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Jazz Ensemble with Vocal Solo
n 'S WonderfulGeorge Gershwin/arr. Dave
Wolpe. This chart on a timeless Gershwin standard
is an excellent medium-swing vocal feature
chart arranged in two keys, high and low, to
accommodate all vocalists. The low key is A-flat
with vocal range from A-flat below middle C to 3rd
line B-flat, and the high key is E-flat, with vocal
range from E-flat first line to top line F, treble clef.
The lead trumpet range goes to written high C.
Additional features Include a written out tenor sax
solo and an optional substitute tenor sax solo part
in lieu of the vocal solo part.
10355618 Jazz Ensemble
& Vocalist . . . . . . . . . . M 60.00
Santa Babyarr. Roger Holmes. Originally
recorded by Eartha Kitt in the 1950s, this clever
and cute holiday favorite has also been recorded by
a wide variety of artists in addition to being featured
in the movie "Elf." This medium swing arrangement
is a natural for vocal solo with jazz band and is sure
to be a highlight of any holiday concert. Highly
recommended! Vocal in E-flat.
10317251 Jazz Ensemble
& Vocalist . . . . . . . . . . M 50.00
Santa Claus Is Coming to TownCoots &
Gillespie/arr. Dave Wolpe. You'd better watch out,
because Dave Wolpe's up-tempo arrangement of
this holiday favorite really brings Santa to town!
This one features the vocalist in a special way and
includes a tenor sax part which can be substituted
for the vocal part. Vocal in G.
2227478 Jazz Ensemble
& Vocalist . . . . . . . . . . M 54.00
n Satin DollEllington & Strayhorn/arr. Terry
White. Looking for an easy-to-play and sing vocal
chart? Here's an excellent vocal solo feature on
an enormously popular standard that is arranged
at a much easier level. This one is a swing chart
with no individual solos, lots of full ensemble, a
shout chorus, a modulation, and it's all very easy
to rehearse and perform. The vocal range is from F
first space to fourth line D, treble clef. Scored for 5
saxes, 6 brass and 4 rhythm, plus this arrangement
will sound full with reduced instrumentation. With
very accessible brass ranges and optional parts for
flute, horn, tuba and baritone horn T.C., this is a
classy chart all the way! Highly recommended!
10066735 Jazz Ensemble
& Vocalist . . . . . . . . . . . E 62.00
H Save the Last Dance for MePomus &
Shuman/arr. Scott Ragsdale. Recently popularized
by Michael Buble, this is a very exciting Latin chart
to feature your vocalist with some great ensemble
work for the band. Arranged superbly as a bright
rhumba by Scott Ragsdale in the key of B-flat
modulating to C with a vocal solo range of F below
middle C to C third space (optional D). A fine chart!
Highly recommended!
10093217 Jazz Ensemble
& Vocalist . . . . . . . . . ME 52.00
4 Septemberarr. Mark Taylor. Arranged for vocal
soloist with jazz ensemble, you're sure to fill the
dance floor with this funk classic by Earth, Wind &
Fire! The vocal key is C, and an optional tenor sax
solo part is included as a substitution for the vocal
part. Highly recommended!
10522922 Jazz Ensemble
& Vocalist . . . . . . . . . . M 50.00
SkyfallAdkins & Epworth/arr. Roger Holmes.
From the latest James Bond blockbuster motion
picture Skyfall, pop superstar Adele hit the airwaves
and charts with this powerful and dramatic theme
song that blends a soulful rock style with a hint of the
signature Bond spy music. Here's a terrific setting for
jazz ensemble that features either a tenor sax or vocal
soloist. Vocal in C minor. Highly recommended!
10348136 Jazz Ensemble
& Vocalist . . . . . . . . . ME 50.00
H Someone to Watch Over MeGeorge Gershwin/
arr. Dave Wolpe. One of the sweetest ballads ever
written! This Gershwin standard was featured in
the movie "Mr. Holland's Opus," and is perfect for
featuring your talented singer. Jazz Band parts are
all at the medium-easy level, and the vocal range is
moderate. A real gem! Vocal in G.
2381960 Jazz Ensemble
& Vocalist . . . . . . . . . ME 50.00
Something's Gotta GiveJohnny Mercer/arr.
Dave Wolpe. This swinger is the perfect feature for
vocalist with jazz ensemble. It has great band parts
with a section without vocalist, yet the vocalist is
in the spotlight at all times. This one is arranged
in two keys with two scores and the parts are
reversible...just flip the page for the high or low key
your vocalist prefers. A tenor sax solo and a shout
chorus connect the dots. Vocal solo ranges: female
key (low) key of G, G below middle C to 3rd line B;
male key (high) of C, middle C to top space E, treble
clef. You can't go wrong with this incredible chart
on a terrific standard!
10049779 Jazz Ensemble
& Vocalist . . . . . . . . . . M 58.00
Somewhere (from "West Side Story")
Leonard Bernstein/arr. Roger Holmes. Rarely does
a song have the staying power over time as this
gem from "West Side Story." One of the definitive
ballads of all time, here is a wonderful opportunity
to perform it with a vocalist and big band!
10033673 Jazz Ensemble
& Vocalist . . . . . . . . . . M 45.00
H Stormy WeatherHarold Arlen/arr. Jerry Nowak.
Harold Arlen's great classic provides an outstanding
and bluesy showcase for any vocalist! This excellent
chart will undoubtedly become one of your favorites!
Vocal in F.
2212108 Jazz Ensemble
& Vocalist . . . . . . . . . ME 50.00
n Straighten Up and Fly RightCole & Mills/
arr. Dave Wolpe. At about 148 beats per minute,
this medium swinger is arranged in two keys for
flexibility. The high key is A-flat with the range from
E-flat first line to third space C, treble clef. The low
key is E-flat and the range is from B-flat below
middle C to second line G. There is also a short
written tenor sax solo and a great shout chorus.
A true classic from Nat King Cole!
10277795 Jazz Ensemble
& Vocalist . . . . . . . . . . M 60.00
Summer Windarr. Dave Wolpe. This will be
the hit of any concert or dance gig! Arranged with
class and style, this chart is an easy tempo swing
arranged in two keys to feature vocal soloist with
jazz ensemble with a brief tenor sax solo. It also
features the full band in a middle section interlude.
The vocal keys are high key starting in Eb (range is
Bb below middle C to Eb fourth space) and the low
key starting in C (range low G below middle C to
third space C). Just flip the page for the alternate
key. An optional tenor sax solo part is included in
case you don't have a vocal soloist. Super chart on
a super tune!
10028163 Jazz Ensemble
& Vocalist . . . . . . . . . . M 62.00
n Summer Windarr. Nelson Riddle. This chart,
arranged for Frank Sinatra, comes from the 1966
Strangers in the Night record, which, despite the
success of the recording, proved to be the last
collaboration between Sinatra and Nelson Riddle.
An organ is featured on the recording, but a piano
will work just fine. The ending is scored for alto 1
and tenor 1 to double flutes, but alternate parts are
included avoiding the doubles. The brass ranges
are comfortable, but the vocal part goes through
some modulations: D-flat to E-flat to F. This is just
a great, "must-have" Sinatra chart!
10062058 Jazz Ensemble
& Vocalist . . . . . . . . . . M 65.00
EDITORS' CHOICE
Jazz Ensemble with Vocal Solo • All Levels
Each year Pepper's Editors review hundreds of new releases
choose the cream of the crop to bear the name, Editors' Choice.
You can buy any of these titles with confidence!
All of Me—arr. Rick Stitzel.
Reminiscent of the classic version by Count Basie, here is a terrific medium swing setting
of this familiar standard for vocal solo with jazz ensemble. In the event a vocalist is not
available, an optional solo part is included for tenor saxophone. Vocal key: F.
10522920 Jazz Ensemble & Vocalist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00
Baby, It's Cold Outside—Frank Loesser/arr. Paul Murtha.
Perhaps no popular Christmas standard has the instant recognition than that of Frank
Loesser's Baby, It's Cold Outside! Oen performed as a vocal duet for a girl and guy, this
versatile arrangement will also work as a vocal solo with tenor sax playing the guy's vocal
part. In addition, optional parts are included allowing the duet to be performed using
flugelhorn and tenor sax. is familiar classic is sure to be a hit for holiday or winter
performances. Vocal key of C. Highly recommended!
10522926 Jazz Ensemble & Vocalist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00
Fly Me to the Moon—arr. Quincy Jones.
For the first time, here is Quincy Jones' arrangement originally written for the 1964 Sinatra/
Basie studio collaboration It Might As Well Be Swing. is chart was also used a few times
during the 1965 Sinatra/Basie summer tour and then at the famous 1966 "Live at the Sands"
concert. is publication comes from the original parts. Alto 1 and Tenor 1 double on flute.
As was customary for these recordings, Harry "Sweets" Edison would play fills throughout
the arrangement and typically didn't have a part. e fill spots are in the trumpet 4 part,
although they are not written out. Vocal Key: C. Highly recommended!
10493006 Jazz Ensemble & Vocalist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MA 65.00
I Can't Give You Anything But Love—arr. Mark Taylor.
Penned by Jimmy McHugh and Dorothy Fields and first introduced in 1928, this familiar
song has gone on to become one of the most recorded standards of all time, including
recently by Tony Bennett with Lady Gaga. It can also be performed as a tenor sax solo as a
substitution for the vocal solo. is swinging version for vocalist with jazz ensemble will light
up any occasion! Vocal key: B-flat.
10523754 Jazz Ensemble & Vocalist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00
I've Got You Under My Skin (from Live at the Sands)—
Cole Porter/arr. Quincy Jones.
Now for the first time in print, this publication is based on Nelson Riddle's original set of parts
used by Frank Sinatra for the 1956 session with Quincy Jones' modifications for the Live at the
the Sands album. is arrangement follows Riddle's very closely, but there are no saxophone
doubles, and Jones' adaptation places the original string parts in the saxophone section. Also
included is the big full ensemble section with the famous trombone solo before returning to the
chorus. No chart says "Sinatra" like this one! Highly recommended!
10517479 Jazz Ensemble & Vocalist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MA 65.00
No Moon at All—arr. Scott Ragsdale.
While this arrangement is written to feature a vocalist, it also has great instrumental appeal.
e style is Latin/mambo groove, the tempo is about 136 bpm, the ensemble accompaniment is
creative and interesting, it's accessible for both band and vocalist, and there are no instrumental
solos. Optional solo parts for C, B-flat, E-flat Instruments and Trombone are included as
substitute parts for the vocal solo. A great vocal and big band chart! Vocal key: C Major.
10513928 Jazz Ensemble & Vocalist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 52.00
September—arr. Mark Taylor.
Arranged for vocal soloist with jazz ensemble, you're sure to fill the dance floor with this
funk classic by Earth, Wind & Fire! e vocal key is C, and an optional tenor sax solo part is
included as a substitution for the vocal part. Highly recommended!
10522922 Jazz Ensemble & Vocalist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 50.00
at's All—arr. Victor Lopez.
Victor Lopez takes this iconic jazz ballad and turns it into a beautiful setting for solo vocalist
and jazz ensemble. In a medium swing, ballad style at around 88 bpm, this chart features
easy ranges, no instrumental solos, an instrumental interlude, and easy instrumental parts.
Optional solo parts are included for C, B-flat, E-Flat Instruments and Trombone to be used
in lieu of the vocal solo part. e vocal range is from low A-flat to C third space in the key of
A-flat. A wonderful ballad for vocal and jazz ensemble!
10513932 Jazz Ensemble & Vocalist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 54.00
is Can't Be Love—Richard Rodgers/arr. Dave Wolpe.
is Richard Rodgers standard is a vocal solo feature, but the ensemble and the vocalist are
really featured. You will enjoy the give and take between the ensemble and the vocalist. In a
medium swing style, it's arranged in two keys: High B-flat (male); and Low C (female)...just
turn the page over for a different key. e lead trumpet range is to written high B above the
staff and there is a written-out tenor sax solo. A tenor saxophone solo part is included if a
vocalist is not available. A super chart for both band and vocalist. Highly recommended!
10513930 Jazz Ensemble & Vocalist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 62.00
You Make Me Feel So Young—arr. Dave Wolpe.
Dave Wolpe has created a highly effective medium swinger for vocalist and jazz band on
this great standard, arranged in both high (E-flat, Male) and low (B-flat, Female) keys for
flexibility. If a different key is desired simply flip the page. ere are no instrumental solos,
but a brief trombone section soli and a nice full band interlude are offered for contrast and
variety. e lead trumpet range is to high C, and there is an optional tenor saxophone solo
part to be used as a substitute for the vocal solo. Great tune, great chart!
10513934 Jazz Ensemble & Vocalist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 62.00
Because every minute counts.
