Concert Selections
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4 ll the Pretty Little Horses—arr. Andy Beck.
This innovative arrangement presents the wellknown American folk song with a jazz-waltz feel.
Unexpected, but highly creative, it's something
truly different for concert or jazz groups.
10355941SATB . . . . . . . . . . . . . . . . . . . . . 1.85
10355942SAB . . . . . . . . . . . . . . . . . . . . . . 1.85
10355943SSA . . . . . . . . . . . . . . . . . . . . . . 1.85
10355944Two-Part . . . . . . . . . . . . . . . . . . 1.85
10355945 P/A CD . . . . . . . . . . . . . . . . . . . 27.99
4 cross the Vast, Eternal Sky—Ola Gjeilo.
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"Sunlight shines on my face; this is my grace, to
be restored, born again, in flame!" The legend
of the Phoenix inspires this stunning work for
divisi mixed voices with piano and optional
string quartet. Your choir will create a gorgeous,
expansive soundscape when they perform it! "I
will appear again when the sunset paints flames
across the vast eternal sky."
10357012SSAATTBB . . . . . . . . . . . . . . . . 2.30
10357013 Instrumental Parts
String Quartet . . . . . . . . . . . . . 40.00
Afternoon on a Hill—Eric Barnum. A musical
soundscape on a poem by Edna St. Vincent
Millay, this picturesque setting includes windblowing sounds for the sopranos and tenors
while the rest of the choir sings, "I watch the wind
bow down the grass..." There are many wonderful
effects for the more accomplished choir.
10044185SSAATTBB . . . . . . . . . . . . . . . . 2.10
4tAin't Judgin' No Man—Greg Gilpin. Cut from
he same cloth as the great traditional spirituals,
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this riveting a cappella original has unwavering
rhythmic intensity, gripping minor-key sonorities,
and a marvelous text. "Ain't judgin' no man for
the life he leads, ain't passin' no judgment on my
fellow man, I'm leavin' it all in the good Lord's
hands..." It's exciting as it builds and builds to a
big finish! Highly recommended!
10355983SATB . . . . . . . . . . . . . . . . . . . . . 1.85
10355984TTBB . . . . . . . . . . . . . . . . . . . . . 1.85
H l Shlosha D'varim—Allan Naplan. Now
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available for mixed voices and piano, Al Shlosha
D'Varim is a lyrical setting of the popular maxim
from Jewish morality laws, translated to mean:
"The world is sustained by three things: by truth,
by justice, and by peace." Originally published
for SA voices, this has become a standard in the
choral repertoire.
10071263SATB . . . . . . . . . . . . . . . . . . . . . 1.95
3012796SA . . . . . . . . . . . . . . . . . . . . . . . . 1.95
4t lleluia—Mark Hayes. A stately, dramatic
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fanfare opens this jubilant a cappella original.
Captivating syncopations, a full dynamic
spectrum, and a contrasting polyphonic section
all fuel the excitement in this vibrant work! Highly
recommended!
10366607SSATB . . . . . . . . . . . . . . . . . . . . 1.95
Animal Crackers—Eric Whitacre. Here are three
whimsical settings of Ogden Nash poems that are
sure to appeal to Eric Whitacre fans: The Panther;
The Cow and The Firefly. For mixed choirs, this is
a novelty selection with sophistication and class!
10025930SATB . . . . . . . . . . . . . . . . . . . . . 2.95
Ht t the Round Earth's Imagined Corners—
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Williametta Spencer. This contemporary,
a cappella setting by Williametta Spencer of
the sonnet by John Donne is a strong contest/
festival selection for mature mixed choruses.
4035259SATB . . . . . . . . . . . . . . . . . . . . . 1.90
Ht ve Maria—Franz Biebl. This breathtaking
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twentieth-century work has been made famous
by international performances of the San Francisco-based ensemble Chanticleer. Conceived
in the style of the Alternatum Plainchant, the
composition is available for choirs in four forms:
SATB with a trio of soloists, SAATTBB with a
tenor soloist and a bass soloist, SSAA, and its
original TTBB voicing. Extraordinary!
1828680SAATTBB . . . . . . . . . . . . . . . . . . 1.70
1828698SATB . . . . . . . . . . . . . . . . . . . . . 1.70
10192115SSAA . . . . . . . . . . . . . . . . . . . . . 1.70
1828706TTBB . . . . . . . . . . . . . . . . . . . . . 1.70
H The Awakening—Joseph Martin. If you are
looking for a dramatic concert/festival work,
be sure to look at this one! The glory of music
is treated with great depth and musical-textual
imagery in this deeply moving selection, which
offers a rare opportunity to showcase your
choir's musicianship. "Let Music Live!" This will
make a lasting impression on your singers and
audiences. Stunning!
3027786SATB . . . . . . . . . . . . . . . . . . . . . 1.90
10299072SSAA . . . . . . . . . . . . . . . . . . . . . 1.95
1995612TTBB . . . . . . . . . . . . . . . . . . . . . 2.05
10049275 P/A CD . . . . . . . . . . . . . . . . . . . 26.99
3066867 Instrumental Parts . . . . . . . . . . 70.00
H Baba Yetu—Chris Kiagiri & Christopher Tin. This
unique title track from the video game Civilization
IV offers a world fusion sound, including chanting,
strong rhythmic choral sections, and a Swahili
text setting of "The Lord's Prayer." Featured on
the Video Games Live concert tour, and winner of
the 2011 Grammy Award for "Best Instrumental
With Vocalist," this awesome piece is now getting
worldwide play. It features both alto and tenor
soloists. Highly recommended!
10031406SSATBB . . . . . . . . . . . . . . . . . . . 2.00
10031411 P/A CD . . . . . . . . . . . . . . . . . . . 27.99
H attle Hymn of the Republic—arr. Peter
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Wilhousky. The Wilhousky setting of this 19th
century hymn is possibly the most heartfelt
musical pronouncement of American patriotism.
Divisi sections in all parts are accessible and
still richly expressive with harmonic colors and
sweeping dynamic contrasts. Emotional and
highly effective, it is a truly magnificent setting
that may be performed with band or orchestral
accompaniment. It's also the one chosen most
often by U.S. military ensembles.
245076SATB . . . . . . . . . . . . . . . . . . . . . 1.95
244988SSA . . . . . . . . . . . . . . . . . . . . . . 1.80
244897TTBB . . . . . . . . . . . . . . . . . . . . . 1.95
945436
Concert Band . . . . . . . . . . . . . 90.00
258038
Full Orchestra . . . . . . . . . . . . . 85.00
4t eati Omnes—Richard Ewer. This exquisite
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combination of a text based on Psalm 128:1
and the excellent choral writing of Richard Ewer
will amply display both choral musicianship
and beautiful singing. Beati Omnes is a perfect
concert or contest offering.
10366610SSA . . . . . . . . . . . . . . . . . . . . . . 1.95
H Bidi Bom—David Eddleman. You won't want
to miss this delightfully festive little piece that
is a superb way to introduce a multicultural
perspective into your holiday programming.
Independent choral lines build a lively
counterpoint over an easily mastered piano
part that keeps the dance moving throughout
the work. And, that accelerando at the coda will
give your performance a real jolt of pleasure!
For holiday concerts, or any time of year, this
receives our highest recommendation!
3298641SATB . . . . . . . . . . . . . . . . . . . . . 1.80
3298642SAB . . . . . . . . . . . . . . . . . . . . . . 1.80
3298643Two-Part . . . . . . . . . . . . . . . . . . 1.80
10048150TTB . . . . . . . . . . . . . . . . . . . . . . . 1.80
Bonse Aba—arr. Victor C. Johnson. Sizzling with
celebratory rhythmic energy, this African folksong
loosely translates as: "Those who sing have
the right to be called the children of God." The
only accompanying instruments are hand drum
(treble drum), djembe (bass drum), and shaker,
which add authentic flavor and opportunities for
improvisation. The vocal parts are easily learned
due their repetition and call-and-response style.
Highly recommended!
10302661SATB . . . . . . . . . . . . . . . . . . . . . 1.95
10089711 Three-Part Mixed . . . . . . . . . . . . 1.95
10089722Two-Part . . . . . . . . . . . . . . . . . . 1.95
10307386SSA . . . . . . . . . . . . . . . . . . . . . . 1.95
10307387TTB . . . . . . . . . . . . . . . . . . . . . . . 1.95
10089725 P/A CD . . . . . . . . . . . . . . . . . . . 26.95
Ht onse Aba (Traditional Zambian Song)—
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arr. Andrew Fischer. Here is an exuberant a
cappella number that's loaded with African
atmosphere! The traditional Zambian words are
sung throughout, with such a buoyant rhythmic
feel that you are transported into the center of a
native celebration. "Bonse Aba" translates as "All
that sing have the right to be called the children of
God." The song is brief, but may be repeated as
many times as desired. Various voicing options
are possible, and African percussion may be
added as the piece progresses. Your choir will
definitely want to improvise some celebratory
whoops and shouts! Highly recommended!
10012300SATB . . . . . . . . . . . . . . . . . . . . . 1.90
10062620TTBB . . . . . . . . . . . . . . . . . . . . . 1.90
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