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Liturgical Anthems
General
Liturgical Anthems
4t A Present Help in Trouble (Psalm 46)Zach
Westermeyer. This colorful, modern take on a
popular Reformation text incorporates striking a
cappella harmonies and text painting to illustrate
the beauty of Psalm 46.
10523306 SATB . . . . . . . . . . . . . . . . . . 1.95
lt All Creatures of Our God and Kingarr. William
Tortolano. This familiar tune is set, in canon, with
three different texts for use at various liturgical
times. It will be excellent as an introduction to the
hymn, a short acclamation or an introit.
9566464 SAB. . . . . . . . . . . . . . . . . . . 1.15
l Ave Verum CorpusK. Lee Scott. The familiar
communion antiphon text is set here in Latin,
with an optional accompaniment for keyboard.
The flowing accompaniment supports the mostly
homophonic choral writing to provide a versatile
option for performance.
10526897 SATB . . . . . . . . . . . . . . . . . . 2.25
lt Breathe on Me, Breath of GodCraig Phillips.
Subtitled "a choral hymn," this work is a simple
strophic setting of the familiar text. Intended
for choral rather than congregational singing, it
could be performed either unaccompanied or with
keyboard, or in combination for the various verses.
10526894 SATB . . . . . . . . . . . . . . . . . . 1.00
l Brought to the WaterJonathan Kohrs.
A modern hymn concertato, with text by Lisa M.
Clark, for unison/congregation, piano, flute, and
oboe with optional guitar and bass. A flowing
accompaniment with instruments weaving in and
out complement a text that proclaims the life of a
baptized child of God. Use this at baptisms, and
when the theme is sanctification and mission.
This piece can be sung by children but will also be
effective with women's or men's voices.
10522074 Unison . . . . . . . . . . . . . . . . . 2.80
l The CallDavid Neches. "Come my way my truth
and life; such a way as give us breath..." George
Herbert's famous poem is treated with reverence
in this singable setting. Unison melodies give way
to lovely, accessible and straightforward harmonies
supported by piano accompaniment. An excellent
selection for teaching musical phrasing and unison
singing to choirs of varying abilities.
10510013 SATB . . . . . . . . . . . . . . . . . . 1.95
l A Prayer for PeaceCarlton R. Young. Carlton
Young has set many texts by Charles Wesley,
and presents here a very distinctive setting that
involves speaking/narration as well as the singing
of a simple, canonic melody. A series of slightly
dissonant triads in the organ accompaniment
descend and ascend throughout. The composer
writes: "The descending/ascending triads and the
canon depict war as a reoccurring event, generation
after generation."
10526900 SATB . . . . . . . . . . . . . . . . . . 2.00
l Christ Be With MeMichael Wolniakowski. The
fifth-century text from St. Patrick's Breastplate is
used in this short composition. A beautiful, soaring
solo begins the work; it ends with a soulful section
for mixed voices. This piece can be used as a
benediction at any time of year.
10527033 SATB . . . . . . . . . . . . . . . . . . 1.60
l Christ Has No Body Now but YoursSteven C.
Warner. From Witness of the Saints, this beautiful
text and tune are engaging. Written in a refrain
and cantor format, it speaks of our responsibility
to reach out in the name of Christ. Calls for SATB
choir, cantor, assembly, flute, guitar and keyboard.
8069105 SATB . . . . . . . . . . . . . . . . . . 1.50
l Christ is Made the Sure FoundationDavid
Ashley White. Commissioned by Peachtree
Road United Methodist Church (Atlanta, Georgia)
in celebration of the 2002 consecration of its
sanctuary, this lively festival anthem by David
Ashley White has an optional part for children's
choir and for congregation, who can join in the very
end in a metrically normalized version of the main
melody that has been presented several times by
the choir. A very effective anthem for festive
occasions, particularly those celebrating building.
10526904 SATB . . . . . . . . . . . . . . . . . . 2.50
l Church of God Elect and GloriousMichael D.
Costello. An original hymn tune
ASSUMPTION is used
as the basis for this stirring concertato. The text
by James E. Seddon is based on 1 Peter 2:9-12.
The theme of the text is to challenge the Church to
remember and embrace its mission. Optional parts
for brass quartet and timpani are available. Useful for
church celebrations, ordinations, and installations.
10514461 SATB . . . . . . . . . . . . . . . . . . 1.85
4 Come, Let Us EatBillema Kwillia. This energetic
a cappella piece in 7/8 time might offer a bit of
a challenge rhythmically, but after some rehearsal
time it is accessible for any SATB choir. The lilting
cadence and vigorous tempo set a festive mood as
we are called to the table. of the Lord.
10519851 SATB . . . . . . . . . . . . . . . . . . 2.05
l Come to MeJan Michael Joncas. This Joncas
classic has been updated and expanded with two
additional verses written specifically for the 2014
NPM National Convention's Eucharistic Liturgy.
Also included in this new edition are parts for two
C instruments.
10519853 SATB . . . . . . . . . . . . . . . . . . 2.05
4t Do Not Be AfraidPhilip W. J. Stopford. This
anthem of comfort and assurance is built around
the words "Do Not Be Afraid." The repetition of
these words evokes a sense of calm that permeates
the piece. Beautifully crafted.
10514475 SATB . . . . . . . . . . . . . . . . . . 1.85
l Draw Nigh and Take the Body of the Lord
Derek Healy. "Draw nigh and take the Body
of the Lord, and drink the holy Blood for you
outpoured. Saved by that Body and that holy Blood,
with souls refreshed, we render thanks to God." Set
at a very slow tempo, this Communion anthem is
reverent and prayerful.
10514648 SATB . . . . . . . . . . . . . . . . . . 1.55
4 Every Eye is DifferentDaniel Kantor. As if to
reflect our differences, the voicing in this appeal for
tolerance builds from unison (or optional solo voice)
at the start to full SATB choir in verses 3 and 4. A
key change in the fourth verse, and the addition of
an optional descant for C instrument. A gentle and
unobtrusive piano accompaniment supports the
beauty of the text throughout.
10519429 SATB . . . . . . . . . . . . . . . . . . 2.05
4 For the Fruit of All Creationarr. Jonathan
Rodgers. "For the fruit of all creation, thanks be to
God! Gifts bestowed on every nation, thanks be to
God!" This text can stand easily on its own as one of
the greatest poems by Fred Pratt Green. Jonathan
Rodgers has set it to the Welsh folk tune All Through
the Night with such superb craftsmanship that it
can serve as a powerful anthem of thanksgiving,
praise, or benediction.
10512720 SATB . . . . . . . . . . . . . . . . . . 2.10
4 For the Fruits of His Creationarr. David von
Kampen. A gorgeous new tune and setting of Fred
Pratt Green's thanksgiving hymn for SA choir and
piano. A melody is introduced in the first stanza and
a countermelody in the second. The final stanza
masterfully blends the two together with a flowing
piano accompaniment serving as a foundation. This
anthem is suitable for both children and adults.
10522077 SA . . . . . . . . . . . . . . . . . . . . 1.90
l Gathered Round This TableDan Schutte.
A beautiful 3-part communion anthem by the
composer of Here I Am, Lord.
10524867 SAB. . . . . . . . . . . . . . . . . . . 2.40
l Give Us, O LordBob Hurd. This SATB anthem is
a prayerful setting of the psalms using SATB choir,
keyboard, C instrument and guitar. It is well suited
for use during communion and Lent and addresses
the need for Christian unity and God's love for us.
10524859 SATB . . . . . . . . . . . . . . . . . . 2.40
lt God Be in My HeadPaul Bouman. Paul Bouman
has created a highly expressive setting of a familiar
text from the Sarum Primer. This carefully crafted
work, which is at the same time simple melodically
and evocative harmonically, is perfect for choral
ensembles in both liturgical and concert contexts.
10527037 SATB . . . . . . . . . . . . . . . . . . 1.60
lt Holy is the True LightGabriel Jackson.
Jackson's Holy Is the True Light sets a text
translated from the Salisbury Diurnal which
emphasizes the solace of faith in times of conflict.
The fluid changes in time and key signatures and
the effective division of voices creates a strong
musical impression of serenity and strength.
10505856 SATB . . . . . . . . . . . . . . . . . . 2.70
4 The Hour of Banquet and of Song
arr. Howard Helvey. This is stunningly beautiful!
From its a cappella opening to the lush harmonies
of the subsequent verses, this new communion
anthem is extraordinary in every way. Guaranteed
to become a traditional favorite for years to come, it
is not to be missed. Highly recommended!
10503478 SATB . . . . . . . . . . . . . . . . . . 1.90
4 How Lovely Is Your Dwelling PlaceKevin
Hildebrand. Familiar words from Psalm 84 are
set for SATB choir and organ. These words,
meticulously illustrated in music, give hope and
strength to the believer pointed toward heaven's
courts. This inspiring arrangement ends with a
stanza by Paul Gerhardt, "Why should cross and
trial grieve me?" Appropriate for many Sundays of
the church year.
10522082 SATB . . . . . . . . . . . . . . . . . . 2.30
l I Love Your CommandsEleazar Cortes. A bi-
lingual piece for two-part choir, keyboard, guitar,
2 trumpets based on 1 Samuel 3 and Psalm 119.
Make this a joyous part of your bi-lingual services!
10524865 Two-Part . . . . . . . . . . . . . . . 2.40
4 I Sing as I Arise TodayWilliam P. Rowan/
arr. Kenneth Dake. This famous prayer referred
to as "Breastplate" has long been attributed to St.
Patrick. This version uses the tune
SEED OF LIFE by
William Rowan and creates a exciting setting of this
great text. May be performed with keyboard alone
or with optional brass and percussion.
10514470 SATB . . . . . . . . . . . . . . . . . . 1.70
l In Thee Is GladnessCarl J. Nygard, Jr..
This familiar hymn tune is given a modernized
Renaissance styling with meter changes inserted
to enhance the lilting quality of the text. Harmonic
coloring is given to the organ interludes, as well as
the final "Alleluia" in the vocal parts.
10523270 SATB . . . . . . . . . . . . . . . . . . 1.95
4t Keep God's LightMark Patterson. A
rhythmic and joyous expression of praise and
encouragement. This will quickly become a choir
favorite. Optional percussion parts are available as
a free download.
10514455 SATB . . . . . . . . . . . . . . . . . . 1.70
l Lead, Kindly LightSteven C. Warner. Written for
an evening service for SATB choir, cantor, assembly,
C instrument, guitar, and keyboard with optional two
violins and cello.This hymn-like setting has verses
for cantor or soloist with the refrain for the choir or
assembly. Beautiful and thought provoking.
9519818 SATB . . . . . . . . . . . . . . . . . . 1.25
l Light of Light, O Sole-Begottenarr. Kevin
Hildebrand. A broad hymn concertato using the tune
WESTMINSTER ABBEY for SATB choir, congregation,
organ and trumpet. This hymn of invocation is an
excellent and festive way to begin any service, and
may be particularly useful at Epiphany.
10522090 SATB . . . . . . . . . . . . . . . . . . 2.80
t LitanyWilliam Walton. A setting of a melancholy
text by Phineas Fletcher for unaccompanied
SATB voices. Its plangent chromatic harmonies
and expressive melodic lines are a remarkably
adventurous achievement for a fourteen-year-old
Walton. The SSAA arrangement was issued in 2015.
1479443 SATB . . . . . . . . . . . . . . . . . . 2.55
10505388 SSAA. . . . . . . . . . . . . . . . . . 2.70
l At the Cry of the First Bird—Daniel Nelson.
"At the cry of the first bird, they began to crucify Him."
This Holy Week anthem has a moving anonymous text
with a picturesque piano accompaniment. The unison
choral writing expands into four parts, with brief
a cappella sections, as the piece progresses. This would be a meaningful
addition to any liturgical Lenten service.
10503113 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.70
l
Deep Peace—David Barton. This lyrical piece is based on a traditional Gaelic
blessing and is very versatile. It could be done as a solo, duet or even with mixed
voices. Only four measures of the piece are written in harmony, divided either
soprano/alto or with the high voices taking the upper part and lower voices taking
the harmony. The simplistic beauty and flowing accompaniment make this a
meaningful benediction or possibly a short anthem.
10503076 Unison/Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.70
l
The King of Love—David Barton. A simple, yet beautiful setting of H. W.
Baker's paraphrase of Psalm 23. Unison passages contrast with SATB sections.
If preparation time is of the essence, or you are looking for a thoughtful setting
Psalm 23, this is a great choice.
10503119 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.20
l
O Sing Unto the Lord a New Song—David Ashley White. For Easter or
general use, this introit is a meaningful setting of the first verses of Psalm 98. SAB
choir with extended ranges, a C-instrument part and ten handbells combine to
make this an uplifting improvisatory-like piece. This is will be a great way to start
your Easter worship celebration.
10503102 SAB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.70
lt
Preces and Responses—David Halls. Written for the Salisbury Cathedral
Choir, these verses and prayers are traditional in style. This particular set includes
a striking setting of the Lord's Prayer. This setting of these prayers will be a
welcome change to your liturgy.
10503073 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.70
lt
Preces and Responses in G-Major—Michael Bedford. Well-known
sacred composer Michael Bedford has set verses and responses from the Book
of Common Prayer. This setting is particularly well written and inspired by the
text. This will be a favorite for you, your choir and parish.
10503072 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.70
Sing to the Lord a New Song—Robert Lau. A mixed-metered setting of
verses from Psalms 148 - 150. The writing is mostly unison interspersed with
occasional four-part writing. An imaginative organ accompaniment weaves
throughout. Don't miss this best-selling anthem.
10026111 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
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