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the best new
Adult Choir Lenten Anthems
Cross of Christ, O Sacred Tree
Lloyd Larson.
Daniel Taylor's poem from the 1870s appears with three different hymn
tunes in many older hymnals. Lloyd Larson's original melody brings a
dignity and heartfelt devotion to the text, and the accompaniment with
piano and horn add a rich color palette. An anthem of gratitude and hope,
this is the perfect choice for communion or to close your worship service,
particularly during Holy Week.
10489691 SATB with French Horn . . . . . . . . . . . . . . . . . . . . . . . 2.10
Deep Were His Wounds
Timothy Shaw.
"But they, whom sin has wounded sore, find healing in the wounds he
bore." William Johnson's penetrating hymn was written in 1953 and is
deeply expressed with new music by composer Tim Shaw. Rich scoring,
expressive melodies and a supportive piano accompaniment allow for the
best results with your SAB choir. Appropriate for Holy Week, communion,
confession or any reflective moment during your worship service.
10489175 SAB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.70
Father, Forgive Them
Pepper Choplin.
"Father, forgive them, they know not what they do." These penetrating
words uttered by Jesus at the point of death signify in language the
enormity of Jesus' sacrifice for all of humanity. Using just these nine
words, Pepper Choplin has crafted a gripping, dramatic musical glimpse
into the pathos of the suffering Christ. Heartrending.
10489722 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.00
Forsaken
Dan Forrest.
No one could presume to know Christ's thoughts as he awaited the
suffering just hours before he was crucified. This anthem combines
scriptures from the Psalms and the New Testament into a first-person
account of what Jesus' thoughts might have been. With masterfully
composed music, instrumental textures and an aura of deep sadness, the
resulting anthem is a penetrating look at the Good Shepherd during his
moments of deepest agony.
10489739 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
10489740 Instrumental Parts Violin/Cello . . . . . . . . . . . . . . . . . 17.50
In Dark Gethsemane
Trevor Manor.
A haunting original Lenten anthem for treble choirs, this is especially fitting
for Maundy Thursday worship, but can be used throughout the Lenten
season. A tender prayer refrain highlights the unified ensemble while solo
voices may be featured on the stanzas. The optional French horn part is a
resonant complement to this lovely piece.
10487445 Unison/Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
In Sorrow's Garden
David Lantz III.
This lovely sacred song portrays a bittersweet moment in the life of the
Savior. The shadows of Gethsemane fall deeply as the Rose of Sharon
opens to His Father's will. Touching words join with an Irish folk melody,
and the result is this stunning and creative arrangement. The interplay of
flute and piano is particularly appealing, and so appropriate for Holy Week.
10487871 SATB with Flute. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.90
Alas! And Did My Savior Bleed
Emily Lund.
One of Isaac Watts' most compelling hymns is recast with original music
that deeply expresses Christ's suffering for the sin of humanity. With
important parts for the men's voices and a brief a cappella moment, the
work is a compelling reminder of the scene at Calvary and the sinner's
response through personal devotion.
10489172 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.70
All Things New
Craig Courtney.
This achingly beautiful choral work centers on the garden of Gethsemane
as the turning point for the Divine promise in Revelation 21, where the
Almighty declares "I have made all things new." Christ's thoughts of his
impending agony are contrasted with angelic "Alleluia's" that are tinged
with sorrow, but become more truimphant with the foresight that the hours
ahead signify the beginnings of a new heaven and a new earth. Deeply
moving, artistically rendered music.
10489686 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
Behold the Lamb
Keith Getty & Stuart Townend/arr. Douglas Nolan.
This powerful song of grace has become a congregational standard in
a very short time. It is a reverent look at the Lamb of God, ideal for Holy
Week or communion services. The orchestral option is a tasteful addition.
10487832 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.95
10491290 P/A CD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26.99
10491292E Instrumental Parts ePrint . . . . . . . . . . . . . . . . . . . . . 30.00
Cleft for Me
Daniel Greig.
The tender beauty of the unadorned human voice makes for a compelling
moment in any concert or worship service. This masterfully arranged choral
quotes the beloved hymn Rock of Ages and is an evocative choice for Holy
Week or Lent. Brief, yet powerful!
10487840 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
Come See My Savior
Lee Dengler.
This a cappella gem is a poignant choral tableau that displays with
bittersweet beauty the deep emotion of the crucifixion. There is purity
in the writing that perfectly portrays the passion and the power of this
important moment. Set in verse form, the variations unfold in sync with the
thoughtfully adapted text. Simply beautiful!
10487845 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.90
Compassion Hymn
Keith Getty, Kristyn Getty & Stuart Townend/arr. Craig Courtney.
"There is an everlasting kindness You lavished on us when the Radiance of
heaven came to rescue the lost; You called the sheep without a shepherd
to leave their distress for Your streams of forgiveness and the shade of
Your rest." A superb selection for the Lenten season, this meaningful
choral reminds us of the true compassion of our Lord and Savior. Now
available for SAB voicing.
10091192 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.95
10489278 SAB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.05