Handbell Music
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H
e's Got the Whole WorldValerie W.
Stephenson. For those looking for a fun and
exciting mallet feature, this is it! Plenty of mallet
clicks with choreography notes abound, with
well-placed mallet rolls, shakes and ring touches
added, bringing a light and playful quality to
this familiar title. Well-written and fast-paced,
this title is sure to be a hit.
10293962 3/5 Octave . . . . . AGEHR-L2 4.50
H
e's Got the Whole World in His HandsJ. D.
Frizzell. This much-loved familiar African American
spiritual tune is artfully arranged with a quiet and
reflective beginning featuring a lyrical flowing
melody. The inspired use of martellato lifts and
stopped techniques are used effectively for contrast
in the middle section, before building to a powerful,
convincing finale in a stunning performance,
without being too difficult to play.
10294977 3/5 Octave . . . AGEHR-L2+ 4.50
H
ere I Am to WorshipTim Hughes/arr.
Victor Labenske. Delight your congregation and
your beginning ringers with this popular worship
chorus. Echoes, LV and a shake at the end
provide interest, and are a great way to introduce
new techniques. An accessible, lovely setting
appropriate for any worship service.
10317902 2 Octave . . . . . . . AGEHR-L1 4.25
H
ere I Am to WorshipTim Hughes &
Lloyd Larson. Based on the immensely popular
Contemporary Christian tune, this lovingly crafted
arrangement will bless the hearts of all. A gentle,
but steadily driving, syncopated rhythm inspires
feelings of hope, love, and praise to Him. With only
a few strategically placed bell changes and one key
change near the end, your ringers will feel at ease
with this accessible Level 2.
10275724 2/3 Octave . . . AGEHR-L2+ 4.95
H
ere I Am, LordDaniel Schutte/arr. D.
Wagner. Your ringers will be singing along in
their hearts when they play this graceful setting
of Dan Schutte's heartfelt Missionary song. A
soothing arrangement that is even more effective
when played on hand chimes, this features
ample harmonic doubling and the melody scored
prominently in the top voice. It begins in D major
with a half-step modulation to a resolved and finally
a quiet repose. Very well done!
10089580 2/3 Octave . . . . . AGEHR-L2 4.95
How BeautifulTwila Paris/Larson. This
beautiful melody, used by many churches both
congregationally or chorally, is now available for
handbells. The sustained ostinatos throughout the
piece give it a peaceful sense that will sure to be a
favorite of your ringers. Careful attention to dynamics
throughout the piece as well as emphasis given to
the melody will enhance the overall effectiveness of
this contemporary classic.
8060722 3/5 Octave . . . . . AGEHR-L3 5.25
H
ow Firm a FoundationSandra Eithun. A
light and bouncy accompaniment, using a variety
of techniques, is the backdrop for this setting
of the familiar hymn FOUNDATION. Performers
will enjoy using mallets, thumb damps, shakes
and martellato lifts to add color to this energetic
piece. Now expanded to 3, 4 or 5 octaves
and compatible with the original 2-3 octave
setting, it is a good opportunity for beginning
ringers to learn new skills.
10342548 3/5 Octave . . . AGEHR-L1+ 3.95
H
ow Great Thou Artarr. Michael Helman.
Incorporating This Is My Father's World, this
exciting, carefully edited setting of the timeless
hymn is a strong choice for 2-3 Octave handbells or
handchimes! This is appropriate for general worship
services and young ringers festivals.
5957642 2/3 Octave . . . . . AGEHR-L1 3.95
H
ow Great Thou ArtStuart K. Hine/arr. Joel
Raney. Considered to be one of the greatest sacred
texts and tunes from the 20th century, this classic
hymn gives rise to the greatness that it invokes
in worshiping God. This arrangement makes
elaborate use of the optional handchimes, both
melodically and harmonically, to add remarkable
interest. The masterful transitions and modulations
provide awe-inspired moments of grandeur that are
worthy of this hymn of praise.
10275820 3/5 Octave with opt. 3/5 Oct.
Handchimes . . . . AGEHR-L3 5.25
H
ymn of PromiseNatalie Sleeth/arr. Dobrinski.
This new arrangement of Natalie Sleeth's
endearing hymn treats each of the three verses
with a distinct approach that variously utilizes
suspended bells played by mallets, vibrato,
thumb damps, echoes, and optional 3-6 octave
handchimes. Bell changes are minimal. Natalie's
metaphorical text speaks of our resurrection and
makes this useful for almost any worship occasion,
memorial service or funeral.
10187347 3/6 Octave with opt. 3/6 Oct.
Handchimes . . AGEHR-L2+ 4.50
4 Holy MannaWilliam Moore/arr. Susan E.
Geschke. This arrangement is played entirely with
mallets and mallet clicks, yet it remains rhythmically
easy with only a sprinkling of eighth notes.
Alternatively titled A Merry Mallet Melody, it may
be also rung entirely on handchimes, substituting a
percussion instrument for the mallet clicks. Bursting
with energy, this setting is an excellent choice for
secular, sacred, or festival use.
10356670 3/5 Octave . . . . . AGEHR-L2 4.50
Holy MannaJudy Phillips. The sound of
Americana is captured in this arrangement of
the well-known tune Holy Manna. For three
to six octaves of handbells and three to five
octaves of optional handchimes, Phillips uses
mart lifts, a canon between high and middle
bells, and a touch of the hymn Land of Rest to
paint this musical picture.
10187006 3/6 Octave . . . . . AGEHR-L2 4.50
Holy Mannaarr. Karen Thompson. If your
ensemble has fewer ringers and needs a flexible
arrangement, take a look at the Ring More With
Less Series for five to seven ringers. The first title
in this series is the American folk tune Holy Manna,
a popular tune utilized in conjunction with a vast
number of hymn texts. This creative, yet easy to
prepare arrangement uses swings, martellato,
and echo techniques for interest and is easy
enough for beginners, yet satisfying enough for
more experienced ringers.
10293963 2/3 Octave . . . . . AGEHR-L2 4.50
I
Am Bound for the Kingdomarr. Anna Laura
Page. Stopped sounds, mallets, mart lifts, shakes,
and a driving tempo all come together in this vibrant
setting that combines the Sacred Harp Warrenton
tune Come Thou Fount of Every Blessing and the
American folk hymn On Jordan's Stormy Banks I
Stand. Both melodies are given their own time in
the spotlight before they combine as partners in a
more reflective verse. Very well done!
10095914 3/5 Octave . . . . . AGEHR-L3 4.25
I
Need Thee Every Hourarr. Joel Raney, Arnold
Sherman. This prayerful hymn is set in a compelling,
reflective ballad for three to five octave handbells by
Arnold Sherman. The transcription comes from the
solo piano collection, Gospel Greats, by Joel Raney.
Using an effective modulation, the music builds to
a sweeping final stanza giving sensational impact
to this classic gospel song.
10305825 3/5 Octave . . . AGEHR-L2+ 4.50
l Then Shall LiveGloria Gaither & Jean Sibelius/
I
arr. Larson. Based on the beloved FINLANDIA hymn
tune, this regal arrangement can be readily learned
by bell groups of varying skill levels. It begins and
ends with resounding full chords, and is contrasted
by a gentle, lush, harmonic middle section.
Lloyd Larson's "ring and sing" setting will be a
perennial favorite for ringers and listeners. It can
serve as the accompaniment for choral settings or
stand alone for bells only.
10341880 3/5 Octave . . . AGEHR-L2+ 5.25
ring the
Bells
I
Will Arise and Go to Jesusarr. Cathy
Moklebust. The Southern Harmony tune,
RESTORATION is arranged here for a double choir
of two to three and three, four or five octaves,
with percussion, but may also be played by a
single choir. Light thumb-damping, malleting
or plucking accompany the melody, which is
presented in two slightly different versions. This
short arrangement includes no accidentals, except
for the final chord, and is appropriate year-round for
worship and concert use.
10307324 2/3 Octave . . . . . AGEHR-L2 4.50
10307325 3/5 Octave . . . . . AGEHR-L2 4.50
10307326 Keyboard/Full Score . . . . . . . 9.95
l Will Arise and Go to Jesusarr. Matthew
I
Compton. Based on the hymn tune RESTORATION,
this multi-seasonal arrangement sends the
listener on a marvelous journey through beautifully
contrasting and expressive interpretations of
each stanza of the hymn. At times energetic,
at others reflective, this compelling anthem
features echo rings, mallets, contrasting bells and
chimes, and martellatos, making it a delight for
ringers and listeners alike.
10340407 3/5 Octave . . . . . AGEHR-L3 4.95
I
Will Sing of My RedeemerLloyd Larson.
Ideally suited for Palm Sunday or Easter, this
joyous setting based on the hymn tune HYFRYDOL
can be used as a call to worship, yet it is also
suitable for many other worship services. With
quiet, reflective sections contrasting warmly with
sections of resonating and intense conviction,
this masterful composition brings out every
emotional and dynamic option available to
us. Exceptionally well-done!
10293746 3/5 Octave . . . . . AGEHR-L2 4.95
I
'm Just a Poor Wayfaring Strangerarr.
Tammy Waldrop. This arrangement invokes
the style of American Mountain and Bluegrass
music. The opening malleted bass line mimics
the plucked strings of the acoustic bass; the treble
thumb-damped chords resemble the "chop" of the
mandolin, and the melody sings forth as a violin
in a mournful low register.
10003216 3/5 Octave . . . . . AGEHR-L2 4.50
I
'm So Gladarr. Susan T. Nelson. This big
band style arrangement of a familiar spiritual has
a boogie-woogie feel that makes it lots of fun to
play. Stopped sounds abound; even the bell or
mallet handles get into the action as they are
clicked together in the finale of this 3-5 octave
setting. Perfect for church, concert or Festival
Conference, this inventive arrangement will have
them dancing in the aisles!
10068578 3/5 Octave . . . AGEHR-L3+ 4.50
I
've Got the Joy (Down In My Heart)arr.
Valerie Stephenson. Your listeners will have the joy,
too, when they hear this captivating arrangement
of a traditional camp song that has enough sparkle
and glee to brighten any performance space. Use
mallets, optional bongos or small percussion, and
a peppy tempo and you'll create a memorable
presentation in worship, festival or concert
appearances with your group!
10062002 3/5 Octave . . . . . AGEHR-L2 4.50
4 Want Jesus to Walk with Mearr. Tammy
I
Waldrop. This popular spiritual is given a
rhythmic, soulful treatment, with staccato sections
contrasting with smooth, sustained passages, and
featuring optional chimes. Performance should
take into account the dynamic visual aspect of
the piece, with its gyros, pluck lifts, martellato
lifts, mallets, shakes and vibrato. It will be a
memorable musical and visual event!
10341864 3/6 Octave . . . AGEHR-L2+ 4.50
I've Got Peace Like a RiverValerie
Stephenson. This setting begins by combining the
unique, singing bell technique on the lower bells
with the melody on lower (optional) handchimes,
and establishes an ethereal, serene mood.
Each of the three verses is given a different
treatment reflecting the theme of the text. Verse
1 (Peace) uses the singing bells; Verse 2 (Love)
receives a full hymn statement, and Verse 3
(Joy) is malleted throughout in a quasi-boogie
style. The ending returns to a modified repeat
of Verse 1. This enchanting arrangement is
suitable for any time of year.
10187344 3/5 Octave with opt. 2/3 Oct.
Handchimes . . . . AGEHR-L3 4.50
I
f Thou but Trust in God to Guide Thee
Benjamin Tucker. Swings, LVs, martellatos,
and shakes are featured in this highly musical
and colorfully scored composition based on the
hymn tune WER NUR DEN LIEBEN GOTT. Beautifully
arranged in a set of concert variations, this
masterfully crafted title will be a favorite of your
congregation for years to come.
10294995 3/5 Octave . . . . . AGEHR-L2 4.50
Selection • Service • Satisfaction
l f You But Trust in Godarr. Kevin McChesney.
I
The melody displayed in this hymn is surpassed in
beauty only by its text: "If you but trust in God to
guide you and place your confidence in Him, you'll
find Him always there beside you to give you hope
and strength within." Mallets or thumb damps are
used in the underlying bass line rhythms to enhance
the melody and its timeless message of faith.
10341910 3/5 Octave . . . . . AGEHR-L3 5.50
In
Christ Alonearr. Sandra Eithun. Stuart
Townend and Keith Getty's powerful praise and
worship song has been scored for 3-5 octaves of
handbells with optional handchimes in this bold
and accessible arrangement. Just as the lyrics
of the song grow in intensity, so does each verse
of this setting increase in passion to express the
message: "In Christ alone my hope is found, He is
my light, my strength, my song."
10040547 3/5 Octave with opt. 2 Oct.
Handchimes . . AGEHR-L2+ 5.25
I
n the GardenKevin McChesney. This gospel
hymn favorite has long been available for larger
choirs but now it is equally accessible and well
done for smaller ones. Two verses with the melody
presented in each clef's range of bells, this easy
arrangement is great for working on dynamics with
your less experienced choir.
3093481 2/3 Octave . . . . . AGEHR-L2 2.75
Israel's JoyLinda R. Lamb. Appealing and
accessible to all, this lively setting of a Hebrew
folk tune pulses with youthful energy. Through the
implementation of thumb-damping stacatti, echo
effects, martellatos, and shakes, a familiar beat
pattern and progression is continually repainted in
a vibrant new color each time it returns. This piece
is enjoyable to both hear and play, and is sure to
leave your audience wanting more.
10282206 2/3 Octave . . . AGEHR-L1+ 3.99
Jazz GloriaNatalie Sleeth/arr. Sondra K.
Tucker. While truly being faithful to original
choral favorite, this handbell setting definitely
lays down its own groove. The plucked lower
bells and optional bongo part build the foundation
for the familiar, jazzy melody played above. With
focused attention in rehearsal on clean damping,
dynamics, and a few techniques, each line stays
coolly separated and distinctly heard. This is an
exciting challenge to play and is a "must-add" to
any bell choir's repertoire.
10275808 3/5 Octave w/opt.
3 Oct. Handchimes
& Bongos . . . . . . AGEHR-L4 5.25
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