Original Concert Works
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beginning
4 Colossus—Larry Clark. As the title implies, this
piece is intended to sound huge, even though
it is written for the youngest of students. The
piece is set in a fanfare style with strong open
intervals, but the technical demands have been
limited for beginning players. Some tension
chords with dissonant notes are used to add
to the drama of the piece. A very sophisticated
sounding piece for young players!
10366546 String Orchestra . . . . . . . . . . . 40.00
H Dragonhunter—Richard Meyer. There's a
dragon on the loose (you can hear him in the
bass and cello sections) and your strings are in
on the hunt! The medieval-sounding excitement
is all created using notes from the D scale, no
slurs, and no sixteenth notes.
2475409 String Orchestra . . . . . . . . . . . 42.00
4 Omicron—Sean O'Loughlin. Beginners will
enjoy playing this edgy concert selection.
Carefully placed accents make the opening
section sound like it is in 3, even though the
entire piece is in 4. Not only is this a good way to
work on counting, but it also has an interesting
melodic line and it's easy to play. A perfect
combination for the youngest of players!
10366574 String Orchestra . . . . . . . . . . . 40.00
The Russian Music Box—Soon Hee Newbold. Here is some exquisite writing for
beginning orchestra! The B minor/modal
tonality brings out that melancholy Russian
sound while using notes familiar to all
players. Thanks to some simple imitation,
easy divisi writing, and doubling of viola
by violin 2, this work sounds rich and
interesting while using only quarter, half, and
whole note values. Piano is optional.
2701807 String Orchestra . . . . . . . . . . . 40.00
very easy
4 hins and Pins—Richard Meyer. Check out
C
this musical conversation between the "Chins"
and the "Pins!" Students will learn the roles of
melody and accompaniment as the ensemble
trades phrases in contrasting motion using
only the notes of the D Major scale. Frequent
changes from arco to pizzicato will keep
everyone on their toes!
10370525 String Orchestra . . . . . . . . . . . 42.00
l Credo—Frank J. Halferty. This exciting original
will make young groups sound well beyond
their years of experience. With its dramatic
accented sections, smooth flowing passages
and energy-building dynamics, this piece that's
built on the E natural minor scale is certain to
motivate young players.
10358696 String Orchestra . . . . . . . . . . . 42.00
4 DNA—Vince Gassi. The perfect code for an
enjoyable and playable musical work! Everyone
takes a turn playing the melody, as well as the
recurring motif. Add a touch of percussion and
varying dynamics to this calypso style tune, and
you'll have a selection that will be a favorite of
students and audience alike!
10370540 String Orchestra,
Percussion Req . . . . . . . . . . . 45.00
4 Expressions—Bill Calhoun. Thick, lush chords
are heard throughout this gentle, tender piece
for young players. As the title implies, it is a
study in expression, which challenges the
ensemble's command of bow speed and
vibrato. Its chorale-like nature makes use of
non-chord tones to project its emotion, asking
each performer to play with maximum ensemble
awareness and sensitivity. This gorgeous piece
is a moving addition to any program.
10366556 String Orchestra . . . . . . . . . . . 40.00
Honor and Glory—Soon Hee Newbold.
Dedicated to the brave men and women who
risk their lives to protect others and serve in the
name of freedom, Honor and Glory has bold
and majestic themes throughout. The lyrical
melody soars over the rhythmic bass line as
harmonies intertwine to create a touching and
memorable portion of your next concert. Truly
inspirational and characteristic of the fine writing
associated with Soon Hee Newbold.
10047902 String Orchestra . . . . . . . . . . . 45.00
P
l lanets in Motion—Victor Lopez. Using the
first few notes presented in most beginning
string methods and no eighth notes, this original
piece will make your beginning ensemble sound
very advanced. Solid scoring and doubling
throughout will help groups with incomplete
instrumentation sound well balanced.
10360609 String Orchestra . . . . . . . . . . . 40.00
4 Samurai—Keiko Yamada. The Japanese
warrior is depicted in sound with this aggressive
piece. It opens with a fanfare-like statement
that is based on open harmonic structures, then
charges into the main theme. The violin melody
features long quarter notes in contrast to the
staccato notes in the accompaniment. There is
an opportunity for all sections of the orchestra
to play some of the important melodic material.
A forceful piece young players will love!
10366580 String Orchestra . . . . . . . . . . . 40.00
l Twinkling Stars—arr. Gary Gackstatter.
This theme and variations setting of Twinkle,
Twinkle Little Star is perfect for multi-level
performances. Parts are included for three
separate orchestras — easy, medium and
advanced. A wonderful finale to a concert
featuring different grade levels of players.
10370858 Multi-Level Orchestra . . . . . . . 65.00
4 Woodland Park—Robert S. Frost. The
technical skills are well within the demands of
first year players in this sophisticated overture
for string orchestra. Students can concentrate
on ensemble skills and beauty of tone and will be
aided by the independent piano accompaniment.
A delightful selection for any concert!
10374420 String Orchestra . . . . . . . . . . . 45.00
n
easy
l Afterthoughts—Brian Balmages. Cleverly
titled, this three movement work features
original music in the style of famous composers
from different periods in classical music. The
first movement, After Beethoven, follows the
form and style of the opening movement of his
5th Symphony. The second movement, After
Tchaikovsky, evokes stylistic elements from
the 2nd movement of his 5th Symphony along
with his piano nocturnes. The final movement,
After Bartok, combines the aggressive sound of
his Allegro Barbaro with the epic nature of his
Concerto for Orchestra. A wealth of teaching
and musical opportunities!
10366778 String Orchestra . . . . . . . . . . . 55.00
Burst!—Brian Balmages. Brian Balmages'
energetic fanfare is brimming with bravado and
makes the most of your first-year students'
skills. Dynamic interplay with contrasting
legato and detache bowing create the "burst"
of energy by playing eighth-note passages
off the string. Also incorporates simple
string crossing and brief violin divisi.
10277832 String Orchestra . . . . . . . . . . . 40.00
4 Dominion—Sean O'Loughlin. Here is a
composition for the developing string orchestra
that captures a range of emotions, from
aggression to solemnity. The piece starts with
a forceful eighth note rhythm that sets the tone
for the entire composition. A more reflective,
lyrical section follows before the main melody
returns and leads to a rousing conclusion. A
strong selection for any program!
10366554 String Orchestra . . . . . . . . . . . 47.00
4 antasy on a Japanese Folk Song—Brian
F
Balmages. The haunting Sakura melody moves
through stunning and beautiful transformations
in this musical fantasy before finally coming to
rest. Tonal centers switch between minor and
major as traditional melodies intertwine with
thoughtful countermelodies and contemporary
harmonies. Simply gorgeous!
10366818 String Orchestra . . . . . . . . . . . 45.00
Gargoyles—Doug Spata. This is one you won't
want to miss. A fiery ostinato pattern in a minor
mode sets the mood for this dark-sounding
musical adventure. Melodic fragments pass
from one section to another as the tension
builds. This is exciting music and your students
will love playing it!
2470438 String Orchestra . . . . . . . . . . . 48.00
4 Labyrinth—Vance Zuehlsdorff/ed. Law. A
labyrinth is defined as "an intricate combination
of passages in which it is difficult to find one's
way or to reach the exit," and this setting
is perfect theme music for such a situation.
Set in a minor key utilizing an eerie opening,
imaginative chord progressions, and plunging,
intense musical scenarios. A wild ride for string
orchestra that will keep listeners on the edge of
their seats!
10370783 String Orchestra . . . . . . . . . . . 50.00
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4 Mystic Fawn—Keiko Yamada. The title conjures up images of a beautiful fawn illuminated
by early morning sunlight in a fog filled meadow.
The introduction sets the mood and lays
out the harmonic material used throughout
the piece. The rest of the work is made up of
various interpretations of the main theme, with
a big build to a climactic statement. The piece
concludes with a cascading figure followed by
lush chords that gently fade away. Stunning!
10366568 String Orchestra . . . . . . . . . . . 50.00
H Night Shift—Richard Meyer. Take a look at
this driving, modal composition that's loaded
with some great techniques! As the title
implies, early shifting is the main focus, with
pizzicato and easy 16th notes added for variety.
All around, this is an excellent and very mature
sounding piece for your young players!
2346344 String Orchestra . . . . . . . . . . . 42.00
4 Silhouettes—Alan Lee Silva. With legato
melodic lines, driving marcato phrases and
quiet pizzicato figures, Silhouettes employs a
wide range of musical techniques for young
players to grasp. The piece begins with four
measures of unaccompanied, solo violin
playing the lyrical melody. The rest of the
orchestra then joins to create lovely melodies
and harmonies that are lush and full-sounding.
Expressive playing and dynamic contrasts
showcase your students' musicianship from
beginning to end.
10366584 String Orchestra . . . . . . . . . . . 47.00
4 Viola Country—Richard Meyer. Spotlight your
magnificent violas in this feature with Western
flavors, and give your "unsung heroes" a chance
to show off. Includes a heroic opening, a flashy
"fiddle" melody and a flowing legato section.
Easy to rehearse, and fun for every section!
10370736 String Orchestra . . . . . . . . . . . 48.00
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