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When Midnight Mists
Are Creeping
Greg Gilpin.
This evocative text setting makes it easy for developing concert choirs to
impress. Modest vocal ranges, logical voice leading, and manageable phrase
lengths allow musicality to be the focus of rehearsal and the hallmark of
performance. A beautiful treatment of this text from Lewis Carroll's "Dreamland."
10452907 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.85
10452910 SAB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.85
10452911 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.85
10453431 Multi-Song Accomp. CD . . . . . . . . . . . . . . . . . . . . . . . . 44.99
Where Go the Boats?
Mary Donnelly & George L.O. Strid.
The singable tune of this winsome Stevenson setting is frequently traded
between voice parts, affording each member of the choir an opportunity to
sing both melody and harmony. A great choice for younger voices and a cross-
curricular tie-in to A Child's Garden of Verses.
10452913 Two-Part. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.85
10453431 Multi-Song Accomp. CD . . . . . . . . . . . . . . . . . . . . . . . . 44.99
Where Go the Boats?
Mary Lynn Lightfoot.
Lightfoot's unique setting of the beloved Robert Louis Stevenson poem is a
perfect fit for developing choirs, ensuring feelings of confidence in your singers.
The rhythmic feel, minor mode, mixed meters, limited ranges, and ample
unison lines lay the groundwork for some fun twists and turns along the way.
10457451 SAB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.95
10457452 Two-Part. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.95
10457467 P/A CD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26.95
Why Does the Willow Weep?
Ruth Elaine Schram.
"Why does the willow weep? What secrets does she keep? Is there a broken
heart beating beneath the bark, hidden in the dark?" Vividly poetic, with
sweeping melodic and harmonic textures, this is a truly memorable concert
work. An expressive, thoughtful tone poem for treble choirs.
10457258 SSAB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.95
10068332 Two-Part. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.95
10068332E Two-Part ePrint . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.95
3298407 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.95
10068333 P/A CD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24.95
3298407C Choral Master Track . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4.99
Will You Teach Me?
Allen Pote.
This anonymous text speaks to young people yearning for inspiring role models,
and to adults with character-building wisdom. Singers immediately connect
with the words and internalize them; listeners are emotionally moved by hearing
them. "Will you teach me how to be the only thing that I can be - me?" Easy to
learn, with a lovely piano part, this is memorable in every way.
10438891 Three-Part Treble Equal . . . . . . . . . . . . . . . . . . . . . . . . . . 1.90
10438891E Three-Part Treble Equal ePrint . . . . . . . . . . . . . . . . . . . . . 1.90
Witness
Jack Halloran/arr. Dick Bolks.
Dick Bolks has taken this Jack Halloran classic and made it accessible for
accompanied or a cappella choirs while retaining the enthusiasm of the original.
Now available for mixed, treble or male choirs, this is guaranteed to be the
highlight of your music year!
3260411 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.35
3291523 SAB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.35
10366147 SSAA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.35
10458827 TTBB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.35
The Vagabond
Mark Patterson.
Mark Patterson's original setting of The Vagabond for male solo voice was
inspired by Robert Louis Stevenson's poem of the same name. This vagabond
has chosen the life of the open road: a bed that "looks up to the stars" and a
solitary path where "freedom is his only companion." This is sure to resonate
with young men.
10443515 TTB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.80
Waitin' for the Mornin'
Pepper Choplin.
Pepper Choplin weaves a hopeful text with an energetic melody, call-and-
response vocals, and options for a cappella singing to create an engaging
affirmation of faith. "And when the darkness tries to overcome, it won't last
forever and will soon be done, so I'm waitin' for the mornin' when the sun is
gonna rise."
10425009 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.05
Watoto Wa Dunia
Sally K. Albrecht & Jay Althouse.
This fun feature for two and three-part choirs includes Swahili and English
lyrics, rhythmic chanting, accented body percussion, and many call and
response phrases. Layered African instruments energize the SoundTrax CD
and Sally's easy-to-teach choreography is spot on. Choreography available
on the Lights! DVD.
10453596 Three-Part Mixed. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.85
10453597 Two-Part. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.85
10453598 P/A CD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27.99
10453218 DVD-Lights! Choral Movement . . . . . . . . . . . . . . . . . . . . 39.99
We Are One
Laura Farnell.
Linda Farnell brings a fresh contemporary setting to the familiar text "Blest be
the tie that binds." This piece could have multiple uses during the church year,
including memorials, benedictions and other special occasions.
10458901 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.35
We Sing
Brian Tate.
This creative a cappella original has a life-affirming quality that is universally
appealing. Beginning quietly, the piece builds with the joyful Latin text "Exsultate,
jubilate," accompanied by djembe, cabasa and shaker. Uniquely fresh and
rhythmic, this is a marvelous celebration of all the cultures of the world!
10454436 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.35
What Maiden Weeping?
John Parker & Victor C. Johnson.
"What maiden weeping near the tide is covered by her falling tears? She's
pouring out her soul inside into the stream of yesteryears..." So appropriate for
women's voices, John Parker's text is realized through a lyric melody and a
beautiful, plaintive refrain: "Sing me your sadness, cold winds have blown. Sing
me your sadness. Love left me alone." This will surely touch the hearts of your
singers and audiences!
10443538 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.95
