Handbell Music
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4 e Thou My Visionarr. Karen Thompson.
B
The enchanting singing bell technique introduced
in the bass bells, coupled with a light ostinato
in the upper bells, warmly sets an appealing
backdrop to the esteemed Irish melody. The
use of optional handchimes creates the ideal
contrast to the bells and completes the "vision" in
this elegant arrangement.
10368793 3/5 Octave . . . . . AGEHR-L2 4.75
B
e Thou My VisionJoel Raney/arr. Sherman.
The gently flowing Celtic melody Slane is
craftily scored here for handbells, two optional
C instruments and cello. Based on a Joel Raney
original piano setting, this gorgeous depiction
utilizes beautiful harmonies and broken chord
patterns making it ideal for handbells. Delicate
and folk-like, it will add a breath of fresh air
to any worship gathering.
10068592 3/6 Octave . . . AGEHR-L2+ 4.95
B
e Thou My Visionarr. Anna Laura Page.
This gentle Irish melody begins quietly with a calm
harmonic accompaniment played with optional
handchimes. A second energetic statement of the
tune with an exciting malleted accompaniment is
followed by a return to the quiet, harmonic material
that flows to the end. The optional flute adds a
lovely imitative dimension to this setting.
10186378 3/5 Octave . . . . . AGEHR-L3 4.95
B
ecause He LivesWilliam & Gloria Gaither/
arr. Waldrop. This enduring song might be the
most beloved composition written by Bill and
Gloria Gaither. Tammy Waldrop's straightforward
arrangement is a fresh way to bring this to your
worshipping congregation. Accessible, majestic
and containing only one key change, this should be
part of every handbell choir's repertoire.
10052660 3/5 Octave . . . AGEHR-L2+ 3.95
B
efore the Throne of GodCharitie Lees
Bancroft, Vikki Cook/Joel Raney. Filled with strong,
theological truths, this compelling new song
conveys the pardon and forgiveness that is found
before the throne of God. Beautifully arranged for
3-5 octave choirs, the setting can also double as
the accompaniment to the SAB choral arrangement.
Optional rhythm parts can be added. The P/A CD
includes one track with rhythm and handbells and
a second with just the rhythm.
10275268 3/5 Octave . . . . . AGEHR-L3 5.25
B
ehold! The King Comes! (Majestic March)
Bill Ingram. This triumphant original work for
beginning bellchoir is festive and bright, with just a
few swings and shakes for effect. Simple to prepare,
it offers a splash of color on Palm Sunday or Christ
the King Sunday with your developing group.
10023342 2/3 Octave . . . . . AGEHR-L1 3.50
A
Bit of HandelG.F. Handel/arr. Rogers.
This exciting collection contains abbreviated
arrangements of Awake, My Soul, Pastoral
Symphony and Hallelujah Chorus. Made simple
enough for the beginning bell choir, yet rich with
sound. Each of these selections is appropriate
for school events, church services, and concerts.
It's a great way of introducing the classic
standards to developing choirs!
8059930 2/3 Octave . . . . . AGEHR-L1 3.95
B
less the LordDouglas E. Wagner. Based
on the hymn tune BLESS THE LORD and Johann
Sebastian Bach's Prelude in C, this lovely setting
flows together as one to lift the spirit and touch
our hearts. The running eighth note patterns
and use of LV in the handbells enhance the
tonal color and bring a depth of richness to this
highly recommended piece.
10294942 3/5 Octave . . . . . AGEHR-L2 4.50
B
lessed Be Your NameMatt & Beth Redman/
arr. Wagner. This mildly rhythmic treatment of one
of today's top Contemporary Christian classics will
be a joy to prepare and present. All elements fit
logically into place with no accidentals. Here is
music that will truly gladden the hearts of your
ringers and your congregation.
10049166 2/3 Octave . . . . . AGEHR-L2 4.95
B
ound for GloryTammy Waldrop. Combining
the two spirituals This Train Is Bound For Glory
and Swing Low, Sweet Chariot this creative setting
will be fun for your less experienced choir. The
optional sandblocks provide the effect of the train
beneath the accented rhythms in the bells. It is
perfect at any time of the year.
3128501 2/3 Octave . . . . . AGEHR-L1 3.50
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C
ome Holy SpiritSondra K. Tucker. Featuring
the haunting chant Veni Creator Spiritus and the
Welsh tune Aberystwyth, this expressive setting
creates an aura of worship from the opening
measure. Singing bell technique creates a serene
backdrop at the beginning and end of the piece,
while the easy motion of the middle section
combines both tunes. Ethereal.
10080459 3/5 Octave . . . . . AGEHR-L3 4.95
C
ome My Way My Truth My LifeRalph
Vaughan Williams/arr. McChesney. In this
arrangement, the theme from the fourth movement
of Five Mystical Songs by Ralph Vaughan Williams
receives a long overdue setting. Rising and
falling eighth-note patterns surround the classic
melody with much use of LV.
10187129 2/3 Octave . . . . . AGEHR-L2 4.50
C
alypso on HE LEADETH MEarr. Tammy
Waldrop. Here is an upbeat and carefree rendition
of William Bradbury's beloved hymn tune that
is refreshing and fun!. The syncopated melody,
colorful accompaniment and optional Latin
percussion all combine to create an authentic
calypso flavor for a fresh new twist!
10305831 3/6 Octave . . . . . AGEHR-L3 4.50
H anon of GraceLinda Lamb. Pachelbel's
C
classic Canon in D and the beloved hymn Amazing
Grace are incorporated in this lovely setting that
features the lyric beauty of the two melodies
along with the fluid eighth-note lines that were
Pachelbel's own. Artfully crafted, this is appropriate
for the more contemplative moments in the
worship service. Engaging!
3254398 2/3 Octave . . . . . AGEHR-L2 3.50
l arillon and Bell Jubileearr. Margaret R.
C
Tucker. Passages of carillon-like chords introduce
and conclude this arrangement of the hymn tune
CWM RHONDDA, which is first presented as a
sprightly dance in 3/4 meter before developing into
a majestic declaration of faith. Commissioned to
honor a retired church musician, this music would
work well for many occasions of celebration or as
a concert piece.
10342538 3/5 Octave . . . . . AGEHR-L3 4.95
4 ome Thou Almighty Kingarr. Lloyd Larson.
C
The well-known hymn Come, Thou Almighty King
is heralded by a joyous cascade of ringing bells,
bringing a fresh, vibrant sound to this imaginative
setting. The exuberant rhythmic introduction is
used throughout the piece, creating unity and
bringing delight to all who hear it.
10340390 3/5 Octave . . . . . AGEHR-L3 4.50
l he Butterfly SongBrian M. Howard/arr.
T
Stephenson. The Butterfly Song is an upbeat,
happy song of gratitude. The text of the original
version begins, "If I were a butterfly, I'd thank
you, Lord, for giving me wings." It follows with
other stanzas in different styles, featuring mallet
rolls, chromatics, gyros and shakes to help
portray different creatures of our world. The tune
is simple and memorable, making this bouncy,
joyous arrangement a delightful addition to worship
services, concerts and festivals.
10342537 3/5 Octave . . . . . AGEHR-L3 4.50
B
wana Awabariki (May God Grant You a
Blessing)arr. Susan T. Nelson. This traditional
Swahili song with its energetic rhythms, stopped
techniques and optional percussion is accessible
and fun. The call and response and chord voicings
imitate the sound of traditional African choral music.
The melody in the bells serves as the "leader," with
the optional chimes as the "chorus."
10090255 3/5 Octave with opt.
3-5 Oct. Handchimes
& opt. Drum . . . . AGEHR-L2 4.50
B
y and Byarr. Sondra Tucker. This is a rollicking
spiritual, full of energy and excitement, and is
suitable for worship, concert, and festival settings.
Take care to observe the rests in the accompaniment
lines which will help to emphasize the syncopation.
Only one key change will help your ringers focus on
the technical nuances. Enjoy!
10275801 3/5 Octave . . . AGEHR-L3+ 4.95
C
ome, Christians, Join to Singarr. F.
Thomas Simpson. Full of energy and drive,
this festive 2-3 octave handbell setting uses
syncopated rhythms interspersed with a traditional
presentation of the hymn tune. The use of stopped
sounds creates an exciting, punctuated effect. All
ages and levels of bell choirs are sure to enjoy
this delightful arrangement!
10022074 2/3 Octave . . . . . AGEHR-L2 4.50
C
ome, Now Is the Time to Worshiparr.
Douglas E. Wagner. Brian Doerksen's popular
praise chorus is set here by Doug Wagner for 2-3
octaves of handbells. With a full quote of Madrid
(Come Christians, Join to Sing) it is an appropriate
choice as a prelude or call to worship for any
contemporary or blended service.
10082009 2/3 Octave . . . . . AGEHR-L2 5.25
C
ome, Thou Almighty Kingarr. Kevin
McChesney. From the opening ostinato in the
low bells to the final chord, this energetic and
percussive setting of the Italian Hymn is bright and
energetic. Accessible for all ringers and particularly
the low bells, the work relies on malleted patterns
to propel the motion and anchor some mild
syncopations in the melody line. A fine choice as a
prelude to worship or festival selection.
10081998 3/5 Octave . . . . . AGEHR-L3 4.50
C
ome, Thou Fount of Every BlessingKevin
McChesney. Kevin McChesney has given us a
contemporary twist on a favorite traditional hymn.
This satisfying and accessible arrangement should
find a welcome home in traditional, contemporary,
and blended worship services. It will also be an
excellent choice for concerts and festivals.
10089477 3/5 Octave . . . . . AGEHR-L3 4.95
B
reathe on Me Breath of GodMichael
Mazzatenta. Perfect for Pentecost or a service
of praise, this well-written combination of Jesus
the Very Thought of Thee and Breathe On Me
are presented in a thoughtful and inspirational
way to reflect upon the meaning of the text.
With some very nice lyrical moments and
stopped techniques for additional interest, this
arrangement is highly recommended.
10295214 3/5 Octave . . . . . AGEHR-L2 4.50
Beautiful OneTim Hughes/arr. Ingram. Allow
your bell choir to present an enduring praise
and worship song to your congregation with this
creative, straightforward treatment. Scored in the
key of C major with no accidentals, this is easy to
assemble and can be a highlight for your ringers
throughout the church year.
10068069 3/5 Octave . . . . . AGEHR-L2 4.95
Blessed Assurancearr. Sandra Eithun.
Listeners will immediately be captivated by a bold
opening fanfare and a strong, straightforward tune
in this setting of the familiar hymn. With only one bell
change, a few shakes, and some dynamic changes,
beginning ringers will be able to offer a grand
setting any time an energetic, celebratory piece
is needed. An optional repeat has been included
for added length if desired. The two editions are
compatible for massed ringing.
10187030 3/5 Octave . . . . . AGEHR-L1 3.95
10187037 2/3 Octave . . . . . AGEHR-L1 3.95
4
C hurch's One Foundationarr. Kevin
McChesney. This arrangement of one the great
hymns is versatile, simple to put together, and
results in a big sound. Using mallets, TD, pluck,
LV, echoes, and shakes, this is a good choice for
younger or less-experienced choirs to build their
skills, or for more experienced groups with little
rehearsal time.
10374584 3/5 Octave . . . . . AGEHR-L2 4.50
C
ome, Thou Long Expected Jesusarr. Cathy
Moklebust. Based on the Southern Harmony tune
Jefferson, this Advent arrangement creates a quiet
but energetic feeling. Techniques include pluck,
thumb damp/mallets and martellato. Available in
two editions, the expanded setting for 3-5 octaves
matches perfectly with the 2-3 octave arrangement,
allowing for massed ringing or for additional
octaves with your own ensemble.
8060106 2/3 Octave . . . . . AGEHR-L2 4.50
10068163 3/5 Octave . . . . . AGEHR-L2 4.50
C
ome, Christians, Join to SingJason Krug.
Heralding a call to worship, this triumphant fanfare
uses majestic ringing, enhanced by shakes, before
giving way to a dynamic, syncopated statement
based on the hymn tune MADRID. Following a
middle section filled with martellato and malleted
chords for a delightful contrast, this masterful
arrangement develops into another powerful and
riveting fanfare. Highly recommended!
10293736 3/5 Octave . . . AGEHR-L2+ 4.50
l Comfort Yearr. Margaret R. Tucker. Comfort
Ye begins with a lovely, calming melody followed
by a contrasting, slightly agitated minor key section
for interest. When the serenity of the first melody
returns, it is beautifully combined with the tune
WERDE MUNTER (Jesu Joy of Man's Desiring) to
enhance the feeling of peace and solace this music
brings. The optional cello part will add to the beauty
of the performance of the music.
10356659 4/5 Octave . . . . . AGEHR-L2 4.50
C
elebration on AZMONBrian Childers.
Opening with a bright, contemporary fanfare,
this energetic work presents a popular hymn
tune in creative rhythmic, lyric, and chord-based
variations. Malleted notes, TD and shakes are
used to enhance the effect. Unrestrained joy
rings from every measure.
10307724 3/6 Octave . . . AGEHR-L2+ 4.50
Celtic GraceSusan Geschke. Masterfully
weaving together original melodies with phrases
from Amazing Grace, this piece reflects a sense of
quiet joy with a Celtic flavor. With no bell changes,
this piece is delightfully fun to play. The sprinkling
of staccato notes throughout will give your ringers
just the right amount of challenge.
10187352 3/5 Octave . . . . . AGEHR-L2 4.50
C
hristians We Have Met to WorshipLloyd
Larson. Set in C major and F major with no other
bell or chime changes, the lyrical pentatonic tune is
supported by strong block harmonies and episodes
of mild syncopation. Program this selection as the
morning prelude and lead into the opening hymn.
10089523 2/3 Octave . . . . . AGEHR-L2 4.50
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