4Editors' Choice (Best of 2014 Publications) lNew for 2014 HPepper Basic Library ♦A Cappella Available via e-Print All Prices in U.S. Dollars & Subject To Publisher Revision
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Handbell Music
The Church's One Foundationarr. Kevin
McChesney. This arrangement of one the great
hymns is versatile, simple to put together, and
results in a big sound. Using mallets, TD, pluck,
LV, echoes, and shakes, this is a good choice for
younger or less-experienced choirs to build their
skills, or for more experienced groups with little
rehearsal time.
10374584 3/5 Octave. . . . . AGEHR-L2 4.50
Come, Christians, Join to SingJason Krug.
Heralding a call to worship, this triumphant fanfare
uses majestic ringing, enhanced by shakes, before
giving way to a dynamic, syncopated statement
based on the hymn tune
MADRID. Following a middle
section filled with martellato and malleted chords
for a delightful contrast, this masterful arrangement
develops into another powerful and riveting fanfare.
Highly recommended!
10293736 3/5 Octave. . . . AGEHR-L2+ 4.50
Come Down, O Love Divinearr. Hart Morris.
Hart Morris gives us a beautiful and flexible setting
of this classic Pentecost hymn. Singing bells
accented by random notes leads to LV ringing with
occasional shakes for emphasis characterize this
lovely arrangement. This piece is a perfect choice
to involve all of your musical forces in worship or
concert with optional handchimes and organ, and
includes reproducible parts for vocal solo, choir,
and congregation.
10424978 3/5 Octave. . . . AGEHR-L2+ 4.95
10424979 Keyboard/Full Score . . . . . . 19.95
Come Holy SpiritSondra K. Tucker. Featuring
the haunting chant Veni Creator Spiritus and the
Welsh tune Aberystwyth, this expressive setting
creates an aura of worship from the opening
measure. Singing bell technique creates a serene
backdrop at the beginning and end of the piece,
while the easy motion of the middle section
combines both tunes. Ethereal.
10080459 3/5 Octave. . . . . AGEHR-L3 4.95
Come Thou Almighty Kingarr. Lloyd Larson.
The well-known hymn Come, Thou Almighty King
is heralded by a joyous cascade of ringing bells,
bringing a fresh, vibrant sound to this imaginative
setting. The exuberant rhythmic introduction is used
throughout the piece, creating unity and bringing
delight to all who hear it.
10340390 3/5 Octave. . . . . AGEHR-L3 4.50
Come, Christians, Praise the LordBenjamin
Carr & Rowland Prichard/arr. Michael Ryan.
Designed to build confidence, this bright, cheery
arrangement that combines Come, Christians, Join
to Sing and Love Divine All Loves Excelling is great for
any service and perfect for introducing the bell swing
technique and meter changes to beginning ringers.
10425006 2/3 Octave. . . . . AGEHR-L1 4.50
Come, Thou Fount of Every BlessingKevin
McChesney. Kevin McChesney has given us a
contemporary twist on a favorite traditional hymn.
This satisfying and accessible arrangement should
find a welcome home in traditional, contemporary,
and blended worship services. It will also be an
excellent choice for concerts and festivals.
10089477 3/5 Octave. . . . . AGEHR-L3 4.95
l Creator of the Stars of Nightarr. Shawn
Gingrich. This gentle accessible arrangement warmly
embraces the nineth century tune
CONDITOR ALME
SIDERUM,
and is equally beautiful whether performed
on handbells or handchimes. The liberal use of
LVs and open chords facilitate a chant-like style.
Especially well-suited for youth or beginning ringers.
10427598 3 Octave . . . . . AGEHR-L1+ 3.75
Crown Him Lord of AllLloyd Larson. In the
style of a brilliant symphonic overture, three robust
hymntunes (
DIADEMATA, DARWALL'S 148TH and
CORONATION)
ring forth with strength and conviction.
Invigorating harmonies and upward-reaching tonal
centers present themselves at every turn and create
music for a joyful celebration.
10187132 3/5 Octave. . . . AGEHR-L2+ 4.50
l Deep Riverarr. Bill Ingram. This favorite spiritual
combines well with Wade in the Water to make an
interesting setting for church, school or concert.
Take the "freely" marking seriously, and let it ebb
and flow.
10434554 3/5 Octave. . . . . AGEHR-L2 4.50
Didn't My Lord Deliver Daniel?arr. Derek
Hakes. Finger snaps and a steady jazz beat help to
propel the recognized tune in this arrangement of
the American spiritual. With musical surprises that
will keep your ringers on their toes, this showpiece
will be enthusiastically received by congregations
and audiences alike.
10089541 3/6 Octave. . . . AGEHR-L3+ 4.95
l Didn't My Lord Deliver Daniel?arr. Matthew
Compton. If you are looking for a jazzy title to show
off your choir and the techniques they worked hard
to learn, this is it! Not for the faint of heart, this
traditional spiritual comes alive with swing rhythms
and malleted bass work. The middle section
becomes a delightful reflection with echo rings and
the use of handchimes. This arrangement provides
lots of fun and excitement for all!
10455034 3/7 Octave. . . . AGEHR-L3+ 4.95
Dona Nobis Pacemarr. Kevin McChesney.
This arrangement of Dona Nobis Pacem was the
first-prize winner in an internet arranging contest
created in 2009 by internationally renowned cellist
Yo Yo Ma and sponsored by Sony Music and Indaba
Music. This exceptional arrangement of the familiar
melody, featuring handbells and cello with optional
two-part voices or C instruments, flows seamlessly
from one special moment to the next, with every
part getting a chance to shine. An excellent choice
for any church, school or community performance,
this is not to be missed!
10342595 3/5 Octave opt.
Cello, Voices . . . AGEHR-L3 4.50
10342596 Instrumental Parts
with Full Score . . . . . . . . . . 12.95
l Down by the Riversidearr. Hart Morris. This
lively setting reflects the joy of both the tune and
the text of this beloved gospel song - "I'm Gonna
Lay Down My Sword and Shield.....Gonna study
war no more." The rhythmic feel is that of a gentle,
easy swing over a walking bass line, created with
the stopped sounds played with mallets, and
the customary, occasional syncopations. The
handbells even get a chance to strum along - just
like a banjo! This piece will stand alone, but the
addition of optional B-flat clarinet, bass and optional
ad lib drums will add extra color to the texture and
broaden the appeal.
10452261 3/5 Octave. . . . AGEHR-L3+ 4.50
10452262 Instrumental Parts Full Score 12.50
Down by the Riversidearr. Valerie Stephenson.
This arrangement has it all! A fun, well known
tune is presented in a clever scoring that includes
stopped techniques, mallets, gyros, and shakes,
along with woodblock and tambourine for added
color. Whether presented by a single ensemble or
many ensembles in a massed-ringing event, the
experience promises to be a rollicking good time
for everyone.
10058900 3/6 Octave. . . . . AGEHR-L3 4.95
l Earth Has No Sorrow That Heaven Cannot
Healarr. Karen Thompson. The title of this work
comes from the powerful refrain of the hymn Come
Ye Disconsolate. This gentle arrangement based
on the hymntune
CONSOLATION is truly thought-
provoking. Beautiful melodies and flowing harmonies
allow for a time of quiet reflection and witness.
10455032 3/5 Octave. . . . . AGEHR-L2 4.50
El ShaddaiMichael Card & John Thompson/
arr. Susan E. Geschke. This powerful Christian
contemporary song has carved a lasting place in
the hearts and minds of worshippers everywhere.
Rising like a whisper, the quiet legato ringing of the
opening quickly gives way to a driving syncopated
rhythm on mallets that repeats to make it easier to
learn. Lush legato ringing and the echo technique
provide contrast in the middle before returning
to the unbounded energy of mallets and a bold,
impressive ending. Guaranteed to inspire and lift
the spirits of any congregation!
10424170 3/5 Octave. . . . AGEHR-L2+ 5.25
l ElationJason Krug. The tempo marking,
Joyously, well describes this energetic original that
lives up to its name. It probably rises to Level 3+
when done at the 140 tempo marking, but otherwise
is accessible for many choirs. It will be well worth the
work for what is sure to be a crowd pleaser.
10434586 3/5 Octave opt.
Percussion . . . . AGEHR-L3+ 5.50
10439463 Instrumental Parts
Tambourine & Hand Drum . . 5.50
Enduring JoyCynthia Dobrinski. This joy-filled
original composition abounds with energy and
is lilting in spirit. The inspiration comes from the
scriptural reference "The joy of our Lord is your
strength." (Nehemiah 8:10) The 6/8 meter is easily
learned and sets a delightful feeling for the opening
and closing sections, while contrasting with a
hymn-like middle section in minor mode. This is a
sure winner that you don't want to miss!
10341871 3/6 Octave. . . . . AGEHR-L3 4.95
Everlasting GodBrenton Brown, Ken Riley/arr.
Peggy Bettcher. Rhythmic drive and energy prevail
throughout this exciting arrangement of Everlasting
God, a popular contemporary praise song whose
text is based on Isaiah 40:28-31. This setting
incorporates syncopated sections along with a
variety of handbell techniques including thumb
damps, martellato lifts, shakes, plus malleted and
LV sections. Optional parts for guitar, electric bass
and drums are available separately.
10305856 3/5 Octave. . . . . AGEHR-L3 5.25
Everlasting God with Majestyarr. Peggy
Bettcher. Rhythmic drive and energy prevail
throughout this exciting Peggy Bettcher arrangement
of Benton Brown and Ken Riley's popular praise
song, paired with Jack Hayford's classic Majesty.
The bold setting incorporates syncopated sections
along with a variety of handbell techniques including
thumb damps, mallets, shakes and LV sections for
a triumphant declaration of faith.
10360817 2/3 Octave. . . . . AGEHR-L3 5.25
Fairest Lord Jesusarr. Linda R. Lamb. Using
the singing bell and optional bell tree techniques,
Linda Lamb gives us a simple and straightforward
arrangement of Fairest Lord Jesus, just right
for highlighting developing groups. Optional
handchimes add a beautiful texture and interest to
the piece.
10425007 3/5 Octave. . . . . AGEHR-L2 4.50
Faith Hope and LoveJason W. Krug. Fresh
treatments of three great hymns, Faith of Our
Fathers (St. Catherine); Solid Rock; and O, How I
Love Jesus combine in a contemplative medley
requiring only a few easily executed bell changes,
one key change, and practically no technical
challenges. Much of the ringing is chordal, but lush,
and on the beat, with the exception of a few finely
scripted arpeggiations blended in for lovely effect.
The meter begins in 3/4 then moves into a feeling
of one, creating an interesting rhythmic juxtaposition
which drives the piece to its sparkling conclusion.
10275720 3/6 Octave. . . . . AGEHR-L2 4.95
l Fanfare of PraiseKaren Lakey Buckwalter. This
flexible arrangement offers performance options for
great value and versatility. It can be a combined
performance for two choirs (4-5 octave and 3
octave), or a featured number for one 4-5 octave
choir. Finally, the 3 octave choir can perform the
version with piano accompaniment. A joyous
selection for any worship or concert setting.
10458695 4/5 Octave. . . . . AGEHR-L4 5.50
10458694 4/5 Octave
Full Score . . . . . AGEHR-L4 5.95
10458697 3 Octave . . . . . . AGEHR-L4 5.50
10458696 3 Octave Piano/
Full Score . . . . . AGEHR-L4 5.95
l Fanfare on
DARWELLS 148THarr. Hart Morris.
This fanfare, based on the hymntune
DARWELL'S
148TH
and commonly known as Rejoice the Lord
Is King, is a delightful declaration of faith. With
shakes, martellato lifts and thumb damps added for
interest, this exciting selection would be a perfect
choice as an introit or featured number during most
worship services.
10457637 2/3 Octave. . . . AGEHR-L2+ 4.25
Fantasia on
EBENEZERTammy Waldrop. This
rhythmically interesting and strong arrangement of
the tune
EBENEZER includes gyros, TD, martellato,
martellato lifts, and malleting to make this piece a
favorite for your ringers and congregation alike. A
great choice when something special and slightly
different is needed!
10340398 3 Octave . . . . . AGEHR-L2+ 4.95
Fantasy on
KINGSFOLDarr. Dean Wagner,
Michael Glasgow. Dean Wagner's Fantasy on
KINGSFOLD has been a best-seller since it was
first published in 2000. For the first time, it is
now available with a full orchestration provided
by Michael Glasgow. This dynamic setting, which
is based on an old English folk tune, moves from
intimate to majestic with colorful harmonies and the
optional use of handchimes. For worship or concert,
this is a tried and proven winner.
3266772 3/5 Octave. . . . AGEHR-L2+ 4.50
10316718 Instrumental Parts
Orchestration . . . . . . . . . . . 55.00
Fantasy on
RESTORATIONarr. Brian Childers.
A cloud of mystery created by the Singing Bell
technique is soon replaced by a fast-paced mode of
excitement featuring an energized and syncopated
melody. The fantasy, a great choice for most
worship services during the year, is sure to please
listeners and handbell musicians alike.
10419061 5 Octave opt. 3 Octaves
Handchimes. . . AGEHR-L3+ 5.25
Feel the Spirit!Lloyd Larson. Propelled by a
joyful forward-moving motive and contemporary
harmony, this beloved African American spiritual
receives a fresh, new voice in the hands of a
veteran writer. The middle section uses a malleted
arpeggio pattern for contrast. This title would make
an especially effective festival offering.
10307729 3/5 Octave opt. 3-4 Octave
Handchimes. . . AGEHR-L2+ 4.95
l For the Beauty of the Earth (As with Gladness,
Men of Old)arr. Valerie Stephenson. This fun
mallet feature with mallet rolls and clicks is a great
teaching piece for youth or adults. Sure to bring joy
at any time in the church year, including festivals
and Epiphany. Alternate title: As With Gladness,
Men of Old.
10456957 3/5 Octave. . . . . AGEHR-L2 4.50
Get on Board, Little Childrenarr. Greg Gilpin
& Martha Lynn Thompson. This charming handbell
arrangement of Get on Board, Little Children is
based on Greg Gilpin's spirited and fun choral
setting of the traditional spiritual. In the handbell
arrangement, the accompaniment makes extensive
use of bells malleted on the table reminiscent of
a train on the tracks, while the melody is rung
above. A train whistle is optional, but adds such
a fun element to the arrangement. There is a key
change in the middle, but it shouldn't cause any
"train wrecks!" The 3 octave version is as musically
satisfying as the 4 or 5 octave versions. Ringers and
audiences of all ages will enjoy this lively piece.
10424222 3/5 Octave
Traditional . . . . . AGEHR-L3 4.50
Glorious Things of Thee Are Spoken
F.J. Haydn/arr. Judy Endean. This fresh setting
of the well-known hymntune is full of pomp and
majesty, and includes optional notes to add
even more excitement! Marts and shakes, with
contrasting call and response sections, are also
used to tastefully enhance the Classical style of this
reverent and enduring hymn.
10425034 3/5 Octave. . . . . AGEHR-L2 4.50
Go Down, Mosesarr. Bill Ingram. While not
difficult to play, Bill Ingram's setting of this beloved
spiritual is full of rhythmic drive. It requires ringing
with confidence and conviction, from the softer
melodic sections to the malleted octaves underneath
the melody in others, to emphasize the message of
faith from the timeless story in the Bible.
10424174 3/5 Octave. . . . AGEHR-L2+ 4.50
God Be With You Till We Meet AgainWilliam
G. Toner & Ralph Vaughan Williams/arr. Cathy
Moklebust. Combining both handbell and handchime
choirs, this arrangement includes both of the well-
known tunes associated with the text.
GOD BE WITH
YOU
by William Tomer is presented first, followed
by
RANDOLPH by Ralph Vaughan Williams. The only
special techniques included in this piece are LV and
mallets on suspended bells; the handchime part is
optional but adds depth and interest. This meditative
arrangement is a perfect benediction to close any
service, concert, or festival setting.
10356666 3/5 Octave. . . . . AGEHR-L2 4.50
God Himself Is With UsJoachim Neander/
arr. Tucker. God Himself Is With Us is a graceful
rendition of the tune
ARNESBERG, and is sensitively
arranged to help beginning ensembles achieve
success. With easy rhythms and block chords to
foster confident ringing, this beautiful piece also
provides opportunities for nuanced dynamics
against lovely, full and rich harmonies. Appropriate
for all seasons of the church year.
10342543 3/5 Octave. . . . . AGEHR-L1 3.95
