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Concert Selections
He He Never Failed Me Yet—Robert Ray. With its
driving beat and enormous appeal, this powerful
gospel work has become the definitive selection
in this style for an entire generation. Use one or
two soloists and be prepared for spontaneous,
hand-clapping joy as your group reaches the
finale. Impressive! (The SSA edition is one step
higher, in the key of C.)
1424092 SATB. . . . . . . . . . . . . . . . . . . . . . 1.90
8070839 SSA. . . . . . . . . . . . . . . . . . . . . . . 1.90
10002656 TTBB. . . . . . . . . . . . . . . . . . . . . . 1.90
1901263 P/A CD . . . . . . . . . . . . . . . . . . . 26.99
1939735 Instrumental Parts . . . . . . . . . . 30.00
10002660 Orchestration . . . . . . . . . . . . . . 55.00
4t Hold on to the Rock—Pepper Choplin. This
original gospel-swing anthem reveals Pepper
Choplin at his creative best! Its irresistible style
and rhythmic vitality contribute to an enthusiastic
expression of the joy and comfort as we "hold on
to the rock" of our salvation through life's trials.
10453794 SATB. . . . . . . . . . . . . . . . . . . . . . 2.05
e Homeward Bound—Marta Keen/arr. Althouse.
Homeward Bound, a favorite with choral directors
for many years, is now available for young choirs!
This heartfelt piece is elegant in its simplicity and
memorable in its warmth and sincerity. It has also
become an anthem for soldiers returning home.
Performed as a choral only, or with concert band,
it is guaranteed to create a stirring moment in
your concert! Highly recommended!
1780808 SATB. . . . . . . . . . . . . . . . . . . . . . 1.85
1780816 SSA. . . . . . . . . . . . . . . . . . . . . . . 1.85
3016219 SAB. . . . . . . . . . . . . . . . . . . . . . . 1.85
3285996 TBB. . . . . . . . . . . . . . . . . . . . . . . 1.85
10274940 Two-Part. . . . . . . . . . . . . . . . . . . 1.85
10068627 Band Set & Score. . . . . . . . . . . 52.00
H How Can I Keep from Singing?—Greg Gilpin.
Greg has taken the traditional Quaker text and
positively supercharged it with his own gospel-
styled music in this marvelous new look at a
timeless American poem. This one has it all - a
wide-open solo for your best gospel singer,
an accompaniment that's fine as is, or can be
embellished at will by your pianist, and hand
claps from the very first measure that'll quickly
spread through your audience or congregation.
Highly recommended!
10352316 SATB. . . . . . . . . . . . . . . . . . . . . . 1.95
3298161 Three-Part Mixed . . . . . . . . . . . . 1.95
10352293 Two-Part. . . . . . . . . . . . . . . . . . . 1.95
10192345 SSA. . . . . . . . . . . . . . . . . . . . . . . 1.95
3298923 Multi-Song Accomp. CD . . . . . 25.00
n How Can I Keep from Singing?—Gwyneth
Walker. This is an old Quaker hymn dating back
to the 1800's in the United States. References
to the persecution of Friends may be heard in
the lyrics, yet faith and courage prevail. This
arrangement emphasizes the celebratory and life-
affirming aspects of the song.
3062221 SATB. . . . . . . . . . . . . . . . . . . . . . 2.80
10355556 Full Score Brass SATB. . . . . . . 11.55
10355557 Full Score
Chamber Orchestra SATB . . . . 19.90
3270741 SSAA . . . . . . . . . . . . . . . . . . . . . 2.80
10355558 Full Score Brass SSAA. . . . . . . 11.55
10355559 Full Score
Chamber Orchestra SSAA. . . . 19.45
10036808 TTBB. . . . . . . . . . . . . . . . . . . . . . 2.80
10291339 Full Score
Brass Quintet for TTBB . . . . . . 11.55
10291338 Instrumental Parts
Brass Quintet & Percussion . . . 16.80
10355560 Orchestration for All Voicings . 73.45
3062221C Choral Master Track. . . . . . . . . . 4.99
e How Like a Winter—Ruth Morris Gray. "How
like a winter hath my absence been, like a winter,
from thee..." This artful setting of a text by William
Shakespeare works equally well as a winter
piece or as a secular concert work. Sing the
liquid phrases with a beautiful line and observe
the tempo nuances to attain the most expressive
performance. Haunting!
10274943 SAB. . . . . . . . . . . . . . . . . . . . . . . 1.85
10274944 SSA. . . . . . . . . . . . . . . . . . . . . . . 1.80
10275227 Multi-Song Accomp. CD . . . . . 44.99
t I Am Not Yours—Z. Randall Stroope. Sara
Teasdale's immortal poem is treated lovingly in
this gorgeous choral setting. Stroope has a rare
sensitivity to poetic texts and an equally rare gift
for bringing the words to life in his music. This is a
marvelous work which will be in great demand by
mixed choirs everywhere!
10025942 SSATBB . . . . . . . . . . . . . . . . . . . 2.35
n I Believe—Mark Miller. Written in lyric style, this
beautiful choral can be used for any occasion. The
sentiment of the text "I believe in the sun, even
when it's not shining" springs forth inspiration and
sends thoughts toward hope.
10335690 SATB. . . . . . . . . . . . . . . . . . . . . . 2.25
4 I Sing Because I'm Happy—Rollo Dilworth.
Adapted from the gospel-style interpretation of
the hymn, His Eye Is on the Sparrow, originally
performed and recorded by the Georgia Mass
Choir, this setting has been lowered a step and a
bass part added. It will be an inspirational choice
for gospel and concert choirs, and audience
participation on the hand claps is encouraged!
10451977 SATB. . . . . . . . . . . . . . . . . . . . . . 1.95
H If Music Be the Food of Love—David
Dickau. The romantic style of this setting is lush,
expressive, and perfectly fashioned for the text.
"If music be the food of love, sing on, sing on, sing
on till I am filled with joy..." The work is a superior
choice as a concert finale or any time a selection
with a "music" theme is appropriate.
5570528 SATB. . . . . . . . . . . . . . . . . . . . . . 1.80
4e Imbakwa—Jim Papoulis. Beautifully melodic,
with a great beat and a great message, this
"world music" piece has a text in Swahili which
translates as, "We have a right." Imbakwa was
written for the score of a film about an organization
benefiting orphans in Tanzania. The organization,
called TunaHAKI, uses the arts to empower
children to have the future they deserve. A hand-
drum part is included in the choral score. Highly
recommended!
10340678 SATB. . . . . . . . . . . . . . . . . . . . . . 1.95
He Inscription of Hope—Z. Randall Stroope. A
profoundly moving text, written on a cellar wall
during the rise of Nazi Germany, joins with original
music to create a deeply emotional expression
of hope for all mankind. With brief narration and
the echo of a Russian folk melody, this is an
important contribution to the concert repertoire
for more discerning choirs!
1910504 SATB. . . . . . . . . . . . . . . . . . . . . . 1.95
3073038 Three-Part Mixed . . . . . . . . . . . . 1.95
1910512 Two-Part. . . . . . . . . . . . . . . . . . . 1.95
10307417 SSA. . . . . . . . . . . . . . . . . . . . . . . 1.95
10307418 TTB . . . . . . . . . . . . . . . . . . . . . . . 1.95
10006345 P/A CD . . . . . . . . . . . . . . . . . . . 26.95
10011541 Instrumental Parts . . . . . . . . . . 29.95
n It Takes a Village—Joan Szymko. The familiar
African saying, "It takes a village to raise a child,"
is appropriately set to tribal-sounding music in
this marvelous cross-cultural feature. A great
closer, this piece is a proven audience favorite!
3277274 SATB. . . . . . . . . . . . . . . . . . . . . . 1.95
3277266 SSAA . . . . . . . . . . . . . . . . . . . . . 1.95
10423621 TTBB. . . . . . . . . . . . . . . . . . . . . . 1.95
H J'entends Le Moulin—arr. Emily Crocker.
Hear the steady sound of the mill wheel in this
brisk setting of the French Canadian folk ong,
which uses alternate French and English text. "I
hear the windmill, tick-a tick-a tack-a..." Use the
pronunciation guide on the inside cover or the
Teaching P/A CD to practice the French lyrics.
This is easy and fun to sing!
10030298 Two-Part. . . . . . . . . . . . . . . . . . . 1.90
10030299 Teaching P/A CD . . . . . . . . . . . 22.99
4 Jubilate Deo—Peter Anglea. This superb setting
of the traditional Latin text from Psalm 100 fairly
dances off the page in joy! Singable, natural-
sounding mixed meter, a memorable melodic
line, and a buoyant feel throughout make this one
of the most appealing and musically satisfying
works you will hear. Highly recommended!
10445795 SATB. . . . . . . . . . . . . . . . . . . . . . 1.90
H Keep Your Lamps—Andre Thomas. This
exciting spiritual, with accompaniment for high,
medium and low conga drums, is an unusually
appealing number for a wide variety of uses
from smaller choirs through massed choir
performances.
1428499 SATB. . . . . . . . . . . . . . . . . . . . . . 1.70
4t Kuimba!—Victor C. Johnson. This exuberant
African-style original work is an invitation to let
music be our guide and sing together with joyful
hearts. You'll want to use the optional percussion
parts with this a cappella piece, to help establish
a rhythmic groove for the easy vocal ostinato
patterns. A pronunciation guide is included.
10457263 SATB. . . . . . . . . . . . . . . . . . . . . . 1.95
10457264 Three-Part Mixed . . . . . . . . . . . . 1.95
10457265 TTB . . . . . . . . . . . . . . . . . . . . . . . 1.95
10457460 P/A CD . . . . . . . . . . . . . . . . . . . 26.95
"
I love your service and I have nothing but good
things to say about your company."
— Leanne Azevedo, High School Choral Director, Grants Pass, OR
