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4Editors' Choice lNew Publications 2014 HPepper Basic Library Available ePrint All Prices in U.S. Dollars & Subject To Publisher Revision
Classical
very easy to easy
Barber of Seville Overture—Gioacchino
Rossini/arr. Meyer. Leave it to Richard Meyer
to bring this beloved favorite down to the easy
level while still retaining all the excitement of
the original! Everyone will recognize these great
themes from the world's most famous opera and
your orchestra will be able to handle all the parts.
Your orchestra will love sounding this good!
2472816 Full Orchestra . . . . . . . .E 58.00
2472816E Full Orchestra ePrint . . .E 58.00
4
Fanfare Rondeau—Jean-Joseph Mouret/arr.
Douglas E. Wagner. This highly recognizable
work is a sure bet for success as a first
experience in full orchestra, but it may also be
performed by strings alone. The parts are not
difficult and the rondo form should shorten the
rehearsal time.
10453873 Full Orchestra . . . . . . VE 50.00
10453873E Full Orchestra ePrint . VE 50.00
Ode to Joy—Beethoven/arr. Meyer. This
is the perfect concert opener or closer! This
flexible arrangement of Beethoven's most
famous melody works for both full and string
orchestras. It's been transposed and adapted
to give all of your young students a rewarding
orchestra experience. Don't miss your
opportunity to perform this masterwork.
2442614 String Orch or
Full Orch . . . . . . . . . . VE 58.00
2442614E String Orch or
Full Orch ePrint . . . . . VE 58.00
4
Overture to "Royal Fireworks Music"—G.F.
Handel/arr. Richard Meyer. Combined with an
introductory theme from the suite, the "Overture"
is among the most majestic Baroque music
ever written. Perfectly set as a first full orchestra
experience, the contrasting statements of the
themes are regal and fun to play.
10453660 Full Orchestra . . . . . . . .E 53.00
10453660E Full Orchestra ePrint . . .E 53.00
Pastoral Symphony—Beethoven/arr. Meyer.
Moved from the original key of F to the easier
key of G, this carefully arranged young orchestra
selection retains all the charm and color of
Beethoven's original. Students will develop their
lyrical playing skills while learning to "listen for
the tune" as it moves from section to section. A
wonderful way to develop proper balance in a
symphonic setting, and a great introduction to
music that invokes moods and pictures.
10067048 Full Orchestra . . . . . . . .E 57.00
10067048E Full Orchestra ePrint . . .E 57.00
H Rhapsody in Blue—George Gershwin/arr.
Cerulli. One of the most unforgettable songs
in America! With its lyrical melodies and
rhythmic counterparts, this Gershwin classic
is equally at home as a concert number or a
lighter selection. A guaranteed hit!
2304392 String Orch or
Full Orch . . . . . . . . . . . .E 60.00
2304392E String Orch or
Full Orch ePrint . . . . . . .E 60.00
Russian Sailor's Dance—Reinhold Gliere/
arr. Balent. The famous classic! And wise
teachers know that occasionally programming
a rousing dance that is loud, fast and gets
even faster at the end is often a great
way to get students (and parents) more
interested in the orchestra program and
classical music. A well-done favorite!
2466225 String Orch or
Full Orch . . . . . . . . . . . . . E 60.00
medium-easy
Ancient Aires and Dances—Respighi/arr.
Brubaker. The noble elegance and beauty
of Respighi's marvelous work shines in this
arrangement of the Balletto Movement from
"Suite No. 1." The feel of early music carries
through in an arrangement that works equally
well for strings alone or with the addition of
winds. A great introduction to Respighi!
10032563 String Orch or
Full Orch . . . . . . . . . . . . . . 53.00
10032563E String Orch or
Full Orch ePrint . . . . . . . . . 53.00
Capriccio Espagnol—Rimsky-Korsakov/arr.
Meyer. Hailed by Tchaikovsky as a colossal
masterpiece of instrumentation, Rimsky-
Korsakov's "Capriccio Espagnol" has delighted
audiences since its premiere in 1887. The
melodies used in the piece go back to themes
sketched by the composer for a virtuoso work
for solo violin and orchestra. After changing
his mind, Rimsky-Korsakov decided to
make the work a display piece for the entire
orchestra. This arrangement features two
sections of the original capriccio: the Alborada
(morning serenade) and the Fandango of the
Asturias, a dance traditionally played with
guitar and castanet accompaniment. Tastefully
arranged by Richard Meyer, Rimsky-
Korsakov's flashy showpiece is now playable
by the less-experienced orchestra.
10015175 Full Orchestra . . . . . . . . . . 58.00
10015175E Full Orchestra ePrint . . . . . 58.00
H Dance of the Tumblers (from "Snow
Maiden")—Nicolai Rimsky-Korsakoff / arr.
Dackow. The title leaves no doubt as to the
character and energy of this piece! Developing
orchestras will sound as symphonic and colorful
as possible, while more advanced ensembles
can add brilliance by exceeding the indicated
tempo marking.
2252443 Full Orchestra . . . . . . . . . . 65.00
Moldau—Bedrich Smetana/arr. Meyer. Here
is a programmatic masterpiece arranged at an
intermediate level for your orchestra. Smetana's
own program notes depict how a warm stream
and a cold stream combine into the Moldau. The
music depicts the river's journey, past a forest
hunt, a peasant wedding, and more.
2482133 Full Orchestra . . . . . . . . . . 57.00
2482133E Full Orchestra ePrint . . . . . 57.00
l
Peer Gynt Suite (Selections)—Edvard Grieg/
arr. Richard Meyer. This authentic-sounding
arrangement includes 6/8 time, legato, staccato
and marcato styles, frequent doublings, a wide
variety of dynamic markings, and one the most
famous accelerandos ever written!
10453661 Full Orchestra . . . . . . . . . . 58.00
10453661E Full Orchestra ePrint . . . . . 58.00
Sleepers Wake—J. S. Bach/arr. Brubaker.
The familiar Johann Sebastian Bach melody
will be loved by one and all. Solidly scored
for your strings or full orchestra, the delicate
melody will reinforce the musicianship of the
entire ensemble.
2478060 String Orch or
Full Orch . . . . . . . . . . . . . . 63.00
2478060E String Orch or
Full Orch ePrint . . . . . . . . . 63.00
The Sorcerer's Apprentice—Paul Dukas/
arr. Balent. Here it is! The only selection to
be featured in the original "Fantasia" film and
sixty years later in "Fantasia 2000!" Now it
is arranged in a version your students can
play. Playable by string orchestra or full
orchestra, this arrangement avoids much of the
introductory material to get right into the most
familiar parts. An orchestra classic!
2472121 String Orch or Full Orch. . . 65.00
Themes from "Scheherazade"—Nikolai Rim-
sky-Korsakov/arr. Meyer. Rimsky-Korsakov's
famous symphonic suite "Scheherazade"
has been a staple of the symphonic literature
since it was written in 1888. Now your younger
students can enjoy the Russian master's colorful
orchestrations and imaginative themes in this
"true-to-the-original" arrangement that takes
just five minutes to perform. Included are The
Sultan's Theme, Scheherazade's Theme (for solo
violin), and the themes from "The Story of the
Kalendar Prince" and "The Young Prince and the
Young Princess."
10092534 Full Orchestra . . . . . . . . . . 58.00
10092534E Full Orchestra ePrint . . . . . 58.00
Tragic Overture—Johannes Brahms/arr.
Leidig. All the dark and passionate themes of this
great work are maintained, yet this arrangement
is perfect for intermediate orchestras. Even
though the piece does not have a programmatic
theme beyond that of the title, glimmers of hope
dominate and it seems to end with a victorious
feel. Perfect for festival and contest.
10310616 Full Orchestra . . . . . . . . . . 68.00
10310616E Full Orchestra ePrint . . . . . 68.00
medium
1812 Overture—Tchaikovsky/arr. Brubaker.
Maintaining all of the excitement and
pageantry of the original, this work has been
paired down to six and half minutes. Best
known for its climactic volley of cannon fire,
ringing chimes and brass fanfare, this piece is
perfect for a bicentennial celebration in 2012.
You'll have to hear it to believe it!
10310481 Full Orchestra . . . . . . . . . . 69.00
10310481E Full Orchestra ePrint . . . . . 69.00
Academic Festival Overture—J. Brahms/
ed. Leidig. Brahms' famous overture has been
carefully edited to remain playable yet as close to
the original as possible. Veteran arranger Vernon
Leidig has carefully scored this work to produce
the rich full sound this masterpiece deserves.
Your audience will be impressed!
2478651 Full Orchestra . . . . . . . . . . 73.00
2478651E Full Orchestra ePrint . . . . . 73.00
Amadeus (from "Symphony No. 25")—W. A.
Mozart/arr. Hoffman. "Symphony No. 25"
begins with one of Mozart's most recognized
themes, as heard in the classic Oscar-winning
film "Amadeus." Hoffman has placed the first
movement in an accessible, practical format
that can be performed by school orchestras with
confidence.
10062533 Full Orchestra . . . . . . . . . . 65.00
10062533E Full Orchestra ePrint . . . . . 65.00
H Bacchanale (from "Samson and Delilah")—
Camille Saint-Saens/arr. Merle Isaac. This
haunting Saint-Saens theme is a favorite of
audiences everywhere and is a great change of
pace on any program.
2143592 Full Orchestra . . . . . . . . . . 65.00
2143592E Full Orchestra ePrint . . . . . 65.00
Carmen Suite—Georges Bizet/arr. Kennedy.
This thrilling suite presents five of the most
memorable segments of Bizet's famous score
in an edition that's been carefully edited from
the Kalmus version. A fabulous showpiece
for mature orchestras, it's true to the original,
which gives lots of prominent parts to the
woodwinds. Sections include Prelude To Act
I; Children's Chorus From Act I; Seguidille;
Habanera and Les Toreadors. Nice!
2415479 Full Orchestra . . . . . . . . . 125.00
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