4 Editors' Choice l New Publication H Pepper Basic Library e Available via ePrint All Prices in U.S. Dollars & Subject To Publisher Revision
26
Jazz
Ensemble
Latin
a l l l e v e l s
H Cantaloupe Island—Herbie Hancock/arr. Mike
Kamuf. Arranger Mike Kamuf scored this hip,
funky Latin-rock tune for younger players. Ideal
for this level, it features three chords, a repetitive
groove, catchy melody and a hot bari sax part.
There are written solos for tenor sax and trumpet,
and the lead trumpet range goes to a top line
F with optional G on top of the staff. This chart
will also sound great with optional or expanded
instrumentation. This is a superb chart from
beginning to end. Highly recommended!
10028077 Jazz Ensemble . . . . . . . . . ME 46.00
4 Chili Today, Hot Tamale—Rick Hirsch. A great
title and great chart! Chili Today, Hot Tamale is set
in a samba groove in cut-time at around 90 bpm.
It's accessible for a solid easy to medium grade
level, there are written solos for trombone 1 and
tenor sax 1, optional parts for expanded instru-
mentations, and a trumpet 1 range going to writ-
ten A above the staff with optional lower notes.
This chart is fun to play and loaded with energy!
10452086 Jazz Ensemble . . . . . . . . . . M 46.00
l Dawn of the Chili Pepper—Doug Beach
& George Shutack. At last the origins of the
elusive Chili Pepper are revealed at the very
easy grade level! Set in a driving tempo at 176
bpm, this exciting chart makes the Chili Pepper
spirit accessible to even the youngest players.
The strong melody, solid ensemble writing and
irresistible Latin groove combine to create a
chart that will be a great favorite for years to
come. Scored for five horns with rhythm section
and expandable to full big band, written or ad lib
solos for all and optional parts for flute, clarinet
and horn in F are included.
10492371 Jazz Ensemble . . . . . . . . . VE 42.00
n Horn of Puente—Gordon Goodwin/arr. Mike
Story. Originally composed by Gordon Goodwin
for his Big Phat Band, this version is scored at
the easy level by Mike Story. This Latin cha-cha
is very accessible, with a written trumpet 1 solo,
a montuno piano part that's cued in the saxes,
an optional auxiliary percussion part, and a vibes
part. Mike even included additional percussion
parts for some winds to further enhance the
Latin groove. Playable with optional reduced
and expanded instrumentations. You and your
young jazz band will really enjoy this chart! Highly
recommended!
10353482 Jazz Ensemble . . . . . . . . . . .E 38.00
l In a Brazilian Bone Tone—Tom Kubis. This
exciting, up-tempo samba for advancing groups
is a great way to spotlight a fabulous trombone
section on the familiar chord changes to In a
Mellow Tone or Rose Room. The trombones not
only play the melody, but also the shout chorus,
and each player in the section has changes for
soloing. Adding Latin percussion instruments
will add even more flair to this great trombone
section feature!
10492373 Jazz Ensemble . . . . . . . . . . M 52.00
H Land of Make Believe—Chuck Mangione/arr.
Victor Lopez. Get out the Latin percussion for
this famous tune! A lazy intro for trumpet and
alto explodes into a fierce samba that develops
into a mambo later on, then back to the samba
feel. Turn your first trumpet player loose on this
and drive your audience into a frenzy! This will
go over big for contest and festival performances,
too! Very highly recommended!
2701946 Jazz Ensemble . . . . . . . . . ME 50.00
4 Los Changos Volando (The Flying
Monkeys)—Mike Dana. Yes, the title translates
to "The Flying Monkeys." This chart features
a solid Latin groove at 156 bpm with optional
percussion and vibes, two solo sections with
written solos provided for any instrument, a big
modulation, optional expanded wind parts, and
even some band vocals. Check it out...you'll go
ape over this chart!
10452108 Jazz Ensemble . . . . . . . . . ME 46.00
H Spain—Chick Corea/arr. Paul Jennings. Paul
Jennings' masterful arrangement from 1982
has stood the test of time and sounds as fresh
today as it did when it was written. The authentic
sounds of Chick Corea's classic are faithfully
captured and this new edition which is notated in
cut-time, rather than 4/4, makes it much easier to
read. A real gem for every jazz ensemble!
2101111 Jazz Ensemble . . . . . . . . . . M 50.00
H Tiger of San Pedro—John LaBarbera/arr. Paul
Lavender. At last! An exciting, easy setting of this
great John LaBarbera Latin chart that's ideal for
developing bands. It is surprisingly true to the
original, but it is well within the reach of even
more limited groups.
2199115 Jazz Ensemble . . . . . . . . . . .E 45.00
4 Uchibeng Wow-Wow—Michael Philip Moss-
man. From the deep and sometimes mysterious
mind of Michael Philip Mossman, here's a captiv-
ating cha-cha with attitude! Mossman skillfully
mixes full band scoring with section features and
quick trade-off riffs. Also included are solos for
tenor sax and trumpet, and some unexpected
band vocals. Suggested solos are included along
with chord/scale sheets in all keys.
10427400 Jazz Ensemble . . . . . . . . . . M 50.00
4 The Wayfaring Stranger—arr. Mike Collins-
Dowden. Here is a modern spin on this timeless
tune with written solos for trombone 1 and
alto sax 1, and a trumpet 1 range to written
E top space. Set in a reggae-swing feel at 110
bpm, it also includes various optional parts to
include vibes. Playable with optional reduced or
expanded instrumentations.
10452080 Jazz Ensemble . . . . . . . . . . .E 40.00
4 Yesterdays—Jerome Kern/arr. Michael Philip
Mossman. Using a relaxed bolero style, Michael
Mossman's inventive and sophisticated setting
of this familiar Jerome Kern and Otto Harbach
standard is a refreshing addition to any program.
You'll find cascading ensemble figures, inter-
weaving sax fills, and solos for alto sax and
trumpet in this accessible and skillfully written
chart. Included are suggested solos and chord/
scale sheets in all keys.
10427406 Jazz Ensemble . . . . . . . . . ME 45.00
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