4Editors' Choice lNew Publications 2014 HPepper Basic Library Available ePrint All Prices In U.S. Dollars & Subject To Publisher Revision
26
Jazz
Ensemble
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Latin
a l l l e v e l s
l Brazil—arr. Rick Stitzel. From the skilled hands and
inventive mind of Rick Stitzel, here is a classy, yet
easy version of this familiar samba. Every section
gets a chance to play the melody at some point, plus
there is a solo section for any saxophone or flute.
Suggested solos and chord/scale sheets in all keys
are included, plus it's playable with optional reduced
or expanded instrumentations!
10427414 Jazz Ensemble. . . . . . . . . . . . . .E 40.00
H Cantaloupe Island—Herbie Hancock/arr. Kamuf.
Arranger Mike Kamuf scored this hip, funky Latin-rock
tune for younger players. Ideal for this level, it features
three chords, a repetitive groove, catchy melody and
a hot bari sax part. There are written solos for tenor
sax and trumpet, and the lead trumpet range goes to
a top line F with optional G on top of the staff. This
chart will also sound great with optional or expanded
instrumentation. This is a superb chart from beginning
to end. Highly recommended!
10028077 Jazz Ensemble. . . . . . . . . . . . ME 44.00
l Dos Amigos—Howard Rowe. The title of this vibrant
Latin rock original refers to the close professional and
personal association shared by Chuck Mangione and
Gerry Niewood during their many years of working
together. Opening and closing with flugelhorn (or
trumpet) and soprano (or alto) sax solis, the chart
features optional solo space for all and a montuno
style section that highlights the full ensemble.
10441197 Jazz Ensemble. . . . . . . . . . . . . M 52.00
l Echale Todas Las Ganas (Give It All You Got)—
Mark Lathan. Commissioned as part of a project to
recognize the late Bill Carroll and his contributions
to music education, this burning Latin original will
be a performer and audience favorite. With a strong
melodic line, abundant ensemble work and open solo
space, this medium advanced chart has it all!
10431430 Jazz Ensemble. . . . . . . . . . . . MA 56.00
4 Fiesta del Tigre—Mike Story. Check out Mike
Story's excellent Latin chart with an easy bossa
groove. Features include a written-out trumpet solo,
easy brass ranges, and optional parts to include flute,
clarinet, horn, baritone horn, tuba, and vibraphone. It's
also playable with optional reduced instrumentation.
The tempo is suggested at about 140 bpm. Majestic,
bold, and exciting, it's easy, well-written and effective
for any concert! Highly recommended!
10355590 Jazz Ensemble. . . . . . . . . . . . . .E 38.00
4 Horn of Puente—Gordon Goodwin/arr. Mike Story.
Originally composed by Gordon Goodwin for his Big
Phat Band, this version is scored at the easy level by
Mike Story. This Latin cha-cha is very accessible,
with a written trumpet 1 solo, a montuno piano
part that's cued in the saxes, an optional auxiliary
percussion part, and a vibes part. Mike even
included additional percussion parts for some winds
to further enhance the Latin groove. Playable with
optional reduced and expanded instrumentations.
You and your young jazz band will really enjoy this
chart! Highly recommended!
10353482 Jazz Ensemble. . . . . . . . . . . . . .E 38.00
4 It Ain't Easy Goin' Green—Jim Mahaffey. It Ain't
Easy Goin' Green is a delightful trombone solo feature
that honors the amazing talent of the great trombonist
Urbie Green. This chart is an easy going bossa nova
with accessible parts for the band and soloist. The
solo is mostly written, but there are a few places
where some improv chops are necessary. Highly
melodic for both the ensemble and soloist, the ranges
are reasonable and the band is featured as well as the
soloist. Accessible trombone solo features are rare,
and it's a happy coincidence that this one is so great!
Included are optional parts for Flute, Clarinet, Horn in
F and Tuba.
10427257 Jazz Ensemble. . . . . . . . . . . . ME 60.00
4 Mambonucleosis—Rich Woolworth. Mambo-
nucleosis is a high-energy mambo with plenty
of authentic montuno sounds and effects. There
are solos for alto sax and trumpet, as well as
opportunities for the drummer to shine. Don't miss
this exciting Latin showcase! Highly recommended!
10367352 Jazz Ensemble. . . . . . . . . . . . . M 50.00
l SOS—George Shutack. A solid rhythmic fanfare sets
the mood for this burning samba at the medium easy
grade level. As the title suggests, the rhythmic pattern
throughout mirrors the Morse code distress signal of
3 shorts, 3 longs and 3 shorts. An infectious melody,
strong rhythmic groove, solid full ensemble work,
and a written or ad lib open solo section combine to
create a really exciting chart for any program.
10441203 Jazz Ensemble. . . . . . . . . . . . ME 52.00
l Uchibeng Wow-Wow—Michael Philip Mossman.
From the deep and sometimes mysterious mind
of Michael Philip Mossman, here's a captivating
cha-cha with attitude! Mossman skillfully mixes
full band scoring with section features and quick
trade-off riffs. Also included are solos for tenor sax
and trumpet, and some unexpected band vocals.
Suggested solos are included along with chord/
scale sheets in all keys.
10427400 Jazz Ensemble . . . . . . . . . . . M 50.00
l Yesterdays—arr. Michael Philip Mossman.
Using a relaxed bolero style, Michael Mossman's
inventive and sophisticated setting of this familiar
Jerome Kern and Otto Harbach standard is a
refreshing addition to any program. You'll find
cascading ensemble figures, interweaving sax fills,
and solos for alto sax and trumpet in this accessible
and skillfully written chart. Included are suggested
solos and chord/scale sheets in all keys.
10427406 Jazz Ensemble . . . . . . . . . . ME 45.00
4 Zebrano—Andrew Neu. Set as an Afro/Cuban
groove, Zebrano is full of engaging rhythmic
content that is sure to delight players, audiences
and adjudicators. To ensure authenticity, the
rhythm section parts are mostly notated with chord
symbols provided. The ranges are reasonable for
the level and solo space is reserved for alto 1, tenor
1, trumpets 2 & 4, trombone 1, and drums. Don't
miss this great programming choice!
10367871 Jazz Ensemble . . . . . . . . . . . M 52.00
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