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Handbell Music
All Things Bright and BeautifulSondra
Tucker. The upbeat and inspirational treatment of
this familiar, well-known tune is playfully enhanced
with the introduction of He's Got The Whole World
in His Hands and mallet techniques in the middle
section for interest. With a lightly flowing style and
nice harmonic writing, augmented with running
eighth note patterns and well-placed syncopation,
this clever arrangement is one that will earn its
place in your library.
10295232 3/6 Octave. . . . . AGEHR-L3 4.50
Alleluia! Amen!arr. Karen Lakey Buckwalter.
Alleluia! Amen! is an easy, festive arrangement
of the tune MADRID, known in some hymnals as
Come, Christians Join to Sing. With beautifully
arranged chords ensuring every ringer is supported,
the title builds confidence in developing ringers
while producing a rich, joyous sound. Surrounded
with sparkling, original material, Alleluia! Amen! will
be a wonderful addition to worship services, concert
and festivals.
10424215 3/5 Octave. . . . AGEHR-L1+ 4.50
Amazing Grace My Chains are GoneChris
Tomlin & Louie Giglio/arr. Joel Raney. With Celtic
underpinnings, and paired with Newton's classic
hymn, this gripping, contemporary ballad becomes
a perfect worship anthem, thanks to Joel Raney.
Its crowning glory is found in the powerful refrain,
"My chains are gone, I've been set free. My God,
my Savior has ransomed me." This new 3-5 octave
setting can accompany Raney's timeless choral
arrangement, or stand on its own as a featured
handbell offering.
10452258 3/5 Octave opt.
8 Handchimes. . . AGEHR-L2+ 5.25
Amazing Grace (My Chains Are Gone)Various
Composers/arr. Linda R. Lamb. Inspired by the
2006 movie Amazing Grace, this contemporary,
fresh treatment of John Newton's iconic hymn
makes a natural transition to a reverent, thought-
provoking handbell arrangement. With good
dynamic contrasts and interesting ornamentation,
this gentle setting presents a wonderful choice for
your church music program.
10294932 3/5 Octave. . . . . AGEHR-L3 4.95
As the DeerMarty Nystron/arr. Geschke. This
gorgeous, new setting of Marty Nystrom's song
was written in memory of a young man who bravely
served in Iraq and sacrificed his life for his country.
For 3-5 octaves with optional 3 octave chimes this
accessible arrangement is an uplifting reminder
that God is the source of our strength in times of
great loss. A simple, guitar-like style accompanies
this reflective meditation, gently leading us to God's
wonderful embrace.
10058409 3/5 Octave. . . . AGEHR-L2+ 5.25
l Be Still My Soularr. Lloyd Larson. Gifted
arranger Lloyd Larson uses two tunes,
FINLANDIA
and
VILLE DU HAVRE, to weave a beautiful
arrangement. The addition of a solo cello part adds
to this musically inspiring composition.
10513829 5 Octave . . . . . . AGEHR-L3 5.50
Be Still My SoulJean Sibelius. Be Still My Soul
is one of the great hymns of the church, and Lorie
Line's flowing and expressive setting creates a
prayerful atmosphere. This arrangement beautifully
combines handbells and piano, along with optional
instruments and voice(s). The music has a great
deal of movement and is organic and lovely.
10293955 3/5 Octave. . . . AGEHR-L2+ 4.50
10293956 Octavo . . . . . . . . . . . . . . . . . 1.85
10293957 Keyboard/Full Score . . . . . . 15.95
10293958 Instrumental Parts . . . . . . . 19.95
Be Thou My Visionarr. Sandra Eithun. Scored
in two compatible versions, the traditional Irish tune
Be Thou My Vision opens with a lively and simple
malleted accompaniment. In the second stanza,
thumb damps in the upper trebles complement
the melody highlighted in the mid-range bells
and add interest. The straightforward rhythms
allow developing choirs the opportunity to focus
on listening to balance between the melody and
accompanying parts in this lively declaration of faith.
10424217 2/3 Octave. . . . . AGEHR-L2 3.95
l Be Thou My Visionarr. Gary Smoke &
Peggy Thompson. The compositional choices
of the arrangers make this a great setting of
this beautiful Irish tune. The melody is passed
throughout the choir and accompanied by eighth
notes. Echos and a repetition of the opening
textures bring the piece to a meaningful close
with a sustained four-octave arpeggio.
10524537 4 Octave . . . . . . AGEHR-L2 3.25
Beautiful Saviorarr. Jason W. Krug. Prayerfully
presented, this reverent arrangement opens gently,
with a few echoes and swings, then grows into a
bold declaration of faith. With lovely modulations
and dynamic contrasts, as well as mallets on
suspended handbells during the middle section,
this special arrangement will provide a memorable
musical moment for many services.
10462098 3/6 Octave. . . . AGEHR-L2+ 4.50
Behold! The King Comes! (Majestic March)
Bill Ingram. This triumphant original work for
beginning bellchoir is festive and bright, with just a
few swings and shakes for effect. Simple to prepare,
it offers a splash of color on Palm Sunday or Christ
the King Sunday with your developing group.
10023342 2/3 Octave. . . . . AGEHR-L1 3.50
Bell Peal on
ELLACOMBEarr. Linda R. Lamb. This
light and elegantly simple arrangement of ELLACOMBE
encourages your ringers and congregation to focus
on the tune, allowing you to associate it with the text
and scripture of your choice, be it for Palm Sunday,
Easter, or general services. With LV, echoes and
shakes for interest, this lively arrangement will be a
delight for all who hear.
10455012 2/3 Octave. . . . . AGEHR-L2 4.50
l BlazeWilliam Kyle. We are excited to present a
classic from quartet literature, now set for full choir!
Blaze was made famous by Velocity Handbell
Ensemble and is a showcase for bells. Set in
Flamenco style, the piece is a burst of adrenaline
from start to finish.
10524248 4/7 Octave. . . . . AGEHR-L4 5.25
Blessed Assurancearr. Lloyd Larson. This
beautiful 9/8 setting gives the familiar hymn a
joyful yet reassuring mood. The rich, full chords and
gentle duple bass rhythms blend with a dancing
treble melody, creating a memorable arrangement.
Sure to be enjoyed for years to come.
10458693 3/5 Octave. . . . . AGEHR-L3 4.50
Blessed Be Your NameMatt & Beth Redman/
arr. Wagner. This mildly rhythmic treatment of one
of today's top Contemporary Christian classics will
be a joy to prepare and present. All elements fit
logically into place with no accidentals. Here is
music that will truly gladden the hearts of your
ringers and your congregation.
10049166 2/3 Octave. . . . . AGEHR-L2 4.95
l Blessed Jesus, at Thy Wordarr. Kevin
McChesney. With a sense of inevitability, Kevin
McChesney offers this excellent arrangement of
a beautiful German chorale tune. The introduction
and transitions utilize the first seven notes of the
chorale to give breadth and joy. This is a great
addition to the handbell repertoire.
10524544 3/5 Octave. . . . . AGEHR-L2 3.75
Bwana Awabariki (May God Grant You a
Blessing)arr. Susan T. Nelson. This traditional
Swahili song with its energetic rhythms, stopped
techniques and optional percussion is accessible
and fun. The call and response and chord voicings
imitate the sound of traditional African choral music.
The melody in the bells serves as the "leader," with
the optional chimes as the "chorus."
10090255 3/5 Octave with opt.
3-5 Oct. Handchimes
& opt. Drum . . . AGEHR-L2 4.50
Calypso on
HE LEADETH MEarr. Tammy
Waldrop. Here is an upbeat and carefree rendition
of William Bradbury's beloved hymn tune that
is refreshing and fun!. The syncopated melody,
colorful accompaniment and optional Latin
percussion all combine to create an authentic
calypso flavor for a fresh new twist!
10305831 3/6 Octave. . . . . AGEHR-L3 4.50
H Canon of GraceLinda Lamb. Pachelbel's
classic Canon in D and the beloved hymn Amazing
Grace are incorporated in this lovely setting that
features the lyric beauty of the two melodies
along with the fluid eighth-note lines that were
Pachelbel's own. Artfully crafted, this is appropriate
for the more contemplative moments in the worship
service. Engaging!
3254398 2/3 Octave. . . . . AGEHR-L2 3.50
Canticle of the Turningarr. Karen Thompson.
Suitable throughout the church year, this setting of
traditional Irish tune
STAR OF COUNTY DOWN presents
a rolling, turning eighth note pattern within a
beautiful Celtic atmosphere. Grace notes, mallets
and martellato lifts adds lightness, while optional
handchimes add depth.
10402127 3/6 Octave. . . . . AGEHR-L3 4.75
Carillon and Bell Jubileearr. Margaret R.
Tucker. Passages of carillon-like chords introduce
and conclude this arrangement of the hymn tune
CWM RHONDDA, which is first presented as a
sprightly dance in 3/4 meter before developing into
a majestic declaration of faith. Commissioned to
honor a retired church musician, this music would
work well for many occasions of celebration or as a
concert piece.
10342538 3/5 Octave. . . . . AGEHR-L3 4.95
l Celebration for a New DaySusan Wise Carl.
Whether for Sunday morning or for an evening
concert, this original piece sets a joyful tone.
Accessible for every ringer, it is perfect for massed
ringing with the inclusion of martellato lifts, echoes,
suspended mallets, shakes, and swings.
10523619 3/5 Octave. . . . . AGEHR-L2 4.50
4 Chime In: Gospel Favoritesarr. John A.
Behnke. The popular Chime In series continues with
two gospel favorites: Just as I Am and It Is Well With
My Soul. John Behnke creatively arranged both for
level one ringers to build their vibrato technique and
keep everyone engaged.
10523624 2/3 Octave. . . . . AGEHR-L1 4.50
Chime In: Songs of Praise 2arr. John A.
Behnke. Chime In: Songs of Praise 2 continues
the popular series with two accessible hymn
arrangements of A Mighty Fortress Is Our God and
Now Thank We All Our God. These creative and
well-crafted pieces for beginning or youth choirs
will keep everyone ringing!
10455027 2/3 Octave. . . . . AGEHR-L1 4.50
The Church's One Foundationarr. Kevin
McChesney. This arrangement of one the great
hymns is versatile, simple to put together, and
results in a big sound. Using mallets, TD, pluck,
LV, echoes, and shakes, this is a good choice for
younger or less-experienced choirs to build their
skills, or for more experienced groups with little
rehearsal time.
10374584 3/5 Octave. . . . . AGEHR-L2 4.50
l The Church's One Foundationarr. Karen
Thompson. Inspire a festive mood with Karen
Thompson's glorious arrangement of this hymn
standard. With its creative harmonies, shakes, and
LV passages, your ringers will welcome this jubilant
composition, no matter the season or setting.
10524181 3/5 Octave. . . . AGEHR-L2+ 4.50
Come, Christians, Join to SingJason Krug.
Heralding a call to worship, this triumphant fanfare
uses majestic ringing, enhanced by shakes, before
giving way to a dynamic, syncopated statement
based on the hymn tune
MADRID. Following a middle
section filled with martellato and malleted chords
for a delightful contrast, this masterful arrangement
develops into another powerful and riveting fanfare.
Highly recommended!
10293736 3/5 Octave. . . . AGEHR-L2+ 4.50
Come Down, O Love Divinearr. Hart Morris.
Hart Morris gives us a beautiful and flexible setting
of this classic Pentecost hymn. Singing bells
accented by random notes leads to LV ringing with
occasional shakes for emphasis characterize this
lovely arrangement. This piece is a perfect choice
to involve all of your musical forces in worship or
concert with optional handchimes and organ, and
includes reproducible parts for vocal solo, choir,
and congregation.
10424979 Keyboard/
Full Score . . . AGEHR-L2+ 19.95
l Come, Lift Your Hearts on Higharr. Dan
Edwards. Here’s a jaunty setting of the hymn
tune
MADRID. Set in 3/4 time and using techniques
such as malleting and LV, this charming setting will
serve your choirs well for many seasons to come.
10524252 3/5 Octave. . . . . AGEHR-L2 4.99
4 Come, Thou Almighty Kingarr. Anna Laura
Page. The classic hymn Come, Thou Almighty King
has been given a highly accessible new setting by
Anna Laura Page. It is based on the
ITALIAN HYMN
and is appropriate for general worship services and
especially Trinity Sunday.
10524257 2/3 Octave. . . . . AGEHR-L1 4.99
BEST
SELLERS
Sacred Handbell
Buy with confidence! These works, listed in
order of their popularity, are chosen most often
by directors.
10,000 Reasons (Bless the Lord)—
Jonas Myrin & Matt Redman/arr. Peggy Bettcher.
10452280 3/5 Octave . . . AGEHR-L2+ 5.25
Hallelujah—Leonard Cohen/arr. Joel Raney.
10424209 3/5 Octave . . . . .AGEHR-L3 5.25
10424210 Instrumental Parts
Synthesizer. . . . . . . . . . . . . . . . .5.00
Nothing but the Blood of Jesus—
Robert Lowry/arr. Ron Mallory.
10455019 3/5 Octave . . . AGEHR-L2+ 4.50
You are Mine—David Haas/arr. Lloyd Larson.
10452284 3/5 Octave . . . . .AGEHR-L2 5.25
Amazing Grace My Chains are Gone—
Chris Tomlin & Louie Giglio/arr. Joel Raney.
10452258 3/5 Octave opt.
8 Handchimes . AGEHR-L2+ 5.25
Alleluia! Amen!—arr. Karen Lakey Buckwalter.
10424215 3/5 Octave . . . AGEHR-L1+ 4.50
You Raise Me Up—
Brendan Graham & Rolf Lovland/arr. Raney.
10293747 3/5 Octave with opt.
3-5 oct. Handchimes
& Cello. . . . . . AGEHR-L2+ 5.25
10293752 Instrumental Parts Cello . . . . . .2.50
Canon of Grace—Linda Lamb.
3254398 2/3 Octave . . . . .AGEHR-L2 3.50
Saints of God—arr. Lloyd Larson.
10455003 3/5 Octave . . . . .AGEHR-L2 4.95
I Want Jesus to Walk with Me—
arr. Tammy Waldrop.
10341864 3/6 Octave . . . AGEHR-L2+ 4.50
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