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POP TUNES
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4 Breadfan—arr. Dave Henning. Heavy metal meets
marching band and the result is a blast zone from end
zone to end zone! This up-tempo Metallica hit is a burning
rock tune that's perfectly suited for your band!
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e Brick House—arr. Michael Brown. This one needs no
introduction! The percussion section sets up the groove then
the low brass joins in with the bass line. This chart gives you
the option of two endings; a regular "short ending" if needed
in the stands or elsewhere, and an extended "closer ending"
for a big finish to a show. "Mighty, mighty!"
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e Brown Eyed Girl—arr. Paul Murtha. Some songs
never seem to grow old, and this pop classic recorded by Van
Morrison in 1967 is a perfect example. You'll find a multitude
of uses for this solid and well-paced arrangement!
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4 Buddy Holly—arr. Ayatey Shabazz. The single that
launched the rock group Weezer to international fame will
work perfectly for bands at all levels. The writing remains
faithful to the original while being easy to play by
all sections.
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Build Me Up, Buttercup—arr. Paul Murtha. This
tune is destined to join the ranks of the all-time classic
stands charts! A fun shuffle chart from the '60s, it's
enjoying renewed popularity thanks to its use in the hit
movie "There's Something About Mary." Your crowd will
absolutely love this one!
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Bully—arr. Tom Wallace. This heavy-hitting rock song
from Shinedown addresses a hot-button issue with today's
youth and gives encouragement to those affected most.
The arrangement speaks with a strong musical statement
that gives great meaning to a powerful song!
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e Burn—arr. Victor Lopez. Pop singer Ellie Goulding brings
this incendiary tune that's burned up the charts! Just what
you need to fire everyone up, whether they're in the stands
or on the field!
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Burning Love/C.C. Rider—arr. Jay Dawson. The
excitement Elvis created every time he walked on stage will
be generated by your band when they play this medley of
two of his classics!
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Call Me Maybe—arr. Ayatey Shabazz. This monster
hit by Carly Rae Jepsen was everywhere in 2012. The
guard, the crowd and even the team will be singing along
and having a great time!
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e Call Me Maybe—arr. Michael Brown. With a
catchy melody and irresistible upbeat feel, Carly Rae
Jepsen's megahit has instant appeal to all age groups!
Sure to be a favorite wherever it's performed!
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e Can't Buy Me Love—arr. Michael Brown & Will Rapp.
This tune is 50 years old and and still going strong! One of
The Beatles' first big hits features a driving shuffle groove and
an unforgettably upbeat melody. Solidly arranged for marching
band, it includes all the signature riffs we know and love as well
as a short stop-time feature spot for percussion.
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Can't Help Falling in Love (Opener)—arr. Jay
Dawson. The King lives on! One of Elvis' most popular hits will
thrill audiences and judges alike in this effective show opener!
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Can't Hold Us—arr. Ward Miller. This smash hit
recorded by Macklemore is a natural for marching band. The
driving opening pulse and instrumental bridge make this an
exciting tune for the stands or field!
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e Carry On—arr. Nick Baratta. The alternative rock band fun.
hit it big with this bluesy soulful offering, so it's sure to be a hit
with your audiences. An absolutely stunning chart supports the
carefully crafted tune. You'll definitely give 'em goosebumps!
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Carry on Wayward Son—arr. Mike Sweeney. From
progressive rock group Kansas, this chart uses deep bass
lines, strong ensemble phrases and contrasting softer sections
to create a truly powerful statement for the field or stands!
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l Celebration—arr. Jerry Burns. This may be the ultimate
party tune and this very playable arrangement makes it easy
for bands at all levels to kick off the fun! Fire up this solid,
straight ahead and totally funky tune and party on!
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4 Centuries—arr. Ishbah Cox. The first breakout single
from the latest Fall Out Boy album is a driving rock tune that
has a memorable hook audiences love. The compelling pulse
ensures this will be a big hit in the stands or on the field.
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4 Centuries—arr. Nick Baratta. The tremendous popularity
of this powerful hit from pop-punk band Fall Out Boy has
caused it to be played all over the airwaves. Its unique style and
the superb scoring makes it a natural on or off the field.
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e Chelsea Dagger—arr. Paul Murtha & Will Rapp. The
title isn't instantly recognizable, but the tune is! Recorded by
The Fratellis, this rock anthem has become a fan favorite in
sports arenas in the US as well as in Europe. The bluesy yet
upbeat shuffle brings enthusiasm to the field or stands!
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l Cold Sweat—arr. Allen Gray. Make it funky and bring
some serious soul to your next sporting event with this James
Brown hit. It features a short written tenor sax solo that can be
opened up for improvisation to really jam in the stands.
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e Cold-Hearted—arr. Raymond Rolle. Paula Abdul rocked
the pop world in 1989 with this distinctive and energetic hit.
Featured as a part of the "Drumline Live" stage production, this
chart epitomizes their edgy and exciting style.
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e Come Go With Me—Clarence Quick/arr. Doug Adams.
Relive one of the great eras of pop music! One of the most
popular songs from the "Doo-Wop" era finds a new home in
this playable and well-written arrangement. The crowd will
recognize the tune after the first couple of measures!
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Come Out and Play—arr. Tom Wallace. Pristine heavy
metal from the group The Offspring.
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Come Sail Away—arr. Paul Murtha. It's a genuine rock
anthem and both your band and the crowd will love it! It starts
quietly with trumpet soloist, then builds solidly and pulls out all
the stops to the powerful closing. A great closer!
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l Come With Me Now—arr. Matt Conaway & Jack
Holt. Recorded by the South African band Kongos, this hot
single continues to surge in popularity here in the U.S.
The unique style and flavor make it especially attractive
for marching band.
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Conga—arr. Victor Lopez. The biggest hit by Gloria Estefan
has been carefully arranged to be easier and more playable by
bands of all levels! This classic will be a welcome addition to
your stands for years to come!
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l Cool Kids—arr. Jerry Burns. The group Echosmith
rocketed to the top of the charts with this huge hit. Carefully
arranged to be very playable with the biggest impact, this
great-sounding chart will be ready to perform today!
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e Counting Stars—Ryan Tedder/arr. Matt Conaway
& Jack Holt. This hit from the popular band One Republic
adapts perfectly for marching or pep band in this high octane
arrangement. There's a wide range of dynamics, melody for
the low brass, and a hard-hitting chorus for the full band.
Included is an optional cut for a shorter stands version.
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Crazy in Love—arr. Ralph Ford & Bryden Atwater.
Beyonce saw her solo career take off with the success of
this great dance song. The horn lines translate very easily for
marching band, making this an instant crowd favorite!
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Crazy Little Thing Called Love—arr. Richard
Saucedo. Who knew that Queen could really swing? This
energetic chart provides a wealth of opportunities for color
guard work! It's light-hearted fun at its best!
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e Crazy Train—arr. Paul Murtha. It seems Ozzy
Osbourne is everywhere, so he may as well be in
marching band, too! Here's Ozzy's biggest hit arranged for
pep bands or general mania in the stands!
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Creep—arr. Jay Dawson. Made popular by English
alternative rock group Radiohead, this tune gained
worldwide attention when it was released in 1993. The
reflective melody and tempo make for a moving change of
pace production number.
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l The Cup of Life—arr. Paul Murtha & Will Rapp. Ricky
Martin made a huge splash with this as the official song of
the FIFA World Cup. The infectious Latin beat keeps it highly
popular today and is a rousing feature for stands or field.
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e Cupid Shuffle—arr. Tim Waters. Recorded by Cupid
in 2007, this catchy hit spawned a popular line dance as
well as numerous remixes and versions on YouTube. Create
your own dance sensation with this hot tune!
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