108
Handbell Music
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elebration on AZMONBrian Childers.
Opening with a bright, contemporary fanfare,
this energetic work presents a popular hymn
tune in creative rhythmic, lyric, and chord-based
variations. Malleted notes, TD and shakes are
used to enhance the effect. Unrestrained joy
rings from every measure.
10307724 3/6 Octave . . . AGEHR-L2+ 4.50
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ome, Thou Fount of Every BlessingKevin
McChesney. Kevin McChesney has given us a
contemporary twist on a favorite traditional hymn.
This satisfying and accessible arrangement should
find a welcome home in traditional, contemporary,
and blended worship services. It will also be an
excellent choice for concerts and festivals.
10089477 3/5 Octave . . . . . AGEHR-L3 4.95
Celtic GraceSusan Geschke. Masterfully
weaving together original melodies with phrases
from Amazing Grace, this piece reflects a sense of
quiet joy with a Celtic flavor. With no bell changes,
this piece is delightfully fun to play. The sprinkling
of staccato notes throughout will give your ringers
just the right amount of challenge.
10187352 3/5 Octave . . . . . AGEHR-L2 4.50
Comfort Yearr. Margaret R. Tucker. Comfort
Ye begins with a lovely, calming melody followed
by a contrasting, slightly agitated minor key section
for interest. When the serenity of the first melody
returns, it is beautifully combined with the tune
WERDE MUNTER (Jesu Joy of Man's Desiring) to
enhance the feeling of peace and solace this music
brings. The optional cello part will add to the beauty
of the performance of the music.
10356659 4/5 Octave . . . . . AGEHR-L2 4.50
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hristians We Have Met to WorshipLloyd
Larson. Set in C major and F major with no other
bell or chime changes, the lyrical pentatonic tune is
supported by strong block harmonies and episodes
of mild syncopation. Program this selection as the
morning prelude and lead into the opening hymn.
10089523 2/3 Octave . . . . . AGEHR-L2 4.50
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rown Him Lord of AllLloyd Larson. In the
style of a brilliant symphonic overture, three robust
hymn tunes (Diademata, Darwall's 148th and
Coronation) ring forth with strength and conviction.
Invigorating harmonies and upward-reaching tonal
centers present themselves at every turn and create
music for a joyful celebration.
10187132 3/5 Octave . . . AGEHR-L2+ 4.50
l ay By Dayarr. Matthew Compton. Your
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ringers will enjoy this creative setting of the
traditional hymn, with its enduring message of
faith. Beginning quietly with a recurring motive, the
arrangement builds in intensity before ending with
a meditative reiteration of the opening theme. This
engaging piece will enhance your concert programs
or worship services throughout the year.
10424968 3/5 Octave . . . AGEHR-L2+ 4.50
J.W. Pepper® Make All Things New 2 0 1 4
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he Church's One Foundationarr. Kevin
McChesney. This arrangement of one the great
hymns is versatile, simple to put together, and
results in a big sound. Using mallets, TD, pluck,
LV, echoes, and shakes, this is a good choice for
younger or less-experienced choirs to build their
skills, or for more experienced groups with little
rehearsal time.
10374584 3/5 Octave . . . . . AGEHR-L2 4.50
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ome, Christians, Join to SingJason Krug.
Heralding a call to worship, this triumphant fanfare
uses majestic ringing, enhanced by shakes, before
giving way to a dynamic, syncopated statement
based on the hymn tune MADRID. Following a
middle section filled with martellato and malleted
chords for a delightful contrast, this masterful
arrangement develops into another powerful and
riveting fanfare. Highly recommended!
10293736 3/5 Octave . . . AGEHR-L2+ 4.50
l ome Down, O Love Divinearr. Hart Morris.
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Hart Morris gives us a beautiful and flexible setting
of this classic Pentecost hymn. Singing bells
accented by random notes leads to LV ringing
with occasional shakes for emphasis characterize
this lovely arrangement. This piece is a perfect
choice to involve all of your musical forces in
worship or concert with optional handchimes and
organ, and includes reproducible parts for vocal
solo, choir, and congregation.
10424978 3/5 Octave . . . AGEHR-L2+ 4.95
10424979 Keyboard/Full Score . . . . . . 10.95
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ome Holy SpiritSondra K. Tucker. Featuring
the haunting chant Veni Creator Spiritus and the
Welsh tune Aberystwyth, this expressive setting
creates an aura of worship from the opening
measure. Singing bell technique creates a serene
backdrop at the beginning and end of the piece,
while the easy motion of the middle section
combines both tunes. Ethereal.
10080459 3/5 Octave . . . . . AGEHR-L3 4.95
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ome Thou Almighty Kingarr. Lloyd Larson.
The well-known hymn Come, Thou Almighty King
is heralded by a joyous cascade of ringing bells,
bringing a fresh, vibrant sound to this imaginative
setting. The exuberant rhythmic introduction is
used throughout the piece, creating unity and
bringing delight to all who hear it.
10340390 3/5 Octave . . . . . AGEHR-L3 4.50
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ome, Christians, Join to Singarr. F.
Thomas Simpson. Full of energy and drive,
this festive 2-3 octave handbell setting uses
syncopated rhythms interspersed with a traditional
presentation of the hymn tune. The use of stopped
sounds creates an exciting, punctuated effect. All
ages and levels of bell choirs are sure to enjoy
this delightful arrangement!
10022074 2/3 Octave . . . . . AGEHR-L2 4.50
l eck Thyself with Joy and Gladnessarr.
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Michael Helman. This simple arrangement is
perfect for those choirs ready to move up from
beginning handbell material. The use of eighth
notes and bell changes is limited, echoes are used
for interest in the middle section, and the melody
is shared by both treble and bass ringers. This is a
great choice for almost any worship setting during
the year.
10366318 2/3 Octave . . . AGEHR-L1+ 4.50
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idn't My Lord Deliver Daniel?arr. Derek
Hakes. Finger snaps and a steady jazz beat help
to propel the recognized tune in this arrangement
of the American spiritual. With musical surprises
that will keep your ringers on their toes, this
showpiece will be enthusiastically received by
congregations and audiences alike.
10089541 3/6 Octave . . . AGEHR-L3+ 4.95
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ona Nobis Pacemarr. Kevin McChesney.
This arrangement of Dona Nobis Pacem was the
first-prize winner in an internet arranging contest
created in 2009 by internationally renowned cellist
Yo Yo Ma and sponsored by Sony Music and Indaba
Music. This exceptional arrangement of the familiar
melody, featuring handbells and cello with optional
two-part voices or C instruments, flows seamlessly
from one special moment to the next, with every
part getting a chance to shine. An excellent
choice for any church, school or community
performance, this is not to be missed!
10342595 3/5 Octave opt.
Cello, Voices . . . . AGEHR-L3 4.50
10342596 Instrumental Parts
with Full Score . . . . . . . . . . 12.95
D own by the Riversidearr. Valerie
Stephenson. This arrangement has it all! A fun,
well known tune is presented in a clever scoring
that includes stopped techniques, mallets, gyros,
and shakes, along with woodblock and tambourine
for added color. Whether presented by a single
ensemble or many ensembles in a massedringing event, the experience promises to be a
rollicking good time for everyone.
10058900 3/6 Octave . . . . . AGEHR-L3 4.95
l El ShaddaiMichael Card & John Thompson/
arr. Susan E. Geschke. This powerful Christian
contemporary song has carved a lasting place in
the hearts and minds of worshippers everywhere.
Rising like a whisper, the quiet legato ringing of the
opening quickly gives way to a driving syncopated
rhythm on mallets that repeats to make it easier to
learn. Lush legato ringing and the echo technique
provide contrast in the middle before returning
to the unbounded energy of mallets and a bold,
impressive ending. Guaranteed to inspire and lift
the spirits of any congregation!
10424170 3/5 Octave . . . AGEHR-L2+ 5.25
4 Editors' Choice (Best of 2014 Publications) l New Publication for 2014 H Pepper Basic Library
Enduring JoyCynthia Dobrinski. This joy-filled
original composition abounds with energy and
is lilting in spirit. The inspiration comes from the
scriptural reference "The joy of our Lord is your
strength." (Nehemiah 8:10) The 6/8 meter is easily
learned and sets a delightful feeling for the opening
and closing sections, while contrasting with a
hymn-like middle section in minor mode. This is a
sure winner that you don't want to miss!
10341871 3/6 Octave . . . . . AGEHR-L3 4.95
Everlasting GodBrenton Brown, Ken Riley/arr.
Peggy Bettcher. Rhythmic drive and energy prevail
throughout this exciting arrangement of Everlasting
God, a popular contemporary praise song whose
text is based on Isaiah 40:28-31. This setting
incorporates syncopated sections along with a
variety of handbell techniques including thumb
damps, martellato lifts, shakes, plus malleted and
LV sections. Optional parts for guitar, electric bass
and drums are available separately.
10305856 3/5 Octave . . . . . AGEHR-L3 5.25
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verlasting God with Majestyarr. Peggy
Bettcher. Rhythmic drive and energy prevail
throughout this exciting Peggy Bettcher
arrangement of Benton Brown and Ken Riley's
popular praise song, paired with Jack Hayford's
classic Majesty. The bold setting incorporates
syncopated sections along with a variety of handbell
techniques including thumb damps, mallets,
shakes and LV sections for a triumpant declaration
of faith.
10360817 2/3 Octave . . . . . AGEHR-L3 5.25
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l airest Lord Jesusarr. Linda R. Lamb. Using
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the singing bell and optional bell tree techniques,
Linda Lamb gives us a simple and straightforward
arrangement of Fairest Lord Jesus, just right
for highlighting developing groups. Optional
handchimes add a beautiful texture and interest to
the piece.
10425007 3/5 Octave . . . . . AGEHR-L2 4.50
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aith Hope and LoveJason W. Krug. Fresh
treatments of three great hymns, Faith of Our
Fathers (St. Catherine); Solid Rock; and O, How
I Love Jesus combine in a contemplative medley
requiring only a few easily executed bell changes,
one key change, and practically no technical
challenges. Much of the ringing is chordal, but
lush, and on the beat, with the exception of a
few finely scripted arpeggiations blended in for
lovely effect. The meter begins in 3/4 then moves
into a feeling of one, creating an interesting
rhythmic juxtaposition which drives the piece
to its sparkling conclusion.
10275720 3/6 Octave . . . . . AGEHR-L2 4.95
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antasia on EBENEZERTammy Waldrop. This
rhythmically interesting and strong arrangement of
the tune EBENEZER includes gyros, TD, martellato,
martellato lifts, and malleting to make this piece
a favorite for your ringers and congregation alike.
A great choice when something special and
slightly different is needed!
10340398 3 Octave . . . . . AGEHR-L2+ 4.95
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antasy on KINGSFOLDarr. Dean Wagner,
Michael Glasgow. Dean Wagner's Fantasy on
KINGSFOLD has been a best-seller since it was
first published in 2000. For the first time, it is
now available with a full orchestration provided
by Michael Glasgow. This dynamic setting, which
is based on an old English folk tune, moves from
intimate to majestic with colorful harmonies and the
optional use of handchimes. For worship or concert,
this is a tried and proven winner.
3266772 3/5 Octave . . . AGEHR-L2+ 4.50
10316718Orchestration . . . . . . . . . . . 55.00
F
eel the Spirit!Lloyd Larson. Propelled by a
joyful forward-moving motive and contemporary
harmony, this beloved African American spiritual
receives a fresh, new voice in the hands of a
veteran writer. The middle section uses a malleted
arpeggio pattern for contrast. This title would make
an especially effective festival offering.
10307729 3/5 Octave opt. 3-4 Octave
Handchimes . . AGEHR-L2+ 4.95
F
irst Song of IsaiahValerie W. Stephenson.
Jack Noble White's original choral work is delightfully
arranged and fully scored with the addition of a
solo C instrument and optional handchimes. The
interplay between the bells and solo instrument
is especially engaging. As the melody is passed
graciously back and forth, the thematic texture
is fully accentuated by an uplifting variety of
bold, straight ringing, tender underpinnings, and
marvelously scripted techniques.
10282214 3/5 Octave . . . . . AGEHR-L2 4.25
l or the Fruit of All Creation (All Through
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the Night)arr. Karen Thompson. Featuring
the favorite hymn tune AR HYD NOS, also known
as All Through the Night, this lovely, peaceful
arrangement uses optional handchimes and
mallets on suspended handbells to enhance the
performance and add interest. A delightful selection
perfect for use in church services or in concert
settings throughout the year.
10425020 3/5 Octave . . . . . AGEHR-L3 4.50
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ive Me Jesusarr. Anna Laura Page.
Harmony and movement are artfully presented
in this masterful combination of Give Me Jesus
and I Want Jesus to Follow Me. After laying a
seamless beginning foundation, the melody
comes shining through in the middle section
before venturing briefly into a minor key, bringing
life and interest to this outstanding and highly
recommended composition accessible to
handbell choirs of all levels.
10293961 3/5 Octave . . . . . AGEHR-L3 4.50
l lorify Thy NameDonna Adkins/arr. Linda R.
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Lamb. Linda Lamb's gentle, reverent reflection on
Donna Adkins' popular worship song is enhanced by
the inclusion of the praise chorus, He is Lord. Legato
ringing of handbells and optional handchimes,
creates a sense of quiet conviction and awe before
the Father, the Son, and the Holy Spirit.
10424147 3/6 Octave . . . AGEHR-L2+ 5.25
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od Be With You Till We Meet AgainWilliam
G. Toner & Ralph Vaughan Williams/arr. Cathy
Moklebust. Combining both handbell and
handchime choirs, this arrangement includes both
of the well-known tunes associated with the text.
GOD BE WITH YOU by William Tomer is presented
first, followed by RANDOLPH by Ralph Vaughan
Williams. The only special techniques included
in this piece are LV and mallets on suspended
bells; the handchime part is optional but adds
depth and interest. This meditative arrangement
is a perfect benediction to close any service,
concert, or festival setting.
10356664 2/3 Octave . . . . . AGEHR-L2 4.50
10356666 3/5 Octave . . . . . AGEHR-L2 4.50
10356667 Keyboard/Full Score . . . . . . 10.95
G
od Himself Is With UsJoachim Neander/
arr. Tucker. God Himself Is With Us is a graceful
rendition of the tune ARNESBERG, and is sensitively
arranged to help beginning ensembles achieve
success. With easy rhythms and block chords to
foster confident ringing, this beautiful piece also
provides opportunities for nuanced dynamics
against lovely, full and rich harmonies. Appropriate
for all seasons of the church year.
10342543 3/5 Octave . . . . . AGEHR-L1 3.95
l
F antasy on RESTORATIONarr. Brian
Childers. A "cloud of mystery" created by the
Singing Bell technique is soon replaced by
music creating a fast-paced mode of excitement
with an energized and syncopated melody. The
"fantasy" is sure to please listeners and handbell
musicians, alike. 5 octaves handbells with
optional 3 octaves handchimes.
10419061 5 Octave opt. 3 Octave
Handchimes . . AGEHR-L3+ 5.25
Music for every Sunday.
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