Jazz/Rock & Funk
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A
nother Great Day—Mark Taylor. Written in
a simmering medium tempo, this distinctive
funk chart opens with the bass establishing
the groove gradually joined by the rest of the
rhythm section. A small combo of soprano sax,
baritone sax, trumpet and trombone takes the
first statement followed by the full ensemble on
intricate unison lines as well as tutti ensemble
punches and riffs. The solo space is reserved
for tenor sax. Soprano sax is required.
10386208 Jazz Ensemble . . . . . . . . . A 60.00
l Applause—arr. John Berry. Characterized by
a rhythmic and syncopated pulse throughout,
Lady Gaga hits the magic button yet again with
this catchy and memorable pop hit. Here's
a solid chart that your players and audiences
alike are sure to enjoy. Playable with optional
reduced or expanded instrumentations.
10427418 Jazz Ensemble . . . . . . . . . E 40.00
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l lurred Lines—arr. Paul Murtha. Robin
B
Thicke's mega hit really lit up the airwaves
and took the country by storm! This
adaptation for younger jazz ensembles by
Paul Murtha features the infectious dance
groove and familiar riffs from the original,
solidly scored for the entire group.
10427410 Jazz Ensemble . . . . . . . . ME 45.00
4 all Me Maybe—arr. Paul Murtha. CharacterC
ized by a strong rhythmic pulse throughout and
a catchy melody, this upbeat hit by Carly Rae
Jepson will go together quickly and sound great.
It requires no solos and is playable with optional
reduced or expanded instrumentations!
10374180 Jazz Ensemble . . . . . . . . . E 40.00
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JAZZ ENSEMBLE
4 Backrow Politics—Gordon Goodwin/arr.
Peter Blair. Peter Blair has adapted this chart
for young players from Gordon Goodwin's Big
Phat Band chart and it sizzles, yet is accessible!
A trumpet section feature with a straight-eighth
groove, there are available written trumpet
solos for all four parts and the 1st trumpet range
is to written G on top of the staff. Optional parts
are included for expanded instrumentation. An
exciting chart for sure! Highly recommended!
10355570 Jazz Ensemble . . . . . . . . ME 44.00
14
4 Barbeque Sauce—Mike Carubia. This funk
chart roars right from the beginning with an
attention grabbing introduction followed by
blues based melodies with a hip, funky feel. The
solos are a piece of cake with only two chords
or one scale to negotiate. Any player can solo
with the solo scale options included in all parts.
Written ranges: Trumpet 1 to G; Trombone to F;
Alto Sax to D. An optional flute part is included.
If you liked this writer's Buffalo Wings, you'll love
his Barbeque Sauce! Highly recommended!
10370675 Jazz Ensemble . . . . . . . . . M 47.00
4 he Best of Sly & the Family Stone—arr. John
T
Wasson. Sly & the Family Stone was a pivotal
rock band of the late 1960s pioneering a fusion of
funk, rock and soul. Who can forget their landmark performance at Woodstock in 1969? This
exciting medley of hits includes Dance to the
Music, I Want to Take You Higher, Sing a Simple
Song, and Thank You (Falletinme Be Mice Elf Again).
10343802 Jazz Ensemble . . . . . . . . ME 50.00
4
Cold Duck Time—Eddie Harris/arr. Erik
Morales. Eddie Harris' Cold Duck Time features
a straight eighth feel and a very hip opening
intro lick. This terrific chart is set in a funky, rock
groove at about 132 - 144 bpm and has written
or improvised solo space for alto sax, bari sax,
trumpet 2, and guitar. The lead trumpet range is
to written A above the staff (with an optional B).
This chart totally cooks! Highly recommended!
10355584 Jazz Ensemble . . . . . . . . . M 48.00
Don't miss
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more!
great New
Pop Charts!
4 rnge Drank (Orange Juice with Attitude)—
A
Paul Baker. Wow... orange drink with an attitude!
Texas writer Paul Baker presents an outstanding
funk chart beginning with a piano riff to set up
the rhythm groove before the trumpet and altos
hit with the melody. Trombones and low saxes
support with counterpoint. After the trombones
take it through the bridge the saxes again state
the melody in a dramatic stop time section that
moves into the trumpet and trombone solos.
After a drum solo, the bari and bass trombone
shine as they set the funky foundation for the
shout chorus. A return of the piano riff sets up
the final melodic statement and dramatic coda.
Trumpet range to written High C. Trombone to
G. Pure fun, and highly recommended!
10369423 Jazz Ensemble . . . . . . . . . M 45.00
H Chameleon—Herbie Hancock/arr. Lopez.
Herbie Hancock for the developing band? Yes!
From Hancock's famous Headhunter recording,
here is a great opportunity to play the biggest
jazz-rock hit of all time. The melody is first
played by alto, tenor, trumpet and trombone,
then the trumpet section. Next up is a flexible,
open solo section with a solo line written for all
the winds so anybody or everyone can solo!
The top note for lead trumpet is written G on
top of the staff. Super-cool chart! Optional
expanded instrumentation.
10071885 Jazz Ensemble . . . . . . . . ME 46.00
Programming these will guarantee player and audience appeal.
Applause—arr. John Berry. Characterized by a rhythmic and syncopated pulse throughout,
Lady Gaga hits the magic button yet again with this catchy and memorable pop hit. Here's
a solid chart that your players and audiences alike are sure to enjoy. Playable with optional
reduced or expanded instrumentations.
10427418 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 40.00
Blurred Lines—arr. Paul Murtha. Robin Thicke's mega hit really lit up the airwaves and took
the country by storm! This adaptation for younger jazz ensembles by Paul Murtha features the
infectious dance groove and familiar riffs from the original, solidly scored for the entire group.
10427410 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 45.00
Cupid Shuffle—arr. Rick Stitzel. Here's the hot dance hit recorded by Cupid in a hardhitting, yet easy to play version for young players! The melody is cleverly traded between
sections, and there are no solos required. A teaching unit with exercises for rhythm and melody
is included, and it's playable with optional reduced or expanded instrumentations.
10374186 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . VE 35.00
Call Me Maybe—arr. Paul Murtha. Characterized by a strong rhythmic pulse throughout
and a catchy melody, this upbeat hit by Carly Rae Jepson will go together quickly and sound
great. It requires no solos and is playable with optional reduced or expanded instrumentations!
10374180 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 40.00
Day Tripper—Lennon & McCartney /arr. John Wasson. Featuring one of the most
recognizable bass licks recorded by the Beatles, John Wasson brings us a fresh and creative
setting for younger jazz groups. With a hint of Latin style and smooth harmonies, this will be an
attractive addition to any program.
10427412 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 45.00
Skyfall—Adele Adkins & Paul Epworth/arr. John Berry. Perfectly capturing the mood
and style of earlier James Bond themes, Adele has worked her magic with the hit Skyfall.
John Berry's easy version features a brief written alto sax solo, then solid scoring for the entire
ensemble with the melody traded between the saxes and trumpets. Playable with optional
reduced or expanded instrumentations, this is sure to be an audience favorite!
Highly recommended!
10374178 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 40.00
Suit & Tie—arr. John Wasson. From the highly acclaimed and anticipated Justin Timberlake
album The 20/20 Experience, here is an authentic sounding version of the hit Suit & Tie for jazz
ensemble. Featuring a medium tempo R & B groove and sizzling horn riffs, this is a great way to
energize any concert. Highly recommended!
10374148 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 50.00
Treasure—arr. Paul Murtha. Set in a medium-tempo funk style, this hit recorded by Bruno
Mars continues his trend of catchy tunes with an old school R&B sound. It's a great pop tune
beautifully adapted by Paul Murtha in this version for younger jazz groups.
10427408 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 45.00
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