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Concert & Festival
H Battle Hymn of the Republic—arr. Peter
Wilhousky. The Wilhousky setting of this 19th
century hymn is possibly the most heartfelt
musical pronouncement of American patriotism.
Divisi sections in all parts are accessible and
still richly expressive with harmonic colors and
sweeping dynamic contrasts. Emotional and
highly effective, it is a truly magnificent setting
that may be performed with band or orchestral
accompaniment. It's also the one chosen most
often by U.S. military ensembles.
245076 SATB . . . . . . . . . . . . . . . . . . 1.95
10443554 SAB . . . . . . . . . . . . . . . . . . . 2.25
244988 SSA . . . . . . . . . . . . . . . . . . . 1.80
244897 TTBB . . . . . . . . . . . . . . . . . . 1.95
945436 Concert Band . . . . . . . . . . . 90.00
258038 Full Orchestra. . . . . . . . . . . 85.00
Battle of Jericho—arr. Mark Hayes. You've
heard the famous spiritual about Joshua's grand
battle, but wait 'til you hear it in the hands of
Mark Hayes! This famous story comes to life
as a fun-filled musical adventure! The choral
parts are so much fun that your choir will ask
for it "just one more time". Whether offered in
worship or in a concert setting, listeners will be
hard pressed to sit quietly in their seats when
these walls come-a tumblin' down!
10091145 SATB . . . . . . . . . . . . . . . . . . 1.95
10452868 SAB . . . . . . . . . . . . . . . . . . . 1.85
10452869 TTBB . . . . . . . . . . . . . . . . . . 1.85
4
The Beginning of Love—Greg Gilpin. "Let us
always meet each other with a smile for a smile
is the beginning of love." Based on the words of
Mother Teresa, this and other selected quotes
are woven together to create a stunning lyric
of love and compassion. Melody and harmony
float above a flowing piano accompaniment and
optional violin. The piece also contains a short
narrative at the beginning and the end, focusing
on Mother Teresa.
10437444 Two-Part . . . . . . . . . . . . . . . 2.50
10453999 Multi-Song Accomp. CD . . 44.99
4
Bile Them Cabbage Down—arr. Steve
Kupferschmid. This lively, rhythmic and
humorous arrangement is pure fun from start
to finish, not to mention easy to learn! Hand-
clappin', hootin' and hollerin' and even some
barking and howling fill the verses and choruses
key change after key change. Add some foot-
stompin' and a fiddle and you're ready to "bile
them cabbage down!"
10453547 SAB . . . . . . . . . . . . . . . . . . . 1.95
10453552 Two-Part . . . . . . . . . . . . . . . 1.95
10453553 P/A CD . . . . . . . . . . . . . . . . 26.99
4
Bobby Shafto—arr. Philip Lawson. With a
twist of Brahms' Lullaby and Wagner's Bridal
Chorus, this clever arrangement of an English
folksong makes a light-hearted encore number
- lots of fun for concert or community choirs!
"Bobby Shafto's gone to sea, silver buckles
on his knee; he'll come back and marry me,
bonny Bobby Shafto..."
10456883 SATB . . . . . . . . . . . . . . . . . . 2.25
4 The Busiest Composers—Amy F. Bernon.
Isn't a tree full of birds like notes on a staff?
This delightful original selection imagines our
feathered friends as tiny songsmiths: "Whatever
they're composing, be it symphony or song, I
wanna sing along." Young singers will enjoy
the amusing wordplay and busy melody of this
charming, whimsical work!
10457283 Unison . . . . . . . . . . . . . . . . . 1.95
10457510 P/A CD . . . . . . . . . . . . . . . . 26.95
4
Camptown Races—Stephen Foster/arr. Jay
Althouse. Jay's particularly folky accompaniment
features a jaunty piano with optional bass
and percussion (available free at alfred.com/
choralparts). Fully arranged with new harmonic
and rhythmic content on each subsequent verse.
Rollicking and fun, "doo-dah day!"
10452871 SATB . . . . . . . . . . . . . . . . . . 1.85
10452872 SAB . . . . . . . . . . . . . . . . . . . 1.85
10452873 Two-Part . . . . . . . . . . . . . . . 1.85
10452874 SSA . . . . . . . . . . . . . . . . . . . 1.85
10452875 TB. . . . . . . . . . . . . . . . . . . . . 1.85
10452876 P/A CD . . . . . . . . . . . . . . . . 27.99
4 Cangoma—arr. Lon Beery & Elisa Dekaney. In
the Bantu language, Cangoma means drum.
The text of this piece, in a Portuguese dialect,
celebrates the end of slavery. Use congas,
djembe, tubanos, cajon, or tom-toms to add
the simple drum part. A pronunciation guide is
included for this highly charged and fun-filled
Brazilian folk song!
10443525 Three-Part Mixed
with opt. Baritone. . . . . . . . . 1.80
4t Canon!—Johann Pachelbel/arr. Alan Billingsley.
Would Pachelbel approve? Who knows. But
singers and audiences surely will! This rhythmic
rendition presents the famous "Canon in D"
with nonsensical scat syllables. Sing a cappella
or with the optional piano accompaniment. It's
guaranteed to be the most memorable three
minutes of any concert program.
10452877 SATB . . . . . . . . . . . . . . . . . . 2.00
4
Cantate Domino—Ruth Morris Gray. The
familiar Latin text has been set many times by
many composers, but this dynamic and rhythmic
composition rises above. Opens with a driving,
marcato theme, which is brilliantly contrasted
by the expressive, legato B section. A dramatic
choral work that delivers an impressive effect.
10452878 SATB . . . . . . . . . . . . . . . . . . 1.85
10452879 Three-Part Mixed . . . . . . . . . 1.85
10452880 SSA . . . . . . . . . . . . . . . . . . . 1.85
10452881 TB. . . . . . . . . . . . . . . . . . . . . 1.85
10453431 Multi-Song Accomp. CD . . 44.99
4 Cantate Domino—Vicki Tucker Courtney.
Alternating between Latin and English text,
this rhythmic, celebratory setting is a fantastic
opener for women's choirs! Interesting meter
changes, a contrasting middle section, and a
simple piano accompaniment give the work a
fresh sound and feel that everyone will enjoy!
10443448 SSA . . . . . . . . . . . . . . . . . . . 1.95
4
Cantate Exsultate—David Waggoner. Two
Latin words alternate with a predominantly
English text and complement the flowing
melody. Near the end, a small group descant
adds a third line to the partner song format.
Perfectly suited for treble choirs of any age!
10452882 Two-Part . . . . . . . . . . . . . . . 1.85
10453431 Multi-Song Accomp. CD . . 44.99
4
Canticum Novum—Jerry Estes. Alive with
energy created from its up-tempo and multi-
metered style, simple Latin text is used with
English text to celebrate music and the joy of
singing. With a supportive and rhythmic piano
accompaniment, this is excellent for contest,
concert or festival use.
10437438 Three-Part Mixed . . . . . . . . . 2.50
10453999 Multi-Song Accomp. CD . . 44.99
4
Celebrar El Dia—Vic Harrison. Sunday,
Monday, Tuesday, Wednesday, all through the
week we can celebrate the gift of a new day.
Perfect for choirs in elementary through middle
school, this Latin-flavored work lends itself to
collaboration. Add simple percussion or the
fully realized percussion ensemble to enhance
your performance. With alternate Spanish and
English text, translation and pronunciation
guide, it's easy and very effective!
10431440 Two-Part . . . . . . . . . . . . . . . 1.90
10431482E Instrumental Parts
Percussion ePrint . . . . . . . . 20.00
4
Chatter with the Angels—arr. Greg Gilpin.
A bouncy piano accompaniment moves this
cheerful arrangement along, as the playful
melody is passed from voice to voice. Greg has
great fun weaving "chatter" through the choir
and modulating to the big finish. Light spiritual
repertoire for any group.
10452896 SATB . . . . . . . . . . . . . . . . . . 1.85
10452897 SAB . . . . . . . . . . . . . . . . . . . 1.85
10452898 Two-Part . . . . . . . . . . . . . . . 1.85
10453431 Multi-Song Accomp. CD . . 44.99
4 Clap Your Hands—arr. Paul Carey. Clap,
stomp, shake and sing this lively arrangement
of the American folk tune Old Joe Clark. With
rhythmic twists, percussion, and movement
suggestions, this is a fun showstopper that will
be a fantastic closer for elementary and middle
school choirs! Parts for tambourine/shaker and
glockenspiel are included.
10445544 Two-Part . . . . . . . . . . . . . . . 2.25
4 Come and Be With Me—Herb Frombach/
arr. Vicki Tucker Courtney. Lyrical melodic
lines and lush harmonies invite the treble choir
to share the love and life found in the beauty
of nature. The music captures the imagery in
the text: "See the cloudless sky and hear the
early sounds of spring, come be with me when
the winged whimbrel sings..." Singable, with
easy voice leading and a very effective piano
accompaniment, this is very nice for spring!
10443456 SSA . . . . . . . . . . . . . . . . . . . 1.95
4t Come Away, Sweet Love—Thomas Greaves/
arr. John Leavitt. This delightful five-voice
madrigal from 1604 is outstanding! Echo effects
and lots of interplay among the parts make the
most of the musical imagery of "running in and
out." This is guaranteed fun to rehearse and
perform! Highly recommended!
10455972 SSATB . . . . . . . . . . . . . . . . . 1.90
Come to Me in the Silence of the Night—
Greg Gilpin. Christina Rossetti's artful text has
been treated lovingly, with gorgeous melodies
building to full choral sonorities. From its
hushed, mysterious beginning, this musical
portrait is painted with poignant beauty and
simplicity. "Come in the speaking silence of a
dream. Come with soft, rounded cheeks and
eyes as bright as sunlight on a stream..." For
concert choirs at the medium level, this is a true
gem! Highly recommended!
10089767 SATB . . . . . . . . . . . . . . . . . . 1.85
10457262 SSA . . . . . . . . . . . . . . . . . . . 1.95
10089768 P/A CD . . . . . . . . . . . . . . . . 24.95
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large or small.
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