Handbell Music
l A Celtic Ring (Holy Manna)Susan Geschke.
Weaving together original melodies and holy manna,
Susan Geschke's latest piece is playful and exuberant
as it dances happily along. This lighthearted selection
is immediately engaging and is as pleasing to hear as
it is to ring. A sprinkling of staccato notes throughout
and no bell changes will give your ringers just the
right amount of challenge. Given an alternate title of
holy manna, this piece works equally well in church
and community settings.
10488683 3/5 Octave . . . . . AGEHR-L2 4.50
l Children of the Heavenly Fatherarr. Hart
Morris. This beloved melody is beautifully set by
the noted composer Hart Morris with fluid melody
lines, light syncopation and an optional flute part in a
tender presentation. The piece moves from C major
to F major, and the final stanza is rung majestically
in E-flat major, creating a unique tone painting.
A separate flute part can be downloaded at www.
handbellmusicians.org.
10490115 3/5 Octave opt. 2/3 oct.
Handchimes
& Flute . . . . . . . . AGEHR-L3 4.50
l Chime In: Songs of Praise No. 2arr. John
A. Behnke. Chime In: Songs of Praise 2 continues
the popular series with two accessible hymn
arrangements of A Mighty Fortress Is Our God and
Now Thank We All Our God. These creative and
well-crafted pieces for beginning or youth choirs
will keep everyone ringing!
10455027 2/3 Octave . . . . . AGEHR-L1 4.50
Christians We Have Met to WorshipLloyd
Larson. Set in C major and F major with no other
bell or chime changes, the lyrical pentatonic tune is
supported by strong block harmonies and episodes
of mild syncopation. Program this selection as the
morning prelude and lead into the opening hymn.
10089523 2/3 Octave . . . . . AGEHR-L2 4.50
The Church's One Foundationarr. Kevin
McChesney. This arrangement of one the great
hymns is versatile, simple to put together, and results
in a big sound. Using mallets, TD, pluck, LV, echoes,
and shakes, this is a good choice for younger or
less-experienced choirs to build their skills, or for
more experienced groups with little rehearsal time.
10374584 3/5 Octave . . . . . AGEHR-L2 4.50
Come, Christians, Join to SingJason Krug.
Heralding a call to worship, this triumphant fanfare
uses majestic ringing, enhanced by shakes, before
giving way to a dynamic, syncopated statement
based on the hymn tune MADRID. Following a middle
section filled with martellato and malleted chords
for a delightful contrast, this masterful arrangement
develops into another powerful and riveting fanfare.
Highly recommended!
10293736 3/5 Octave . . . . AGEHR-L2+ 4.50
Come Holy SpiritSondra K. Tucker. Featuring
the haunting chant Veni Creator Spiritus and the
Welsh tune aberystwyth, this expressive setting
creates an aura of worship from the opening
measure. Singing bell technique creates a serene
backdrop at the beginning and end of the piece,
while the easy motion of the middle section
combines both tunes. Ethereal.
10080459 3/5 Octave . . . . . AGEHR-L3 4.95
l Come, Thou Almighty Kingarr. Jason W.
Krug. This majestic, regal arrangement, with its
bold and dramatic introduction, is the perfect
prelude or offertory selection to shake the rafters.
Syncopation of the traditional hymn melody gives
it a modern twist, while the vibrant phrasing will
challenge your ringers as they make this piece an
instant congregational favorite.
10490145 3/6 Octave opt. 1 oct.
Handchimes . . . . AGEHR-L3 4.50
Come Thou Almighty Kingarr. Lloyd Larson.
The well-known hymn Come, Thou Almighty King
is heralded by a joyous cascade of ringing bells,
bringing a fresh, vibrant sound to this imaginative
setting. The exuberant rhythmic introduction is used
throughout the piece, creating unity and bringing
delight to all who hear it.
10340390 3/5 Octave . . . . . AGEHR-L3 4.50
l Come, Thou Fount of Every BlessingJohn
B. Wyeth/arr. Ron Mallory. Here is a vibrant and
energetic setting of the well-known hymn tune. The
malleted rhythm is complicated, but once learned it
is repetitive, making the bass line easier to learn.
A softer middle section uses optional three-octave
handchimes to provide contrast with the malleted
opening and closing sections. This new, modern
approach will delight audiences whether performed
during a worship service or a concert or festival!
10490001 3/5 Octave opt. 3 oct.
Handchimes . . . AGEHR-L3+ 4.50
l Come to JesusChris Rice/arr. Joel Raney.
In this contemporary bell setting, Joel Raney has
captured the flowing, graceful style of Chris Rice's
praise ballad for 3-5 octave handbells, optional 3-5
octave handchimes and synthesizer. Beautiful and
expressive, the melody with a single handbell line
builds in intensity, demonstrating a strengthening
sense of faith and conviction. Expressing the theme
of Jesus being ever present, offering comfort and
hope in every circumstance, the message behind
the song is inspirational, making this title useful in
any worship setting.
10488694 3/5 Octave opt. 3/5 oct
Handchimes . . . . AGEHR-L3 5.25
10488695 Instrumental Parts
Synthesizer. . . . . . . . . . . . . . . 5.00
Come, Christians, Praise the LordBenjamin
Carr & Rowland Prichard/arr. Michael Ryan.
Designed to build confidence, this bright, cheery
arrangement that combines Come, Christians, Join
to Sing and Love Divine All Loves Excelling is great for
any service and perfect for introducing the bell swing
technique and meter changes to beginning ringers.
10425006 2/3 Octave . . . . . AGEHR-L1 4.50
Come, Thou Fount of Every BlessingKevin
McChesney. Kevin McChesney has given us a
contemporary twist on a favorite traditional hymn.
This satisfying and accessible arrangement should
find a welcome home in traditional, contemporary,
and blended worship services. It will also be an
excellent choice for concerts and festivals.
10089477 3/5 Octave . . . . . AGEHR-L3 4.95
4 Contemplation & Dance on kINGsFOldarr.
Hart Morris. The 'contemplation' section of this
arrangement evokes the sedate mood of many
of the hymn texts with which it is associated; the
random ringing, singing bells and mellow tone
of the handchimes all contribute to the soothing
effect. The passing of the melody between
octaves in the handchimes works beautifully for
interest. The 'dance' section introduces a more
celebratory mood that is full of excitement, with a
quicker tempo, featuring the use of mallets, ring
touch and martellato techniques, plus optional
hand drum. In addition, a flute part which
enhances both sections with a slightly Native-
American feel may be added.
10488668 3/5 Octave opt.
Handchimes . . . AGEHR-L3+ 4.95
10488669 Instrumental Parts Score,
Flute & Hand Drum
Parts . . . . . . . . AGEHR-L3+ 7.95
l Creator of the Stars of Nightarr. Shawn
Gingrich. This gentle accessible arrangement warmly
embraces the nineth century tune CONDITOR ALME
SIDERUM,
and is equally beautiful whether performed
on handbells or handchimes. The liberal use of
LVs and open chords facilitate a chant-like style.
Especially well-suited for youth or beginning ringers.
10427598 3 Octave . . . . . AGEHR-L1+ 3.95
Crown Him Lord of AllLloyd Larson. In the
style of a brilliant symphonic overture, three robust
hymn tunes (diademata, darwall's 148th and
coronation) ring forth with strength and conviction.
Invigorating harmonies and upward-reaching tonal
centers present themselves at every turn and create
music for a joyful celebration.
10187132 3/5 Octave . . . . AGEHR-L2+ 4.50
l Deep Riverarr. Bill Ingram. This favorite spiritual
combines well with Wade in the Water to make an
interesting setting for church, school or concert.
Take the "freely" marking seriously, and let it ebb
and flow.
10434554 3/5 Octave . . . . . AGEHR-L2 4.50
Didn't My Lord Deliver Daniel?arr. Derek
Hakes. Finger snaps and a steady jazz beat help to
propel the recognized tune in this arrangement of
the American spiritual. With musical surprises that
will keep your ringers on their toes, this showpiece
will be enthusiastically received by congregations
and audiences alike.
10089541 3/6 Octave . . . . AGEHR-L3+ 4.95
Dona Nobis Pacemarr. Kevin McChesney.
This arrangement of Dona Nobis Pacem was the
first-prize winner in an internet arranging contest
created in 2009 by internationally renowned cellist
Yo Yo Ma and sponsored by Sony Music and Indaba
Music. This exceptional arrangement of the familiar
melody, featuring handbells and cello with optional
two-part voices or C instruments, flows seamlessly
from one special moment to the next, with every
part getting a chance to shine. An excellent choice
for any church, school or community performance,
this is not to be missed!
10342595 3/5 Octave opt.
cello, voices . . . . AGEHR-L3 4.50
10342596 Instrumental Parts
with Full Score. . AGEHR-L3 12.95
El ShaddaiMichael Card & John Thompson/
arr. Susan E. Geschke. This powerful Christian
contemporary song has carved a lasting place in
the hearts and minds of worshippers everywhere.
Rising like a whisper, the quiet legato ringing of the
opening quickly gives way to a driving syncopated
rhythm on mallets that repeats to make it easier to
learn. Lush legato ringing and the echo technique
provide contrast in the middle before returning
to the unbounded energy of mallets and a bold,
impressive ending. Guaranteed to inspire and lift
the spirits of any congregation!
10424170 3/5 Octave . . . . AGEHR-L2+ 5.25
Enduring JoyCynthia Dobrinski. This joy-filled
original composition abounds with energy and
is lilting in spirit. The inspiration comes from the
scriptural reference "The joy of our Lord is your
strength." (Nehemiah 8:10) The 6/8 meter is easily
learned and sets a delightful feeling for the opening
and closing sections, while contrasting with a
hymn-like middle section in minor mode. This is a
sure winner that you don't want to miss!
10341871 3/6 Octave . . . . . AGEHR-L3 4.95
Everlasting God with Majestyarr. Peggy
Bettcher. Rhythmic drive and energy prevail
throughout this exciting Peggy Bettcher
arrangement of Benton Brown and Ken Riley's
popular praise song, paired with Jack Hayford's
classic Majesty. The bold setting incorporates
syncopated sections along with a variety of handbell
techniques including thumb damps, mallets,
shakes and LV sections for a triumpant declaration
of faith.
10360817 2/3 Octave . . . . . AGEHR-L3 5.25
l Fanfare on Ode to JoyLudwig van Beethoven/
arr. Andrew Duncan. An openinq majestic fanfare
introduces the Ode to Joy melody with an ostinato
in the higher bells combined with syncopation
and staccato notes for a light, contemporary feel.
Mixed meters from 4/4 to 3/4 add even more
excitement. The piece concludes with an intricate
variety of festive and joyous resonances. This
festive piece is ideal for worship celebrations,
concerts, and festivals.
10486817 5/6 Octave . . . . . AGEHR-L3 4.75
Fantasia on
EBENEZERTammy Waldrop. This
rhythmically interesting and strong arrangement of
the tune
EBENEZER includes gyros, TD, martellato,
martellato lifts, and malleting to make this piece a
favorite for your ringers and congregation alike. A
great choice when something special and slightly
different is needed!
10340398 3 Octave . . . . . AGEHR-L2+ 4.95
Fantasy on
KINGSFOLDarr. Dean Wagner,
Michael Glasgow. Dean Wagner's Fantasy on
KINGSFOLD has been a best-seller since it was
first published in 2000. For the first time, it is
now available with a full orchestration provided
by Michael Glasgow. This dynamic setting, which
is based on an old English folk tune, moves from
intimate to majestic with colorful harmonies and the
optional use of handchimes. For worship or concert,
this is a tried and proven winner.
3266772 3/5 Octave . . . . AGEHR-L2+ 4.50
10316718 Instrumental Parts
Orchestration . . . . . . . . . . . . 55.00
l Fantasy on Liverpool (Ring, Bells, Across
the Earth)John Roberts/arr. Fred Gramann.
Composed for the 2012 International Handbell
Symposium in Liverpool, England, this work is
based on the tune Liverpool by John Roberts. Heard
throughout is a contrasting motif formed by spelling
the word
liverpool in musical notes. Several stately
treatments of the tune are followed by a toccata-like
section in which all ringers are challenged by many
fast-moving sixteenth-note runs. The final verse
includes lyrics added by Fred Gramann that speak
of the various roles played by bells and their power
to bring unity. This can be sung by the ringers if
desired, or printed for audience participation.
10489501 5/6 Octave opt. 7 oct.
Handchimes . . . . AGEHR-L4 4.95
Feel the Spirit!Lloyd Larson. Propelled by a
joyful forward-moving motive and contemporary
harmony, this beloved African American spiritual
receives a fresh, new voice in the hands of a
veteran writer. The middle section uses a malleted
arpeggio pattern for contrast. This title would make
an especially effective festival offering.
10307729 3/5 Octave opt. 3-4 oct.
Handchimes . . . AGEHR-L2+ 4.95
l For the Beauty of the Earth (As with Gladness,
Men of Old)arr. Valerie Stephenson. This fun
mallet feature with mallet rolls and clicks is a great
teaching piece for youth or adults. Sure to bring joy
at any time in the church year, including festivals
and Epiphany. Alternate title: As With Gladness,
Men of Old.
10456957 3/5 Octave . . . . . AGEHR-L2 4.50
l From the HeartDan Edwards. This charming
suite of original music, subtitled Three Meditations
for Two Octaves, incorporates the following
movements: Our Hearts Are Open, Lord; I Long
for You, Jesus and Cantate Domino. They can be
performed together as a suite or as three separate
pieces that are interesting, mildly challenging and
very different from each other. Well-suited for
worship, this edition is truly From the Heart.
10486830 2 Octave . . . . . . AGEHR-L2 5.25
Get on Board, Little Childrenarr. Greg
Gilpin & Martha Lynn Thompson. This charming
handbell arrangement of Get on Board, Little
Children is based on Greg Gilpin's spirited and
fun choral setting of the traditional spiritual. In
the handbell arrangement, the accompaniment
makes extensive use of bells malleted on the
table reminiscent of a train on the tracks, while
the melody is rung above. A train whistle is
optional, but adds such a fun element to the
arrangement. There is a key change in the middle,
but it shouldn't cause any "train wrecks!" The 3
octave version is as musically satisfying as the 4
or 5 octave versions. Ringers and audiences of all
ages will enjoy this lively piece.
10424222 3/5 Octave
Traditional . . . . . AGEHR-L3 4.50
Go Down, Mosesarr. Bill Ingram. While not
difficult to play, Bill Ingram's setting of this beloved
spiritual is full of rhythmic drive. It requires ringing
with confidence and conviction, from the softer
melodic sections to the malleted octaves underneath
the melody in others, to emphasize the message of
faith from the timeless story in the Bible.
10424174 3/5 Octave . . . . AGEHR-L2+ 4.50
l God with Usarr. Karissa Dennis. Ringable
throughout the year, this medley of
GOD BE WITH
YOU; PROMISED LAND
and IN THE SWEET BY AND BY
reminds us that God is always present. The quiet
opening, defined by the use of handchimes,
leads to joyful middle and ending sections that
incorporate mallets and martellato. The variety
of mood and technique make God with Us a
must-own selection.
10490075 3/5 Octave opt. 3/5 oct.
Handchimes . . . AGEHR-L2+ 4.50
107
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