J.W. Pepper Catalogs

2014 Fall Jazz Catalog

J.W. Pepper Music Catalog

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4Editors' Choice (Best of 2014 Publications) lNew for 2014 HPepper Basic Library Available via ePrint All Prices in U.S. Dollars & Subject To Publisher Revision 24 Jazz Ensemble Go to cart Blues & Swing medium-easy n Basie's BeatPaul Baker. Composed by Texas composer Paul Baker, this laid-back swing chart is in the style of its namesake. It features the trombones and saxes on the melody with trumpet punctuations and modest brass ranges. Solo options are available for soloists of choice. The option of cup mutes adds variety to the trumpet section before opening back up for the shout chorus. Basie's Beat offers an excellent opportunity to show off your ensemble's dynamic range with a pianissimo shout chorus. This chorus builds through the second eight bars to a sax soli bridge and then returns to the main theme to finish with a classic Basie piano ending. Very nice! 10280534 Jazz Ensemble . . . . . . . . . . 40.00 4 Big Clifty BreakdownRyan Fraley. Big Clifty Breakdown is a swing chart using modest ranges, a catchy melody, and features ensemble playing all the way. Players will enjoy grooving with the hip bass line and well-conceived rhythm section parts. Optional parts are included so concert band players can be involved as well. Simply fun for all! 10459776 Jazz Ensemble . . . . . . . . . . 50.00 H Big Noise from WinnetkaHaggart & Bauduc/ arr. Paul Lavender. Bring the sounds of Bob Crosby and the big band era to life again with this fun chart for younger players! It features an authentic sound, a flexible solo section and the saxes get to whistle the melody for added fun. A great experience for young players! 2481666 Jazz Ensemble . . . . . . . . . . 45.00 4 Big Swing FaceBill Potts/arr. Rich Sigler. This chart, originally popularized by Buddy Rich, has been scored at an accessible level while maintaining the essence of the original and more. The tempo is around 154 bpm, there are written solos for tenor and trumpet 2, as well as nice dynamics to show off your jazz band, plus optional parts for expanded instrumentations. A fun chart that you'll play for years to come! 10452096 Jazz Ensemble . . . . . . . . . . 46.00 n Blue Light SpecialRich Woolworth. This bright concert, contest or festival opener features the saxophone section. There's solo space for tenor sax and trumpet, a "stop-time" ensemble section to show off your group's ensemble prowess, and plenty of drum fills to keep this driving swing chart exciting. Imaginative and solid! Highly recommended! 10367330 Jazz Ensemble . . . . . . . . . . 50.00 Blue MadnessDoug Beach. This straight- ahead shuffle chart is accessible, yet sophisticated enough for groups at a more advanced level. Features include solid ensemble writing, blues based changes, fully notated rhythm section parts, and a thrilling stop-time section leading into the suggested or improvised solos. A dynamic and infectious shout chorus intensifies the excitement leading to a brilliant finale. Highly recommended! 10312759 Jazz Ensemble . . . . . . . . . . 52.00 n Blue Note SpecialMike Tomaro. Reminiscent of the blues-oriented music of the hard bop era, the strong melody and groove are cornerstones of this brilliant original. As the piece alternates between swing and shuffle styles, every member of the band is given interesting parts to play. Trombone and tenor take separate solos midway through, then near the end trade fours, then twos, then solo together. Written lines are provided for aspiring jazz soloists. 2410694 Jazz Ensemble . . . . . . . . . . 52.00 n Blue SerenadePaul Baker. At around 86 bpm, this swing ballad features the lead trumpet and harkens back to the big band era sounds of Glenn Miller and Harry James, along the lines of Miller's Serenade in Blue. In addition to written melodic solos for lead trumpet, there's an improvised solo for tenor sax, along with wonderful writing for the saxophone section. Winding through two key modulations, each distinct section is presented in its best register. Trumpet range is to written high D. Trombone range is to Gb. 10369419 Jazz Ensemble . . . . . . . . . . 45.00 n Blues MarchBenny Golson/arr. Terry White. Composed by the great Benny Golson, this classic jazz standard will enhance your jazz library. At about 120 bpm, this swing-march begins with trumpet, alto and tenor on the melody and then builds. Written solos are provided for tenor sax, trumpet and alto sax, there's a sweet shout chorus, a sax section soli and a big ending completing the package. Playable with optional expanded instrumentation, it includes all the usual optional parts plus vibes and clarinet. Highly recommended! 10355578 Jazz Ensemble . . . . . . . . . . 44.00 n Boogie LouPaul Baker. This is an upbeat chart! Composed and arranged by Paul Baker, this boogaloo groove which is blend of rock with a funky twist will have everyone tapping their feet. The groove will push the band forward and the features include written or ad lib solos for alto 1, trumpet 2 and trombone 2, lead trumpet to a written G, some very cool stop-time sax section licks, and energy bursting from every part! 10277738 Jazz Ensemble . . . . . . . . . . 44.00 4 Bringin' Down the HouseLarry Neeck. The title says it all! This bright, accessible swinger features hip unison riffs, cool sax solis and powerhouse ensemble sections. Built on the blues form, this is a great chart for teaching the swing style, and a real band and crowd pleaser. An optional open solo section includes suggested written solos or players can improvise, and the shout chorus builds gradually to a blockbuster finish. For your next concert or contest performance, Bringin' Down The House is a very strong choice! 10457923 Jazz Ensemble . . . . . . . . . . 48.00 n Bye Bye BlackbirdDixon & Henderson/arr. Dave Rivello. Arranger Dave Rivello arranged this great tune in a nice and easy, relaxed, swing genre to showcase the 2nd trumpet in the style of Miles Davis. Featuring the trademark Miles' harmon mute sound throughout the chart, Dave provides a written (or ad lib) solo, tasty backgrounds and a very hip shout chorus for medium level players. The arrangement is sensitive to the quietness of the harmon muted trumpet sound. Feature your young trumpet star on this one and have a "cool" moment in your concert! Highly recommended! 2480779 Jazz Ensemble . . . . . . . . . . 50.00 C-Jam BluesDuke Ellington/arr. Mark Taylor. Here is a new and creative new take on this Duke Ellington favorite set in a New Orleans street beat style. A piano introduction sets up the groove then a small group takes the initial statement of the theme. The rest of the ensemble enters with a counterline before the full ensemble launches the solo section which is designed to feature any number of soloists. Unique and effective! 10374164 Jazz Ensemble . . . . . . . . . . 45.00 l Catchin' the 'TraneNicholas Fernandez. This bluesy swing chart is fairly accessible and sounds great. It has been rearranged for big band from the small group flexible instrumentation chart by the same name. Chord symbols are written into all the horn parts in the solo section so that any player can have the opportunity to solo. 10454517 Jazz Ensemble . . . . . . . . . . 45.00 4 Charleston ShuffleAndy Farber. Charleston Shuffle is a fun shuffle tune by New York composer Andy Farber that features lots of appealing ensemble scoring. Unique writing for muted trumpets and tasty scoring give this subtle chart much of its appeal. The solo section includes solos for bari sax and guitar, but can easily be opened up for soloists of choice. The trumpet range is A above the staff and 1st trombone goes to G above the staff. Simple, understated and fun! 10458680 Jazz Ensemble . . . . . . . . . . 47.00 Check Your SwingDoug Beach. Solid ensemble sections and an open solo section for any instrument make this a perfect vehicle for highlighting your developing jazz ensemble. Everyone gets a chance to shine during this medium tempo swing chart based on the changes to I Got Rhythm. Suggested solos and scale/chord sheets are provided. This is a perfect vehicle for sharpening your band's ensemble and soloing skills, so add this to your library right away! Highly recommended! 10093892 Jazz Ensemble . . . . . . . . . . 52.00 n CheesecakeDexter Gordon/arr. Rick Stitzel. This catchy jazz standard is masterfully arranged here for developing players by Rick Stitzel. Featuring the sax section on the head, brass on the bridge, plus a suggested or improvised solo for tenor and a full ensemble shout chorus, this medium swing chart will make your band sound great! 10052543 Jazz Ensemble . . . . . . . . . . 45.00 Come Fly with MeJimmy Van Heusen/arr. John Berry. Most notably recorded by Frank Sinatra, here is the familiar Jimmy VanHeusen standard effectively arranged for developing jazz ensembles. The style is an effortless-sounding medium swing, and this chart makes it enjoyable for listeners and players alike! 10083828 Jazz Ensemble . . . . . . . . . . 45.00 n Come Out Swingin'Larry Neeck. Larry Neeck's new retro swing chart Come Out Swingin' has a relaxed yet intense feel that will make your mid- level band really shine! Reasonable ranges and a tasty shout chorus are coupled with an open solo section for the soloists of your choosing over rhythm changes. Featuring nice, fluid lines and Krupa-like drum licks, this chart is an excellent programming choice for almost any performance situation. Suggested solos are provided and it's playable with optional reduced instrumentation. Sounds great! 10094339 Jazz Ensemble . . . . . . . . . . 48.00 H Cool (from "West Side Story")Leonard Bernstein/arr. Mark Taylor. From one of the most famous musicals of all time, here is the swinging and aptly titled Cool. Mark Taylor's version for developing players remains true to the original but adds a touch of contemporary flair with the melody passed from section to section and written or improvised solo space for trumpet. Timeless! 10083826 Jazz Ensemble . . . . . . . . . . 45.00 Cotton TailDuke Ellington/arr. Mark Taylor. All the drive and excitement of the original are still there as this bright swinger starts out with a small combo of two tenors and two trombones with rhythm, then gets the full band involved. With solos for alto and/or trombone and trumpet and/or piano, this chart will sound great with any band! 2472892 Jazz Ensemble . . . . . . . . . . 45.00 Blues and Swing Medium-Easy Buy with confidence! These works, listed in order of their popularity, are chosen most often by directors. I'm Beginning to See the Light—arr. Paul Baker. 10353493 Jazz Ensemble . . . . . . . . . . . . 44.00 Things Ain't What They Used to Be— Mercer Ellington/arr. Rich Sigler. 10355626 Jazz Ensemble . . . . . . . . . . . . 44.00 Autumn Leaves—Joseph Kosma/arr. Peter Blair. 2406361 Jazz Ensemble . . . . . . . . . . . . 45.00 Jumpin' at the Woodside— Count Basie/arr. Rich DeRosa. 10028198 Jazz Ensemble . . . . . . . . . . . . 46.00 Sweet Home Chicago— Robert Johnson/arr. Roger Holmes. 10343798 Jazz Ensemble . . . . . . . . . . . . 45.00 10343798E Jazz Ensemble ePrint. . . . . . . 45.00 The Flik Machine (from "A Bug's Life")— Randy Newman/arr. Paul Murtha. 10374168 Jazz Ensemble . . . . . . . . . . . . 45.00 10374168E Jazz Ensemble ePrint. . . . . . . 45.00 Artistry in Rhythm— Stan Kenton/arr. Paul Murtha. 10374166 Jazz Ensemble . . . . . . . . . . . . 45.00 10374166E Jazz Ensemble ePrint. . . . . . . 45.00 Big Noise from Winnetka— Haggart & Bauduc/arr. Paul Lavender. 2481666 Jazz Ensemble . . . . . . . . . . . . 45.00 Full Swing Ahead!—Larry Neeck. 10369388 Jazz Ensemble . . . . . . . . . . . . 48.00 C-Jam Blues—Duke Ellington/arr. Mark Taylor. 10374164 Jazz Ensemble . . . . . . . . . . . . 45.00 10374164E Jazz Ensemble ePrint. . . . . . . 45.00 Unlock the mysteries of jazz improvisation! The Goldman Method A Systematic Approach to Jazz Improvisation Jason Goldman. Jazz artist and educator Jason Goldman unlocks the mysteries of jazz improvisation with The Goldman Method, a step-by-step resource for upper middle school students to collegiate undergraduates. The goal of this method is to get students up and playing quickly. From the basics of learning the bebop scale all the way to learning to use transcriptions as a practice resource, this method uses a systematic approach to learning the theory and applications of jazz improvisation. Also included is a listing of must-have recordings and a basic list of tunes to learn. It is recommended that students have a firm grasp of their chromatic and major scales as well as a knowledge of basic chord spelling. Audio examples are given on the included CD that should be used along with the book. For book only buyers, a free mp3 download is available at the publisher's website. A serious approach to practicing the concepts presented in this book will provide students with a solid foundation for improvisation creativity. 10427268 Flexible Instrumentation Book/CD . . . . . . . . . . . 19.95 10427269 Flexible Instrumentation Book Only with free mp3 download . . 17.95

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