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Concert Selections
n Cantate Domino—Nancy Hill Cobb. Fresh,
singable melodic lines and a logical ABA-Coda
form make this original work by Nancy Hill
Cobb a perfect choice for any two-part choir. A
pronunciation guide for the Latin is written in
the vocal parts, and performance notes are also
included. The melodies have no difficult leaps
or accidentals, which simplifies teaching, sight-
reading and memorization. Educationally, musically
and compositionally solid. An excellent choice.
3192275 Two-Part. . . . . . . . . . . . . . . . . . . 1.95
H City Called Heaven—arr. Josephine Poelinitz/
Leck. If you have an expressive soloist, consider
this slow, soulful spiritual arrangement, expertly
edited by Henry Leck of the Indianapolis Child-
ren's Choir.
1841709 SATB. . . . . . . . . . . . . . . . . . . . . . 1.75
He Come to the Music—Joseph Martin. Commiss-
ioned for a premiere performance at the Texas
Music Educators' Association 2000 convention,
Joseph Martin's Come to the Music is alive and
electric with driving rhythm, memorable melodies,
mixed meter, and joyful text. Optional percussion
and piccolo accompaniment, included at the
back of the octavo, enhance the medieval dance
quailty of this exciting piece.
3293529 SATB. . . . . . . . . . . . . . . . . . . . . . 2.55
10453564 SAB. . . . . . . . . . . . . . . . . . . . . . . 2.55
3293537 TTBB. . . . . . . . . . . . . . . . . . . . . . 2.55
3296613 SSAA . . . . . . . . . . . . . . . . . . . . . 2.55
10453568 P/A CD . . . . . . . . . . . . . . . . . . . 26.99
10453569 Orchestration . . . . . . . . . . . . . . 69.95
Ht Ding-A Ding-A Ding—Greg Gilpin. This very
cool original is a masterpiece of vocal layering,
a "sound experience" for a cappella voices as
bells. All voices sing together in the middle section
before returning to vocalized bell effects. "Merrily
on high, hear the bells ring. Merrily, the heavens
sing. Merrily on high, hear the bells ring. O'er the
earth, they ding dong ding." Now available for
male choirs with optional accompaniment, this is
appropriate for the holidays or any festive occasion
throughout the year! Highly recommended!
10029457 SATB. . . . . . . . . . . . . . . . . . . . . . 2.00
10029458 SSAB . . . . . . . . . . . . . . . . . . . . . 1.90
10029459 SSAA . . . . . . . . . . . . . . . . . . . . . 1.90
10306019 TTBB. . . . . . . . . . . . . . . . . . . . . . 1.95
10066277 Two-Part or SA. . . . . . . . . . . . . . 1.95
H Dirait-On—Morten Lauridsen. This exquisite
work is the fifth of a set of choral settings
of poems by Rainer Maria Rilke entitled Les
Chansons des Roses. With velvet choral lines and
a pensive mood, it is a deeply expressive musical
statement for more accomplished choirs.
1949080 SATB. . . . . . . . . . . . . . . . . . . . . . 1.90
3167434 SSAA . . . . . . . . . . . . . . . . . . . . . 1.90
Ht Earth Song—Frank Ticheli. A cry for peace in a
world torn by war, this poignant a cappella setting
of an original text is filled with striking dynamic
contrasts. "Sing, Be, Live, See... This dark stormy
hour, the wind, it stirs. The scorched earth cries
out in vain... But music and singing have been my
refuge, and music and singing shall be my light..."
10027720 SATB. . . . . . . . . . . . . . . . . . . . . . 1.70
l Eatnemen Vuelie (Fairest Lord Jesus)—
Frode Fjellheim. The opening musical number
from the Disney animated feature "Frozen,"
this song is inspired by indigenous Saami and
Norwegian culture, a combination of Saami
yoiking and the Danish Christmas hymn Dejlig er
jorden, or Fairest Lord Jesus, by B.S. Ingemann.
Yoik is a very old vocal tradition among the Saami
people of Scandinavia and Russia, characterized
by short melodic phrases that repeat again and
again, with small variations. With English, German
and Norwegian versions of the text, synthesizer,
percussion and optional male yoik.
3298108 SSAA . . . . . . . . . . . . . . . . . . . . . 2.25
Ht Esto Les Digo—Kinley Lange. This a cappella
setting of Matthew 18 in Spanish has attracted a
lot of attention, and has already seen considerable
festival activity. The English translation of the text
is also shown: "Where two or three are gathered
in My name, there will I be also."
3294848 SATB. . . . . . . . . . . . . . . . . . . . . . 1.60
Ht Famine Song—arr. Matthew Culloton. This
unique a cappella work captures the drama of
the survival of the Sudanese people during the
famine of the 1980s. "Ease my spirit, ease my
soul, please free my hands from this barren soil.
Ease my mother, ease my child, earth and sky be
reconciled..."
3303263 SATB. . . . . . . . . . . . . . . . . . . . . . 1.95
4 Festival Gloria—Craig Courtney. The trans-
cendent glory of the traditional Latin text is treated
with great sensitivity and depth in this superb
setting for capable sanctuary, concert or festival
choirs! With sweeping vocal lines and masterful
harmonic layering, this work gives integral
musical material to each section of the choir.
This enthralling choral opus will be a centerpiece
of concerts or worship experiences whenever
it is performed.
10458758 SATB. . . . . . . . . . . . . . . . . . . . . . 2.10
10458759 SSAA . . . . . . . . . . . . . . . . . . . . . 2.25
10458760 TTBB. . . . . . . . . . . . . . . . . . . . . . 2.25
10458761 Instrumental Parts for SATB . . 30.00
10458762 Instrumental Parts for SSAA . . 30.00
10458763 Instrumental Parts for TTBB . . 30.00
10458764 Orchestration for SATB . . . . . . 80.00
10458765 Orchestration for SSAA . . . . . . 80.00
10458766 Orchestration for TTBB . . . . . . 80.00
He Festival Sanctus—John Leavitt. A long-time
favorite on the festival circuit, this dynamic,
exciting, joyous selection surpasses the ordinary!
Syncopated rhythms and changing meters,
combined with a sizzling piano part, make this
a uniquely rewarding work. Very accessible for
school and church choirs, it is a first-rate choice for
any performance situation! Highly recommended!
1699032 SATB. . . . . . . . . . . . . . . . . . . . . . 1.90
10047611 SAB. . . . . . . . . . . . . . . . . . . . . . . 1.85
10047612 SSA. . . . . . . . . . . . . . . . . . . . . . . 1.85
1959857 Two-Part. . . . . . . . . . . . . . . . . . . 1.85
10047613 TTB . . . . . . . . . . . . . . . . . . . . . . . 2.25
10047615 P/A CD . . . . . . . . . . . . . . . . . . . 27.99
10047616 Instrumental Parts . . . . . . . . . . 40.00
1699032C Choral Master Track . . . . . . . . . 4.99
H Five Hebrew Love Songs—Eric Whitacre.
Written by Hila Plitmann and inspired by a trip
to Switzerland, each song in this suite is a poetic
postcard that captures every lush, romantic
moment in full. An expressive and idiomatic
collection for mixed or women's choruses. The
suite is set for piano and violin, but may also be
performed with string quartet.
3296219 SATB. . . . . . . . . . . . . . . . . . . . . . 2.95
3299116 SA . . . . . . . . . . . . . . . . . . . . . . . . 2.95
5975230 Instrumental Parts
String Quartet . . . . . . . . . . . . . . 35.00
5991450 Instrumental Score . . . . . . . . . . 40.00
9520730 Instrumental Parts
Violin Accompaniment . . . . . . . . 9.00
H For the Beauty of the Earth—John Rutter.
John Rutter's engaging melody over a flowing
accompaniment is equally beautiful in either the
SATB or SA treatment. If you haven't already,
consider the instrumental accompaniment for a
fresh perspective on this sacred gem. Scored for
strings, winds, harp (playable on keyboard), and
drums, it includes instrumental lines that are as
lovely as the vocal lines. A perennial favorite, this
is a tasteful blend of text and musical expression.
Vintage John Rutter.
1418599 SATB. . . . . . . . . . . . . . . . . . . . . . 1.90
1363399 SA . . . . . . . . . . . . . . . . . . . . . . . . 1.90
10432346 TTBB. . . . . . . . . . . . . . . . . . . . . . 1.90
4534657 Instrumental Parts . . . . . . . . . . 65.00
He Galop (from "Solfege Suite")—Ken Berg. Have
you ever tried to ride an accelerating horse while
singing solfege? That's what your singers will
feel like as they negotiate their way through this
quickly-paced song with only solfege syllables
for text! Full of fun and teaching opportunities,
this creative original is the quintessential concert
closer or encore piece. Your audience might ask
you to sing it twice anyway! A total blast!
10370121 SAB or Three-Part Mixed. . . . . . 2.35
10028692 Unison/Two-Part . . . . . . . . . . . . 2.35
H Give Us Hope—Jim Papoulis/arr. Nunez.
Expressing a powerful message of hope for
a better world, this dynamic piece strikes a
universal chord for all to hear! The quiet and
subdued opening gradually builds to a dramatic
musical statement using hand claps and short
solos for a climactic ending. "Give us hope and
we'll show you the way." Highly recommended!
3701107 SATB. . . . . . . . . . . . . . . . . . . . . . 2.25
3294676 SSA. . . . . . . . . . . . . . . . . . . . . . . 1.95
10011452 P/A CD . . . . . . . . . . . . . . . . . . . 26.99
t Good Night, Dear Heart—Dan Forrest. This
stunning piece is based on a simple poem by
Robert Richardson, inscribed on the headstone
of the daughter of Samuel Clemens (Mark
Twain), who died in her youth. Appropriate for
any memorial occasion, the work is brief and
understated, yet powerful. It will touch every
listener deeply. Highly recommended!
10065541 SATB. . . . . . . . . . . . . . . . . . . . . . 1.70
n The Ground (Pleni sunt caeli)—Ola Gjeilo. This
luscious setting of the traditional Latin text from
the "Mass" is one that will give your high school
choir a big, rich sound without being too difficult.
Thorough performance notes give interesting
insights into the composer's process and his
desired interpretation of the work.
10276430 SATB. . . . . . . . . . . . . . . . . . . . . . 2.25
10297378 Instrumental Parts . . . . . . . . . . 40.00
HtHark, I Hear the Harps Eternal—arr. Alice
e Parker. Now all choirs can enjoy this famous
hymntune arranged by Alice Parker, originally
written for The Robert Shaw Chorale. The strong
walking pulse and juxtaposed motives have made
it exceptionally popular for over 40 years.
4004693 SATB. . . . . . . . . . . . . . . . . . . . . . 1.85
3147212 SSAA . . . . . . . . . . . . . . . . . . . . . 1.85
10047605 TTBB. . . . . . . . . . . . . . . . . . . . . . 1.85
"
ank you for offering 100% Satisfaction." — Diana Krause, Junior High School Choral Director, Phillipsburg, PA
