4Editors' Choice (Best of 2015 Publications) lNew for 2015 HPepper Basic Library ♦A Cappella Available via ePrint All Prices in U.S. Dollars & Subject To Publisher Revision
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Handbell Music
Passacaglia in C minor (Built on the Sure
Foundation)Fred Gramann. The term
'passacaglia' refers to a set of variations over a
repeating bass line, commonly in triple meter. This
original work by Fred Gramann explores a variety of
handbell textures and techniques, building from a
simple melody to more complex patterns. Precise,
delicate ringing is required, with pluck and swings to
help build momentum. Being built on a foundational
bass line, an alternative title for worship might be
Built on the Sure Foundation. It was composed for
the Ontario Guild of English Handbell Ringers Festival
in Peterborough, Ontario in May, 2015.
10489526 3/5 Octave. . . . . AGEHR-L2 4.50
l
Percussive PraiseKevin McChesney. Kevin
McChesney's popular Percussive Praise (subtitled
Mallet Melody) is now available in an expanded
edition for 3, 4 or 5 octaves. Played entirely with
mallets, this happy piece is sure to be a favorite.
The two editions are compatible for massed
ringing events.
8066614 2/3 Octave. . . . AGEHR-L1+ 4.50
10524601 3/5 Octave. . . . AGEHR-L1+ 4.50
Praise God, from Whom All Blessings Flow
arr. Ron Mallory. A strong, versatile setting of one of
the great hymns of the church. Mallets, shake, LV,
martellato, and mallet lift add emphasis to this bold
and reverent declaration of faith.
10462102 3/6 Octave. . . . AGEHR-L2+ 4.50
Praise to the Lord, the AlmightyJason W.
Krug. Add an element of excitement to any worship
service or concert setting with this powerful, bold
statement of praise. The forceful opening and
closing statements of the theme make liberal use
of the martellato lift and shake techniques, while
the middle section uses optional treble chimes,
LV and echoes to create a more reflective mood.
Sure to delight ringers and audiences alike, this
familiar hymn is taken to a new level of interest by
its unexpected harmonies.
10360831 3/6 Octave with opt. 3 Octave
Handchimes. . . . AGEHR-L3 4.50
l Precious Lord, Take My Handarr. Cathy
Moklebust. This versatile arrangement of Thomas
A. Dorsey's beloved hymn includes optional
parts for B-flat clarinet, bass, and drum set. The
introduction is very slow and free with the melody
being played by handchimes and accompanied
by singing bells. What follows is a relaxed gospel
treatment of the hymn using a malleted bass line.
The bass handchimes take the hymn in the next
verse, accompanied by thumb-damped upper
treble bells. A grand final verse uses plenty of LV in
the bass, full chords, and an improvisatory clarinet
solo. A brief return to the singing bells and melody
in the handchimes brings this soulful arrangement
to its final rest.
10514265 3/5 Octave with opt. 3/5 Octave
Handchimes. . . AGEHR-L3+ 5.25
Prelude on ELLACOMBEarr. Larry Shackley
& Michael Helman. Michael Helman has expertly
arranged Larry Shackley's exuberant piano work,
I Sing the Mighty Power of God, to create a perfect
handbell piece for concerts, festivals, and worship
services. The mixed meter section incorporates
numerous stopped-bell techniques, including
mallets and martellato, which will delight and
challenge your ringers. Also known as Hosanna,
Loud Hosanna, this engaging arrangement is a
great choice for Palm Sunday as well.
10490087 3/5 Octave. . . . AGEHR-L3+ 4.50
Prelude on ThaxtedMichael Helman. This
arrangement of the powerful Holst tune Thaxted,
written as a dedication to the service of Alanna
Teragawa, makes wonderful use of both handbells
and optional handchimes. A mesmerizing opening,
featuring a sustained tone scripted below the freely
floating melody, makes a gradual metamorphosis
into an elegantly steady waltz feel. Dynamic
contrasts, a key change, and a few accidentals,
along with some other technical challenges,
broadens the scope of this majestic epic.
10276215 3/6 Octave. . . . . AGEHR-L3 4.95
l Raise the Song of Harvest Homearr.
Jason W. Krug. Jason Krug expertly arranges the
Thanksgiving tune
ST. GEORGE'S WINDSOR for bells
and chimes. there is also an optional flute part
which is included in the handbell score.
10513968 3/5 Octave. . . . . AGEHR-L3 4.50
Reflection on
HOLY MANNASandra Eithun.
Beginning and ending with singing bell technique,
tender echoes of this well-loved early American
hymn tune ring out to touch the heart and soothe
the soul. Optional dulcimer and flute parts are
included to enhance the reflective mood. Don't
miss this exquisite offering.
10307733 3/6 Octave. . . . AGEHR-L2+ 4.95
l Reformation Processionalarr. Michael
Helman. Beginning the piece and appearing as
a lovely interlude throughout, an original march
theme frames the hymn tunes
EIN FESTE BURG
and TULON. Ensembles will enjoy the inclusion of
martellato and mallet techniques as well as an
extended chime section.
10524176 3/5 Octave. . . . . AGEHR-L3 4.95
l Reformation Ringingarr. Lauran Delancy.
A collection of four Reformation hymns arranged
for 3 or 5 octave handbells by Lauran Delancy.
Level II-III. Arrangements include: By Grace I'm
Saved; Lord, Keep Us Steadfast in Your Word;
Lord Jesus Christ, with Us Abide and A Mighty
Fortress Is Our God.
10522004 3/5 Octave. . AGEHR-L2-L3 5.00
4 Rejoice, Ye Pure in Heartarr. Margaret R.
Tucker. After a short fanfare introduction, Rejoice,
Ye Pure in Heart presents the hymn tune
MARION in
three settings: a traditional 4/4 hymn form; a more
meditative setting in 3/4 time, with the melody in
midrange, played by optional handchimes; and
a stately setting in 4/4 time with a flowing bass
bells accompaniment. The first setting of the hymn
tune could also be used, with or without treble
instrument, to accompany congregational singing of
this hymn. The two editions are written so they may
be played together in festivals and other multiple
bell choir situations.
10524651 2/3 Octave. . . . AGEHR-L2+ 4.95
10524654 3/6 Octave. . . . AGEHR-L2+ 4.95
Repton Reminiscencearr. Timothy H. Waugh.
This arrangement of the hymn tune
REPTON
by C. Hubert H. Parry (also known as How Clear
is Our Vocation, Lord and Father of Mankind), is
very accessible and provides good repetition of
patterns. Echoes in the middle section and shakes
near the end provide interest and a great teaching
opportunity for a youth or beginning group ready to
move on to the next level.
10454910 2/3 Octave. . . . . AGEHR-L2 4.50
Sacred Silencearr. Karissa Dennis. A variety of
techniques, including the singing bell, and optional
handchimes figure prominently in this moving
arrangement that uses both Let All Mortal Flesh
Keep Silence and O Sacred Head Now Wounded.
This lovely setting would be appropriate during any
worship service calling for a prayerful moment,
including Communion or Lent.
10489090 3/5 Octave opt. 3 Oct.
Handchimes. . . . AGEHR-L2 4.50
Saints of Godarr. Lloyd Larson. This bold,
dynamic medley of For All the Saints, Rise Up O
Church of God and Rejoice Ye Pure in Heart is
perfect for All Saints' Sunday, or any celebration
of the church triumphant. Key changes and
creative harmonies will delight ringers and
listeners alike in this celebration of faith. For
worship or festival use.
10455003 3/5 Octave. . . . . AGEHR-L2 4.95
Sanna, Sannanina (Holy, Most Holy Lord)
arr. Sandra Eithun. Music from South Africa comes
to handbells with this energetic setting with a
fun groove that can be enhanced by optional
handchimes, and congas, shakers, cowbell and
guiro to add an authentic feel. The infectious
rhythms and lively melody will grab the attention
of any audience or congregation. Set for either
2-3 or 3-5 octaves, this piece is accessible and
offers ringers ample opportunity to work on many
articulations, including mallets on suspended
bells in the middle section, plus plenty of stopped
techniques and dynamic contrasts. Optional
percussion parts are included in the full score.
10489529 2/3 Octave opt.
Handchimes. . . AGEHR-L2+ 4.95
10489530 3/5 Octave. . . . AGEHR-L2+ 4.95
10489531 Percussion Part includes
Full Score . . . . . . . . . . . . . 14.95
4 Savior, Like a Shepherd Lead UsJoel Raney/
arr. Arnold B. Sherman. This Arnold Sherman
transcription of a Joel Raney piano setting offers
a flowing, peaceful presentation of William B.
Bradbury's beloved hymn tune. Filled with LV
accompaniment figures in the bass section and a
few accidentals throughout, this is a worthwhile
addition for your worship repertoire and useful
throughout the year.
10514248 3/6 Octave. . . . . AGEHR-L3 4.50
l Search Me (Now Is the Hour)arr. Patricia
Hurlbutt. Echos, key changes and plucks are
just some of the techniques used in this skillful
arrangement of a Maori tune by Patricia Hurlbutt.
Lovely and engaging, this is sure to be a welcome
part of your meaningful worship.
10513980 3 Octave . . . . . . AGEHR-L3 4.50
l SerenityJason W. Krug. Jason Krug's beautiful
original composition features a tune that is both
easy to learn and remember, guaranteeing that it
will be a hit with your ringers. Optional handchimes
add depth to this contemplative and prayerful piece.
10524236 3/5 Octave. . . . . AGEHR-L2 4.50
4 Sing to the Lord of Harvestarr. Bob
Burroughs. Veteran composer Bob Burroughs
gives us a delightful setting of the beloved
Thanksgiving Hymn. Expertly arranged to sound
full and glorious, your handbell choir will enjoy the
various special techniques which also make the
piece lots of fun to ring.
10524262 2/3 Octave. . . . . AGEHR-L2 4.99
l Softly and Tenderlyarr. Brenda Austin. Inspire
your congregation to contemplate God's love with
this graceful and elegant arrangement. Swings,
suspended bells, echos and more give the piece
interest and color. Make this a meaningful part of
your group's offerings.
10524239 3/6 Octave. . . . . AGEHR-L2 4.50
Soon and Very SoonAndrae Crouch/arr. Bill
Ingram. This Andre' Crouch favorite sparkles with an
easily accomplished, driving rhythm by using mallets,
TD, RT, and shakes to add to the excitement. Find
the tempo that works best for you and enjoy—it will
be fun for audiences and ringers alike!
10374604 3/5 Octave. . . . AGEHR-L2+ 4.95
Standing on the Promisesarr. Sandra Eithun.
This light, spirited presentation of the beloved gospel
song is great for incorporating extended techniques
into a group's repertoire. Without bell changes,
ringers can focus on their malleted or thumb-damp
technique in the opening and closing statements,
as well as their legato ringing in the middle section.
This fun and bouncy arrangement will have the
congregation tapping their toes right along!
10490131 2/3 Octave. . . . . AGEHR-L2 4.50
l Swing Low Sweet ChariotDan R. Edwards.
Level 2 Dan Edwards's upbeat swing arrangement
of two wonderful African American spirituals is a joy
to ring! Enhance your All Saints' worship services or
welcome it to your repertoire for any time of the year.
10524179 2/3 Octave. . . . . AGEHR-L2 4.50
10524180 3/5 Octave. . . . . AGEHR-L2 4.50
l Thou Didst Leave Thy Thronearr. Anna
Laura Page. This majestic arrangement of a
traditional hymn is both sensitive and joyful. The
optional flute part adds a special touch and is
included with the score.
10524240 3/5 Octave. . . . . AGEHR-L2 4.50
4 Three Handbell Sketches for Worshiparr.
Hal H. Hopson. Hal Hopson's gift for creativity in
worship is displayed in this set of three short pieces.
They may be used in a variety of ways, in the same
worship service or individually. The three tunes
used are
PICARDY, LASST UNS ERFREUEN and ST. ANNE.
10524632 3/5 Octave. . . . AGEHR-L2+ 4.95
4 To God Be the Gloryarr. Jason W. Krug. Jason
Krug gives this tune a straightforward treatment,
which includes a malleted accompaniment and
an energetic section that alternates between
6/8 and 3/4 time. A dynamic ending adds to the
festive nature of this piece, ensuring that it will thrill
listeners in any setting.
10524182 3/5 Octave. . . . . AGEHR-L3 4.95
When in Our Music God Is GlorifiedCharles
V. Stanford/arr. Cathy Moklebust. This glorious
festival hymn can be played by handbells alone,
or in conjunction with organ, brass, timpani, SATB
choir and congregation. It begins with a fanfare
introduction, followed the choir accompanied by the
bells and organ only. The brass and timpani join in
on the third stanza for a march-like feel, featuring
a malleted or plucked bass line in the handbells.
A fanfare interlude precedes the soaring soprano
descant in the final majestic verse. A brief choral
"Amen" concludes this perfect choice for worship,
concert or festival use.
10356681 3/7 Octave. . . . AGEHR-L2+ 4.50
10356683 SATB . . . . . . . . . . . . . . . . . . 1.95
10356686 Full Score with Organ . . . . . 13.95
10356682 Instrumental Parts Brass Quintet
& Timpani, Reproducible. . . 19.95
l When Morning Gilds the SkiesRon Mallory.
Level 2 Ron Mallory skillfully arranged this gentle
piece that provides opportunities to develop
thumb damp and other engaging techniques.
Your developing choir will flock to this gentle
piece throughout the year, as it requires minimal
bell changes.
10524242 3/5 Octave. . . . . AGEHR-L2 4.50
When You Do This, Remember MeDavid L.
Edwards/arr. Cathy Moklebust. This David Edwards
communion hymn has long been a favorite, and
will gain a wider audience with this new accessible
arrangement for handbells with supportive organ
accompaniment (optional handchimes). Gentle and
rich, with minimal bell changes and easy rhythms,
this anthem will surround your congregation with
enduring faith and love.
10456975 3/5 Octave. . . . . AGEHR-L2 4.50
10456977 Keyboard/Full Score . . . . . . 10.95
With Tambourine and DancingRon Mallory.
Based on Psalm 150:4, this original composition
by Ron Mallory features a driving rhythm, lots of
staccato notes and a lively tempo. Tambourine and
finger cymbals are optional, but add so much to this
exciting statement of praise.
10434585 3/5 Octave
with opt. Tambourine &
Finger Cymbals . . AGEHR-L3+ 6.95
You are MineDavid Haas/arr. Lloyd Larson. Full
of quiet conviction, Lloyd Larson's arrangement
of this memorable David Haas hymn creates an
inspiring expression of faith that is sure to enrich
any worship gathering. The melody's message
of hope and assurance makes this setting useful
for general worship, discipleship, confirmation,
baptism, and many other occasions.
10452284 3/5 Octave. . . . . AGEHR-L2 5.25
You Raise Me UpBrendan Graham & Rolf
Lovland/arr. Raney. The full, luxurious harmonies
sustained by the handbells are enhanced by the
vibrato of a cello giving an emotional background to
this poignant and lyrical melody. Without question,
this is an absolutely stunning arrangement that is
both exceptionally conceived and inspirational -
perfect for both church and concert settings. If you
choose only one new handbell title this year, this is
the one. Our highest recommendation!
10293747 3/5 Octave with opt.
3-5 Oct. Handchimes
& Cello. . . . . . . AGEHR-L2+ 5.25
10293752 Instrumental Parts Cello . . . . 2.50
