J.W. Pepper Catalogs

2015 Fall Jazz

J.W. Pepper Music Catalog

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4Editors' Choice (Best of 2015 Publications) lNew for 2015 HPepper Basic Library Available via ePrint All Prices in U.S. Dollars & Subject To Publisher Revision 38 jazz ensemble Go to cart Big Band Standards all levels / Ballads very easy & easy H PerdidoJuan Tizol/arr. Victor Lopez. Mambo! Arranger Victor Lopez has masterfully intertwined a mambo and a swing feel in this great Juan Tizol jazz classic. Featuring a fully notated tenor sax solo, lead trumpet range to written A, a brief sax soli and lots of excitement throughout, this chart is pure fun to hear and play! Don't be "lost", play Perdido! Optional expanded instrumentation. 10093181 Jazz Ensemble . . . . . . . M 52.00 n Saint Louis BluesW.C Handy/arr. Mike Collins- Dowden. This very playable rendition of the early blues classic opens with a sultry trumpet solo and then breaks into a medium tempo shuffle with a call and response section between the solo trumpet and ensemble. Also featured are a nice sax section soli, an open solo section on everybody's favorite Bb blues changes, and a break strain. Nice chart without being difficult! 10094904 Jazz Ensemble . . . . . . ME 50.00 n Sentimental Journeyarr. Paul Murtha. Give your younger ensemble a little change of pace with this 1940's standard from the swing era! Slow and bluesy, this easy arrangement features various sections playing the melody in addition to a suggested solo (or soli) for trumpet. There's also a nicely scored sax soli with muted trombones playing an effective "doo-wah" background in this easy chart that's playable with as few as 3 saxes, 2 trumpets, 1 trombone, piano and drums. A highly effective key change brings it on home to the finish! 10005191 Jazz Ensemble . . . . . . . . E 40.00 H Shiny StockingsFrank Foster/arr. Greg Yasinitsky. Frank Foster's composition Shiny Stockings is one of the greatest jazz tunes ever for big band. Arranged by Greg Yasinitsky and scored at an accessible level, this chart has all the ingredients you expect plus a few short section solis and an ensemble shout chorus. This arrangement stays very close to the original, yet is more accessible for developing groups. Other features include a written solo for 2nd trumpet with the lead trumpet range to written A above the staff. This Basie classic belongs in every jazz library! Highly recommended! Optional expanded instrumentation. 10071900 Jazz Ensemble . . . . . . . M 52.00 H Sing, Sing, SingLouie Prima/arr. Victor Lopez. Yep, this is the Sing, Sing, Sing you know and love, made famous by Gene Krupa and the Benny Goodman Orchestra, only arranged for young players by Victor Lopez. The classic drum solo that can be opened up for as much excitement as the crowd can stand, along with a written-out tenor solo, reasonable brass ranges and lots of meaty ensembles keep this great chart exciting. It will also sound full with reduced instrumentation or with the optional, non-jazz band parts. It's still a showstopper! Highly recommended! 2702806 Jazz Ensemble . . . . . . ME 46.00 H Sing, Sing, SingLouis Prima/trans. Mike Lewis. Here it is...perhaps the most recognizable swing tune of all time! This incredible transcription is as close as you're going to come to the original (which included clarinet and less than a full compliment of brass). This chart is scored for a standard 5 saxes, 4 trumpets, 4 trombones and rhythm, but aside from that, it is the original as played by Benny Goodman. Every lick is there, including all the Gene Krupa drum breaks! This chart is a must for every big band's library! 2411486 Jazz Ensemble . . . . . . . M 60.00 Sing, Sing, SingLouis Prima/arr. Paul Cook. Now even your beginning jazz band can swing this incredibly popular chart that was made famous by Benny Goodman! You can't find a jazz tune that's more recognizable, and Paul Cook's arrangement at this level is just great. You may even think you've got Gene Krupa playing drums by the time you're done! This arrangement should be in the library of every band that plays music at either the very easy or easy levels. 2354561 Jazz Ensemble . . . . . . . . E 38.00 n Sing, Sing, SingLouis Prima/arr. Gordon Goodwin. A few twists and turns added to the original Benny Goodman swing version make this chart a definite crowd and band pleaser. Gordon Goodwin's arrangement features a clarinet part and an alternate alto 1 part in lieu of clarinet. Solo changes are provided for all saxophone parts and clarinet, and the lead trumpet range is to high F-sharp. While not recorded by Goodwin's Big Phat Band, it's a staple of the band's library and is played often in live performances. It's a wonderful rendition of this big band classic! 10311471 Jazz Ensemble . . . . . . . . A 65.00 n Sing, Sing, SingLouis Prima/arr. Vince Gassi. Accessible and fun to rehearse and play, this timeless swing tune contains all the key ingredients for a real crowd pleaser! It features the iconic drum pattern as it recurs throughout and the solid swing style that has become so familiar over the decades. Other features include easy brass ranges (with trumpet 1 to written E top space), a written drum solo and a big shout chorus as the modulation brings it all home. Here's a great chart that will be an essential part of your jazz ensemble library. Optional reduced or expanded instrumentations. 10277443 Jazz Ensemble . . . . . . . . E 40.00 SplankyNeal Hefti/arr. Sammy Nestico. For years, directors have been waiting for the release of the original Basie version of this great blues classic. It's full of Sammy's unique ensemble writing and has plenty of room for blues solos. 2185155 Jazz Ensemble . . . . . . . M 50.00 4 Stompin' at the Savoyarr. Greg Yasinitsky. After the initial statement, Greg Yasinitsky gives this Benny Goodman treasure an updated and contemporary flair while remaining true to the original. It's all there in this exciting chart... nice dynamic contrasts, a stop-time section, a sax section soli, ensemble interludes, a written or improvised trumpet 2 solo, and it's all played around 168 bpm. The lead trumpet range is to written B-flat above the staff and optional parts are included for expanded instrumentations. Solid with proven appeal! 10513990 Jazz Ensemble . . . . . . . M 50.00 Stompin' at the SavoyBenny Goodman/ arr. Mike Lewis. Feature your bass player! Arranger Mike Lewis has taken this classic Benny Goodman swing tune and turned it into an easy, melodic showcase for the bass. Mike also provides solo space with written solos for 1st tenor sax and piano. The brass ranges are modest and the chart really swings from beginning to end! Don't let the year go by without playing this one that sounds great with electric or acoustic bass. Superb chart! 2702807 Jazz Ensemble . . . . . . ME 48.00 H String of PearlsJerry Gray/arr. Mike Lewis. Arranger Mike Lewis has taken this swinging Glenn Miller hit and arranged it for easy jazz ensemble. His clever reworking of the solo sections and the descending harmony line makes this chart very playable for the young jazz musician. The trumpet 1 range is to written F top line and it features instrumentation options from 9 to 19 players. This is one of the ultimate crowd pleasers and it's ideal for any performance! 10049681 Jazz Ensemble . . . . . . . . E 42.00 n Take the 'A' Train (Original Version)Billy Strayhorn/trans. David Berger. This very special, historic publication is an exact transcription of the 1941 version recorded by Duke Ellington. David Berger's expertise is evident in the completely voiced rhythm parts and written out solos. This classic belongs in every jazz ensemble library everywhere! 2237790 Jazz Ensemble . . . . . . . M 50.00 H Take the 'A' TrainBilly Strayhorn/arr. Alan Baylock. Think of Take the "A" Train with a contemporary flair and you have the idea behind this inventive chart by Alan Baylock. Opening in a swing groove then alternating with a funk feel, bari sax, bass trombone, guitar and bass have the initial melodic statement in this terrific chart. Solo space is available for alto sax 1, trombone 1, bari sax and trumpet 2 and the lead trumpet range is to written D above the staff. A modern yet superb chart of a tune everyone knows. Festival material! 10071911 Jazz Ensemble . . . . . . MA 58.00 H Take the 'A' TrainBilly Strayhorn/arr. Vince Gassi. This chart swings all the way and is very playable by a young jazz ensemble. Arranger Vince Gassi offers a fresh take on this classic, yet captures the essence of this well-known Strayhorn composition made famous by Ellington. It's scored exactly right for younger players... not too difficult but with fun-to-play parts. With brief written solos for 1st alto sax and 1st trumpet, and easy ranges, it also has plenty of dynamics to teach. A superb chart you will play for years to come! Optional reduced or expanded instrumentation. 10066743 Jazz Ensemble . . . . . . . . E 42.00 4 Things Ain't What They Used to BeMercer Ellington/arr. Alan Baylock. Mercer Ellington's classic blues shuffle gets the Baylock treatment! The style is down home, the solos are for alto, trumpet, trombone, and tenor sax, and the lead trumpet range is to written G on top of the staff. Also included is a powerful Baylock-style shout chorus and optional parts for expanded instrumentations. It's a fun chart and it gets our highest recommendation! 10513911 Jazz Ensemble . . . . . . . M 52.00 n Things Ain't What They Used to BeMercer Ellington/arr. Rich Sigler. This is a jazz classic that every band should have in their library. The chart is a swing shuffle played at around 116 bpm and has a very familiar and catchy melody that flows smoothly from section to section. Also featured are written out solos for alto sax 1 and trumpet 2 and a lead trumpet range to written F-sharp top line. Optional parts are included for expanded instrumentation. A superb arrangement that is clever and effective in every way! 10355626 Jazz Ensemble . . . . . . ME 48.00 Whirly BirdNeal Hefti/arr. Peter Blair. You may have heard Basie's band play this great Neal Hefti swinger, but this version is very accessible for younger players at around 166 bpm. The features include a written alto sax solo, a great sax soli, and well-notated rhythm section parts. Includes optional wind and vibes part, too! 10452088 Jazz Ensemble . . . . . . ME 48.00 Ballads Very Easy and Easy H As If to Say GoodbyeLarry Neeck. Beautifully melodic and very approachable, this lush ballad features your star trumpet or alto sax soloist. A beautifully written melody and fully scored backgrounds make this a perfect chart for a young soloist, as well as a great vehicle for a more experienced player. It will also sound full and complete with a reduced instrumentation of 3 saxes, 3 trumpets, 1 trombone and 3 rhythm on up to a full band. For that change-of-pace moment in your concert, this flexible solo feature is the perfect choice! Highly recommended! 10032001 Jazz Ensemble . . . . . . . . E 45.00 n At the End of the DayPaul Clark. At the End of the Day is an exceptional ballad solo feature for alto sax or trumpet/flugelhorn. The solo and rhythm section parts are completely written and the ranges are modest with the trumpets never leaving the staff. The lush background parts are supportive for the soloist and the key change near the end adds just the right touch to this beautiful chart. Very nice! 10457905 Jazz Ensemble . . . . . . . . E 45.00 BEST SELLERS Ballads Very Easy & Easy Buy with confidence! These works, listed in order of their popularity, are chosen most often by directors. What a Wonderful World— Douglas & Weiss/arr. Rick Stitzel. 2470819 Jazz Ensemble. . . . . . . . .VE 40.00 Misty—Erroll Garner/arr. Terry White. 10355610 Jazz Ensemble. . . . . . . . . . E 42.00 Skyfall— Adkins & Epworth/arr. John Berry. 10374178 Jazz Ensemble. . . . . . . . . . E 40.00 10374178E Jazz Ensemble ePrint . . . . E 40.00 Yesterday— Lennon & McCartney/arr. Rick Stitzel. 10188524 Jazz Ensemble. . . . . . . . . . E 40.00 10188524E Jazz Ensemble ePrint . . . . E 40.00 Georgia on My Mind— Hoagy Carmichael/arr. Michael Sweeney. 2392454 Jazz Ensemble. . . . . . . . . . E 40.00 Budget Stretching Jazz Saver Pack No. 1— Paul Clark, Ken Harris, Larry Neeck & James Swearingen. 10457909 Jazz Ensemble. . . . . . . . . . E 60.00 Chase the Clouds Away— Chuck Mangione/arr. Mike Lewis. 10028063 Jazz Ensemble. . . . . . . . . . E 42.00 10028063E Jazz Ensemble ePrint . . . . E 42.00 Harlem Nocturne— Earle Hagen/arr. Rick Stitzel. 10052550 Jazz Ensemble. . . . . . . . . . E 40.00 10052550E Jazz Ensemble ePrint . . . . E 40.00 Tomorrow's Memories— Gregory Yasinitsky. 10453009 Jazz Ensemble. . . . . . . . . . E 45.00 10453009E Jazz Ensemble ePrint . . . . E 45.00 Over the Rainbow— Harold Arlen/arr. Paul Cook. 2423192 Jazz Ensemble. . . . . . . . . . E 42.00 " You've got a great organization! I called in an order last evening and the girl was so quick, helpful and polite and a pleasure to work with. But it's that way no matter who it is that I talk to when I call." —Michelle Floering, Traverse City, MI

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