4Editors' Choice (Best of 2014 Publications) lNew for 2014 HPepper Basic Library ♦A Cappella Available via ePrint All Prices in U.S. Dollars & Subject To Publisher Revision
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Sacred Concert medium / medium-advanced
Ht Ukrainian AlleluiaCraig Courtney. Written
as a result of a mission trip, this work is sure to
uplift ensemble and audience alike. The a cappella
setting is worthy of festival consideration as well
as a sacred concert selection for your better choir.
Rewarding in message and in musical quality, this
contemporary prayer shines brightly as a message
of hope and perseverance.
10041487 SATB . . . . . . . . . . . . . . . . . . 2.00
10312003 TTBB . . . . . . . . . . . . . . . . . . 2.10
t
Vere LanguoresTomas Luis de Victoria/arr.
John Leavitt. There is great educational value in
this sixteenth-century masterwork by Spanish
composer Tomas Luis de Victoria. The contrapuntal
textures and fluid lines of the High Renaissance will
take your mixed choir to another level. The Latin text
is from Isaiah 53.
10364862 SATB . . . . . . . . . . . . . . . . . . 1.90
t Vox PopuliGiedrius Svilainis. "The voice of the
people is the voice of God..." Vox populi, vox Dei
opens with a fortissimo fanfare-like passage in
B-flat major. The basses then introduce a marcato
ostinato, followed by the tenors with a rhythmically
contrasting theme. The women enter together, with
syncopated rhythms, then all voices unite at the text
"Ubi Concordia" ("Where there is unity"). The music
of the opening fanfare returns to conclude this high-
energy a cappella work.
10190200 SSATBB . . . . . . . . . . . . . . . . 2.00
t What Wondrous Love Is Thisarr. Matthew
Culloton. This a cappella setting of the well-
known hymn from William Walker's Southern
Harmony begins in a reflective, meditative style
but grows in volume and intensity. Accessible
vocals stay within the framework of four-part
harmony through the piece, with gentle humming
tones as accompaniment. A succinct choral work
that displays the best of a cappella singing in the
gathering space.
10425715 SATB . . . . . . . . . . . . . . . . . . 1.85
H With a Voice of SingingMartin Shaw. This
joyous work is a choral classic that is appropriate for
any festive occasion. With easy-to-sing harmonies
and unison passages, it is an absolute must for
every choral library. Your choirs and listeners will
always appreciate its vibrant beauty.
426601 SATB . . . . . . . . . . . . . . . . . . 1.80
426510 SAB. . . . . . . . . . . . . . . . . . . 1.80
t The Word Was GodRosephanye Powell. What
an impact this august work will have on both choir
and listeners! Compositionally, this is an excellent
piece using impressive techniques that are truly
captivating. The rhythmic structure develops from
the superb interplay between the voices, and the
layering of sound upon sound creates a musical
tapestry. Written in an almost spiritual style, but
definitely not a spiritual, this will make a stunning
choice for larger or festival choirs!
3030707 SSAATTBB . . . . . . . . . . . . . . 2.35
8068120 SATB . . . . . . . . . . . . . . . . . . 2.35
10055030 SSAA. . . . . . . . . . . . . . . . . . 2.25
8064800 TTBB . . . . . . . . . . . . . . . . . . 2.25
H Zion's WallsAaron Copland/arr. Koponen. The
memorable melody from Copland's "Promise of
Living" will be recognized by all in this revivalist
song. This arrangement takes the masterwork and
makes it attainable by any size and caliber choir.
It has very little divisi, great vocal ranges and a
supportive piano accompaniment. Impressive in
concert or festival settings. Don't miss it!
1478338 SATB . . . . . . . . . . . . . . . . . . 1.95
1478346 SSAA. . . . . . . . . . . . . . . . . . 1.95
1478353 TTBB . . . . . . . . . . . . . . . . . . 2.50
3274644C Choral Master Track . . . . . . . 4.99
Sacred Concert
All Voicings
Medium-Advanced
lt Agnus DeiIvo Antognini. In this a cappella
setting by Swiss composer Ivo Antognini, the theme
is presented three times, each with small variations.
The melody is very singable, and at some moments
sounds quite similar to gregorian chant.
10453521 SSA . . . . . . . . . . . . . . . . . . . 1.95
t All Flesh Is GrassChris Massa. This lyric
a cappella work is meditative and deeply expressive,
beautifully realizing the nuances of the Christina
Rossetti poetry. "Where love is, there is bliss that
will not pass." A fine choice for more capable choirs
in concert at any time of year.
10002610 SATB with Divisi . . . . . . . . . . 2.25
Ht All That Hath Life and Breath Praise Ye the
Lord!Rene Clausen. An animated, lilting, and
dramatic a cappella work, this choral tour de force
briefly quotes the hymn Praise to the Lord the
Almighty in a fresh and innovative way. It is a truly
impressive work for mature choirs.
1461284 SATB . . . . . . . . . . . . . . . . . . 1.95
t AlleluiaEric Whitacre. Upper-level a cappella
choirs will welcome this into the repertoire. With
"Alleluia" as the only text, the work embodies Eric
Whitacre's trademark style.
10312871 SSAATTBB . . . . . . . . . . . . . . 2.95
Ht AlleluiaRandall Thompson. A true masterpiece
for a cappella chorus. The name Randall
Thompson is as much a part of choral music as is
the voice. Once you've mastered this, you'll have
truly stunning performance piece. His masterful
compositions are all standards in the repertoire. A
choral classic!
337147 SATB . . . . . . . . . . . . . . . . . . 2.25
337238 SSAA. . . . . . . . . . . . . . . . . . 2.80
l Alma Redemptoris MaterGyorgy Orban.
This lovely Marian motet by Hungarian composer
Gyorgy Orban is scored for mixed chorus with
divisi and piano. With some of the rhythmic and
harmonic characteristics found in Orban's writing,
the challenge of this piece will be worth your effort
in both concert and festival settings.
10444042 SATB . . . . . . . . . . . . . . . . . . 1.90
t
Angel Bandarr. Shawn Kirchner. "The latest
sun is sinking fast, my race is almost run..." The
beloved American folk hymn comes to life anew,
with soaring descants, countermelodies, and rich
harmonic textures in this beautiful setting for divisi
a cappella choirs.
10348097 SSAATTBB . . . . . . . . . . . . . . 2.25
Ht Ave MariaFranz Biebl. This breathtaking
twentieth-century work has been made famous by
international performances of the San Francisco-
based ensemble Chanticleer. Conceived in
the style of the Alternatum Plainchant, the
composition is available for choirs in four forms:
SATB with a trio of soloists, SAATTBB with a tenor
soloist and a bass soloist, SSAA, and its original
TTBB voicing. Extraordinary!
1828680 SAATTBB . . . . . . . . . . . . . . . 1.70
1828698 SATB . . . . . . . . . . . . . . . . . . 1.70
10192115 SSAA. . . . . . . . . . . . . . . . . . 1.70
1828706 TTBB . . . . . . . . . . . . . . . . . . 1.70
t Bogoroditse Djevo (Mother of God and Virgin)
Arvo Paert. With text from the Russian Liturgy,
this a cappella work by the distinguished Estonian
composer Arvo Paert has earned an honored place
in the repertoire since its publication in 1990.
3112760 SATB . . . . . . . . . . . . . . . . . . 4.95
l Cantate Canticum NovumDan Forrest.
This exciting interpretation of Charles Anthony
Silvestri's famous text explores emotion, and is
truly impressive in performance. The careful time in
the choir room will yeild stunning results in festival,
concert and contest settings.
10444085 SATB . . . . . . . . . . . . . . . . . . 2.00
t Conversion of SaulZ. Randall Stroope. This
powerful a cappella work begins with a raucous
depiction of death and destruction through
accentuated rhythmic treatment and repeated
agitation of the text. A pedal tone emerges as the
"light" bringing Saul to his knees and his conversion.
3301964 SSAATTBB . . . . . . . . . . . . . . 2.30
Ht Daemon Irrepit CallidusGyorgy Orban.
Chromaticism, rhythmic drive and lyric melodies
characterize this a cappella work that is dramatic and
stunningly effective for more accomplished choirs.
3094182 SATB . . . . . . . . . . . . . . . . . . 1.90
lt De ProfundisKane Bradley. De Profundis
employs minimalism and contemporary harmonies
that are quite compelling. "Walls of sound" in
repeated phrases enable less-experienced choirs
to enjoy the power of modern music in a satisfying
way. Both high school and college choirs will enjoy
this work!
10454446 SATB . . . . . . . . . . . . . . . . . . 2.35
t Entreat Me Not To Leave YouDan Forrest.
This text, adapted here from the book of Ruth, is a
tribute to love. "Entreat me not to leave you, nor to
turn back from following after you. For where you
go, I will go." This incredible setting will enrich the
concert and festival season of better choirs.
10304218 SSAATTBB . . . . . . . . . . . . . . 2.00
l Evening PrayerOla Gjeilo. "Watch, O Lord,
with those who wake, or watch or weep tonight,
and give your angels charge over those who
sleep..." Based on a text by St. Augustine, this
innovative work features improvised piano and
tenor saxophone. The composer has set the text
with care through a melody and accompaniment
that paint a soundscape of emotion for the listener.
A suggested accompaniment is included, or
the instrumentalists may improvise throughout.
Alternate parts for soprano sax, trumpet, flugelhorn,
and alto sax are also available.
10445648 SATB with Tenor Sax
or Alternate Instruments . . . . 2.45
4 Festival GloriaCraig Courtney. The transcendent
glory of the traditional Latin text is treated with
great sensitivity and depth in this superb setting
for capable sanctuary, concert or festival choirs!
With sweeping vocal lines and masterful harmonic
layering, this work gives integral musical material
to each section of the choir. This enthralling choral
opus will be a centerpiece of concerts or worship
experiences whenever it is performed.
10458758 SATB . . . . . . . . . . . . . . . . . . 2.10
10458759 SSAA. . . . . . . . . . . . . . . . . . 2.25
10458760 TTBB . . . . . . . . . . . . . . . . . . 2.25
10458761 Instrumental Parts for SATB. . .30.00
10458762 Instrumental Parts for SSAA . .30.00
10458763 Instrumental Parts for TTBB. . .30.00
10458764 Orchestration for SATB . . . . 80.00
10458765 Orchestration for SSAA . . . . 80.00
10458766 Orchestration for TTBB . . . . 80.00
n GloriaOla Gjeilo. This jubilant work is a fabulous
festival selection for better women's choirs!
Performed with four-hand piano accompaniment
or with small orchestra, it spans a wide range of
expression, from the ethereal Gloria in excelsis Deo
opening to the thrilling, exuberant Amen.
10067365 SSAA. . . . . . . . . . . . . . . . . . 2.45
lt Gloria!Robert Sieving. Capturing the joy and
exhilaration of the ancient text, this memorable
setting will quickly earn a well-deserved place in
women's choral literature for concert, festival, and
Christmas programs. The piano accompaniment is
supportive and challenging in its own right and well
worth the effort.
10457454 SSAA. . . . . . . . . . . . . . . . . . 1.95
n Glory, Glory, HallelujahHoward Helvey. "I
am thankful for the journey...I am hopeful for the
future...since I lay my burdens down." While this
choral work is indeed a gospel powerhouse, it
maintains a restrained, easy gospel feel that builds
slowly to a thrilling conclusion. A fusion of the
American gospel style and jazz harmonies, this is
a musical portrait that encapsulates the triumph of
the human spirit. There is simply nothing better for
mixed chorus or men's voices in either the church
or concert hall. Unforgettable!
10014880 SATB . . . . . . . . . . . . . . . . . . 2.00
10341897 TTBB . . . . . . . . . . . . . . . . . . 2.10
H Hallelujah (from "The Mount Of Olives")
Ludwig van Beethoven. Possibly Beethoven's most-
performed choral work, this triumphant statement
still has the strength and majesty to inspire. G.
Schirmer edition.
916494 SATB . . . . . . . . . . . . . . . . . . 1.90
l How Can I Keep From Singing?Janet
Whitcomb Pummill. Robert Lowry's beloved text
is thoughtfully set to a new tune, supported by a
majestic piano accompaniment. The vocal lines
seem to emulate the echoes of the hills where these
words may have first been sung. The rich choral
texture and dramatic rise and fall of the work will
make this a good selection for festival choirs.
10445653 SATB . . . . . . . . . . . . . . . . . . 2.25
t I Thank You God for Most This Amazing Day
(2009 Edition)Eric Whitacre. The richness of
nature and the miracle of each newborn day are
the inspiration for this well-known poem by e. e.
cummings. Eric Whitacre's setting is similarly rich
in vocal color and texture, and displays a sense
of wonder within the context of post-modern
compositional style. This 2009 edition follows
the composer's original intent for this widely
acclaimed work.
10067382 SSAATTBB . . . . . . . . . . . . . . 2.45
lt KyrieTomas Luis de Victoria/ed. James Jordan.
Here is an excellent piece for teaching chant,
phrasing, tuning, ascending and descending
musical lines, all embedded within a rich and
beautiful harmonic texture. This lovely work honors
the ancient Kyrie text with reverence and beauty.
10457354 SSATTB . . . . . . . . . . . . . . . . 1.90
lt Kyrie (from "Cantus Missae in E-flat")Josef
Rheinberger/ed. Brian Krajcik. This work for
eight-part double choir, composed in 1878, is
one of Rheinberger's most admired works of
unaccompanied choral music. Mostly homophonic
in texture, it employs polyphony to highlight specific
words and larger sections of the text.
10415480 SATB/SATB . . . . . . . . . . . . . 2.05
H Lamentations of JeremiahZ. Randall Stroope.
A stunning addition to any choral library, this
expressive and dramatic work interprets the cries of
the prophet with mournful chant and impassioned
rhythmic fervor. It is a sublime musical statement.
3249323 SSATB . . . . . . . . . . . . . . . . . 2.10
3249323C Choral Master Track . . . . . . 4.99
n Lord, My God, Assist Me Now (Domine ad
Adjuvandum)G. B. Martini/ed. Castellini.
Originally published in 1958, this outstanding
sacred work has become a standard in the
repertoire for both school and church choirs
interested in performing serious repertoire. Texts
are in Latin and English.
1288117 SATB . . . . . . . . . . . . . . . . . . 4.00
1288117C Choral Master Track . . . . . . 4.99
t My Flight for HeavenBlake R. Henson. This
exceptional work for accomplished a cappella choirs
takes Robert Herrick's text about seeking comfort in
the welcome embrace of death and shifts the point
of view to invoke music which strives toward a new
life without pain, suffering, war, or famine. A deeply
moving work which treats this profound text as a
metaphor for life. "Fall on me like a silent dew, or
like those maiden showers, which, by the peep of
day, do strew a baptism o'er the flowers..."
10053506 SATB . . . . . . . . . . . . . . . . . . 2.05
H O Clap Your HandsRalph Vaughan Williams.
This glorious, uplifting number is a must for better
choirs. A full, strong organ accompaniment adds
excitement. Text is based on Psalm 47.
378729 SATB . . . . . . . . . . . . . . . . . . 2.25
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