4Editors' Choice (Best of 2014 Publications) lNew for 2014 HPepper Basic Library Available via ePrint All Prices in U.S. Dollars & Subject To Publisher Revision
76
Jazz
Ensemble
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Jazz/Rock & Funk medium-easy
n Little SunflowerFreddie Hubbard/arr. Mike
Kamuf. Jazz trumpeter Freddie Hubbard has sadly
passed on but his wonderful music lives on. This
wonderful jazz standard is masterfully arranged
and features a haunting melody with an alternating
bossa and light funk groove. The solos are written
for piano, trumpet and tenor sax with modest brass
ranges and a sweet shout chorus. It's been play-
tested with great success and is an excellent chart
all around! Optional expanded instrumentation.
10093122 Jazz Ensemble . . . . . . . . . . 44.00
Locked Out of Heavenarr. Paul Murtha. Here's
the popular rock hit recorded by Bruno Mars in a
solid chart for younger jazz bands. Included are
all the hot riffs and rhythmic energy of the original
along with suggested or improvised solos for alto
sax and trumpet. Chord/scale sheets in all keys are
included for the soloists.
10374170 Jazz Ensemble . . . . . . . . . . 45.00
l Madiba!Charlie Hill. Nelson Mandela was known
to those closest to him as "Madiba" which was his
African tribal name. Mandela (Madiba) helped
people come together for the good of mankind.
This jazz/rock original chart seems a fitting tribute
to a great humanitarian and world leader. This chart
features a steady rock groove at about 144 bpm
and written or improvised solo space for trumpet.
Optional flute, clarinet, horn in F and tuba parts are
included for expanded instrumentations.
10455939 Jazz Ensemble . . . . . . . . . . 60.00
n Mercy, Mercy, MercyJosef Zawinul/arr. Dallas
Burke. This sultry jazz standard from Joe Zawinul
has been covered by so many artists through the
years, it's hard to keep count. This dynamic jazz
ensemble arrangement begins with the feel of the
original combo version as tenor sax plays a written
or ad lib solo before the band enters to crank up the
energy. Next, trumpet 2 has a written or improvised
solo before the entire ensemble eloquently
reintroduces the theme. Things heat up quickly
as the entire ensemble shouts with a funky chorus
before the ending. Your band is going to shine with
this great arrangement of a super standard!
10280573 Jazz Ensemble . . . . . . . . . . 65.00
l More or LessNicholas Fernandez. This slow funk
chart has a great feel and has been rewritten from
the flexible instrumentation small group chart by the
same name. A piano ostinato is written into the part
so the band can easily find that funky feel. The easy
chord structure and repeated patterns make this
chart play easier than it sounds. The solo section is a
four bar repeat with one chord and can be left open
for solos if desired. There's also an optional repeat so
you can play the ensemble part and then loop back to
the solo section for added interest.
10454528 Jazz Ensemble . . . . . . . . . . 45.00
l The Next ChapterPatty Darling. A terrific
original by Patty Darling, The Next Chapter is a
fresh, contemporary easy-to-play chart. Starting
with a light rhythmic feel, this great tune settles into
a happening rock groove featuring a catchy melody
over written out rhythm parts. There's creative
writing in a big band setting with some vocalized
"oohs" and "ahhs" by the horn players, and there is
solo space for alto saxophone. This very cool original
will add great contrast in any concert program!
10455872 Jazz Ensemble . . . . . . . . . . 48.00
4 Nothing from NothingBilly Preston/arr. John
Wasson. Recorded by Billy Preston in 1974, this
rocker became a number 1 hit on the charts, and
in 1975 became the first musical number ever
performed on the TV show Saturday Night Live!
Here is a funky version for younger players that
carefully maintains the feel and style of the original.
10461382 Jazz Ensemble . . . . . . . . . . 45.00
n Oh! When the Saints Go Groovin' Inarr. David
Samuel. This creative take on one of the first jazz
standards begins with a laid back Dixieland feel
before it digs in to a grooving funk feel. Developing
jazz bands, audiences and directors will really get
into this exciting, inventive and new treatment of
When the Saints Go Marching In!
10367368 Jazz Ensemble . . . . . . . . . . 50.00
Old Time Rock and Rollarr. Paul Murtha.
Recorded by Bob Seger, this hard-hitting classic
rock tune continues to be a favorite. Saxes are
featured on the melody and there is a flexible solo
section for any combination of alto sax, trumpet or
trombone. Suggested solos plus scale/chord sheets
in all keys are included. Sure to be a hit with players
and audiences!
10188507 Jazz Ensemble . . . . . . . . . . 45.00
n The Perfect StormLarry Barton. Don't miss this
powerful and entertaining rock chart for mid level
jazz ensembles! Features include a big and bold
sound, an open solo section for soloists of choice
over easy F minor chord changes with suggested
solos included for non-improvisers. All sections get
a chance to shine as Perfect Storm rocks big from
start to finish!
10369395 Jazz Ensemble . . . . . . . . . . 48.00
4 The Road Out WestMarcus Wilcher. This
wonderfully musical chart features a light rock,
straight eighth note groove as a foundation for
a beautiful, soulful tune that conjures images
of a lonesome road. Inventive harmonies and
contrapuntal techniques provide interesting parts
for all sections. Written solos are provided for guitar,
or vibes, or trumpet and alto or tenor sax. After the
solos the ensemble builds to a rousing recap of the
melody and ending. The trumpet range goes to
written F and the trombone to F. Very nice!
10458469 Jazz Ensemble . . . . . . . . . . 40.00
Each year Pepper's Editors review hundreds of new releases and choose
the cream of the crop to bear the name, Editors' Choice! You can buy any of
these titles with confidence!
Beat It—Michael Jackson/arr. Dallas Burke.
From the best-selling album of all time, Thriller, this rock classic from Michael Jackson makes a
superb jazz band tune your students and audiences will enjoy. The brass get a chance to shine in a
range that's right in the pocket and there are short written or ad-lib solos to feature alto sax, tenor
sax and trumpet. Don't miss the short, but effective a cappella section. Bass trombone and bari sax
players will dig playing this bass line!
10456814 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65.00
Blurred Lines—arr. Paul Murtha.
Robin Thicke's megahit really lit up the airwaves and took the country by storm! This adaptation
for younger jazz ensembles by Paul Murtha features the infectious dance groove and familiar riffs
from the original, solidly scored for the entire group.
10427410 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45.00
Grease Wheezer—Vince Norman.
Grease Wheezer is funky, a little greasy, and a joy to play! The tempo is around 132 bpm, there are
written solos for alto and trombone 1, and a funky piano and bass intro. The lead trumpet range is to
written A above the staff. An optional vibes part is also included.
10452114 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50.00
Nothing from Nothing—Billy Preston/arr. John Wasson.
Recorded by Billy Preston in 1974, this rocker became a number 1 hit on the charts, and in 1975
became the first musical number ever performed on the TV show Saturday Night Live! Here is a
funky version for younger players that carefully maintains the feel and style of the original.
10461382 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45.00
The Road Out West—Marcus Wilcher.
This wonderfully musical chart features a light rock, straight eighth note groove as a foundation
for a beautiful, soulful tune that conjures images of a lonesome road. Inventive harmonies
and contrapuntal techniques provide interesting parts for all sections. Written solos are
provided for guitar, or vibes, or trumpet and alto or tenor sax. After the solos the ensemble builds
to a rousing recap of the melody and ending. The trumpet range goes to written F and the
trombone to F. Very nice!
10458469 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40.00
Rock Solid—Jeff Jarvis.
Rock Solid is an original reminiscent of the Doobie Brothers and Steely Dan songs of the 1980's, and
utilizes a variety of rhythmic figures commonly used in rock and funk charts. The chart employs a
tuneful melody and is playable by as few as 9 players and expandable to full big band instrumentation
of 17 players. Designed to make developing groups sound their best, it's loaded with great learning
material, and it's simply fun to play. The piano and bass parts are fully notated with chord symbols
provided and the guitar part consists of chord changes and slashes. The solo section features any
saxophonist playing an improvised solo or using the solo sheets provided. Also included are optional
parts for flute, clarinet, Horn in F, tuba, and vibes for expanded instrumentations.
10455644 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45.00
Seven Nation Army—arr. Dallas Burke.
Here's a unique chart that really works! You'll love the chance to showcase some extreme dynamic
contrasts with your group as they go from soft to rockin' the auditorium on this classic tune from
the White Stripes. The solo section can feature any or all your soloists while the rhythm section
continues the hook. Student players will dig playing this hard-rock groove!
10456834 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65.00
Sticks—Julian Adderley/arr. Mike Kamuf.
Oh, yeah! This great chart on a Cannonball Adderley classic cooks at around 170 bpm. With a straight-
eighth note groove, everything written out, trumpet 1 range to written G on top of the staff, optional parts
for expanded instrumentations, and a big juicy shout chorus, it has it all! Highly recommended!
10452090 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46.00
Treasure—arr. Victor Lopez.
This Bruno Mars pop hit will sound great in any performance setting. Treasure features a cool
rock groove at 116 bpm with a nice hook, no solos, and a lead trumpet range to written F top line.
With a hip ensemble interlude, every toe will be tapping from beat one! Includes optional wind and
vibraphone parts for expanded instrumentations.
10452106 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46.00
Treasure—arr. Paul Murtha.
Set in a medium-tempo funk style, this hit recorded by Bruno Mars continues his trend of catchy
tunes with an old school R&B sound. It's a great pop tune beautifully adapted by Paul Murtha in
this version for younger jazz groups.
10427408 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45.00
Turnin' Up the Heat—Larry Barton.
Don't miss this straight-ahead, energy-filled rocker where every section of the band gets to shine.
Turnin' Up the Heat is a powerful chart with an edgy sound and includes an open solo section for
the soloists of your choosing with improvised or suggested solos. At around 140 bpm, this chart is
fun, accessible and jazz band approved!
10457925 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48.00
What Is Hip?—arr. Victor Lopez.
If you are looking for an easy, yet hip chart, this is it! A funky Tower of Power hit, this chart is
accessible at 166 bpm with no solos and a trumpet 1 range to F top line. Optional parts are included
for expanded instrumentations. Fun to play!
10452100 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46.00
Medium-Easy
Jazz/Rock & Funk
"
I love the samples
you can see and
hear. They are
perfect for busy
directors and gives
students a great idea
of what the piece
should sound like."
— Robin Davis, Choir Director & Musician
Abilene, TX
