20
PEPPER
2015
MARCHING
BAND
CATALOG
All Prices in US Dollars & Subject to Publisher Revision l New for 2015 e Available via e-Print 3Editors' Choice
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BROADWAY, MOVIE & TV THEMES
l Live and Let Die—arr. Paul Murtha & Will Rapp.
Written for the 1973 film of the same name, Live and Let
Die has become one of the most recognized and powerful
of all the James Bond themes. The dramatic shifts in
tempo and style from section to section offer special
performance opportunities for marching band.
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Live and Let Die—Paul McCartney/arr. Mike Story.
This Paul McCartney and Wings classic sounds so good,
it's hard to believe how easy it is! Whether used as part
of a James Bond theme show or in other settings, this
chart offers so many effective changes in style it screams
for cool general effects. A mellow opening trumpet solo,
powerful themes and double time sections are just part of
the excitement! Don't miss it!
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4 The Magnificent Seven—arr. Nick Baratta. One
of the greatest and most recognizable movie themes has
been given special attention in this terrific arrangement,
and it's never sounded better! Perfect on the field, in
the stands or on the street, players and audiences
will love it no matter where it's performed.
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e Man of Steel, Part 1—Hans Zimmer/arr. Mike
Story. This is Part 1 of a three-part halftime show based
on the stunning music from the hit motion picture "Man
of Steel." Hans Zimmer has emerged as one of the
most important film composers of our time, and this
epic soundtrack is one of his best. With a large amount
of drum sounds in the score, this show is a natural for
spectacular marching band performances!
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e Man of Steel, Part 2—Hans Zimmer/arr. Mike Story.
Part 2 of the "Man of Steel" show consists of the poignant
and beautiful Goodbye My Son. Beginning quietly with a horn
or alto sax solo, it provides a striking contrast and builds
gradually to a stunning and climactic finish.
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e Man of Steel, Part 3—Hans Zimmer/arr. Mike
Story. Part 3 of the "Man of Steel" halftime show opens with
a powerful and driving percussion feature based on the Oil
Rig action scene. A reprise of the main theme leads into the
heroic and action-packed final section. Sensational cutting-
edge writing offers a wealth of visual potential!
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Master of the House—arr. Michael Sweeney & Will
Rapp. Your "Les Miserables" show would not be complete
without this tune! This raucous and witty arrangement
features the percussion section with the full band at the
beginning and end. The exciting finish is sure to have the
audience on their feet!
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Mission: Impossible Theme—arr. Paul
Lavender. This familiar TV and movie theme sounds as
fresh and innovative today as it did when it was first heard
nearly 40 years ago! This solid and dynamic arrangement
works great with smaller or inexperienced bands, and is
perfect for dance features!
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The Music of the Night—arr. Paul Lavender. Here
is a marvelously paced arrangement of the familiar song from
"The Phantom of the Opera." Opening with a trumpet solo, it
builds impressively to a climax then tapers to a quiet ending
with the distinctively dissonant "phantom" chords.
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l NFL Countdown Theme—arr. Patrick Roszell. Inspire
your team and your crowd with this powerful and dynamic
music that serves as the theme for ESPN's NFL Countdown
show. Soaring melodies and driving percussion make this a
natural for all athletic events, on or off the field!
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The Nightmare Before Christmas - Part 2—
Danny Elfman/arr. Brown & Rapp. This unique production
number starts off with the devious-sounding This Is Halloween,
which includes an alto sax solo and intense full ensemble
punches. The mood shifts dramatically to the bluesy swing
tune Oogie Boogie Song, treated here in a big-band setting
that really wails!
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On My Own/Do You Hear the People
Sing?—arr. Michael Sweeney & Will Rapp. A moving
trumpet solo introduces the melodic ballad On My Own,
growing in intensity before the brass quietly introduce the
theme to Do You Hear the People Sing?. Driving toward a
grand conclusion, this arrangement makes a powerful closing
statement for your "Les Miserables" show!
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One Day More—arr. Jay Bocook & Will Rapp. Several
themes soar simultaneously and conclude with a glorious
coda! Using three optional soloists can add even more
drama in this rousing closer from the hit movie/musical "Les
Miserables."
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The Phantom of the Opera—arr. Paul Lavender.
The recent hit movie has stirred renewed interest in this
groundbreaking Broadway classic. The familiar opening
strains are nothing short of stunning! An impressive opener
for the field!
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Pirates of the Caribbean (The Curse of the
Black Pearl)—arr. Paul Murtha. Ahoy matey! Here is the
ultimate in adventure music for the stands or field! Your band
will transport the audience from the bleachers to a ship on the
high seas with this medley from the blockbuster movie "The
Pirates of the Caribbean: The Curse of the Black Pearl!"
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Pirates of the Caribbean, Part 1—arr. Michael
Brown & Will Rapp. Opening with a sense of anticipation, the
lilting woodwind melody is accompanied by vibes and frame
drums. The following majestic and dramatic themes finish
out this powerful arrangement! Titles include: Fog Bound; The
Medallion Calls and The Black Pearl.
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Pirates of the Caribbean, Part 3—arr. Michael
Brown & Will Rapp. The tender One Last Shot provides the
emotionally charged musical climax to the movie and is
beautifully orchestrated in this fantastic closer. The chart
is then brought to a rousing finish with the energetic He's a
Pirate. Fitting for any swashbuckler!
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e Pixar Favorites—arr. Michael Brown & Will Rapp.
With music composed by Randy Newman and Michael
Giacchino, the classic Pixar movies have given us some
of the best-known themes in film today. This fast paced
"mini medley" includes familiar melodies from "Cars,"
"Toy Story," "Monsters, Inc.," "Ratatouille'" "Up," and "A
Bug's Life." It's sure to be a crowd favorite!
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Raiders March—arr. Mike Story. John Williams'
timeless theme from the "Indiana Jones" saga is now
playable by any band with this effective, yet easy new
arrangement! Perfect for the field or the stands, it's sure to
be a crowd favorite!
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Shout It Out—arr. Doug Adams. Direct from the hit
movie "Drumline," this hip tune with the well-known riffs and
drum solos is sure to be a crowd-pleaser!
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e Show Me How You Burlesque—arr. Jay
Dawson. A centerpiece of the motion picture "Burlesque",
this chart provides great material for assembling a fantastic
production for your horn line, percussion and dancers.
This sassy and upbeat jazz-swing tune is scored for
small bands with reduced instrumentation.
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e Skyfall—arr. Jay Bocook & Omar Carmenates. Adele co-
wrote this award-winning song for the 2012 James Bond
movie "Skyfall." Mystery, adventure, excitement, and drama
are prevalent throughout this arrangement!
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e Soul Bossa Nova—arr. Paul Murtha. Famously used as
the "Austin Powers" theme, this Quincy Jones hit from 1962
is more popular now than ever before! Sure to be recognized
by all, you'll have fun performing this game after game. Yeah,
baby, yeah!
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l Star Wars Main Theme—arr. Mike Story. One of the
most recognizable movie themes ever makes its return just in
time for the release of "Star Wars, Episode VII." Scored for
maximum effect, this arrangement will really draw attention as
it will make any band sound twice its size!
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Superman Opener—arr. Mike Story. The Man of Steel
made a triumphant comeback to the silver screen in 2006
with "Superman Returns." This arrangement of one of John
Williams' most beloved scores begins mysteriously with the
Planet Krypton theme, building to a huge push before the
powerful Superman Theme. A super opening to your field show!
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Superman Theme—arr. Mike Story. Everyone will
instantly recognize this majestic march from the summer
blockbuster "Superman Returns!" It contains all of the Main
Title themes in a very playable arrangement!
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Theme from Spiderman—arr. Joe Murphy.
Originally composed for the "Spiderman" cartoon series in
the late '60s, Michael Buble released his cover of the tune in
2004, showing his talent by performing it in a variety of styles.
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Time Warp—arr. Tom Wallace. A wild and wacky dance
tune from "The Rocky Horror Picture Show."
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4 Tommy, Part 1—arr. Ralph Ford. The opening
number of a three-piece halftime show featuring the
timeless music from The Who's rock musical "Tommy."
Part 1 contains Prologue 1945 and Overture in a stellar
arrangement that will take the crowd by storm.
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l Tommy, Part 2—arr. Ralph Ford. Part 2 of a three-
part show featuring the music from The Who's rock opera,
"Tommy." Featured are the humorous Tommy's Holiday
Camp followed by a powerfully scored arrangement of the
immensely popular tune Pinball Wizard. This can be performed
with the other two parts of the show or separately.
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l Tommy, Part 3—arr. Ralph Ford. The closing number
of the three-part "Tommy" show begins with the powerful I'm
Free before moving into Smash the Mirror and finishes with
We're Not Gonna Take It. This exceptional arrangement can be
performed separately or as part of the complete show.
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Wicked - Part 2—arr. Richard Saucedo. From the
hit Broadway musical, this production number includes a
light rock treatment of Dancing Through Life and a creative
setting of Defying Gravity. This arrangement has been skillfully
constructed to include musical contrasts and visual impact
points for the field.
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e You've Got a Friend in Me—arr. Paul Murtha
& Will Rapp. Based on the hard-hitting big band version
in "Toy Story 2," here is a swingin' arrangement of
Randy Newman's song for the field or stands. Effectively
paced throughout, this chart includes a brief trumpet solo
and concludes with a dynamic shout chorus.
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