110
Handbell Music
Great Is the LordMichael W. Smith/arr. Wagner.
Counted as one of the most popular and inspiring
contemporary hymns, this work is immediately
recognized by members of all generations. The
strong yet uncomplicated setting will take little
rehearsal time to prepare, but will sparkle in
performance. Feature this arrangement at your
blended, contemporary, or traditional services as
an uplifting offering from your bell choir.
10003891 3/5 Octave . . . . . AGEHR-L2 4.50
G
reat is Thy FaithfulnessWilliam M. Runyan/
arr. Helman. An expressive arrangement with
seamlessly flowing eighth note patterns is
supported by LV, followed by a slower and softer
middle section enhanced by echoes in this reverent
and thoughtful treatment of the well-loved timeless
hymn. This selection then builds in intensity to a
breathtaking affirmation of faith. Destined to be a
staple in your music library, this arrangement is one
you will reach for over and over again!
10313107 3/5 Octave . . . . . AGEHR-L3 4.25
l uide Me, O Thou Great Jehovah (God of
G
Grace and God of Glory)arr. Michael Helman.
This exciting arrangement of Guide Me, O Thou
Great Jehovah includes handbell techniques
such as mallets, martellatos, shakes, echoes and
a mallet roll, making it a dynamic and glorious
declaration of faith. A great choice for festivals,
concerts, and worship settings.
10424970 3/5 Octave . . . . . AGEHR-L2 4.50
Go to cart
H
ere I Am, LordDaniel Schutte/arr. D.
Wagner. Your ringers will be singing along in
their hearts when they play this graceful setting
of Dan Schutte's heartfelt Missionary song. A
soothing arrangement that is even more effective
when played on hand chimes, this features
ample harmonic doubling and the melody scored
prominently in the top voice. It begins in D major
with a half-step modulation to a resolved and finally
a quiet repose. Very well done!
10089580 2/3 Octave . . . . . AGEHR-L2 4.95
l is Eye Is on the SparrowCharles H. Gabriel/
H
arr. Anna Laura Page. His Eye Is on the Sparrow is
based on a well-known, beloved gospel hymn that
found wide use during the early to mid-twentieth
century. This engaging setting for handbells is
harmonically rich, with flowing accompaniment that
builds into an exciting, full statement of happiness
that comes from knowing that God watches over us,
just as He watches over the sparrow. This thoughtful
setting offers opportunities for ringing musically
while using precise ringing and damping skills, and
is appropriate for any occasion.
10424223 3/5 Octave . . . . . AGEHR-L3 4.50
I
Am Bound for the Kingdomarr. Anna Laura
Page. Stopped sounds, mallets, mart lifts, shakes,
and a driving tempo all come together in this vibrant
setting that combines the Sacred Harp Warrenton
tune Come Thou Fount of Every Blessing and the
American folk hymn On Jordan's Stormy Banks I
Stand. Both melodies are given their own time in
the spotlight before they combine as partners in a
more reflective verse. Very well done!
10095914 3/5 Octave . . . . . AGEHR-L3 4.25
I
Need Thee Every Hourarr. Joel Raney, Arnold
Sherman. This prayerful hymn is set in a compelling,
reflective ballad for three to five octave handbells by
Arnold Sherman. The transcription comes from the
solo piano collection, Gospel Greats, by Joel Raney.
Using an effective modulation, the music builds to
a sweeping final stanza giving sensational impact
to this classic gospel song.
10305825 3/5 Octave . . . AGEHR-L2+ 4.50
I
Then Shall LiveGloria Gaither & Jean Sibelius/
arr. Larson. Based on the beloved FINLANDIA hymn
tune, this regal arrangement can be readily learned
by bell groups of varying skill levels. It begins and
ends with resounding full chords, and is contrasted
by a gentle, lush, harmonic middle section.
Lloyd Larson's "ring and sing" setting will be a
perennial favorite for ringers and listeners. It can
serve as the accompaniment for choral settings or
stand alone for bells only.
10341880 3/5 Octave . . . AGEHR-L2+ 5.25
l Vow to Thee, My Countryarr. J.D. Frizzell.
I
The hymn tune THAXTED can now be found in many
hymnals, accompanied by a variety of texts, so this
versatile setting is usable in worship settings as well
as for festivals and concerts. Incorporating many
techniques, such as suspended mallets, martellato
lifts, tower swings, and shakes, it is dramatic all the
way to its dynamic ending!
10424977 3/5 Octave . . . AGEHR-L2+ 4.95
J.W. Pepper® Make All Things New 2 0 1 4
H
allelujah Praise Ye the Lordarr. Ron
Mallory. This lively setting of the familiar children's
song presents the melody four times in a variety of
styles, from bouncy jazz to a driving rhythm with
mallets. Mallet clicks and optional choreography
add to the sense of childlike celebration and fun.
Smiles all around!
10366193 3/5 Octave . . . AGEHR-L2+ 4.50
H
e Is ExaltedTwila Paris. Incorporating the
hymn tune ST. DENIO, this spirited and fun setting is
a great choice for the young handbell choir. Using
no subdivisions of the beat, yet with rich supporting
harmony, this contemporary praise and worship
title would also be perfect for any handbell choir
with limited time to prepare.
10294974 2/3 Octave . . . AGEHR-L1+ 4.95
l e Touched MeWilliam Gaither/arr. Bill
H
Ingram. This Bill Gaither classic is one of the most
loved gospel songs written in the last fifty years,
and Bill Ingram's arrangement is faithful to the
original. Expressive phrasing is enhanced by a
few shakes and echoes, as well as the optional
handchimes. Allow the powerful message to shine
through your musicality!
10374592 3/5 Octave opt. 3 Octave
Handchimes . . AGEHR-L2+ 4.95
H
e's Got the Whole WorldValerie W.
Stephenson. For those looking for a fun and
exciting mallet feature, this is it! Plenty of mallet
clicks with choreography notes abound, with wellplaced mallet rolls, shakes and ring touches added,
bringing a light and playful quality to this familiar
title. Well-written and fast-paced, this title is sure to
be a hit.
10293962 3/5 Octave . . . . . AGEHR-L2 4.50
H
e's Got the Whole World in His HandsJ. D.
Frizzell. This much-loved familiar African American
spiritual tune is artfully arranged with a quiet and
reflective beginning featuring a lyrical flowing
melody. The inspired use of martellato lifts and
stopped techniques are used effectively for contrast
in the middle section, before building to a powerful,
convincing finale in a stunning performance,
without being too difficult to play.
10294977 3/5 Octave . . . AGEHR-L2+ 4.50
H
ere I Am to WorshipTim Hughes/arr.
Victor Labenske. Delight your congregation and
your beginning ringers with this popular worship
chorus. Echoes, LV and a shake at the end
provide interest, and are a great way to introduce
new techniques. An accessible, lovely setting
appropriate for any worship service.
10317902 2 Octave . . . . . . . AGEHR-L1 4.25
Holy MannaWilliam Moore/arr. Susan E.
Geschke. This arrangement is played entirely with
mallets and mallet clicks, yet it remains rhythmically
easy with only a sprinkling of eighth notes.
Alternatively titled A Merry Mallet Melody, it may
be also rung entirely on handchimes, substituting a
percussion instrument for the mallet clicks. Bursting
with energy, this setting is an excellent choice for
secular, sacred, or festival use.
10356670 3/5 Octave . . . . . AGEHR-L2 4.50
Holy MannaJudy Phillips. The sound of
Americana is captured in this arrangement of
the well-known tune Holy Manna. For three to
six octaves of handbells and three to five octaves
of optional handchimes, Phillips uses mart lifts,
a canon between high and middle bells, and
a touch of the hymn Land of Rest to paint this
musical picture.
10187006 3/6 Octave . . . . . AGEHR-L2 4.50
H
ow Firm a FoundationSandra Eithun. A
light and bouncy accompaniment, using a variety
of techniques, is the backdrop for this setting of
the familiar hymn FOUNDATION. Performers will
enjoy using mallets, thumb damps, shakes and
martellato lifts to add color to this energetic piece.
Now expanded to 3, 4 or 5 octaves and compatible
with the original 2-3 octave setting, it is a good
opportunity for beginning ringers to learn new skills.
10342548 3/5 Octave . . . AGEHR-L1+ 3.95
H
ow Great Thou Artarr. Michael Helman.
Incorporating This Is My Father's World, this
exciting, carefully edited setting of the timeless
hymn is a strong choice for 2-3 Octave handbells or
handchimes! This is appropriate for general worship
services and young ringers festivals.
5957642 2/3 Octave . . . . . AGEHR-L1 3.95
l ow Great Thou Artarr. Stuart K. Hine
H
& Brent Olstad. Through the use of vibrant
harmonies, strong chords and flowing melodies,
arranger Brent Olstad creates a reflection on the
incomparable greatness of God. This powerfully
beautiful setting uses well-placed TD and shakes
to enhance the performance and is sure to be a
high point of any worship service.
10424180 3 Octave . . . . . . . AGEHR-L3 5.25
H
ow Great Thou ArtStuart K. Hine/arr. Joel
Raney. Considered to be one of the greatest sacred
texts and tunes from the 20th century, this classic
hymn gives rise to the greatness that it invokes
in worshiping God. This arrangement makes
elaborate use of the optional handchimes, both
melodically and harmonically, to add remarkable
interest. The masterful transitions and modulations
provide awe-inspired moments of grandeur that are
worthy of this hymn of praise.
10275820 3/5 Octave with opt. 3/5 Octave
Handchimes . . . . AGEHR-L3 5.25
4 Editors' Choice (Best of 2014 Publications) l New Publication for 2014 H Pepper Basic Library
I
Want Jesus to Walk with Mearr. Tammy
Waldrop. This popular spiritual is given a rhythmic,
soulful treatment, with staccato sections contrasting
with smooth, sustained passages, and featuring
optional chimes. Performance should take into account
the dynamic visual aspect of the piece, with its gyros,
pluck lifts, martellato lifts, mallets, shakes and vibrato.
It will be a memorable musical and visual event!
10341864 3/6 Octave . . . AGEHR-L2+ 4.50
I
Will Arise and Go to Jesusarr. Cathy
Moklebust. The Southern Harmony tune,
RESTORATION is arranged here for a double choir
of two to three and three, four or five octaves,
with percussion, but may also be played by a
single choir. Light thumb-damping, malleting
or plucking accompany the melody, which is
presented in two slightly different versions. This
short arrangement includes no accidentals, except
for the final chord, and is appropriate year-round for
worship and concert use.
10307324 2/3 Octave . . . . . AGEHR-L2 4.50
10307325 3/5 Octave . . . . . AGEHR-L2 4.50
10307326 Keyboard/Full Score . . . . . . . 9.95
I
Will Arise and Go to Jesusarr. Matthew
Compton. Based on the hymn tune RESTORATION,
this multi-seasonal arrangement sends the
listener on a marvelous journey through beautifully
contrasting and expressive interpretations of
each stanza of the hymn. At times energetic,
at others reflective, this compelling anthem
features echo rings, mallets, contrasting bells and
chimes, and martellatos, making it a delight for
ringers and listeners alike.
10340407 3/5 Octave . . . . . AGEHR-L3 4.95
I
Will Sing of My RedeemerLloyd Larson.
Ideally suited for Palm Sunday or Easter, this
joyous setting based on the hymn tune HYFRYDOL
can be used as a call to worship, yet it is also
suitable for many other worship services. With
quiet, reflective sections contrasting warmly with
sections of resonating and intense conviction,
this masterful composition brings out every
emotional and dynamic option available to
us. Exceptionally well-done!
10293746 3/5 Octave . . . . . AGEHR-L2 4.95
Available via ePrint
I
'm Just a Poor Wayfaring Strangerarr.
Tammy Waldrop. This arrangement invokes
the style of American Mountain and Bluegrass
music. The opening malleted bass line mimics
the plucked strings of the acoustic bass; the treble
thumb-damped chords resemble the "chop" of the
mandolin, and the melody sings forth as a violin
in a mournful low register.
10003216 3/5 Octave . . . . . AGEHR-L2 4.50
I've Got Peace Like a RiverValerie
Stephenson. This setting begins by combining the
unique, singing bell technique on the lower bells
with the melody on lower (optional) handchimes,
and establishes an ethereal, serene mood.
Each of the three verses is given a different
treatment reflecting the theme of the text. Verse
1 (Peace) uses the singing bells; Verse 2 (Love)
receives a full hymn statement, and Verse 3
(Joy) is malleted throughout in a quasi-boogie
style. The ending returns to a modified repeat
of Verse 1. This enchanting arrangement is
suitable for any time of year.
10187344 3/5 Octave with opt. 2/3 Octave
Handchimes . . . . AGEHR-L3 4.50
I
've Got the Joy (Down In My Heart)arr.
Valerie Stephenson. Your listeners will have the joy,
too, when they hear this captivating arrangement
of a traditional camp song that has enough sparkle
and glee to brighten any performance space. Use
mallets, optional bongos or small percussion, and
a peppy tempo and you'll create a memorable
presentation in worship, festival or concert
appearances with your group!
10062002 3/5 Octave . . . . . AGEHR-L2 4.50
If
Thou but Trust in God to Guide Thee
Benjamin Tucker. Swings, LVs, martellatos,
and shakes are featured in this highly musical
and colorfully scored composition based on the
hymn tune WER NUR DEN LIEBEN GOTT. Beautifully
arranged in a set of concert variations, this
masterfully crafted title will be a favorite of your
congregation for years to come.
10294995 3/5 Octave . . . . . AGEHR-L2 4.50
I
f You But Trust in Godarr. Kevin McChesney.
The melody displayed in this hymn is surpassed in
beauty only by its text: "If you but trust in God to
guide you and place your confidence in Him, you'll
find Him always there beside you to give you hope
and strength within." Mallets or thumb damps are
used in the underlying bass line rhythms to enhance
the melody and its timeless message of faith.
10341910 3/5 Octave . . . . . AGEHR-L3 5.50
l
Immortal, Invisible, God Only Wisearr.
Valerie W. Stephenson. Your ringers will be
delighted with this exuberant arrangement of
Immortal, Invisible, God Only Wise that features
large sections played with mallets and mallet
clicks. The use of optional chimes in the middle
section adds interest and rounds out this
incredibly enjoyable selection.
10424965 3/5 Octave . . . . . AGEHR-L2 4.50
In
Christ Alonearr. Sandra Eithun. Stuart
Townend and Keith Getty's powerful praise and
worship song has been scored for 3-5 octaves of
handbells with optional handchimes in this bold
and accessible arrangement. Just as the lyrics
of the song grow in intensity, so does each verse
of this setting increase in passion to express the
message: "In Christ alone my hope is found, He is
my light, my strength, my song."
10040547 3/5 Octave with opt. 2 Octave
Handchimes . . AGEHR-L2+ 5.25
l t Is Well with My Soularr. Anna Laura Page.
I
It Is Well with My Soul presents a message of
acceptance, having faith and trusting in the
Lord when faced with troubling times. This
arrangement honors that expression of faith
and love with beautiful, flowing lines and a few
well-placed malleted descant lines for interest. A
great choice for when moments of reflection and
comfort are needed.
10424873 3/5 Octave . . . . . AGEHR-L3 4.50
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