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classical & concert selections
Also Sprach Zarathustra—arr. Ken Dye. Familiar
as the theme to the movie "2001: A Space Odyssey," this
Richard Strauss' composition can also be a strong chart for
the stands or parades!
2435758 . . . . . . . . . . . . . . . . . . . . . . . . . . . E 55.00
Appalachian Spring Finale—Aaron Copland/arr.
Dawson. A stunning closer fashioned from the music of one
of America's greatest composers! Jay Dawson's fabulous
arrangement is an elegant and powerful statement for the
end of any field show!
2437432 . . . . . . . . . . . . . . . . . . . . . . . . . . . M 80.00
Beethoven's Fifth—arr. Tom Wallace. This
explosive opener is based primarily on themes from the first
movement. It's a great way to start your classical show!
2318087 . . . . . . . . . . . . . . . . . . . . . . . . . . . MA 80.00
Carmina Burana No. 3—Carl Orff/arr. Ford. The
powerful closer to the Carmina Burana show, this finale
uses Fortuna Imperatrix Mundi, the most famous and
intense movement, to bring this complete work to it's
thrilling conclusion!
2472407 . . . . . . . . . . . . . . . . . . . . . . . . . . . M 45.00
Fanfare for the Common Man—Aaron
Copland/arr. Dawson. The stunning, famous and familiar
fanfare by Copland expertly arranged by Jay Dawson. Use
this to open your show, or for any important ceremonial
occasion. Awesome!
2437390 . . . . . . . . . . . . . . . . . . . . . . . . . . . M 70.00
l Finale from William Tell Overture—
Gioachino Rossini/arr. Dallas Burke & Carl Major. This
dynamic arrangement of the Rossini masterpeice makes
an exciting opener for any show. With short percussion
features between explosive wind statements, this chart has
everything needed to make a classical opening statement
that will demand everyone's attention.
10449425 . . . . . . . . . . . . . . . . . . . . . . . . . . ME 60.00
l Funiculi, Funicula—Peppino Turco & Luigi Denza/
arr. Jerry Burns. Everyone will recognize this classic melody
that's been around for years. It'sbeen covered by countless
performers including The Grateful Dead and Alvin and
the Chipmunks. You know this tune is pure FUN - it's part
of the name!
10445691 . . . . . . . . . . . . . . . . . . . . . . . . . . E 45.00
The Great Gate of Kiev (Pictures at an
Exhibition - Part 3)—Modest Mussorgsky/arr. Story.
The memorable Great Gate of Kiev from "Pictures at an
Exhibition" starts out with a soft chordal texture, this chart
quickly builds to a stunning conclusion. Spectacular!
10066163 . . . . . . . . . . . . . . . . . . . . . . . . . . E 45.00
The Hut on Fowl's Legs (Baba Yaga)
(Pictures at an Exhibition - Part 2)—Modest
Mussorgsky/arr. Story. Here is a driving, yet very playable
arrangement of Hut on Fowl's Legs (Baba Yaga). Featuring a
short percussion break, this one has great visual potential!
10066162 . . . . . . . . . . . . . . . . . . . . . . . . . . E 45.00
In Caelum Fero—Karl Jenkins/arr. Wallace. Karl
Jenkins is a composer whose music topped both classical
and pop charts while being featured on TV commercials of
Delta Airlines and DeBeers Diamonds. This opener begins
with a dark chorale followed by a broad sweeping uptempo
section with unusual percussion effects. Exciting!
2472054 . . . . . . . . . . . . . . . . . . . . . . . . . . . M 80.00
Joy—arr. Tom Wallace. This exuberant closer is bursting with
energy and makes an exciting finish to any performance!
2474346 . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 80.00
Jupiter (from The Planets)—Gustav Holst/arr.
Bocook. Here is the classic 1986 Jay Bocook arrangement of
the powerful Holst masterpiece from "The Planets." Exquisite
writing for maximum impact on the competition field!
2162790 . . . . . . . . . . . . . . . . . . . . . . . . . . . M 75.00
Jupiter, Chorale From—Gustav Holst/arr. Murtha.
An excellent change of pace for any classical show, this
marvelous chorale is a showpiece for what your band can do!
2471874. . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45.00
Mars—Gustav Holst/arr. Bocook. Everyone knows this
riveting movement from Holst's "The Planets", and Jay's
arrangement is about as exciting and intense as they come!
Makes a great opener or production number!
2392983. . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 65.00
Nessun Dorma—Giacomo Puccini/arr. Bocook &
Rapp. If your show calls for a gorgeous slower work, they
just don't get any better! Puccini's most famous tenor aria
is sure to have your audience captivated! The scoring for the
woodwinds is very rich and is complemented wonderfully by
the pit.
2473953. . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 80.00
New World Symphony—Anton Dvorak/arr.
Sweeney. Here's an impressive opener coming from one of
the world's most famous symphonies carefully arranged to
maximize the potential of younger bands! With the powerful
first movement themes contrasted with passages from the
lyrical second movement, your band will sound fantastic!
2471873. . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 50.00
Night on Bald Mountain—arr. Jay Bocook. One
of the most imposing and threatening themes ever written!
Jay's powerful arrangement will make any band sound
impressive, and is a great choice to close any show!
2435576. . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 55.00
Ode to Joy—arr. Tom Wallace. This is a real challenging
closer that erupts in glory!
2318129. . . . . . . . . . . . . . . . . . . . . . . . . . . . . MA 80.00
Promenade (Pictures at an Exhibition -
Part 1)—Modest Mussorgsky/arr. Story. Part one of a
three piece show based on Mussorgsky's "Pictures at an
Exhibition." The meter changes in Promenade have been
"squared off" to facilitate easy and quick learning. A stunning
beginning to your show this fall!
10066161. . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45.00
The Promise of Living—arr. Jay Dawson. This
beautiful chorale comes from the Copland opera, "The
Tenderland" and includes optional vocalization. This
production number is sure to show the expressive side of
your band!
2474341. . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 80.00
Venus—Gustav Holst/arr. Bocook. As a change of pace to
your "Planets" show, this entrancing number has been scored
with a delicate beauty that will leave the crowd breathless!
2392991 . . . . . . . . . . . . . . . . . . . . . . . . . . . M 65.00
Top-Selling
Production Numbers
Buy with confidence! These works, listed here in
order of their popularity, are chosen most often
by directors.
Bohemian Rhapsody—arr. Richard Saucedo.
2462596 . . . . . . . . . . . . . . . . . . . . . . . . . ME 55.00
Creep—arr. Jay Dawson.
10359791 . . . . . . . . . . . . . . . . . . . . . . . . . .M 80.00
Your Song—arr. Tom Wallace.
10359779 . . . . . . . . . . . . . . . . . . . . . . . . . .M 80.00
For Your Eyes Only/Goldfinger—
arr. Victor Lopez.
10357170 . . . . . . . . . . . . . . . . . . . . . . . . . ME 70.00
Brick House—arr. Michael Brown.
2473978 . . . . . . . . . . . . . . . . . . . . . . . . . . E 50.00
Smooth Criminal—arr. Dave Henning.
10358098 . . . . . . . . . . . . . . . . . . . . . . . . . .M 65.00
Immigrant Song—arr. Ralph Ford.
10066153 . . . . . . . . . . . . . . . . . . . . . . . . . ME 55.00
Shout It Out—arr. Doug Adams.
2473946 . . . . . . . . . . . . . . . . . . . . . . . . . . E 45.00
The Safety Dance—
arr. Jay Bocook & Omar Carmenates.
10274243 . . . . . . . . . . . . . . . . . . . . . . . . . .M 65.00
Eleanor Rigby—John Lennon &
Paul McCartney/arr. Wallace.
10304109 . . . . . . . . . . . . . . . . . . . . . . . . . .M 80.00
Iron Man—arr. Dallas Burke.
10358088 . . . . . . . . . . . . . . . . . . . . . . . . . ME 65.00
Sir Duke—arr. Jay Bocook.
2414134 . . . . . . . . . . . . . . . . . . . . . . . . . .M 65.00
Fever—arr. Tom Wallace.
10274748 . . . . . . . . . . . . . . . . . . . . . . . . . .M 80.00
Blackbird/Yesterday—John Lennon &
Paul McCartney/arr. Wallace.
10304112 . . . . . . . . . . . . . . . . . . . . . . . . . .M 80.00
Evil Ways—arr. Jay Dawson.
2243475 . . . . . . . . . . . . . . . . . . . . . . . . . .M 60.00
T H E
ops!
T
T
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