Handbell Music
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4 Promised Landarr. Anna Laura Page. Promised
Land is an energetic setting that combines
traditional folk melodies, including On Jordan's
Stormy Banks, I Am Bound for the Promised Land
and Tis a Gift to Be Simple. With the inclusion of
handchimes and various articulations including
martellato lifts, TD and shakes, this joyous offering
promises to be a favorite for use in church,
school and concert settings.
10356678 3/5 Octave . . . . . AGEHR-L3 4.50
l avior, Like a Shepherd Lead Usarr. Linda
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Lamb. This serene setting of the tune BRADBURY
by Linda Lamb is for 2 or 3 octave handbells and
handchimes, with optional C instrument. Singing
bells, light malleting and a soaring obbligato evoke
quiet reverence and reflection.
10363792 2/3 Octave . . . AGEHR-L2+ 4.25
avior, Like a Shepherd Lead Usarr.
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Sondra Tucker. Make sure you take a close look
at this handbell setting that beautifully displays the
expressive capabilities of more experienced choirs.
Your congregation will be uplifted when they hear the
title hymn along with the tune Hanson Place (Shall
We Gather at the River) surrounded by cascading
chords and gentle accompanying rhythms. Use
handchimes to add color and contrasting texture
for an absolutely lovely offering that will be welcome
throughout the church year.
10040621 3/5 Octave . . . . . AGEHR-L3 4.95
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eflection on HOLY MANNASandra Eithun.
Beginning and ending with singing bell technique,
tender echoes of this well-loved early American
hymn tune ring out to touch the heart and soothe
the soul. Optional dulcimer and flute parts are
included to enhance the reflective mood. Don't
miss this exquisite offering.
10307733 3/6 Octave . . . AGEHR-L2+ 4.95
4 eflections on Come With Us, O Blessed
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Jesusarr. Michael Ryan. Perhaps better known
as Jesu, Joy of Man's Desiring, this lovely melody
moves to 3/4 time and is given a gently, flowing feel
through the use of running eighth-note patterns. It
will provide a serene and beautiful moment in your
worship service or concert setting, whether it is
played by handbells or handchimes.
10340419 2/3 Octave . . . . . AGEHR-L2 4.50
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eflections on Endless SongMichael
Ryan. Conveying the quiet joy of Robert Lowry's
comforting words: "The peace of Christ makes
fresh my heart, a fountain ever springing! All
things are mine since I am His! How can I
keep from singing?", this quiet and reflective
composition gives a pastoral feel. Written to be
played by either handbells or handchimes, this
title is wonderfully designed for emphasizing
moments of peace and meditation.
10295050 2/3 Octave . . . . . AGEHR-L2 4.50
l eflections on O WALY WALYarr. Sandra
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Eithun. This arrangement by Sandra Eithun on the
tune O WALY WALY is a selection where subtlety
is powerful enough to deliver the message of
faith. The expressive melody, simply stated over
randomly malleted suspended bells, builds to a
stately and emotional finish.
10363791 3/6 Octave . . . AGEHR-L2+ 4.25
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ejoice, Give Thanks and Ring!arr. Lloyd
Larson. Lloyd Larson masterfully combines
MARION, ASH GROVE, and NUN DANKET ALLE GOTT
into an exceptional and achievable medley
using LV and shakes for interest. An excellent
opportunity to give thanks in many situations
and a wonderful choice for a celebration
during any worship service!
10312041 3/5 Octave . . . . . AGEHR-L3 3.95
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evelation Song with Holy, Holy, HolyJennie
Lee Riddle/arr. Peggy Bettcher. The theme of "God's
Holiness" is captured in this three to five octave
arrangement which blends two texts based on
chapters four and five from the Book of Revelation.
The ethereal sound of Singing Bells accompanies
the opening statement of Holy, Holy, Holy, followed
by two flowing verses of Revelation Song. The piece
closes with a triumphal return to the original melody
for an unforgettable musical experience!
10305855 3/5 Octave . . . . . AGEHR-L3 5.25
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eek Ye Firstarr. Lynne Hollander. This
classic praise song is paired with Pachelbel's
Canon. Optional ringing techniques and the use of
handchimes allow you to tailor this arrangement to
fit your ringers' skills.
10073021 2 Octave . . . . . . . AGEHR-L1 3.95
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hall We Gather at the River?arr. Linda
Lamb. This traditional gospel favorite features a
lightly moving back-drop reminiscent of flowing
water, using LV to enhance the effect that builds
in intensity before returning to a slower, reverent
statement of the final phrase. A powerful and moving
selection that does not take a lot of time to prepare!
10313077 3/5 Octave . . . . . AGEHR-L2 3.95
Shalom Chaverimarr. Susan Geschke. Susan
Geschke's creativity is once again on display in
this unique and vibrant setting of this familiar
Hebrew song proclaiming a message of peace
and goodwill. Opening with a quiet, flowing style,
the tempo quickly picks up and drives forward
to a thrilling finish. Techniques include LV,
shakes, marts, and mart lifts.
10305823 2 Octave . . . . . AGEHR-L2+ 4.50
l hine, Jesus, ShineGraham Kendrick/arr.
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McChesney. This dynamic arrangement of the
popular praise hymn Shine, Jesus, Shine reflects
the power and joy of the text, using mallets, LV
and pluck in different variations of the melody.
It provides many performance options, being
useable with praise band and keyboard, and
allowing for the choir and congregation to join in
at the end. Additional parts are included for two
bell trees, piano and bass.
10342557 3/5 Octave opt.
1-2 Bell Trees . . . AGEHR-L3 5.95
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hine, Jesus, Shinearr. Peggy Bettcher. Here
is a setting of one of the most-loved Christian
praise songs for younger or inexperienced
choirs. This arrangement uses plucking and
shakes at strategic points of the piece, rhythms
that are syncopated without being difficult, and
eighth-note patterns that fit well into the texture
of the piece. Nicely done!
3181757 2/3 Octave . . . . . AGEHR-L2 5.25
Simple Giftsarr. Susan Geschke. Many times
the simplest messages are the most profound, and
this accessible setting for 2-octave choirs carries
an unadorned beauty that will penetrate the heart
of those who hear it. Gentle syncopations and no
accidentals keep the flow of the piece intact from
beginning to end. Very nicely done.
10058443 2 Octave . . . . . . . AGEHR-L2 4.50
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imple Song of PraiseArnold B. Sherman.
This is a sprightly rhythmic tune which will look
and sound harder than it actually is. The lyrical
melody in C Major is accompanied by percussive
staccato lower bells. In the middle section things
calm down a little, and the melody appears in C
minor and in augmentation. The original motive
returns with some small changes and leads to
a strong ending without ritard. This is a festive
piece which will be a wonderful addition to general
worship service or concert.
8068020 3/5 Octave . . . . . AGEHR-L3 4.95
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ing Amen SingDerek K. Hakes. Bound to get
your audience's toes tapping, this medley featuring
the spirituals I'm Gonna Sing When the Spirit Says
Sing and Amen! will also keep your ringers on
their toes! A few key changes, many techniques,
and a number of accidentals will all need some
extra rehearsal to perfect, but the results will be
well worth the time spent. Optional percussion
featuring woodblock, tambourine, and shakers can
be used to apply an additional kick.
10282221 3/5 Octave . . . . . AGEHR-L4 4.25
l ing Praise to God Ye Sons and Daughters
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arr. Jason W. Krug. This delightful blending of
two familiar hymn tunes, MIT FRUEDEN ZART and
BEACH SPRING, involves a few quick bell changes
and keeps all ringers engaged throughout. Thumb
damps, swings and echoes are added for interest
to enhance the worship presentation.
10366194 2/3 Octave . . . . . AGEHR-L2 4.50
4 Steal Awayarr. Sandra Eithun. This tender
rendering of the well-known spiritual Steal Away is
an ideal choice for the developing handbell choir.
Lingering LV patterns, passages of suspended
mallets, and changes in tempo, dynamics and
mood offer several opportunities for ringers to
work on expression, phrasing and balance. This
arrangement is an appropriate year-round selection
for church, school or concert settings and will lend a
meditative, reflective tone to your program.
10342571 3/6 Octave . . . AGEHR-L2+ 4.50
4 oon and Very SoonAndrae Crouch/
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arr. Bill Ingram. This Andre' Crouch favorite
sparkles with an easily accomplished, driving
rhythm by using mallets, TD, RT, and shakes
to add to the excitement. Find the tempo that
works best for you and enjoy—it will be fun for
audiences and ringers alike!
10374604 3/5 Octave . . . AGEHR-L2+ 4.95
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weet Hour of Prayerarr. Sandra Eithun.
Here is a hymn that lends itself perfectly to
a simple, meditative setting, and Sandra
Eithun's treatment is thoughtful, expressive and
accessible to any choir. Quarter-note motion
and clustered harmonies sound lovely with
handbells or chimes, and the pensive mood is
beautifully conveyed either as an offertory, prayer
meditation, introit, call to worship, or postlude.
Appropriate for communion, too.
10062021 2/3 Octave . . . . . AGEHR-L1 3.95
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ake It to the Lord in Prayerarr. Sandra
Eithun. Emphasizing prayer and meditation, Sandra
Eithun has crafted a usable, year-round setting
that quotes from a wealth of memorable hymns.
Set for 3-5 octaves of handbells with optional
handchimes, this medley of prayerful tunes
includes: Hear Our Prayer, O Lord (Whelpton);
What a Friend We Have in Jesus (Converse) and
Lord, Listen to Your Children Praying (Medema).
Ringers and listeners will especially enjoy the
textural layering and interweaving of the tunes in
this delightfully accessible arrangement.
10058433 3/5 Octave . . . AGEHR-L2+ 5.25
l tand By MeCharles A. Tindley/arr. Page.
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Stand by Me, also known as When the Storms of
Life are Raging, is a lovely old gospel tune from the
early twentieth century. It is set in a gentle, gospelswing style with easy syncopation and martellato
lifts for emphasis. Appropriate for general worship
services, special concert occasions or festivals, this
will charm and delight all audiences!
10342570 3/5 Octave . . . . . AGEHR-L3 4.50
l tand Up, Stand Up for Jesusarr. John
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Behnke. Here's a statement of the familiar tune with
conviction! Echoes, mallets and shakes are used for
emphasizing this timeless message of faith.
10363793 3/5 Octave . . . AGEHR-L2+ 4.25
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tandin' in the Need of Prayerarr. Valerie W.
Stephenson. Give your congregation a real lift with
this creative arrangement of a traditional spiritual
that uses an instrumental solo over malleted
sections that are joyful and energetic. Almost
any accomplished instrumentalist can join in the
fun, as parts for clarinet, alto/tenor saxophone,
flute or violin are provided. A contrasting middle
section is mournful and reflective, and the
final chorus is sure to have everyone tapping
their feet! Very well done!
10040691 3/6 Octave with Solo Inst.
& 2/3 Oct.
Handchimes . . . . AGEHR-L3 4.95
Steadfast AssuranceJason Krug. Composed
for three to five octave handbells with optional
handchimes, this gentle and lovely arrangement
starts the melody with optional handchimes for a
mellow sound enhanced by LV in the accompanying
handbell voices that is subtle, yet effective. The
melody builds in intensity and conviction, yet it never
loses the overall gentle and flowing feel. Selective
damping of notes, dynamics and LV are used to
enhance the mood. This original composition by
Jason Krug would make a great choice for any
church, school or concert setting!
10312043 3/5 Octave . . . . . AGEHR-L3 3.95
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service both through
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—Margaret Maxwell, Church Organist
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l ake Time to Be HolyGeorge Stebbins/arr.
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Kevin McChesney. Arranger Kevin McChesney
presents a flowing, easy-to-learn arrangement of
this timeless, classic hymn, useful in just about any
type of worship service. No effects are used other
than LV, but none are needed to let the powerful
message shine through.
10374605 3/5 Octave . . . . . AGEHR-L2 4.50
l apestry on Be Thou My Visionarr. Janet
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Linker & Jane McFadden. Be Thou My Vision has
been given a fresh, new treatment in this glorious
extravaganza for handbells, C Instrument, optional
handchimes and keyboard accompaniment.
Every part is highlighted, from the wonderful,
moving C instrument solos and special keyboard
interludes to the lightly-dancing handbells. Mallets
and staccato notes punctuate the tune, then the
smooth tones of chimes add a mellow glow. This
will guarantee a breathtaking performance that will
be remembered for a long time!
10341960 3/5 Octave . . . . . AGEHR-L3 4.50
10341961 Instrumental Parts
C Instrument . . . . . . . . . . . . . 2.95
10341962 Keyboard/Full Score . . . . . . . 6.95
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e Deum LaudamusCathy Moklebust. This
delightfully rhythmic original composition is very
flexible. It may be played as a double choir piece for
handbell and handchime choirs or by handbell choir
alone. The up tempo meter alternates between 4/4
and 6/8, and the handbell part includes the use of
mallets, ring touch, martellato, and martellato lift.
A restful, lyrical middle section follows, using a
new melody that begins softly then blossoms into a
rich and glorious sound. The piece concludes in its
original up-beat, rhythmic style. Te Deum Laudamus
is translated as We Praise Thee, O God, making this
piece suitable throughout the church year, as well
as for festival or concert use.
10293975 3/5 Octave . . . AGEHR-L3+ 4.95
10293976Handbells/Handchime
Score . . . . . . . AGEHR-L3+ 4.95
10293977 Keyboard/Full Score . . . . . . 13.95
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