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Light Concert & Novelty Selections
l Going Down the ShoreAmy F. Bernon. Dream
of joyous summers at the beach and salty air, and
discover a world of seaside delights with this jaunty
and upbeat original work. "Oh, won't you come with
me down the shore, where the cotton candy sticks
to the roof of your mouth, and the sounds of the
boardwalk rise up from the south."
10457282 Two-Part . . . . . . . . . . . . . . . 1.95
10457508 P/A CD . . . . . . . . . . . . . . . 26.95
Green Eggs and Hamarr. Andy Beck. "I do
not like green eggs and ham. I do not like them,
Sam-I-Am..." This swingin' novelty number is taken
from the 2000 Broadway musical "Seussical," and
Andy's arrangement includes a ready-made encore
"tag" for when your audience begs for more! This is
fabulous fun! Highly recommended!
10306946 Three-Part Mixed . . . . . . . . . 1.90
10306947 Two-Part . . . . . . . . . . . . . . . 1.90
10306948 P/A CD . . . . . . . . . . . . . . . 27.99
10312529 DVD-Lift Me Up!
Choral Movement . . . . . . . . 39.99
n Hello, Hello!Eric Lane Barnes. Here's a
delightful romp of singing and choreography!
It begins with a bright, happy "hello" theme that
welcomes the audience to your show. The next
section has rhythmic speech-choreography that's
a snap to learn. Finally, the "hello" theme and the
speech-choreography are partnered to put the
finishing touch on this creative, show-stopping
opening number!
10066265 Two-Part . . . . . . . . . . . . . . . 1.95
10066266 P/A CD . . . . . . . . . . . . . . . 26.95
I Bought Me a Catarr. Sally K. Albrecht. Now
available for two-part or SAB choirs, Sally's fresh
treatment of the humorous American folk song is
in "add-on" style, with a new animal introduced
in each verse. Each animal sings a distinctive call,
such as "hissy hissy" for the goose or "chimmy
chuck, chimmy chuck" for the hen. By the end,
there's a whole barnyard of animals singing their
calls together!
10353520 SAB. . . . . . . . . . . . . . . . . . . 1.95
10008331 Two-Part . . . . . . . . . . . . . . . 1.95
10008332 P/A CD . . . . . . . . . . . . . . . 27.99
10008269 DVD-That's Entertainment
Choral Movement . . . . . . . . 39.95
t I Know an Old Womanarr. Debra Morton.
Here's an a cappella novelty that's perfect for
women's voices. It's the popular children's song
with clever lyrics about the old woman who couldn't
help swallowing things - a fly, a spider, a bird, a cat,
a dog, a goat, a cow, and a horse! The story unfolds
in 6/8 meter, with dynamic and tempo changes that
build to a climax. Set in a comfortable key, with
plenty of repetition, it's easy and fun!
10352296 SSA . . . . . . . . . . . . . . . . . . . 1.95
l
I Want to Be a Cowboy's SweetheartPatsy
Montana/arr. Ed Lojeski. Originally recorded by
Patsy Montana in 1935, this was the first country
song by a female artist to sell more than one million
records. Subsequently covered by Suzy Bogguss,
the Dixie Chicks and LeAnn Rimes, it's a sweet and
sassy novelty song that will showcase your SSA
choirs in a fun way!
10455798 SSA . . . . . . . . . . . . . . . . . . . 2.25
10455799 P/A CD . . . . . . . . . . . . . . . 26.99
10455800E Instrumental Parts ePrint. . . 20.00
If I Only Had a BrainHarold Arlen & E.Y.
Harburg/arr. Albrecht. What fun! At last, this
delightful song from "The Wizard of Oz" has been
arranged for two-part choirs! Set at a moderate
soft-shoe tempo, the arrangement includes simple
staging suggestions and easy scat syllables to add
to the fun. This will be the novelty hit of the season
for young voices! Highly recommended!
10274821 Two-Part . . . . . . . . . . . . . . . 1.90
10274822 P/A CD . . . . . . . . . . . . . . . 27.99
10275298 DVD-Showbiz!
Choral Movement . . . . . . . . 39.99
l
In the Sorcerer's HallJohn Jacobson &
Audrey Snyder. If you are looking for a spooky
selection for Halloween or any other occasion,
look no further! This trio of tunes drawn from the
classics will provide all necessary goosebumps
and even a chuckle or two! Original lyrics
combine with these famous melodies: Funeral
March of a Marionette (Charles Gounod); In the
Hall of the Mountain King (Edvard Grieg); The
Sorcerer's Apprentice (Paul Dukas).
10455788 SATB . . . . . . . . . . . . . . . . . . 1.90
10455789 Two-Part . . . . . . . . . . . . . . . 1.90
10455790 P/A CD . . . . . . . . . . . . . . . 26.99
n JabberwockyDavid L. Brunner. Lewis Carroll's
playful language, vividly describing the Jabberwock,
is the inspiration for this clever, lighthearted setting.
"Beware the Jabberwock, my son! The jaws that
bite, the claws that catch! Beware the Jubjub bird,
and shun the frumious Bandersnatch!" Whispered
parts and body movements add to the fun of this
creative concert novelty. Highly recommended!
10356995 SSA . . . . . . . . . . . . . . . . . . . 2.25
n Jabberwocky (New Version)Sam Pottle. The
humorous poem by Lewis Carroll from Through
The Looking Glass is brought to life with wit
and marvelous choral effects in this unique and
charming piece. A popular choice for concert or
festival, this is sure to be a favorite with your choir!
3701687 SATB . . . . . . . . . . . . . . . . . . 1.95
10004517 P/A CD . . . . . . . . . . . . . . . 22.95
n Java Jazzarr. Brian Tate. "Coffee keeps me
buzzin' all day long. Gotta have a cup of coffee!"
Sound familiar? These and other java phrases are
the basis for this jazzy swing original. Fun vocal
rhythms, jazzy harmonies, and individual part-singing
help your choir "make the scene with the bean" and
create a wonderfully "jittery" performance!
10306022 SAB. . . . . . . . . . . . . . . . . . . 1.95
10306029 P/A CD . . . . . . . . . . . . . . . 26.99
4 Just Like Clockwork!Greg Gilpin. Singers
emulate the sound of ticking clocks as each voice
part enjoys its own independent melody before
uniting in a full partner song format. Orff and
small percussion instruments can add a vibrant
texture and opportunities abound to teach rhythm,
dynamics, diction, and pitch.
10457443 Three-Part Mixed . . . . . . . . . 1.95
10457444 Two-Part . . . . . . . . . . . . . . . 1.95
10457604 P/A CD . . . . . . . . . . . . . . . 26.95
4 Life Is Full of RhythmGreg Gilpin. Vocal speech
allows the singer to learn how rhythms look, sound,
and feel, while developing their musicianship skills.
Add dynamics, vocal expressions, and creative fun
with hand and body percussion, if no drums are
used. The "rhythms of life" are all around us and
this unique programming piece is perfect for their
musical expression.
10453968 SATB Speech Chorus . . . . . . 1.95
4 Like, I Like to Say LikePepper Choplin. This
novelty piece takes "like" to a hilarious level, making
fun of how often we use the word. With options to
feature a soloist or small group of sopranos before
all voice parts combine into a polyphonic babble
of "nothing" talk, this Latin-rock style work lends
itself well to simple choreography. This is, like, a
very cute novelty piece about cliches in common
speech! Highly recommended!
10457334 SATB . . . . . . . . . . . . . . . . . . 1.95
10457335 SAB. . . . . . . . . . . . . . . . . . . 1.95
10457336 SSA . . . . . . . . . . . . . . . . . . . 1.95
10457603 P/A CD . . . . . . . . . . . . . . . 26.95
Listen to the RainStephen L. Lawrence. This
imaginative piece will captivate your audience with
the sounds and sensations of a thunderstorm.
The whispered opening and lyrical melody set the
mood for an intriguing moment when the audience
actually becomes part of the performance. One
or more singers, the Rain Leaders, lead them
in creating a remarkably realistic-sounding
thunderstorm (using body percussion). From the
hush of the wind preceding the rain to the climactic
crash of the thunder, the effect is breathtaking!
Performance notes and ideas are included, along
with an opening narration.
10028810 Unison/Two-Part . . . . . . . . . 1.95
10028811 P/A CD . . . . . . . . . . . . . . . 26.95
10029380 Multi-Song Accomp. CD . . . 39.95
4 Livin' LifeAmy F. Bernon. With infectious rhythms
that will keep your singers on their toes as each
section gets the opportunity to shine, this swingin'
tune is a great choice for developing choirs. The
triple-meter middle section provides an engaging
contrast in this creative programming gem!
10457312 SAB. . . . . . . . . . . . . . . . . . . 1.95
10457522 P/A CD . . . . . . . . . . . . . . . 26.95
n The Lobster QuadrilleDavid Eddleman. Here is a
whimsical interpretation of a Lewis Carroll poem from
Alice's Adventures in Wonderland. Excellent diction is
essential in telling this fantastical story, in which Alice
meets the Mock Turtle and the Gryphon, who teach
her to dance. A playful piano accompaniment and
clever vocal writing make this a lively, fun program
feature for any performance occasion!
10352163 SSA . . . . . . . . . . . . . . . . . . . 2.25
4t A Mad, Mad, Mad, Mad MadrigalKirby Shaw.
This is very funny! It's a mad, mad, mad, mad
madrigal indeed when the "fa-la-la's" get mixed
up with the "shoo-bee-doo-bee-doo's" and the
"rama-lama-ding-dong's"! Novelty madrigals are
rare, and this is the best one available - it will have
your audience in stitches! Highly recommended!
10455756 SATB . . . . . . . . . . . . . . . . . . 1.90
Solfege Novelties!
The fun way to
teach solfege!
Bolero (from "Solfege Suite")—Ken Berg. This slow, mesmerizing
dance with a lyric melody features a text completely reliant on solfege syllables.
The tongue-in-cheek humor of this piece is guaranteed to be a big hit with
your audience!
10365809 SAB or Three-Part Mixed. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.35
10028385 Unison/Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
Galop (from "Solfege Suite")—Ken Berg. Have you ever tried to ride an
accelerating horse while singing solfege? That's what your singers will feel like
as they negotiate their way through this quickly-paced song with only solfege
syllables for text! Full of fun and teaching opportunities, this creative original is
the quintessential concert closer or encore piece. Your audience might ask you
to sing it twice anyway! A total blast!
10370121 SAB or Three-Part Mixed. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.35
10370121E SAB ePrint . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.35
10028692 Unison/Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.35
March (from "Solfege Suite")—Ken Berg. Teach your students the
value of solfege - and have a lot of fun, too - with this delightful original march
that has nothing but solfege for lyrics! You can cover key changes, traditional
march form, accidentals, and movable DO with style and then use the piece as
a light-hearted concert feature for parents and friends to hear as well. This is
exceptionally conceived and masterfully written!
10368739 SAB or Three-Part Mixed. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
10027888 Unison/Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.50
new!
Parade (from "Military Suite")—Ken Berg. Ken Berg's popular Solfege
Suites strike the perfect balance between educational value and novelty fun!
Now middle school choirs can enjoy Reveille; Taps and Parade in this Military
Suite, which includes optional percussion parts. Learning how to sing solfege
has never been more enjoyable!
10454456 SAB or Three-Part Mixed. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.35
new!
Reveille (from "Military Suite")—Ken Berg. Ken Berg's popular Solfege
Suites strike the perfect balance between educational value and novelty fun!
Now middle school choirs can enjoy Reveille; Taps and Parade in this Military
Suite, which includes optional percussion parts. Learning how to sing solfege
has never been more enjoyable!
10454458 SAB or Three-Part Mixed. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.35
new!
Taps (from "Military Suite")—Ken Berg. Ken Berg's popular Solfege
Suites strike the perfect balance between educational value and novelty fun!
Now middle school choirs can enjoy Reveille; Taps and Parade in this Military
Suite, which includes optional percussion parts. Learning how to sing solfege
has never been more enjoyable!
10454464 SAB or Three-Part Mixed. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10