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Concert Selections
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Monster Mash
Bobby Pickett & Leonard Capizzi/arr. Greg Gilpin.
Triadic harmonies and several spoken solos are perfect for younger groups in
this fun novelty song. Compare dance moves with Frankenstein, Wolfman, and
Dracula, and maybe add a few of your own!
10453366 Three-Part Mixed. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.00
10453367 Two-Part. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.00
10453368 P/A CD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27.99
Music I Heard
Vicki Tucker Courtney.
This song of remembrance celebrates a profound relationship and mourns its
end. While the piece is not difficult to sing, groups that fully express the mature
text and master the musical lines will achieve excellence.
10453369 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.85
10453370 SAB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.85
10453431 Multi-Song Accomp. CD . . . . . . . . . . . . . . . . . . . . . . . . 44.99
Music Sing On!
Mark T. Barnard & Cynthia Gray.
Here is a beautiful, singable original that celebrates music in a unique way,
beginning with the silence of the earth before music. With or without the
optional orchestration, this is a must for any music-themed program!
10457292 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.95
10457459 Orchestration CD-ROM . . . . . . . . . . . . . . . . . . . . . . . . . 49.95
Music's Echo
Greg Gilpin.
A text by Thomas Moore provides the inspiration for this innovative a cappella
piece, which uses percussion accompaniment to create a magical effect! It
begins with a simple melody, then each part joins with its own melody as the
polyphonic singing builds in a glorious tribute to music. "How sweet the answer
Echo makes to Music at night, when, roused by lute or horn, she wakes..." This
may be used as a processional, or it may be sung antiphonally by two or more
choirs. Parts for triangle or finger cymbals, tambourine, mid/high drum and low
drum are included.
10029515 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.90
10453990 TB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.90
10453999 Multi-Song Accomp. CD . . . . . . . . . . . . . . . . . . . . . . . . 44.99
My Singing Bird
arr. Robert S. Cohen.
The melody of this traditional Irish folk ballad begins in unison and then
cascades into a contrapuntal wordless vocalise that mirrors the imagery of
the text. Beautiful a cappella harmonies are created from beginning to end,
expressing a dialogue of love and joy. A wonderful opportunity for poetic
exploration of meaning.
10442063 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.90
10442063E SSA ePrint . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.90
My Singing Bird
arr. Sheila Donahue.
Many of the melodic turns in this traditional Irish Folk song mimic bird calls,
emphasizing the connection between art and nature. Your young singers will
enjoy this as they identify with the melody, which conveys beautiful imagery of
life and flight.
10443070 Unison/Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.80
Little Innocent Lamb
arr. Greg Gilpin.
Your choristers will love singing this upbeat setting of a traditional spiritual
that has clever syncopations and a fun piano accompaniment. Every listener
will welcome this delightful selection, whether it appears in concert, worship
services, or even at December performances. Present this as a unison piece
with your younger singers, or a two-part piece with your more capable
ensemble. A real treat!
10416543 Unison/Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
Livin' Life
Amy F. Bernon.
With infectious rhythms that will keep your singers on their toes as each section
gets the opportunity to shine, this swingin' tune is a great choice for developing
choirs. The triple-meter middle section provides an engaging contrast in this
creative programming gem!
10457312 SAB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.95
10457522 P/A CD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26.95
Lord, Lord
Thomas More Scott.
"Listen to me like a sensible man." Everyone will sit up and listen when your
mixed choir - or men's choir - hits the first measure of this infectious spiritual.
Great rhythms, a touch of jazz and string bass accompaniment all come
together to admonish the flock: "Not everyone who cries 'Lord, Lord' is gonna
walk into the Kindgom of God."
1227552 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.90
10458775 TTBB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.90
A Mad, Mad, Mad, Mad Madrigal
Kirby Shaw.
This is very funny! It's a mad, mad, mad, mad madrigal indeed when the
"fa-la-la's" get mixed up with the "shoo-bee-doo-bee-doo's" and the "rama-
lama-ding-dong's!" Novelty madrigals are rare, and this is the best one
available - it will have your audience in stitches!
10455756 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.90
The Mermaid's Lament
Joseph Martin & John Parker.
A tale of the sea and unrequited love is artfully set here for SSA voices.
This original poem is a bittersweet cry of the heart and is supported by an
impressionistic piano accompaniment. The Mermaid's Lament offers great
expressive opportunities for your singers, from clear unison singing to sweeping
three-part textures.
10453985 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.95
10453999 Multi-Song Accomp. CD . . . . . . . . . . . . . . . . . . . . . . . . 44.99
Mist on the River
Mark Patterson.
This gentle piece was inspired by a photograph of the James River hanging
in the composer's office. The text conveys the fleetingness of moments in
nature as captured by the photo. The central melody is pentatonic, and the
composition is perfect for a reflective moment in your concert.
10457313 SAB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.95
10457314 Two-Part. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.95
10457315 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.95
10457523 P/A CD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26.95
