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Pop Charts
n Cissy Strut—arr. Roger Holmes. Few people
remember The Meters and this recording from
1969; however, over the years Cissy Strut
has become a model of funky drumming and
simmering grooves, and has been recorded by
countless rock and jazz artists. Captured here
is the unique sound of the original with a flexible
solo section along with hot sounds for the entire
group. Suggested solos are included along with
scale/chord sheets in all keys.
10297520 Jazz Ensemble . . . . . . . . . . . . . 45.00
n Clocks—arr. John Wasson. One of Coldplay's
most popular hits, Clocks won Record of the
Year at the 2004 Grammy Awards. Instantly
recognizable and solidly scored, here is an
excellent version for developing jazz ensembles
that will prove to be a favorite with audiences
everywhere!
10283146 Jazz Ensemble . . . . . . . . . . . . . 45.00
H Cool (from "West Side Story")—Leonard
Bernstein/arr. Mark Taylor. From one of the most
famous musicals of all time, here is the swinging
and aptly titled Cool. Mark Taylor's version for
developing players remains true to the original
but adds a touch of contemporary flair with the
melody passed from section to section and
written or improvised solo space for trumpet.
Timeless!
10083826 Jazz Ensemble . . . . . . . . . . . . . 45.00
n Crazy Little Thing Called Love—arr. John
Berry. From the rock group Queen, here is their
highly popular swing tune in a fast-paced chart
for developing jazz ensembles. Sure to be a fun
one to rehearse and perform!
10072806 Jazz Ensemble . . . . . . . . . . . . . 45.00
n Dancing in the Street—arr. John Wasson.
Recorded in 1964 by Martha Reeves and
the Vandellas, this moderate tempo rocker
became a signature of the Motown sound. John
Wasson's soulful version for jazz ensemble
stays true to the original feel while adding a bit
of contemporary flare.
10317279 Jazz Ensemble . . . . . . . . . . . . . 45.00
4 Day Tripper—Lennon & McCartney/arr. John
Wasson. Featuring one of the most recognizable
bass licks recorded by the Beatles, John Wasson
brings us a fresh and creative setting for younger
jazz groups. With a hint of Latin style and smooth
harmonies, this will be an attractive addition to
any program.
10427412 Jazz Ensemble . . . . . . . . . . . . . 45.00
H Don't Stop Believin'—arr. Paul Murtha. From
the group Journey, this powerful rock ballad from
1981 has enjoyed renewed popularity thanks to
the hit TV series Glee as well as multiple uses in
film and even on Broadway. Sure to be a hit with
audiences and players alike!
10083822 Jazz Ensemble . . . . . . . . . . . . . 45.00
n Don't Stop Believin'—arr. Paul Baker. Hey rock
fans, here's a powerful rock ballad made famous
by Journey, arranged for young jazz ensemble.
From the opening line, this chart is magical to
the band and the audience. It has no jazz solos,
but if you have a guitar player, the arrangement
has an optional written guitar melodic line
that's also written for trumpets. A great classic
and highly recommended! Optional expanded
instrumentation.
10093155 Jazz Ensemble . . . . . . . . . . . . . 46.00
n Dynamite—arr. John Wasson. Epitomizing the
current dance club sound, here is the hit single
recorded by Taio Cruz. With a catchy melody and
driving groove, this will quickly become a favorite
for your band and its fans!
10283142 Jazz Ensemble . . . . . . . . . . . . . 45.00
n Enter Sandman—arr. Roger Holmes. From
heavy metal masters Metallica, this 1991
hit is one your players can really cut loose
on. Arranged here as a feature for guitar,
performance options are provided for bands
without guitar. All of the signature lines are still
here for a rockin' good time!
10023031 Jazz Ensemble . . . . . . . . . . . . . 45.00
n Every Little Thing She Does Is Magic—
Sting/arr. Paul Murtha. Recorded by The Police
and written in a distinctive reggae/rock vein,
this is definitely not just your run-of-the-mill pop
tune! With inventive colors and skilled ensemble
writing, this arranger takes full advantage of
the inherently fresh-sounding harmonies and
energetic rhythmic grooves of the original. A great
sounding chart for developing bands!
10033692 Jazz Ensemble . . . . . . . . . . . . . 45.00
n Everybody Needs Somebody to Love—arr.
Paul Murtha. Recorded in the '60s by artists such
as Wilson Pickett and The Rolling Stones, this
gospel-flavored hit was then famously featured in
the 1980 film "The Blues Brothers." This rockin'
chart for younger jazz ensembles brings out all
the excitement, rhythmic energy and fun of a
Blues Brothers performance.
10490295 Jazz Ensemble . . . . . . . . . . . . . 45.00
Great New
Swing Charts!
Backatown—Troy Andrews/arr. John Wasson. From Trombone Shorty's acclaimed CD
Backatown, here is the hot title cut arranged for big band in a funky medium tempo. With a blend
of catchy riffs, solid ensemble passages, and stop-time breaks, this chart exudes a spirited and
unmistakable New Orleans swagger.
10490289 Jazz Ensemble. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 45.00
Blues by Five—Red Garland/arr. John Berry. Recorded on the 1956 album Cookin' with
the Miles Davis Quintet, this jazz standard composed by pianist Red Garland adapts beautifully
for beginning jazzers. With a moderate tempo, a riff-based melody, and non-threatening soloing
on the blues progression, this is the perfect introduction to the music of Miles Davis for students
and audiences. Suggested solos are included along with chord/scale sheets in all keys, and it's
playable with optional reduced or expanded instrumentations.
10490309 Jazz Ensemble. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . VE 40.00
Embraceable You—George Gershwin/arr. Darmon Meader. Here's a tasty chart on this
Gershwin classic from the Great American Songbook! With a medium swing feel at about 120
bpm, it features optional flugelhorns to add to the rich textures, a written solo provided for tenor
sax, and a lead trumpet range to written high C. It will be a pleasure to play this chart!
10452130 Jazz Ensemble. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MA 50.00
Hurricane Season—Troy Andrews/arr. John Wasson. From the Trombone Shorty CD
Backatown, this tune features the powerful underlying pulse of a New Orleans second line feel.
In this exciting chart, the ensemble alternately screams with the full band riffs, then settles into a
simmering rhythmic groove. A real treat to perform and hear!
10490297 Jazz Ensemble. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 50.00
Struttin' with Some Barbecue—arr. Rick Stitzel. Here's a fresh take on one of the all-time
standards of early jazz composed by Lillian Hardin Armstrong and Don Raye, and made famous
by Louis Armstrong. There's a hint of old time jazz style mixed in with a more traditional straight-
ahead swing feel. Playable with optional reduced or expanded instrumentations, this is a great
way to introduce a bit of jazz history with a chart that's also fun to play.
10490303 Jazz Ensemble. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 40.00
Jazz
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