J.W. Pepper Catalogs

2015 Fall Worship Catalog

J.W. Pepper Music Catalog

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Order Toll Free! Call 1.800.345.6296 / w: jwpepper.com / e: [email protected] 143 Go to cart Handbell Music 4 Guide Me, O Thou Great Jehovaharr. Linda R. Lamb. Your ringers will want to return to again and again to this accessible and energetic selection. No bell changes are required, and opportunities abound for exploring techniques including martellato, shake, LV, martellato lift, thumb damp, and pluck. 10524218 2/3 Octave. . . . . AGEHR-L2 4.50 Guide Me, O Thou Great Jehovah (God of Grace and God of Glory)arr. Michael Helman. This exciting arrangement of Guide Me, O Thou Great Jehovah includes handbell techniques such as mallets, martellatos, shakes, echoes and a mallet roll, making it a dynamic and glorious declaration of faith. A great choice for festivals, concerts, and worship settings. 10424970 3/5 Octave. . . . . AGEHR-L2 4.95 HallelujahLeonard Cohen/arr. Joel Raney. Known around the globe, this Leonard Cohen title has become a standard inspirational song, leading Joel Raney to set it for 3-5 octave handbells and optional handchimes and synthesizer. In this wonderfully emotional and moving rendition, ringers will enjoy the serenity and beauty of the steady eighth note patterns that accompany the familiar melody. Its status as a "secular hymn" makes it a cross-over piece that is highly recommended for any concert or worship setting. The optional synthesizer part enhances the overall haunting atmosphere. 10424209 3/5 Octave. . . . . AGEHR-L3 5.25 10424210 Instrumental Parts Synthesizer 5.00 Hallelujah, Praise Ye the Lordarr. Ron Mallory. This lively setting of the familiar children's song presents the melody four times in a variety of styles, from bouncy jazz to a driving rhythm with mallets. Mallet clicks and optional choreography add to the sense of childlike celebration and fun. Smiles all around! 10366193 3/5 Octave. . . . AGEHR-L2+ 4.50 l He Hideth My Soul in the Haven of Restarr. Dan R. Edwards. A seamless transition between two tunes, KIRKPATRICK and HAVEN OF REST, adds to the appeal of this accessible and memorable arrangement. This peaceful setting includes LVs and swings. 10524219 3/5 Octave. . . . . AGEHR-L2 4.50 He Is ExaltedTwila Paris. Incorporating the hymn tune ST. DENIO, this spirited and fun setting is a great choice for the young handbell choir. Using no subdivisions of the beat, yet with rich supporting harmony, this contemporary praise and worship title would also be perfect for any handbell choir with limited time to prepare. 10294974 2/3 Octave. . . . AGEHR-L1+ 4.95 Here I Am to WorshipTim Hughes/arr. Victor Labenske. Delight your congregation and your beginning ringers with this popular worship chorus. Echoes, LV and a shake at the end provide interest, and are a great way to introduce new techniques. An accessible, lovely setting appropriate for any worship service. 10317902 2 Octave . . . . . . AGEHR-L1 4.25 Here I Am to WorshipTim Hughes/arr. Dan Edwards. This great worship song by Tim Hughes has become a standard in many different types of church services. While not difficult to play, Dan Edwards' arrangement for handbells has a great, full sound and would make a good choice for choirs that need a solid selection for worship that must be prepared quickly. 10351398 3/5 Octave. . . . . AGEHR-L1 4.95 His Eye Is on the Sparrowarr. John Atteberry. Clever use of the flute enhances a beautifully written arrangement of the esteemed gospel hymn. The lovely, expressive hymn alludes to the Sermon on the Mount, when Jesus reminds us of God's loving guidance and care - a timeless message of faith suitable for most worship services. The flute part is included in the handbell score. 10486823 3/5 Octave opt. Flute . . . . . . AGEHR-L2 5.25 His Eye Is on the SparrowCharles H. Gabriel/ arr. Anna Laura Page. His Eye Is on the Sparrow is based on a well-known, beloved gospel hymn that found wide use during the early to mid-twentieth century. This engaging setting for handbells is harmonically rich, with flowing accompaniment that builds into an exciting, full statement of happiness that comes from knowing that God watches over us, just as He watches over the sparrow. This thoughtful setting offers opportunities for ringing musically while using precise ringing and damping skills, and is appropriate for any occasion. 10424223 3/5 Octave. . . . . AGEHR-L3 4.50 Holy God, We Praise Your Namearr. Bill Ingram. With extensive use of the echo and mart, this arrangement for youth and beginning choirs is an interesting and expressive hymn of praise. The quarter note chords throughout build confidence, but be careful not to let the volume of the marts overpower the general dynamic. A great teaching opportunity for groups just learning the techniques, this special arrangement is an excellent choice for worship services throughout the year. 10456953 2/3 Octave. . . . . AGEHR-L1 3.95 l Holy Mannaarr. Nicholas Hanson. This versatile arrangement of the popular hymn Brethren, We Have Met to Worship is engaging and powerful. Using handchimes, shakes and LVs, Mr. Hanson sets a joyful mood for worship, festival or concert. 10524555 2/5 Octave with opt. 2 Octave Handchimes. . . . AGEHR-L2 3.75 Holy MannaWilliam Moore/arr. Susan E. Geschke. This arrangement is played entirely with mallets and mallet clicks, yet it remains rhythmically easy with only a sprinkling of eighth notes. Alternatively titled A Merry Mallet Melody,it may be also rung entirely on handchimes, substituting a percussion instrument for the mallet clicks. Bursting with energy, this setting is an excellent choice for secular, sacred, or festival use. 10356670 3/5 Octave. . . . . AGEHR-L2 4.50 How Can I Keep from SingingRobert Lowry/ arr. Cathy Moklebust. Particular attention is paid to the word "singing" through rhythmic and chordal punctuation, and through use of the Singing Bell technique, in this perfect choice for any worship service. Both versions of the tune are used: Robert Lowry's original lyric version in 3/4 meter, which uses plenty of LV and the optional use of handchimes; and the more contemporary version which is written in a rhythmic, energetic 4/4 meter, employs the use of malleted bells, and features the hymn tune played in a round. Editions for 2-3 octaves and 3-5 octaves are available, and they are compatible for massed ringing. 10452276 2/3 Octave opt. Handchimes. . . . AGEHR-L3 4.50 10452277 3/5 Octave opt. Handchimes. . . . AGEHR-L3 4.50 How Great Thou Artarr. Michael Helman. Incorporating This Is My Father's World, this exciting, carefully edited setting of the timeless hymn is a strong choice for 2-3 Octave handbells or handchimes! This is appropriate for general worship services and young ringers festivals. 5957642 2/3 Octave. . . . . AGEHR-L1 3.95 Hymn of PromiseNatalie Sleeth/arr. Janet Linker & Jane McFadden. Combining handbells, keyboard and chimes, Janet Linker and Jane McFadden have created a contemplative and gentle arrangement of this lovely Natalie Sleeth tune. The introduction features bells and piano antiphonally, bringing a lovely depth to the work. Optional handchimes introduce the hymn melody with quiet accompaniment for contrast. The second verse has more motion with the hymn melody in octaves. The antiphonal theme returns and leads into Amazing Grace with chimes on the melody accompanied by malleted suspended handbells. After a modulation to C major, the final statement of Hymn of Promise returns as a handbell solo and crescendos with piano to a brilliant declaration of faith. 10488685 3/5 Octave opt. 3 oct. Handchimes. . . AGEHR-L2+ 4.50 10488686 Keyboard/Full Score . . . . . . . 7.95 l I Love Theearr. Tammy Waldrop. Captivate your audience with Tammy Waldrop's stunning arrangement of the beloved tune. Full of devotion, this selection is easy to prepare due to bell changes only occurring at the key change. The melody is woven through various voices of the group with thumb damp and LV techniques employed. Simple and lovely. 10524228 3/5 Octave. . . . . AGEHR-L2 4.50 I Want Jesus to Walk with Mearr. Tammy Waldrop. This popular spiritual is given a rhythmic, soulful treatment, with staccato sections contrasting with smooth, sustained passages, and featuring optional chimes. Performance should take into account the dynamic visual aspect of the piece, with its gyros, pluck lifts, martellato lifts, mallets, shakes and vibrato. It will be a memorable musical and visual event! 10341864 3/6 Octave. . . . AGEHR-L2+ 4.50 I Want Jesus to Walk with Mearr. Benjamin Tucker. This accessible setting makes extensive use of the singing bell technique to support a single handbell melody line and create a very lyrical treatment of this tune. Suitable for Lent or general use, this arrangement is a great teaching opportunity as well. 10490003 2/3 Octave. . . . . AGEHR-L2 4.50 I Want to Walk as a Child of the LightKathleen Thomerson/arr. Cathy Moklebust. The latest addition to the Flexible Favorites series for bells and optional instruments, Kathleen Thomerson's popular hymn tune HOUSTON has been treated simply and delicately with minimal bell changes and techniques, making this a very accessible arrangement. A short original melody comprises the introduction, interludes and ending. In the second stanza, the upper treble bells are played with mallets, while the hymn tune is played by the lower treble and bass. The optional C or Bb instrument makes a lovely addition and adds a complementary warmth and depth to the whole performance, and since 2-3 and 3-5 octave editions are available, this piece is perfect for festival use as well as for worship. 10424232 2/3 Octave. . . . . AGEHR-L2 4.95 10424233 3/5 Octave. . . . . AGEHR-L2 4.95 I Will Arise and Go to Jesusarr. Cathy Moklebust. The Southern Harmony tune, RESTORATION is arranged here for a double choir of two to three and three, four or five octaves, with percussion, but may also be played by a single choir. Light thumb-damping, malleting or plucking accompany the melody, which is presented in two slightly different versions. This short arrangement includes no accidentals, except for the final chord, and is appropriate year-round for worship and concert use. 10307324 2/3 Octave. . . . . AGEHR-L2 4.50 10307325 3/5 Octave. . . . . AGEHR-L2 4.50 10307326 Keyboard/Full Score . . . . . . . 9.95 I Will Arise and Go to Jesusarr. Matthew Compton. Based on the hymn tune RESTORATION, this multi-seasonal arrangement sends the listener on a marvelous journey through beautifully contrasting and expressive interpretations of each stanza of the hymn. At times energetic, at others reflective, this compelling anthem features echo rings, mallets, contrasting bells and chimes, and martellatos, making it a delight for ringers and listeners alike. 10340407 3/5 Octave. . . . . AGEHR-L3 4.95 l If You're Happy and You Know Itarr. Ron Mallory. Mallet clicks and foot stomps add to the fun of this lively piece! Featuring a quick tempo and minimal bell changes, this arrangement will be a joy for both ringers and audience alike. The melody is found in all areas of the choir and there is a section of malleted bells for one of the variations. Pure fun! 10524231 3/5 Octave. . . . . AGEHR-L2 4.50 Jesus Loves Mearr. Michael Glasgow. Recall with your congregation the timeless truth of Jesus' love with this tender arrangement of William Bradbury's children's song, scored here with many performance options. It can be played with two bell choirs - a 2-3 octave group along with your 3-6 octave adult group - or either group can play alone with piano accompaniment. If you have a children's bell choir, use them on handchimes in the 2-octave version with piano. In fact, you can feature this hymn in this setting every year for Home and Family services and try it a different way each time. 10095670 2/3 Octave. . . . . AGEHR-L2 4.50 Jesus Shall Reignarr. Sondra K. Tucker. This great call to worship, with its optional trumpet and energetic malleted accompaniment, opens with a majestic fanfare. The triumphant, grand ending features handbells taking the lead while the trumpet descant soars over the congregation. A joy to behold, this piece is truly a showcase for your handbell ensemble. 10366384 3/6 Octave. . . . AGEHR-L2+ 4.95 Joshua Fit the Battle of Jerichoarr. Susan Geschke. This rollicking spiritual, part of the Two- Octave Gem series, will charm and delight with its easy swing, lively melody and energetic plucks. A slower, meditative middle section with lots of LVs provides wonderful contrast. Advanced groups may increase the tempo for more excitement, culminating in a rousing ending as the notes plunge emphatically to convey a glorious sense of "the walls came tumblin' down!" 10341881 2 Octave . . . . . . AGEHR-L2 4.50 KyrieCathy Moklebust. This hauntingly melodic original will be effective during Lent, communion, or any time a penitent mood is appropriate. Scored for 2-5 octaves, it is also a good choice for festivals. 10021926 2/5 Octave. . . . . AGEHR-L3 4.50 Lamb of GodTwila Paris/arr. Ryan. This long-time contemporary Christian favorite is now available in an easy 2-3 octave arrangement that can be rung effectively throughout the year. Especially poignant during communion or Holy Week services, the work is set in a straightforward and beautiful manner that follows the emotional contours of the original classic. Absolutely stunning! 10059004 2/3 Octave. . . . . AGEHR-L2 4.95 Let All Things Now Living (Sent Forth by God's Blessings)arr. Susan Geschke. This stunning new setting of ASH GROVE is playful and exuberant, dancing across the pages from the first note to the last. Choirs are encouraged to ring the 3/4 tempo with a sparkling feeling of one pulse per measure. Ringers of all ages will enjoy the excitement of this easy-to-learn piece, and the audience will too! 10452256 3/5 Octave. . . . . AGEHR-L2 4.50 The Little Brown Churcharr. Anna Laura Page. Composed for a 3-5 octave handbell choir and piano, this timeless hymn about the historic Little Brown Church in Nashua, Iowa is combined with Standing on the Promises bringing forth memories of faith and home in an achievable setting. Martellatos and shakes are used to enhance the celebration. 10424877 3/5 Octave. . . . AGEHR-L2+ 4.50 l Lord, Thee I Love with All My Heartarr. Sandra Eithun. An introspective and powerful arrangement by Sandra Eithun of the well-loved hymn for handbells, with options for handchimes and trumpet. This hymn, based on HERZLICH LIEB, is appropriate for All Saints' Day, Confirmation, and funerals. 10521999 3/5 Octave. . . . AGEHR-L2+ 5.25 Lord, I Want to Be a Christianarr. Michael Ryan. Michael Ryan's arrangement is perfect for services throughout the year as a hymn of response to the Word of the Lord, calling for commitment and maturity in our walk with God. This tender and thoughtful setting is beautifully arranged for beginners but has enough depth of sound for more advanced groups as well. 10455013 2/3 Octave. . . . . AGEHR-L1 4.50 Meditation on "Beautiful Savior"arr. Cathy Moklebust. One of the all-time best selling handbell pieces is now available in an edition for two- octave choirs! This very moving treatment of the hymn tune SCHONSTER, HERR JESU has become a classic in handbell literature. The arranger allows the familiar tune to be predominant throughout, with the emotion of the piece ranging from a free, contemplative style to one of grandeur and majesty. 3031804 3/5 Octave. . . . . AGEHR-L2 5.50 l Morning Has Brokenarr. Peggy Thompson & Gary Smoke. This simple setting of a favorite melody begins with a quiet introduction. The melody is first heard in the upper voices accompanied by quarter notes. It is then repeated in the middle voices accompanied by quarter notes using thumb damps and plucks. A good introduction for ringing techniques, as gyro and shake are also used. 10524538 4 Octave . . . . . . AGEHR-L1 3.25 l My Shepherd's Amazing Gracearr. Karissa Dennis. From arranger Karissa Dennis, here is a delightful medley of two beloved hymns, My Shepherd Will Supply My Need and Amazing Grace. The singing bell technique is utilized in low chords while LV in the melody with open intervals adds beautiful texture over the bass. The echo technique and optional handchimes give depth, and a lovely surprise in the end expresses peace. 10514257 3/5 Octave. . . . . AGEHR-L2 4.50

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