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e Call Me Maybe—arr. Michael Brown. With a catchy
melody and irresistible upbeat feel, Carly Rae Jepsen's
megahit has instant appeal to all age groups! Sure to be a
favorite wherever it's performed!
10365791 . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00
l Can't Buy Me Love—arr. Michael Brown & Will
Rapp. 50 years old and and still going strong! One of The
Beatles first big hits features a driving shuffle groove and an
unforgettably upbeat melody. Solidly arranged for marching
band, it includes all the signature riffs we know and love as
well as a short stop-time feature spot for percussion.
10445632 . . . . . . . . . . . . . . . . . . . . . . . . . . E 50.00
Can't Help Falling in Love (Opener)—arr.
Jay Dawson. The King lives on! One of Elvis' most popular
hits will thrill audiences and judges alike in this effective
show opener!
10090157 . . . . . . . . . . . . . . . . . . . . . . . . . . M 60.00
l Can't Hold Us—arr. Ward Miller. This smash hit
recorded by Macklemore is a real natural for marching
band. The driving opening pulse and instrumental bridge
make this an exciting tune for the stands or field!
10447292 . . . . . . . . . . . . . . . . . . . . . . . . . . M 65.00
4 Carry On—arr. Nick Baratta. The alternative rock band
fun. hit it big with this bluesy and soulful offering and it
will be a hit with your audiences. Carefully crafted around
this tune is an absolutely stunning chart of overwhelming
content. This is definitely goosebump material.
10445681 . . . . . . . . . . . . . . . . . . . . . . . . . . ME 60.00
Carry on Wayward Son—arr. Mike Sweeney. From
progressive rock group Kansas, this chart uses deep bass
lines, strong ensemble phrases and contrasting softer sections
to create a truly powerful statement for the field or stands!
2317105 . . . . . . . . . . . . . . . . . . . . . . . . . . . M 55.00
e Chelsea Dagger—arr. Paul Murtha & Will Rapp. The
title isn't instantly recognizable, but the tune is! Recorded by
The Fratellis, this rock anthem has become a fan favorite in
sports arenas in the US as well as in Europe. The bluesy yet
upbeat shuffle brings enthusiasm to the field or stands!
10357116 . . . . . . . . . . . . . . . . . . . . . . . . . . M 55.00
e Cold-Hearted—arr. Raymond Rolle. Paula Abdul
rocked the pop world in 1989 with this distinctive and
energetic hit. Featured as a part of the "Drumline Live"
stage production, this chart epitomizes their edgy and
exciting style.
10088707 . . . . . . . . . . . . . . . . . . . . . . . . . . MA 65.00
l Come Go With Me—Clarence Quick/arr. Doug Adams.
Relive one of the great eras of pop music. One of the most
popular songs from the "Doo-Wop" era finds a new home in
this playable and well written arrangement. Recognizable after
just the first couple bars, the crowd will love it!
10445683 . . . . . . . . . . . . . . . . . . . . . . . . . . E 50.00
Come Out and Play—arr. Tom Wallace. Pristine
heavy metal from the group The Offspring.
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Come Sail Away—arr. Paul Murtha. It's a genuine
rock anthem and both your band and the crowd will love it!
It starts quietly with trumpet soloist, then builds solidly and
pulls out all the stops to the powerful closing. A great closer!
2473976 . . . . . . . . . . . . . . . . . . . . . . . . . . . E 55.00
Conga—arr. Victor Lopez. The biggest hit by Gloria
Estefan has been carefully arranged to be easier and
more playable by bands of all levels! This classic will be a
welcome addition to your stands for years to come!
2410256 . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 55.00
4 Counting Stars—Ryan Tedder/arr. Matt Conaway
& Jack Holt. This hit from the popular band One Republic
adapts perfectly for marching or pep band in this high octane
arrangement. There's a wide range of dynamics, melody for
the low brass, and a hard-hitting chorus for the full band.
Included is an optional cut for shorter stands version.
10445584 . . . . . . . . . . . . . . . . . . . . . . . . . . ME 55.00
Crazy in Love—arr. Ralph Ford & Bryden Atwater.
Beyonce saw her solo career take off with the success of
this great dance song. The horn lines translate very easily for
marching band, making this an instant crowd favorite!
2477131 . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 55.00
Crazy Little Thing Called Love—arr. Richard
Saucedo. Who knew that Queen could really swing? This
energetic chart provides a wealth of opportunities for color
guard work! It's light-hearted fun at its best!
2462588 . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 55.00
e Crazy Train—arr. Paul Murtha. It seems Ozzy
Osbourne is everywhere, so he may as well be in marching
band, too! Here's Ozzy's biggest hit arranged for pep bands
or general mania in the stands!
2473984 . . . . . . . . . . . . . . . . . . . . . . . . . . . E 55.00
Creep—arr. Jay Dawson. Made popular by English
alternative rock group Radiohead, this tune gained
worldwide attention when it was released in 1993. The
reflective melody and tempo make for a moving change of
pace production number.
10359791 . . . . . . . . . . . . . . . . . . . . . . . . . . M 80.00
e Cupid Shuffle—arr. Tim Waters. Recorded by Cupid
in 2007, this catchy hit spawned a popular line dance
as well as numerous remixes and versions on YouTube.
Create your own dance sensation with this hot tune!
10274381 . . . . . . . . . . . . . . . . . . . . . . . . . . M 55.00
l Daft Punk Medley—arr. Tom Wallace. This is an
arrangement of a medley of 2014 Grammy Award winning
hits by the French Electronic duo, Daft Punk, which is based
on the dazzling version by the acapella group Pentatonix.
This is a production tour de force and expertly arranged. Be
sure to check out Pentatonix You Tube.
10451730 . . . . . . . . . . . . . . . . . . . . . . . . . . M 80.00
l Dance Again—arr. Tom Wallace. Made famous by
Jennifer Lopez and Pitbull (Mr. World Wide), it's dance
music extraordinaire! Up-tempo and lively, this dance
song will prove to be a choreographer's delight with
its contagious beat and infectious groove.
10451732 . . . . . . . . . . . . . . . . . . . . . . . . . . M 70.00
Dance to the Music—arr. Allen Gray. This funky
classic from Sly and the Family Stone is a groovy way to
start your Motown Era Soul show or to get everyone in the
stands moving!
10358072 . . . . . . . . . . . . . . . . . . . . . . . . . . ME 65.00
e Dancing in the Street—arr. Tim Waters. A
Motown signature hit first recorded in 1964 by Martha and
the Vandellas and since covered by numerous performers!
This version for young bands lays down a solid groove and
features all the familiar horn riffs from the original. There's
sure to be dancing in the stands!
10305015 . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00
l Day Tripper — arr. Michael Brown. This timeless hit
by the Beatles features one of the most recognizable bass
riffs in rock history! Suitable for the field or stands, this
arrangement drives hard from beginning to end.
10445634 . . . . . . . . . . . . . . . . . . . . . . . . . . E 50.00
e Die Young—arr. Jay Bocook. Here's a powerful stands
arrangement of the megahit from recording sensation
Ke$ha! The ultimate party song!
10357093 . . . . . . . . . . . . . . . . . . . . . . . . . . M 55.00
Die Young—arr. Nick Baratta. With its catchy beat and
infectious groove, this hot tune by singer-songwriter Ke$ha
was a big hit at the end of 2012. This fun arrangement is a
winner that's full of great sounds!
10357160 . . . . . . . . . . . . . . . . . . . . . . . . . . ME 60.00
l Dirty Diana (Part 2 of the 70s and 80s Hits
Show)—Michael Jackson/arr. David Samuel. This is
Michael Jackson at his best! Powerfully intense, it's effect
is seemingly spellbinding in nature. Starting quietly with a
subtle opening, the band quickly builds into a rocking frenzy
that will drive the crowd wild!
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e Disturbia—arr. Paul Murtha. Plenty of tutti riffs and
solid scoring characterize this hit recorded by Rihanna. This
arrangement is easy to learn and will sound great in the
stands or on the field. Sure to be a crowd favorite!
10063994 . . . . . . . . . . . . . . . . . . . . . . . . . . E 50.00
Does Anybody Really Know What Time It
Is?—arr. Brian Scott. The jazz-rock group Chicago is still
a favorite! One of their biggest hits has been crafted into
a fresh and exciting arrangement that contains all of the
great sounds of the original. Featuring a cool trumpet solo,
and a smokin' trombone solo at the end, this chart will be a
favorite for years to come!
10353509 . . . . . . . . . . . . . . . . . . . . . . . . . . ME 55.00
e Don't Fear the Reaper—arr. Paul Murtha. Here's
a classic rocker from the group Blue Oyster Cult. With an
up-tempo rock style and effective pacing, this will work
great for drill teams!
10066127 . . . . . . . . . . . . . . . . . . . . . . . . . . E 50.00
e Don't Stop Believin—arr. Jay Bocook and Omar
Carmenates. Here is Journey's signature hit from 1981
in a high octane version for mature bands! With the
mellophones and horns on the signature guitar riff, carefully
paced impact points, and a driving percussion score, this is
sure to whip the crowd into a frenzy!
10274267 . . . . . . . . . . . . . . . . . . . . . . . . . . M 65.00
Don't Stop Believin'—arr. Doug Adams. Inspire the
team and the fans with this timeless rock anthem from the
group Journey! This easy but very effective arrangement
contains an easy optional trumpet solo before building to a
stirring finish. Spectacular!
10357162 . . . . . . . . . . . . . . . . . . . . . . . . . . E 50.00
e Don't Stop Believin'—arr. Paul Murtha. This
1981 arena anthem from the group Journey has enjoyed
renewed popularity in TV and film as well as the Broadway
production "Rock of Ages." It was featured in the final
episode of the HBO hit series The Sopranos, and most
recently in the highly acclaimed TV Series Glee. Guaranteed
showstopper!
10076160 . . . . . . . . . . . . . . . . . . . . . . . . . . M 50.00
Don't Stop Believin'—arr. Brian Scott. The
inspirational rocker from Journey is popular again due to
the Fox TV show Glee. Horn and trumpet have optional solo
opportunities in this solidly scored arrangement for the field
or stands!
10087931 . . . . . . . . . . . . . . . . . . . . . . . . . . ME 55.00
Don't Stop the Music—arr. Tom Wallace. Originally
a hit song for pop artist Rihanna, this arrangement is based
on the version performed in the musical comedy film "Pitch
Perfect." Your band will want to play this chart over and
over again!
10359799 . . . . . . . . . . . . . . . . . . . . . . . . . . M 70.00
Don't Stop 'Til You Get Enough—arr. Dallas
Burke. You'll never get enough of this Michael Jackson
funk-rock hit. No King of Pop show is complete without this
exciting production number!
10358076 . . . . . . . . . . . . . . . . . . . . . . . . . . ME 65.00
Don't Stop Till You Get Enough—arr. Ayatey
Shabazz. Before Michael Jackson was the King of Pop, he
had a big 1979 hit with this hot tune. One chart your band
will want to play over and over again!
10305279 . . . . . . . . . . . . . . . . . . . . . . . . . . M 65.00
