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Jazz Ensemble with Vocal Solo
H EverythingBuble, Chang & Foster/arr. Scott
Ragsdale. Michael Buble sang this hit song
and now it's time for your vocal soloist and jazz
ensemble. Arranger Scott Ragsdale captured the
essence of the Buble arrangement with his terrific
adaptation at an easier level of this great tune. The
vocal range is from F below middle C up to third
space C, treble clef, and the vocal part has some
easy scat lines with vocal syllables. Lead trumpet
range is to written A above the staff. A wonderful
chart on a neat tune!
10071937 Jazz Ensemble
& Vocalist . . . . . . . . . ME 52.00
Fascinating RhythmGeorge Gershwin/arr.
Dave Wolpe. Here's a great Dave Wolpe vocal
chart! It features a samba treatment of this iconic
Gershwin classic, and the vocal range is G below
the staff to middle line B. With great wind parts,
a lead trumpet range to written A, and a tempo
around 104 bpm in cut time, this is an excellent
arrangement. Also included is an optional tenor sax
solo part to be used in place of the vocal solo.
10452148 Jazz Ensemble
& Vocalist . . . . . . . . . . M 60.00
Feeling GoodBricusse & Newley/arr. Roger
Holmes. From the Broadway musical "The Roar
of the Greasepaint - The Smell of the Crowd," this
fabulous standard is popular again with a stunning
rendition by Michael Buble. Capturing the bluesy
flavor of this version, here is a vocal solo feature
sure to bring down the house. It can also be used
as a tenor sax feature. Highly recommended! Vocal
key: C minor.
10297513 Jazz Ensemble
& Vocalist . . . . . . . . . . M 50.00
H FeverCooley & Blackwell/arr. Roger Holmes.
Peggy Lee made this sizzler famous. Make sure
you have enough fire extinguishers on hand just in
case. Vocal in A minor/C minor.
2212082 Jazz Ensemble
& Vocalist . . . . . . . . . ME 50.00
H Fly Me to the MoonBart Howard/arr. Sammy
Nestico. Written with comfortable ranges and at a
moderate tempo, this vocal feature will be at home
on any concert. Vocal in Ab.
2249415 Jazz Ensemble
& Vocalist . . . . . . . . . . M 50.00
4 Fly Me to the Moonarr. Quincy Jones. For
the first time, here is Quincy Jones' arrangement
originally written for the 1964 Sinatra/Basie
studio collaboration "It Might As Well Be Swing."
This chart was also used a few times during the
1965 Sinatra/Basie summer tour and then at the
famous 1966 "Live at the Sands" concert. This
publication comes from the original parts. Alto 1
and Tenor 1 double on flute. As was customary
for these recordings, Harry "Sweets" Edison would
play fills throughout the arrangement and typically
didn't have a part. The fill spots are in the trumpet
4 part, although they are not written out. Vocal Key:
C. Highly recommended!
10493006 Jazz Ensemble
& Vocalist . . . . . . . . . MA 65.00
n A Foggy Day (In London Town)George
Gershwin/arr. Scott Ragsdale. Arranger Scott
Ragsdale nailed this swing chart styled after the
Michael Buble version! It's set at about 148 bpm
in a swing style, in the key of B-flat modulating to
C, with a vocal range from F below middle C to 3rd
space C, treble clef. The lead trumpet range is to
written A above the staff and there are optional solo
instrumental parts for B-flat, E-flat and bass clef
instruments in lieu of the vocal. This is an excellent
chart on a great Gershwin standard!
10355566 Jazz Ensemble
& Vocalist . . . . . . . . . . M 52.00
n The Girl from IpanemaAntonio Carlos Jobim/
arr. Roger Holmes. Made famous by Astrud Gilberto
and Stan Getz, this laid back Latin favorite features
a great groove and tasty ensemble writing to back
your singer, either male or female.
2314219 Jazz Ensemble
& Vocalist . . . . . . . . . . M 50.00
n God Bless the USALee Greenwood/arr.
Mark Taylor. A patriotic anthem for the ages, this
contemporary ballad has already established itself
as a standard! Beautifully scored for vocal soloist
and jazz ensemble, this arrangement makes a
powerful statement for singer and band alike. It's
the ultimate patriotic chart! Vocal in Bb.
2481657 Jazz Ensemble
& Vocalist . . . . . . . . . ME 50.00
Have Yourself a Merry Little Christmasarr.
Dave Wolpe. This sentimental Christmas favorite
will never go out of style, and Dave Wolpe's
satisfying arrangement is a great way to feature
your vocalist during the holidays. Vocal in G.
2188910 Jazz Ensemble
& Vocalist . . . . . . . . . ME 48.00
n Haven't Met You YetBuble, Chang & Foster/arr.
Scott Ragsdale. Michael Buble sang this hit song and
now it's time for your vocal soloist and jazz ensemble!
Arranger Scott Ragsdale captured the essence of the
Buble arrangement with his terrific adaptation of this
familiar tune. The vocal range is from F below middle
C up to third line B, and the lead trumpet range is to
written A above the staff. A wonderful chart on a cool
tune! Highly recommended!
10277798 Jazz Ensemble
& Vocalist . . . . . . . . . . M 54.00
l Here's to Lifearr. Mark Taylor. From the
recording by Shirley Horn in 1992, this wonderful
ballad went on to become her signature song. This
version for vocalist with jazz ensemble is a touching
and sensitive tune for any soloist. In the event a
vocalist is not available, an optional tenor sax solo
part is included.
10522924 Jazz Ensemble
& Vocalist . . . . . . . . . ME 50.00
n How About You?Burton Lane/arr. Dave Wolpe.
This swingin' standard is arranged by the great
Dave Wolpe in two keys...your choice of key of F
(high) or C (low) depending on the vocalist's range.
The band also gets some time to stretch out on
this outstanding chart. This arrangement includes
two scores and the different key versions are on
the reverse side of the parts, so just flip the page.
Vocal range in two keys: female (low) key range is
A below middle C to second space A. Male (high)
key range is D below the staff to fourth line D, treble
clef. An optional tenor sax solo part is included if
there is no vocalist featured.
10071935 Jazz Ensemble
& Vocalist . . . . . . . . . . M 58.00
How High the MoonMorgan Lewis/arr. Dave
Wolpe. All jazz students should know this great
tune! Dave's straight-ahead, swingin' vocal solo
feature is written in two keys to accommodate both
female and male voices. There are also brief solos
for trombone and trumpet. The version in C has
an optional shout chorus with the ensemble. (Low
vocals in C, high vocals in F.)
2701962 Jazz Ensemble
& Vocalist . . . . . . . . . . M 62.00
4 I Can't Give You Anything But Lovearr. Mark
Taylor. Penned by Jimmy McHugh and Dorothy
Fields and first introduced in 1928, this familiar
song has gone on to become one of the most
recorded standards of all time, including recently
by Tony Bennett with Lady Gaga. It can also be
performed as a tenor sax solo as a substitution for
the vocal solo. This swinging version for vocalist
with jazz ensemble will light up any occasion! Vocal
in B-flat.
10523754 Jazz Ensemble
& Vocalist . . . . . . . . . ME 50.00
I Get a Kick Out of YouCole Porter/arr. Dave
Wolpe. Here's a staple of every jazz singer's
repertoire! Arranger Dave Wolpe delivers another
great chart with plenty of musical space for the
vocalist. He knows how to arrange better than just
about anyone for vocal with big band. This chart
proves it with perfect ensemble writing, an alto sax
solo and two key choices for vocalist flexibility. It
includes two scores and reversible parts...just flip
the page for the key that suits your vocalist. Vocal
solo ranges in two keys: female key (low) key of Bb,
G below middle C to 3rd space C; male key (high)
of Eb, middle C to top line F, treble clef. You'll get a
kick out of this chart!
10049776 Jazz Ensemble
& Vocalist . . . . . . . . . . M 62.00
n I Get a Kick Out of YouCole Porter/arr. Neal
Hefti. The big band arrangement of one of the most
famous Sinatra recordings I Get a Kick Out of You,
arranged by Neal Hefti! This arrangement was
featured on the 1962 album Sinatra and Swingin
Brass. It's not a particularly difficult arrangement
though trumpet 1 goes to E6 and trombone 1 goes
to B4. The real trick to this arrangement is getting
the band to be as tight as possible, especially where
there are accented band hits. The fourth trombone
is written for bass trombone. The arrangement
features an 16-measure alto saxophone solo. Chord
changes have been included for your alto player to
improvise. There are no saxophone doubles.
10273619 Jazz Ens & Vocalist. . . MA 65.00
I Just Called to Say I Love YouStevie Wonder/
arr. Michael Mossman. Originally recorded in 1984
by Stevie Wonder, here is a smooth version in a
cha-cha style that provides a very appealing setting
for vocalist. Mossman uses some harmonic twists
and turns, interesting and creative background
figures, and includes solo space for trumpet. Vocal
in B-flat.
10427394 Jazz Ens & Vocalist. . . MA 60.00
I Thought About Youarr. Mark Taylor. This
tuneful Jimmy Van Heusen and Johnny Mercer
ballad from 1939 has remained popular through
the years and is a particular favorite among jazz
musicians. Beautifully set for vocalist and jazz
ensemble in a medium swing style, Mark Taylor
places just the right background lines in just the
right places. This may also be used as a tenor sax
solo feature. Vocal in B-flat.
10461360 Jazz Ens & Vocalist. . . ME 50.00
n I Won't DanceJerome Kern/arr. Neal Hefti.
Here's the classic Neal Hefti big band arrangement
from the 1962 Frank Sinatra and Count Basie
collaboration "Sinatra-Basie." This is vintage Neal
Hefti: mellow, but swinging lines and enough
space to afford the vocalist some freedom of
interpretation. This chart really "breathes" well. The
arrangement calls for alto 1 to double flute (Frank
Wess was the flutist on the record). An alternate
alto 1 part is included avoiding the flute double.
Also featured are a couple of short tenor sax solos
which have been written out. Vocal in C modulating
to D-flat.
10062050 Jazz Ens & Vocalist. . . MA 65.00
l I've Got the World on a Stringarr. Nelson
Riddle. This wonderful chart on the Harold Arlen
standard was the first arrangement Nelson Riddle
wrote in his own style for Frank Sinatra in 1953.
The story goes that after hearing this chart,
Sinatra decided to exclusively work with Riddle.
This classic features a full big band with the
addition of strings and two French horns added
at a later date for live performances. The added
parts are purely optional. An optional synthesizer
part is included and can be used as an alternate
for the strings. There are no saxophone doubles,
and the vocal key is D throughout. Naturally, this
is an outstanding arrangement!
10530084 Jazz Ensemble & Vocalist
with Strings . . . . . . . . MA 75.00
l I've Got You Under My SkinCole Porter/arr.
Nelson Riddle. Perhaps no song is associated with
Frank Sinatra more than this one! In Los Angeles on
January 12, 1956 Frank Sinatra recorded Nelson
Riddle's arrangement of Cole Porter's song, I've
Got You Under My Skin. This turned out to be one
of Sinatra's most popular recordings, and is widely
recognized as one of the best examples of a big
band treatment of a pop song in the history of the
recording industry. Now for the first time in print,
this arrangement is based on the original parts
used by Sinatra for the 1956 recording session and
calls for woodwinds doubling on flutes, clarinets,
and bass clarinet. An optional synthesizer part is
included as a substitute for the string parts. Also
featured is a trombone solo. Highly recommended!
10517481 Jazz Ensemble & Vocalist
with Strings . . . . . . . . MA 75.00
Wonderful Sinatra Classics
FRANK SINATRA
VOCAL WITH
JAZZ ENSEMBLE
SERIES
Eleven Arrangement Set
arr. Nelson Riddle, Neal Hefti
& Quincy Jones.
A specially
priced set of eleven of the very best
and most popular Frank Sinatra
arrangements for vocalist with jazz
ensemble! This group of songs
contains definitive versions of some
incredible classics from the pens
of American music's very best
composers and arrangers, recorded
by Frank Sinatra at the peak of his
considerable powers. Each one is
also available separately at $65.00
each, giving the purchase of this
set a savings of $150.00. Includes:
Quincy Jones arrangements of
The Best Is Yet to Come; Fly Me to
the Moon; You Make Me Feel So
Young, Neal Hefti arrangements
of: I Get a Kick Out of You; I Won't
Dance; They Can't Take That
Away from Me, and Nelson Riddle
arrangements of: Our Love Is Here
to Stay; Night and Day; Summer
Wind; Too Marvelous for Words
and I've Got You Under My Skin.
10493009 Jazz Ensemble
& Vocalist. . . . . .MA 550.00
FRANK!
