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Concert & Festival
4 Like, I Like to Say Like—Pepper Choplin.
This novelty piece takes "like" to a hilarious
level, making fun of how often we use the word.
With options to feature a soloist or small group
of sopranos before all voice parts combine
into a polyphonic babble of "nothing" talk, this
Latin-rock style work lends itself well to simple
choreography. This is, like, a very cute novelty
piece about cliches in common speech! Highly
recommended!
10457334 SATB . . . . . . . . . . . . . . . . . . 1.95
10457335 SAB . . . . . . . . . . . . . . . . . . . 1.95
10457336 SSA . . . . . . . . . . . . . . . . . . . 1.95
10457603 P/A CD . . . . . . . . . . . . . . . . 26.95
4 Lil' Liza Jane—arr. Jimmy Baas & Randy
James. This up-tempo folk tune arrangement
will be an exciting concert or festival feature as
it showcases the strength of your developing
male voices. The lively piano accompaniment is
supportive and sure to add musical interest to
your performance!
10443509 TB. . . . . . . . . . . . . . . . . . . . . 1.80
4 Little Innocent Lamb—arr. Greg Gilpin.
Your choristers will love singing this upbeat
setting of a traditional spiritual that has clever
syncopations and a fun piano accompaniment.
Every listener will welcome this delightful
selection, whether it appears in concert, worship
services, or even at December performances.
Present this as a unison piece with your younger
singers, or a two-part piece with your more
capable ensemble. A real treat!
10416543 Unison/Two-Part . . . . . . . . . 2.10
4 Livin' Life—Amy F. Bernon. With infectious
rhythms that will keep your singers on their
toes as each section gets the opportunity to
shine, this swingin' tune is a great choice for
developing choirs. The triple-meter middle
section provides an engaging contrast in this
creative programming gem!
10457312 SAB . . . . . . . . . . . . . . . . . . . 1.95
10457522 P/A CD . . . . . . . . . . . . . . . . 26.95
t Lord, Lord—Thomas More Scott. "Listen to me
like a sensible man." Everyone will sit up and
listen when your mixed choir - or men's choir -
hits the first measure of this infectious spiritual.
Great rhythms, a touch of jazz and string bass
accompaniment all come together to admonish
the flock: "Not everyone who cries 'Lord, Lord'
is gonna walk into the Kindgom of God."
1227552 SATB . . . . . . . . . . . . . . . . . . 1.90
10458775 TTBB . . . . . . . . . . . . . . . . . . 1.90
4t A Mad, Mad, Mad, Mad Madrigal—Kirby
Shaw. This is very funny! It's a mad, mad, mad,
mad madrigal indeed when the "fa-la-la's" get
mixed up with the "shoo-bee-doo-bee-doo's"
and the "rama-lama-ding-dong's!" Novelty
madrigals are rare, and this is the best one
available - it will have your audience in stitches!
Highly recommended!
10455756 SATB . . . . . . . . . . . . . . . . . . 1.90
4
The Mermaid's Lament—Joseph Martin &
John Parker. A tale of the sea and unrequited
love is artfully set here for SSA voices. This
original poem is a bittersweet cry of the
heart and is supported by an impressionistic
piano accompaniment. The Mermaid's
Lament offers great expressive opportunities
for your singers, from clear unison singing
to sweeping three-part textures.
10453985 SSA . . . . . . . . . . . . . . . . . . . 1.95
10453999 Multi-Song Accomp. CD . . 44.99
4 Mist on the River—Mark Patterson. This
gentle piece was inspired by a photograph of the
James River hanging in the composer's office.
The text conveys the fleetingness of moments
in nature as captured by the photo. The central
melody is pentatonic, and the composition is
perfect for a reflective moment in your concert.
10457313 SAB . . . . . . . . . . . . . . . . . . . 1.95
10457314 Two-Part . . . . . . . . . . . . . . . 1.95
10457315 SSA . . . . . . . . . . . . . . . . . . . 1.95
10457523 P/A CD . . . . . . . . . . . . . . . . 26.95
4
Monster Mash—Bobby Pickett & Leonard
Capizzi/arr. Greg Gilpin. Triadic harmonies and
several spoken solos are perfect for younger
groups in this fun novelty song. Compare
dance moves with Frankenstein, Wolfman, and
Dracula, and maybe add a few of your own!
10453366 Three-Part Mixed . . . . . . . . . 2.00
10453367 Two-Part . . . . . . . . . . . . . . . 2.00
10453368 P/A CD . . . . . . . . . . . . . . . . 27.99
4
Music I Heard—Vicki Tucker Courtney. This
song of remembrance celebrates a profound
relationship and mourns its end. While the piece
is not difficult to sing, groups that fully express
the mature text and master the musical lines will
achieve excellence.
10453369 SATB . . . . . . . . . . . . . . . . . . 1.85
10453370 SAB . . . . . . . . . . . . . . . . . . . 1.85
10453431 Multi-Song Accomp. CD . . 44.99
4 Music Sing On!—Cynthia Gray. Here is a
beautiful, singable original that celebrates music
in a unique way, beginning with the silence of
the earth before music. With or without the
optional orchestration, this is a must for any
music-themed program!
10457292 SATB . . . . . . . . . . . . . . . . . . 1.95
10457459 Orchestration CD-ROM . . . 49.95
t
Music's Echo—Greg Gilpin. A text by
Thomas Moore provides the inspiration for
this innovative a cappella piece, which uses
percussion accompaniment to create a magical
effect! It begins with a simple melody, then each
part joins with its own melody as the polyphonic
singing builds in a glorious tribute to music.
"How sweet the answer Echo makes to Music
at night, when, roused by lute or horn, she
wakes..." This may be used as a processional,
or it may be sung antiphonally by two or more
choirs. Parts for triangle or finger cymbals,
tambourine, mid/high drum and low drum are
included. Highly recommended!
10029515 SATB . . . . . . . . . . . . . . . . . . 1.90
10453990 TB. . . . . . . . . . . . . . . . . . . . . 1.90
10453999 Multi-Song Accomp. CD . . 44.99
4
My Singing Bird—arr. Robert S. Cohen. The
melody of this traditional Irish folk ballad begins
in unison and then cascades into a contrapuntal
wordless vocalise that mirrors the imagery of the
text. Beautiful a cappella harmonies are created
from beginning to end, expressing a dialogue of
love and joy. A wonderful opportunity for poetic
exploration of meaning.
10442063 SSA . . . . . . . . . . . . . . . . . . . 1.90
4 My Singing Bird—arr. Sheila Donahue. Many
of the melodic turns in this traditional Irish
Folk song mimic bird calls, emphasizing the
connection between art and nature. Your young
singers will enjoy this as they identify with the
melody, which conveys beautiful imagery of life
and flight.
10443070 Unison/Two-Part . . . . . . . . . 1.80
4
My Song—Audrey Snyder. Your young singers
will celebrate the music within them as they
sing their own song of confidence and joy! An
uptempo pop/gospel groove and easy back and
forth melody will make this a snap to learn and a
super concert showcase! Highly recommended!
10455717 Two-Part . . . . . . . . . . . . . . . 1.90
10455719 P/A CD . . . . . . . . . . . . . . . . 26.99
4 Now Sleeps the Crimson Petal—Greg Gilpin.
This sensitive setting of Alfred Lord Tennyson's
time-honored poem is a musical text painting, set
to lush harmonic phrases and lyric melodies. The
simple yet supportive accompaniment allows the
vocals to be showcased throughout. "Now sleeps
the crimson petal, now the white; Nor waves the
cypress in the palace walk; Nor winks the gold
fin in the porphry font: The firefly wakens: waken
thou with me..." Highly recommended!
10443555 SATB . . . . . . . . . . . . . . . . . . 1.80
Ht O Magnum Mysterium—Morten Lauridsen.
An exemplary composition to display the
musicianship of better a cappella choirs, this
choral opus evokes the mystery of the Nativity
with rich melodic and harmonic colors. Emotive
and deeply fulfilling, it has become Lauridsen's
most performed work.
1985530 SATB . . . . . . . . . . . . . . . . . . 1.90
4 O My Luve's Like a Red, Red Rose—Kevin
Memley. The well-known Robert Burns poem
has been brought to new life in this gorgeous,
passionate setting. The flowing tune builds
to a dramatic, uplifting climax - proclaiming
the depth of love - before settling into a quiet,
intimate close. A beautifully crafted melody,
solid part writing, and a delicate, accessible
piano accompaniment make this a top choice
for high school, university, and community
choirs. Highly recommended!
10445641 SATB . . . . . . . . . . . . . . . . . . 2.15
New by Christopher Tin
Temen Oblak
Christopher Tin. Temen Oblak, which
means Dark Clouds, is sung in Bulgarian
and adapted from a poem by Hristo
Botev. Featuring the intricate rhythms and
harmonies of Bulgarian women's choirs,
it was commissioned by the International
Schools Choral Music Society (ISCMS)
and was first performed on February 22,
2014 at the Forbidden City Concert Hall in
Beijing by the ISCMS Festival Orchestra
and Chorus, conducted by composer
Christopher Tin. Temen Oblak is the third
movement of "The Drop That Contained
the Sea", a ten-movement work that
deals with water in different forms.
Orchestra parts are available on rental
from the publisher.
10484181 SATB or SSA . . . . . . . . . . . . 4.99
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