . . M 3.15
10067366 TTBB . . . . . . . . . . . . . M 3.15
10513312 Instrumental Score . . . . 9.95
Ubi Caritas—Jamey Ray. An epic and
powerful setting of the timeless Latin text,
this stunning modern concert work by
Voctave's arranger features a full divisi
texture and a soaring soprano descant.
Ideal for more advanced high school or
collegiate choirs, this work uses close jazz-
influenced harmonies to build to thrilling
chords and breathtaking climaxes.
11674850 SATB divisi . . . . . . .MA 2.15
Unclouded Day (from "Heavenly
Home")—J.K. Alwood/arr. Shawn
Kirchner. First written as the bright, opening
movement of Heavenly Home: Three
American Songs, this enduring gospel
favorite is set with a straightforward first
verse and chorus. The next two verses
combine traditional bluegrass vocal style
with counterpoint and fugue, resulting in
a crescendo of excitement in roof-raising
fashion as the choir sings "in the city that is
made of gold."
10309004 SSAATTBB . . . . . . . . M 2.65
10910968 TTBB divisi . . . . . . . . M 2.65
